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I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style, but yeah, I definitely see the Lorne involvement in there. Interesting though, our first official additional composer credit on this score!John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted ďclassicalĒ composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).
Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.Anyone know of a proper chronological listing of this score? I tried cross-referencing it with the expanded listed here and made this:<br><br>01 Dublin, 1996<br>02 <br>03 <br>04 <br>05 Second Warning<br>06 Research<br>07 Driving<br>08 The Beating<br>09 Traynor Lies<br>10 Never Show Your Fear<br>11 Preparations<br>12 The Killing<br>13 Bad News<br>14 The Funeral<br>15 One More Day<br><br>But I have no idea where Conversations, First Warning, and Deceit goes, and I'm not sure if Traynor Lies and Driving are placed correctlyif you read my first sentence you can see I dismisded this rumor as crap<br>..................<br><br>Fair enough....But look back on the comment itself. It's kinda confusing. The way you wrote it created the illusion that Lorne not only ghostwrote the score, but he also dismissed it as crap. You didn't say "I dismissed the rumor". You said: "...a rumor stating that Lorne Balfe ghostwrote this score and dismissed it as crap." <br> <br><br>Anyway, moving on.....<br><br>Steve was interviewed a lot about The Last Knight and it's pretty obvious that he worked hard on that score. From the day they started shooting the movie. Was he supported by other composers? Absolutely. You can't score such a huge movie by yourself. Any composer who claims that is lying.<br><br>So there's nothing shocking or surprising about the fact that other composers were involved here. As for them being "Lorne's people"......well, considering how MV/RC-related composers work and how interconnected everything is, the "Lorne guys" could very well be friends with Steve too and perhaps he simply brought them on board. Or they were recommended by Lorne. It certainly doesn't mean that there was this top secret plan of them and Lorne actually ghostwriting the entire score. I still wonder tho......how do these rumors even come up? Who spreads them? And why? I ask because this is not the first time I've heard rumors about Zimmer scores and Jablonsky scores. It's always these two guys. Which happen to be two of the most prominent and popular MV/RC guys. Coincidence? Not to sound like a conspiracy nut, but it kinda makes me think that someone is intentionally trying to undermine the biggest MV/RC names by constantly throwing shade at their work."Deserving" is a word that doesn't exist in Hollywood, so stop thinking that way... lol
The problem I have with Junkie XL scoring Avatar is just that there are so many RCP composers better or more deserving. You have Zimmer, Powell, Gregson-Williams, Mancina, Jackman, Wallfisch...it is just so wrong to think Junkie XL is scoring Avatar and none of those guys are.I think that Tim Miller played a greater role in case of Terminator and Sonic. And I really don't see Junkie as good choice for Avatar 2.@Edmund <br>I still stand by my opinion that Holkenborg scoring Avatar 2 could be pretty interesting. Pairing him up with a director who is known to be strict with his musical choices and continuing on from James Hornerís classic might produce something really good. And seeing his gradual progress as a composer with Mortal Engines and Alita have personally given me some hope (2 years ago I would have said hell no).<br><br>And Iím not surprised by the choice for T6. Not looking forward to this project at all but we did get a cool score from Balfe for the last one so maybe there is some hope for the music at least.I think Terminator is a decent match for JXL's talents (listen to "The March" from Divergent), but this feels like further evidence that James Cameron is grooming him for Avatar 2, which I really hope ends up not being the case.Yes, Tom will be scoring the new Terminator movie
Chill out Bayhem, if you read my first sentence you can see I dismisded this rumor as crap.<br>But seeing people from his team ivolved and considering the fast and furious situation, I canít help but wondering if thereís some truth to that rumor.<br>Now for a guy talking about haters, saying that Lorne scores 36million projects and B movies (forgetting mission impossible) I think youíre pushing it a bit.<br>Anyway no hate I donít care who wrote it Iím just curious about the behind the scenes stuff.You're reaching there a bit Bayhem, I see no one in this thread trying to undermine Steve's work or the score. Hell the first poster was just asking if Lorne worked on it and if so, to what extent. And the "rumor comment" is a logical extension of Lorne's whole regular team being credited on the score, therefore it is possible that he did additional work on it.Again a "rumor" comment that's trying to undermine Steve's work. And in this case, an entire score. Lorne fans, please stop trying to constantly undermine other composers in favor of your guy. It's childish and extremely disrespectful. You've done it multiple times on these boards. What's next? You gonna claim that Lorne secretly scored the entire Transformers franchise? And Lord of the Rings. And Harry Potter. <br><br>Seriously, it's getting really old, really fast. <br><br>Not to mention the fact that Steve, as a composer, is much, much more experienced and established than Lorne. He's got nothing to prove. Steve takes his time when it comes to scoring. He's choosing carefully. He's got more than enough time to focus on his projects. While Lorne's name is attached to 30 million different projects, some of them cheap B-movies like Hurricane Heist. And you think he's scoring them all by himself? The irony of it all is that if anyone is using ghostwriters most of the time, it's Lorne. Not Steve. And I'm saying that as a Lorne fan as well. I'm not just a Jablonsky fan. I appreciate Lorne's work as well. But I'm not undermining other composers in favor of him.Bay has Lorne scoring his films now cause they established a relationship on 13 Hours, and Bay didn't even want Lorne for that; he wanted Hans but he didn't want to go through the exhausting process of another Bay blockbuster so he brought in Lorne instead.<br>And even then, Hans still worked together with Lorne very closely on the project (Hybrid said he was there for all the meetings, helped with synth programming, etc)Of cause Balfe worked on it .That is why Bay now uses Balfe
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Hans ZimmerLisa GerrardKlaus BadeltNick Glennie-Smith
ComposerComposerCo-ComposerAdditional Music
Gladiator
Label: Decca Records
Length: 61'38
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (24015 votes)
  1. Progeny (2:13)
    Hans Zimmer
  2. The Wheat (1:03)
    Lisa Gerrard
  3. The Battle (10:02)
    Hans Zimmer
  4. Earth (3:01)
    Hans Zimmer
  5. Sorrow (1:26)
    Lisa Gerrard, Klaus Badelt
  6. To Zucchabar (3:16)
    Hans Zimmer, Djivan Gasparyan
  7. Patricide (4:08)
    Hans Zimmer
  8. The Emperor Is Dead (1:21)
    Lisa Gerrard, Klaus Badelt
  9. The Might Of Rome (5:18)
    Hans Zimmer
  10. Strength And Honor (2:09)
    Hans Zimmer
  11. Reunion (1:14)
    Lisa Gerrard, Klaus Badelt
  12. Slaves To Rome (1:00)
    Hans Zimmer
  13. Barbarian Horde (10:33)
    Hans Zimmer, Nick Glennie-Smith
  14. Am I Not Merciful? (6:33)
    Hans Zimmer
  15. Elysium (2:41)
    Lisa Gerrard, Klaus Badelt
  16. Honor Him (1:19)
    Hans Zimmer
  17. Now We Are Free (4:14)
    Hans Zimmer, Lisa Gerrard, Klaus Badelt
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Nikolay reply Replies: 0 || 2007-09-29 00:00:00
ok

me reply Replies: 0 || 2007-08-28 00:00:00
Hans Zimmer - you're the man.
I love all your scores.
The best are for "Pirates... Dead Man's Chest", "The Rock", "Gladiator", "The Fan", "Batman: Beginning", "The Last Samurai" and "Nyah" for "M:I-2". They're amazing.
So touching... makes me wanna cry sometime (for ex. /Now We Are Free/ from Gladiator).
You're the best!

Lee reply Replies: 0 || 2007-08-28 00:00:00
Great movie and excellent soundtrack, impressed with the musical themes of Middle Eastern cultures
found in "Elysium and Now We Are Free"

Nice vocals by Lisa and nice orchestration.

Lee reply Replies: 0 || 2007-08-28 00:00:00
Another comment/question:

Saw the lyrics from "Now We Are Free", just asking if there is a literal translation? Some words like "shalom" are obvious, but the rest?

myspace.com/agentohmmusicforpicture reply Replies: 0 || 2007-08-27 00:00:00
Hi Hans,

The music for this film is legendary!!! The film simply would not be the same without this score.


-David / Agent Ohm

www.myspace.com/agentohmmusicforpicture

flute reply Replies: 0 || 2007-07-29 00:00:00
fucking great! number 4 is the best =)

Evgeniy Borisenko from Ussuriisk, Russia reply Replies: 0 || 2007-07-28 00:00:00
It's a true MASTERPIECE! I have no words, only feelings and tears! THANKS!!!

eatme reply Replies: 0 || 2007-07-15 00:00:00
this site sucks good luck!

from armenia (artyom) reply Replies: 0 || 2007-07-12 00:00:00
i know DUDUK cose my Gfather was duduk-master!

i'm so preesheeeiteed Hans!!!

Antas, Webmaster reply Replies: 0 || 2007-05-26 00:00:00
@lu, you can find that score at Itunes, Amazon, Ebay...

Don't forget illegal downloads are prohibited on this site

lu reply Replies: 0 || 2007-05-26 00:00:00
hi!
can you say me where can I download that great soundtrack please???
thank you very much!!!

Paul reply Replies: 0 || 2007-05-11 00:00:00
Fabulous music, fabulous film,

christian R Gonzale reply Replies: 0 || 2007-05-03 00:00:00
Im a starting composer and i must say hans zimmer is the best in the industry! The Gladiator Score has been in inspiration in my career. An absolute masterpiece!

mathieu reply Replies: 0 || 2007-03-18 00:00:00
10/10. De la bombe cette musique. La meilleure BO de hans zimmer! Barbarian Horde, The Battle, Am i not merciful, Honor Him et Now we are Free sont de supers morceaux!

zimmer reply Replies: 0 || 2007-03-06 00:00:00
now we are free.

hedieh reply Replies: 0 || 2007-02-15 00:00:00
l realy love ,now we are free, this song can touch the soul,

Bazel reply Replies: 0 || 2007-02-13 00:00:00
Wonderful music of the end of the century! Without this the film would have lost peculiar atmosphere!
Prachtvolle Musik!!

Ana (DC) reply Replies: 0 || 2007-02-03 00:00:00
Number 17 is amazing! I can't enough of it.
I enjoy this collection quite a bit, especially the last three.

Angela (Pl) reply Replies: 0 || 2007-01-29 00:00:00
I love this film...I love music- it's wonderful!! I really like "Now we are free"... Great soundtrack!!

Irene reply Replies: 0 || 2007-01-23 00:00:00
Great music. Hans Zimmer the best

John Hamilton reply Replies: 0 || 2007-01-22 00:00:00
i agree with provectus, i have those 3 tracks in a seperate playlist! :D

Provectus reply Replies: 0 || 2006-12-13 00:00:00
honestly, the best combination of songs are: Elyseum, Honour him, Now we are free, in that order as the progressions of harmony work so well its unbelievable, if only i could get help on my a-level compsition from this master of music!

)*( Provectus )*(

Aurel reply Replies: 0 || 2006-11-30 00:00:00
There is no word intensive enough to describe your music...thanks

Rajbir reply Replies: 0 || 2006-10-04 00:00:00
I saw your film the very first day here in London. The movie is marvellous i dont have words to describe it was that good. Especially the cast you had Russell Crowe played the role very well.

What we do in life echoes in eternity.

OKKU reply Replies: 0 || 2006-09-25 00:00:00
THE BATTLE is very god.thanks.

Vlada reply Replies: 0 || 2006-09-25 00:00:00
I think it is absolutely not fair to say nothing about Liza Gerrard in the Blood, Sand and Celluloid, because "the greates zimmer's soundtrack" happened only due to the talent of this extraordinary woman. and when people download things to their ipods, they take her song rather than his typical loud orchestra piece.

hisham reply Replies: 0 || 2006-09-18 00:00:00
hi hans how r u i like u so much this is my email .....hish_aim2006@yahoo.com...

hisham reply Replies: 0 || 2006-09-18 00:00:00
hi hans zimmer please if u read this message can u give us ur email please......answere.....bye

hisham reply Replies: 0 || 2006-09-17 00:00:00
hi... hans zimmer iam asking u this question and i dont know of u will answere me this is my email please add ....sniper_aim77@hotmail.com,,,...bye

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Gladiator soundtrack - Hans Zimmer - Lisa Gerrard 2000