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yeah that's just one though. We'll see!! no info on a release date, on lornes twitter it says it's coming out very soon."Shatterdome Attacked", at least we'll get one 7-minute action cue...<br><br>Also. TRACKLIST YOU GET DID WHERE???An agent isn't the problem. Powell is choosing to work less, and only on certain types of movies.Damn the tracks are really short, i was hoping for some long epic music. Hopefully he'll deliver on the epic (I'm sure he will)Giacchino has some points about Powell because of the variety of his work. The man works on several beloved franchises through the pubic and every year makes some score for Pixar. From Powell, so far we've only had Bourne and the animated films from Dreamworks and Blue Sky. That's the only problem with him. The lack of a good agent to get projects beyond the territory conquered by him in the mid-00's.
where got you did tracklist have been?Where did you get the tracklist ???????Where you get the tracklist?<br><br>;)Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.Ian<br>I would rather choose Giacchino over Powell any day.<br>Don't get me wrong, Powell is great but always found Giacchino's Scores much more memorable.<br>The only score made by Powell that i keep listening is Bourne's Supremacy.
And @Ian, re: talent of assistants, to add to your point... Kick It was, according to Hybrid, Hansí theme turned into a suite by Balfe...so even there, with his interesting stuff, the nucleus of it is still Zimmer. If youíre talking about Training from Begins for Djawadi, ditto there. Hans said that was the first theme he (Hans) wrote for the movie. So in both cases, these guys kinda sound best when expanding on Hansí ideas.His KPM and Extreme library tracks are excellentOh I know! I'd say I've heard maybe 20 scores or so by him, so not totally useless, but he's definitely someone I still need to explore more.It would be good to see Kawczynski doing more.Chappie was excellentIan - I prefer Rogue One over Jurassic World. The movie and the score.<br><br>Edmund - You have missing a lot of great stuff by Goldsmith! :D
Probably the only reason Goldsmith isn't in my top 3 is I haven't heard enough of his music. :pWallfisch is a good composer indeed, but BR2049 (and Dunkirk) were absolutely the wrong place for him. He's not a synth guy. He was originally a protege of Dario Marianelli, for heaven's sake - he's got a far more classical/orchestral sensibility. A score like Cure for Wellness is a much better fit for him. I'm not sure why Hans thought it was best to bring him of all people in on BR2049 when the more electronically-inclined Mazzaro/Kawczynski duo would have made more sense for a Blade Runner score (I say this based mostly on Chappie).Ian - no one is trying to compare Balfe to Zimmer !Firstly there is a 20 year age gap!!!Zimmer will always be the best in my eyes but doesnít harm saying someone else can be good <br><br>Still confused why this conversation is still troubling some.I remember saying last year that I thought Lego Batman was one of the best animation scores that year and it caused some to have heart attacks.there are a hand full of people that donít think he is either good or should be working .... we get !!!! <br><br><br><br>Edmund - given the rationality you've displayed in your comments, I'm disappointed Goldsmith isn't in your top three. ;)<br><br>In all seriousness, I'd put money on Powell fucking nailing the integration of Williams's theme. While Giacchino did a solid job on Jurassic World and Rogue One (I tend to think my assessment of the latter is a bit more positive than most), frankly I just think Powell is a far better composer - a genuine A-level guy, whereas Giacchino is moreso very competent without that spark of pure talent seen in Williams, Goldsmith, Elfman, Zimmer etcI think it's worth noting that Zimmer's popularity at this point is largely under his direct control - meaning that if he were to decide to stop touring, go back to writing full-time, and return to his 'epic' thematic style, I think we'd see a surge in his popularity of the sort we saw from Batman Begins through til Interstellar. However, I just don't think he's interested, which is totally his right.<br><br>I certainly agree that the RCP proteges at this point are, frankly, shit compared to how they used to be. I mean, even a guy like Steve Mazzaro (who I genuinely like and who wrote some of the coolest cues in Chappie, and basically co-wrote BvS - a score I actually like) just utterly pales in comparison to the Powell era.<br><br>Actually, I have to take that back a bit; Wallfisch is a very, very talented guy, honestly so much better than someone like Junkie that I weirdly tend to forget he's under the RCP roof now.
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Henry JackmanMatthew MargesonDominic LewisStephen Hilton
ComposerAdditional MusicAdditional MusicAdditional Music
Man On A Ledge (Complete Score)
Label: Unofficial Release
Length: 86'13
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1536 votes)
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  1. The Roosevelt Hotel (2:14)
    Henry Jackman
  2. Small Step For Man (1:48)
    Henry Jackman
  3. 25-Year Sentence (1:27)
    Henry Jackman
  4. The Funeral (2:47)
    Henry Jackman
  5. The Gataway (2:55)
    Henry Jackman
  6. Man On A Ledge (2:30)
    Henry Jackman
  7. Little Miss Grim Reaper (2:29)
    Henry Jackman, Dominic Lewis
  8. My Scene, My Room (1:56)
    Henry Jackman, Stephen Hilton
  9. Mike Digs Deeper (0:36)
    Henry Jackman
  10. Thanks For The Watch (0:28)
    Henry Jackman
  11. Not A Normal Suicide (1:03)
    Henry Jackman
  12. Enter Joey & Angie (1:01)
    Henry Jackman, Matthew Margeson
  13. Lydia's Lamentations (1:08)
    Henry Jackman
  14. Shaky Leg (0:47)
    Henry Jackman, Matthew Margeson
  15. A Very Ballsy Diversion (2:50)
    Henry Jackman, Matthew Margeson
  16. Get In The Hole (1:17)
    Henry Jackman, Matthew Margeson
  17. Have A Puff (2:02)
    Henry Jackman, Matthew Margeson
  18. Elevator Munching (2:16)
    Henry Jackman, Matthew Margeson
  19. Danger Allsorts (2:03)
    Henry Jackman, Matthew Margeson
  20. Camera Gibbon - Wire Tappin' (3:59)
    Henry Jackman, Matthew Margeson
  21. Make Files (0:51)
    Henry Jackman
  22. The Diamond Thief (1:57)
    Henry Jackman, Dominic Lewis
  23. Make It Rain (5:06)
    Henry Jackman, Matthew Margeson
  24. Tactical Threats (2:29)
    Henry Jackman, Matthew Margeson
  25. Mid-Film Transition (0:52)
    Henry Jackman
  26. Trust Me (1:00)
    Henry Jackman, Stephen Hilton
  27. Be Mad In The Vent (1:38)
    Henry Jackman, Matthew Margeson
  28. Ledge Burger (1:50)
    Henry Jackman
  29. Trust Your Instincts (4:28)
    Henry Jackman, Stephen Hilton
  30. A Girl's Best Friend (3:08)
    Henry Jackman, Matthew Margeson, Dominic Lewis
  31. Ain't In The Vault (1:46)
    Henry Jackman, Matthew Margeson
  32. Monarch Stowage (2:35)
    Henry Jackman, Matthew Margeson
  33. Tactical Ambush (3:25)
    Henry Jackman, Matthew Margeson
  34. Good Cop Bad Cop (4:44)
    Henry Jackman
  35. Standoff On The Roof (4:10)
    Henry Jackman
  36. Standdown On The Street (1:21)
    Henry Jackman
  37. Dog Day Afternoon (1:05)
    Henry Jackman
  38. A Family Heirloom (0:48)
    Henry Jackman
  39. Make It Rain (Alternate) (5:05)
    Henry Jackman, Matthew Margeson
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Bayhem reply Replies: 0 || 2017-10-11 14:47:18
In my opinion, one of Jackman's most underrated and intense scores. It's also one of those scores that fits the movie perfectly. Doesn't feel out of place, it's not over-the-top. Certain cues are definitely influenced by Harry Gregson-Williams. Anyway, I definitely recommend it.

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Man On A Ledge (Complete Score) soundtrack - Henry Jackman 2012