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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Music Scoring Mixer
Nick Glennie-SmithMalcolm Luker
ComposerMusic Scoring Mixer
Highlander - Endgame
Label: GNP Crescendo
Length: 62'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4477 votes)
  1. Bonny Portmore - Jennifer McNeil (3:46)
    Stephen Graziano
  2. Opening Titles (10:18)
    Stephen Graziano
  3. Motorcycle Gang Fight (4:46)
    Stephen Graziano
  4. Driving To Loft / Getting Duncan / Ride To The Grave (2:36)
    Stephen Graziano, Todd Wollons
  5. Say Goodbye To Kate / Last Supper Slash (3:33)
    Stephen Graziano
  6. Heather Cuts Her Hair (1:08)
    Nick Glennie-Smith, Stephen Graziano
  7. There Can Only Be One! (Killing Kell) (6:53)
    Stephen Graziano
  8. Prelude / The Song Of The Pooka - Jennifer McNeil (3:32)
    Stephen Graziano, Rob Cairns
  9. The Legend Of The Immortals (10:34)
    Nick Glennie-Smith
  10. Connor And Duncan Fight Together (0:45)
    Nick Glennie-Smith
  11. Duncan Visits The Loft (0:54)
    Nick Glennie-Smith
  12. The Hidden Room (1:16)
    Nick Glennie-Smith
  13. Attack At The Loft (6:08)
    Nick Glennie-Smith
  14. Killing An Old Friend (2:17)
    Nick Glennie-Smith
  15. In Memory Of Connor (3:58)
    Chris Neel
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Ravi Krishna reply Replies: 0 || 2009-07-27 00:00:00
I wish Nick got more big projects. He's an incredibly talented and underused composer!

Avalhon reply Replies: 0 || 2009-05-30 00:00:00
Amazing music. I love it.

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Hybrid Soldier reply Replies: 0 || 2007-05-07 00:00:00
If you want more informations :

1. Bonny Portmore (3:46)
-Traditional, arranged by Stephen Graziano, performed by Jennifer McNeil

2. Opening Titles (10:18)
-Stephen Graziano

3. Motorcycle Gang Fight (4:46)
-Stephen Graziano

4. Driving to Loft/Getting Duncan/Ride to the Grave (2:36)
-Stephen Graziano

5. Say Goodbye to Kate/Last Supper Slash (3:33)
-Stephen Graziano

6. Heather Cuts Her Hair (1:08)
-Stephen Graziano, Nick Glennie-Smith

7. There Can Only Be One! (Killing Kell) (6:53)
-Stephen Graziano

8. Prelude/The Song of the Pooka (3:32)
-Traditional, arranged by Stephen Graziano, performed by Jennifer McNeil

9. The Legend of the Immortals (10:34)
-Nick Glennie-Smith

10. Connor and Duncan Fight Together (0:45)
-Nick Glennie-Smith

11. Duncan Visits the Loft (0:54)
-Nick Glennie-Smith

12. The Hidden Room (1:16)
-Nick Glennie-Smith

13. Attack at the Loft (6:08)
-Nick Glennie-Smith

14. Killing an Old Friend (2:17)
-Nick Glennie-Smith

15. In Memory of Connor (3:58)
-Chris Neel

Shane Oddetta reply Replies: 0 || 2006-02-06 00:00:00
This is a beautiful score. Moody and atmospheric with twists and turns to complement the movie. Thank-you.

Michaël Desmadril reply Replies: 0 || 2005-12-14 00:00:00
Hello,

I must say... very nice... Only one word is enough. Perfect. Trully number one. Excellent combination with James Newton Howard.

Keep making music

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Highlander - Endgame soundtrack - Nick Glennie-Smith 2000