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@Bill Koufo: it depends... Look at 'Passengers'. Critics didn't like it very much, but it got nominated for best score, because a part of the voters just LOVE Thomas Newman to death, and HAVE to nominate him no matter what.<br><br>So it's a mix of the movie's popularity with critics, and the composer's popularity with voters. But in all cases it has very little to do with the music itself.Additional composer credits:<br><br>Geoff Zanelli (James Newton Howard)<br><br>END CRAWL PT 1<br>MAIN TITLE THEME<br>MOOR FOLK TO WEDDING PT 1<br>PHOENIX<br>PROTECTING OUR KIND<br>THINGS START TO GO BAD<br><br><br>Geoff Zanelli, Phill Boucher<br><br>AURORA RETURNS TO THE MOORS<br>AURORA VISION / QUEEN'S  STORY<br>BATTLE PT 1 (James Newton Howard)<br>BATTLE PT 2<br>CHAPEL HEROICS (James Newton Howard)<br>CHAPEL HEROICS / M RETURNS<br>DIAVAL BRINGS WEDDING NEWS TO M<br>DON'T RUIN MY MORNING (James Newton Howard)<br>ETIQUTTE LESSONS (James Newton Howard)<br>HELLO BEASTIE<br>HUMANS ATTACK / CONALL WOUNDED<br>M IS COMING TO DINNER PT 1&3<br>M IS COMING TO DINNER PT 2 (James Newton Howard)<br>M RESCUED<br>M RETURNS (James Newton Howard)<br>M TO THE MOORS (James Newton Howard)<br>M'S ENTRANCE<br>ROYAL GOAT / TIME TO COME HOME<br>WEDDING INVITE / SHE'S GONE<br><br><br>Geoff Zanelli, Zak McNeil<br><br>ALL HE WANTED WAS PEACE<br>AURORA FINDS ARMORY PT 1&2<br>BATTLE PT 3 (James Newton Howard)<br>DEATH ORGAN SCORE / FEY ATTACK PT 1,2,3<br>END CRAWL PT 2 (James Newton Howard)<br>END CRAWL PT 4<br>FEY CEREMONY / TOMB BLOOM RAID<br>FLYING CONALL HOME<br>NO MORE FAIRIES<br>ORIGIN STORY<br>PINTO RECON / CAT CHASE<br>QUEEN TO QUEEN (James Newton Howard)<br>QUEENIE ON THE RUN (James Newton Howard)<br>THE WEDDING / YOU'RE SMILING / FINALE (James Newton Howard)<br>TO THE CASTLE / BUILDING BRIDGES<br>TOMB BLOOM FROM MOTHER<br>WEDDING DRESS / BECAUSE OF YOU AND AURORA<br>WHAT'S GOING ON HERE? / PHILLIP PROPOSES PT 1&2<br>WHAT'S GOING ON HERE? / PHILLIP PROPOSES PT 3 (James Newton Howard)<br><br><br>Geoff Zanelli, Phill Boucher, Zak McNeil<br><br>NO NEED OF ARMS<br>SHE SAID YES<br>YOU DON'T HAVE TO CHANGE (James Newton Howard)Exactly @Edmund. You don't have to write a great score to get nominated, your score can be at least decent. It's the movie that needs to be critically acclaimed.There are 2 dates in the UK, London and Manchester on the fifth and seventh of March.Next Friday indeed.<br><br>Too bad because I REALLY wanted to listen to the whole album right after watching the movie. There are some amazing, powerful cues.
Balfe confirmed that the score is coming the next Friday.where's the score? Thought it was gonna release the same day as the movieSpectacular job on Bad Boys 3! Honestly, in my opinion, it's one of the best Lorne scores. Just got back from the movie and both the music and the movie were terrific.<br><br>Lorne and his team have my respect!;)I have made a mistake.Although you should have more mercy with people.
The same "journalists" who said Hans was hired a week ago ?<br><br><br><br><br><br><br>LOLJournalists say he will act as a composer.If some time down line it gets revealed that all of these Lornanists were on someone’s payroll, you heard it here first.Confirmed by Lorne, the score album for Bad Boys 3 is coming... the next FrridayMarr is probably performing the James Bond theme...you know, on the electric guitar? Which is the instrument he's famous for?<br><br>Jesus, I swear there are some people who won't be happy until Lorne Balfe is singlehandedly both composing and performing the score to every film that is ever made.
I can't say that I am happy.  I love Marr, but I don't want Marr in Lorne's position.  #BalfeforBondJohnny Marr has been confirmed to be performing on the score...<br><br>Is there going to be a separate discussion thread for this btw?Dark Materials was anything but "a pure orchestral sound" lolIt largely has to do with the types of films he scores.Meh, you're not alone. Not a big fan of Desplat, especially when it comes to his contributions to pre-established franchises.
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Henry JackmanMatthew MargesonGavin GreenawayStephen Coleman
ComposerAdditional ArrangementsConductorOrchestrator
Kick-Ass (Complete Score)
Label: Unofficial Release
Length: 100'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2756 votes)
  1. Also Sprach Kick-Ass (1:31)
    Henry Jackman
  2. Stand Up (3:27)
    The Prodigy, Marius De Vries
  3. Leaving The Comic Store (0:46)
    Marius De Vries
  4. Watching (1:08)
    Henry Jackman
  5. Man In The Mirror (1:09)
    Henry Jackman
  6. Shooting Mindy (0:46)
    Marius De Vries
  7. Roof Jump (1:50)
    Marius De Vries, Ilan Eshkeri
  8. Time To Engage (0:31)
    Henry Jackman
  9. Stabbing, Morphine (2:05)
    The Prodigy, Marius De Vries
  10. I'm Kick-Ass (1:18)
    Henry Jackman
  11. Famous (2:25)
    Henry Jackman, John Murphy, Marius De Vries, Ilan Eshkeri
  12. Coffee With Katie (0:44)
    Marius De Vries
  13. Walk To Rasul's (1:06)
    Danny Elfman
  14. Rasul's Confrontation (2:46)
    Marius De Vries, Ilan Eshkeri
  15. Big Daddy Shoots (0:12)
    Marius De Vries
  16. Leaving Rasul's (0:50)
    John Murphy
  17. I'm Hit Girl, That's Big Daddy - Kick-Ass Cries - Sal's Phone (2:34)
    Henry Jackman, John Murphy, Marius De Vries, Ilan Eshkeri
  18. Giant Cock (0:51)
    John Murphy
  19. Big Daddy Leaves (0:17)
    John Murphy
  20. Marcus Enters (1:09)
    Henry Jackman, John Murphy
  21. A Graphic History (1:38)
    Henry Jackman, John Murphy
  22. Miss You Both (1:52)
    John Murphy, Ilan Eshkeri
  23. Hunting Kick-Ass (1:12)
    Henry Jackman
  24. Killing Kick-Ass (0:51)
    Henry Jackman
  25. Mistmobile (1:42)
    Henry Jackman
  26. Frank & Joe In Car (1:01)
    John Murphy
  27. Frank's Warehouse (2:34)
    John Murphy
  28. In The Warehouse (2:59)
    John Murphy
  29. Pull His Guts Out (0:30)
    Henry Jackman
  30. Warning Big Daddy - Cemetery (1:48)
    Henry Jackman, Marius De Vries
  31. Bedroom Love Theme (2:05)
    Marius De Vries
  32. To Brooklyn Bridge (1:46)
    Marius De Vries
  33. Drive To The Safehouse (2:26)
    Henry Jackman
  34. Safehouse Ambush (1:15)
    John Murphy
  35. Big Daddy Kidnapped (0:59)
    John Murphy
  36. Countdown (1:18)
    John Murphy
  37. Showtime (1:19)
    John Murphy
  38. Interrupted Broadcast (0:23)
    John Murphy
  39. Lights Out (2:12)
    John Murphy
  40. Nightvision (0:52)
    John Murphy
  41. Strobe (1:54)
    John Murphy
  42. Show's Over Motherfuckers (0:34)
    Henry Jackman, John Murphy
  43. Big Daddy Dies (1:37)
    Henry Jackman, John Murphy
  44. Back To Headquarters (1:10)
    John Murphy
  45. Marshmallows (2:51)
    John Murphy, Ilan Eshkeri
  46. Five Minutes (0:41)
    Marius De Vries
  47. Kick-Ass Picks Up Jetpack - Elevator (1:19)
    Henry Jackman
  48. Empty Corridor (0:54)
    John Murphy
  49. Kitchen Stand Off (2:38)
    John Murphy, Ilan Eshkeri
  50. Frank Fight (3:14)
    Henry Jackman, John Murphy, Marius De Vries, Ilan Eshkeri, Matthew Margeson
  51. Flying (1:51)
    Henry Jackman, John Murphy
  52. Conversation On Roof (1:00)
    Henry Jackman
  53. Leaving The Comic Store (Alternate) (1:05)
    Marius De Vries
  54. Leaving Rasul's (Alternate) (1:18)
    John Murphy
  55. I'm Hit Girl, That's Big Daddy - Kick-Ass Cries - Sal's Phone (Alternate) (2:42)
    Henry Jackman, John Murphy, Marius De Vries, Ilan Eshkeri
  56. In The Warehouse (Alternate) (2:52)
    John Murphy
  57. Drive To The Safehouse - Safehouse Ambush (Alternate) (2:47)
    Henry Jackman, John Murphy
  58. Lights Out (Alternate) (2:25)
    John Murphy
  59. Nightvision (Alternate) (1:25)
    John Murphy
  60. Strobe (Alternate) (2:04)
    John Murphy
  61. Back To Headquarters (Alternate) (1:42)
    John Murphy
  62. Marshmallows (Alternate) (1:14)
    John Murphy
  63. Empty Corridor (Alternate) (1:17)
    John Murphy
  64. Kitchen Stand Off (Alternate) (1:21)
    John Murphy, Ilan Eshkeri
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Anonymous reply Replies: 1 || 2017-02-25 08:44:52
Why 4 composer for one score?


Edmund Meinerts2017-02-25 19:12:59
I don't remember the exact circumstances, Hybrid explained it once...basically there was a revolving door of composers on this one, with Jackman I think being the final guy wrapping everything up. But instead of rejecting the previous scores they decided to work what had already been written into the final score. And apparently a lot of previous John Murphy music was on the temp track (28 Days Later etc), and they decided to get Murphy to come in and rework those pieces himself. It was all a bit of a mess and I'm sure Hybrid knows the story better than me.

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Kick-Ass (Complete Score) soundtrack - Henry Jackman 2010