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Yeah, but consider most of the real good HZ albums are way shorter than 85 minutes. SO we're lucky with that one.BVS is 90 and interstellar is 1 hr 40 min :PIf 85 minutes of music is short...Almost one and a half hours of music is short?that’s it? kinda short. being a zimmer score will there be a deluxe version with additional tracks?
All I know is that the album is gonna be 17 tracks, 1h25 !nothing is known yet? In some countries it opens in mid-DecemberOne of this score's best and most underrated moments, especially in the context of the film, is the introduction of the Kraken's theme in "Row to Tia Dalma". The tense buildup while Gibbs describes the creature's horrors, then the brief pause as he names it, followed by the theme in the absolute lowest registers of the orchestra, quiet, but so so so menacing and also just SUPER FUCKING COOL.<br><br>It gives me goosebumps every time, in a *dialogue scene*. That is incredibly good musical storytelling.Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?
oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGNI guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10
what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.
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Dominic LewisHenry JackmanAntonio AndradeMatthew K. Justmann
ComposerAdditional MusicAdditional ArrangementsMusic Production Coordinator
The Man In The High Castle (TV Series - Season 1)
Label: Varese Sarabande / Amazon Content Services (Digital Download Only)
Length: 37'38 / 33'39
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8006 votes)
VARESE SARABANDE
  1. Edelweiss (Vocals by Jeanette Olsson) (1:24)
  2. Alternate Outcome (3:21)
  3. Chapter 12 Verse 5 (3:44)
  4. Neuland (1:33)
  5. The Crown Prince's Speech (3:07)
  6. Attentater (2:32)
  7. The Grasshopper Lies Heavy (3:35)
  8. A Grave Situation (4:47)
  9. Unofficial Treaties (1:47)
  10. Too Good For This World (1:42)
  11. Fate Is Fluid (4:21)
  12. Vorsatz (4:12)
  13. The Necklace (1:22)
AMAZON EXCLUSIVE DIGITAL CONTENT
  1. Edelweiss (Vocals by Jeanette Olsson) (1:13)
  2. The Crown Prince's Speech (9:46)
  3. Too Good For This World (3:47)
  4. Fate Is Fluid (8:33)
  5. A Grave Situation (10:21)
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Tim reply Replies: 2 || 2017-02-01 10:20:53
Hello Hybrid. I was wondering if you could provide some track equivalents for the Varese Sarabande release and the Amazon Exclusive Digital Content relase. Thank you.


Hybrid Soldier2017-02-01 22:48:29
Basically the same titles. They were edited shorter the Varese release.


Tim2017-02-03 02:08:04
Man that sucks. I guess you have to purchase both releases to get a more informed opinion on the soundtrack.

Felix reply Replies: 2 || 2016-12-11 23:38:55
Hybrid, can you tell us who did what on this 4 cues & is Henry a real co-composer in this project or compose he only additional stuff??


Hybrid Soldier2016-12-16 17:53:34
Those tracks are Dom.

Henry did co-write some stuff for the Pilot but then the series was Dom.


Felix2016-12-16 20:05:52
Ok, great thanks

Edmund Meinerts reply Replies: 2 || 2015-12-04 11:18:32
Look at those track lengths. Did the Hans Zimmer of the mid-90s come back in time and produce this album?


JG2015-12-04 20:51:08
Hahaha!


LP2015-12-10 20:20:32
I remember that Jeff Rona did the production work on Crimson Tide. Blame him. Not sure about K2.

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The Man In The High Castle (TV Series - Season 1) soundtrack - Dominic Lewis 2015