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My one hope is that this doesn't mean Chris Nolan will be tying Zimmer's hands behind his back for future scores. If he wants to do that here, okay. I can get over one score. But I hope Nolan doesn't keep calling for this non-melodic approach.That was one of my favorites, wish it was on the OST.Yeah, was also looking for that track.Nolan's liner notes, which explains a lot on the score :<br><br>"British people are raised on the story of Dunkirk. The events of the evacuation are sacred ground, not to be ventured onto without great care. Daunting for a filmmaker. But the things that place Dunkirk so firmly at the heart of a nation's self-image are the very qualities that make it one of the greatest stories in human history. Irresistible to a filmmaker.<br><br>This film required a remarkable creative team, and Hans Zimmer, as well as having been a valued member in the past, knows how to assemble his own great team. From our first meeting, where I described to the percussionist, Satnam Ramgotra, the unusual rhythmic structure of the script and how it needed to be amplified by the music, through the finishing touches applied by Lorne Balfe during our last weeks of mixing, the importance of teamwork was paramount. The process nicely echoed the circumstances of the events we were trying to honour- a triumph of communal effort, not individual heroism.<br><br>When I called Hans one night with a one word suggestion- "Nimrod", I wasn't sure he'd accept experimenting with an existing theme for the climax of the film. To my surprise, he knew just who to call to achieve the deconstruction of Elgar's monumental theme, a theme as beloved to the English as Dunkirk itself, often played at ceremonial occasions and funerals. It's a theme which (I never admitted to Hans) I am incapable of hearing without feeling the surprising weight of my father's coffin on my shoulder. Hans brought in Benjamin Wallfisch, who, in collaboration with the great music editor Alex Gibson and myself, fashioned a modern reworking that grows out of the sights and sounds of the movie- tapping the original's resonances without feeling unearned. Hans's brass accents complete the piece's power to move without sentimentalizing.<br><br>Hans went on to incorporate Elgar's theme elsewhere in the score, a score that on this album has been divided into cues, but which in the film plays as one long piece with a unifying and complex rhythmic and tonal structure. The structure of the screenplay itself builds upon the shepherd tone concepts I first explored with composer David Julyan in the soundtrack for "The Prestige", but here Zimmer's team (in particular Andy Page and Andrew Kawczynski) and I added a whole new rhythmical structure. This can't be fully represented on the album, but in the film it is able to integrate sound effects and even story structure into the very fabric of the music in a new and unique manner.<br><br>The rigid structure, to which we adamntly stuck, at times proved frustrating for the musicians, but they persevered and produced extraordinary cues based on unusual solutions (such as a recording of my watch that Hans and his team adapted into many different rhythmic voices). The disciplined procedural approach stopped the music for "Dunkirk" from ever resorting to arbitrary cinematic emotionalism, something Hans and I always felt was vital, given the inherent emotional heft of the real life events. This has been a long and hard journey, but I am proud of the final results, and hope that you will share my appreciation for the talent of the artists who worked so hard for so long on this score.<br><br>CHRISTOPHER NOLANI don't think emotion and melodies = Oscar worthy. Dunkirk's score fits in with the movie far better than Chappie.
Saw the film again last night and there are a ton of great cues missing, especially from the first half of the film. It's a crime the cue when they carry the stretcher onto the ship wasn't included.The answer is: Christopher Nolan ;-)It doesn't crossfade as much as, say, The Dark Knight Rises or Inception, but there is  very rarely dead air. I haven't listened enough times to determine when it does and doesn't crossfade, but the tracks are, at least, very closely edited together.I Love Hans' stuff but this score didn't really do it for me. I don't see how people are repping this as Oscar worthy but trash something like CHAPPiEs score, something with actual emotion and melodies.This soundtrack will win an oscar . It's great to see Balfe back with Zimmer. Dream team
Does anyone know whether the cd version actually has the cues crossfading into each other? Since in the film the score plays almost as an entire cue, it would have made sense if they did that. It sounds like some cues in the digital version end kind of awkwardly, like 'Impulse' and 'Home'. These cues fade out while there still seems to be some instrumentation progression going on. Hence the crossfade thought...Oooh credits. I'm guessing from these it's going to be disqualified from entering Oscar nominations because<br>1. Use of a classical musical piece throughout<br>2. More than one guy is credited.<br><br>Anyway, that's how Hans always liked, crediting everyone.I have to agree on the soundtrack being mostly unlistenable...<br><br>This is nothing like Inception, or even Interstellar.<br><br>I seriously doubt there's going to be a big stink made about any track from this score the likes of "No Time For Caution" back in 14...<br><br>I tried...I tried real hard to find something to keep me interested in this score, but I personally couldn't find anything. Most of it is tension building noise. I'm sure it's great within the film, but outside the film? Not so much.<br><br>I guess Zimmer is on "retirement mode" now...He's slowing down and not wanting to produce the rockin stuff that he used to...I can't blame him, but still...This score sounds like a total experiment.Sorry bud...<br><br>Its not.Hi everyone, does anyone know the name of the music in the Dunkirk Trailer 1 at 01:30? It doesn't not seem to be in the score, I'm assuming it's not in the movie, I'm going to see it Sunday. If anyone knows the music or where to find it, please Comment, thanks!
Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
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Additional MusicAdditional MusicAdditional Music
Ramin DjawadiGeoff ZanelliBobby TahouriNoah Sorota
ComposerAdditional MusicAdditional MusicAdditional Music
Clash Of The Titans (Complete Score)
Label: Unofficial Release
Length: 121'57
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1615 votes)
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  1. Opening Stars (3:02)
    Ramin Djawadi
  2. Father & Son (1:14)
    Ramin Djawadi
  3. Someone Has To Make A Stand (2:33)
    Ramin Djawadi
  4. Harpies Attack Into Hades (1:10)
    Ramin Djawadi, Noah Sorota
  5. Tragedy (1:19)
    Ramin Djawadi
  6. Gods (2:02)
    Ramin Djawadi, Neil Davidge, Noah Sorota
  7. To Argos (1:58)
    Ramin Djawadi
  8. Hades Arrival (3:31)
    Ramin Djawadi, Noah Sorota
  9. I Knew Your Mother (4:41)
    Ramin Djawadi
  10. Do You Know What The Kraken Is? (1:00)
    Ramin Djawadi
  11. Leaving Argos (1:36)
    Ramin Djawadi, Dominic Lewis
  12. The Journey Starts (0:40)
    Ramin Djawadi
  13. Catacombs (2:15)
    Ramin Djawadi, Noah Sorota
  14. Bring Your Weapon (1:14)
    Ramin Djawadi
  15. Arrival Of The Sword & Pegasus (2:56)
    Ramin Djawadi
  16. Calibos Forest Fight (2:42)
    Ramin Djawadi, Neil Davidge, Bobby Tahouri
  17. Scorpiox Fight (3:55)
    Ramin Djawadi, Noah Sorota
  18. Djinn Arrival (0:42)
    Ramin Djawadi, Bobby Tahouri
  19. Hades Venom (0:43)
    Ramin Djawadi, Noah Sorota
  20. Redemption Through Blood (1:20)
    Ramin Djawadi, Noah Sorota
  21. Djinn Together (1:49)
    Ramin Djawadi, Bobby Tahouri
  22. I Do It As A Man (1:18)
    Ramin Djawadi
  23. Scorpiox Journey (2:05)
    Ramin Djawadi
  24. Stygian Mountain (0:50)
    Ramin Djawadi, Bobby Tahouri
  25. The Witches (3:24)
    Ramin Djawadi, Geoff Zanelli
  26. It's Expensive Where You're Going (1:43)
    Ramin Djawadi, Dominic Lewis
  27. I Need Your Help (1:21)
    Ramin Djawadi, Dominic Lewis
  28. Ferry Ride (3:01)
    Ramin Djawadi
  29. Below Deck (1:46)
    Ramin Djawadi, Dominic Lewis
  30. Journey To Medusa (2:20)
    Ramin Djawadi, Dominic Lewis
  31. Medusa's Lair (5:42)
    Ramin Djawadi, Dominic Lewis
  32. Io Stabbed & Calibos (1:46)
    Ramin Djawadi, Neil Davidge, Bobby Tahouri
  33. Io Dies (1:30)
    Ramin Djawadi
  34. Perseus Makes His Decision (0:47)
    Ramin Djawadi
  35. Release The Kraken (Part 1) (1:27)
    Ramin Djawadi, Geoff Zanelli
  36. Release The Kraken (Part 2) (1:12)
    Ramin Djawadi, Geoff Zanelli
  37. Chase For The Head (3:57)
    Ramin Djawadi, Geoff Zanelli
  38. Kraken Destruction (2:58)
    Ramin Djawadi, Geoff Zanelli
  39. Final Chapter (Part 1) (2:16)
    Ramin Djawadi
  40. Final Chapter (Part 2) (1:10)
    Ramin Djawadi
  41. Hero Suite (1:48)
    Ramin Djawadi
  42. Perseus Suite (6:34)
    Ramin Djawadi
  43. Medusa Suite (3:02)
    Ramin Djawadi
  44. Io's Theme (2:10)
    Craig Armstrong
  45. Calibos Suite (10:09)
    Neil Davidge, Bobby Tahouri
  46. The Storm That Brought Me To You (4:50)
    Tina Dico, Ramin Djawadi, Neil Davidge
  47. Harpies Attack Into Hades (Alternate) (0:57)
    Ramin Djawadi
  48. Tragedy (Alternate) (1:43)
    Ramin Djawadi
  49. Hades Arrival (Alternate) (3:31)
    Ramin Djawadi, Noah Sorota
  50. Perseus Makes His Decision (Alternate) (0:53)
    Ramin Djawadi
  51. Hades Plots (Unused) (0:48)
    Ramin Djawadi, Noah Sorota
  52. Arrival Of The Sword & Pegasus (Alternate) (2:56)
    Ramin Djawadi
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mpolonest123 reply Replies: 12 || 2015-09-26 18:40:00
Thanks Hybrid! :D


Edmund Meinerts2015-09-27 21:38:44
How do you guys always notice when Hybrid puts up a new complete score page? It's not like they're announced on the homepage or anything...

Anyways, to this score (which is a decent one that I enjoy): I haven't heard the complete, but it's interesting to note that Davidge worked on more cues other than "Calibos Suite" (or "Be My Weapon"). I always thought that was by far the worst part of the score.


mpolonest1232015-09-28 03:08:14
It was completely by accident... Lol

As for the Davidge cues, I think they were the ones that contained the Calibos theme, it's possible Ramin adapted it and Neil received theme credit.



Anonymous2015-10-01 05:09:04
I'd heard there were plans to leak this one. Thanks for the composer credits Hybrid!


ModelT2015-10-08 01:25:36
Leaking this Friday!


Edmund Meinerts2015-10-08 10:14:36
Since when do complete score leaks get official release dates?


Fabian2015-10-08 11:47:27
...and what kind of "plans" does someone need to to leak a score ?


Edmund Meinerts2015-10-08 11:59:29
It's like a heist movie. The Great Complete Score Robbery. A crack team of specialized individuals breaking into Remote Control Studios by the dead of night. Only Lorne Balfe up working at 4 A.M. to finish his nineteenth score of the year can stop them now!

Lorne Balfe played by Nicolas Cage
Score by...Lorne Balfe


Bioscope2015-10-08 21:34:16
Lol. Who's going to play the antagonist?


Edmund Meinerts2015-10-08 23:54:39
The team of bad guys is led by two RC composers gone rogue: Atli Orvarsson (Jeremy Renner) and Geoff Zanelli (Robert Downey Jr.).


david2015-10-09 05:44:44
well ModelT you lose cause it already leaked lol


Djawadi2015-10-09 17:49:57
Or we all win because the music's out there! Though technically, it's just a film edit that's leaked.


Djawadi2015-10-09 17:50:41
We can always get the suites from the OST though.

 HANS-ZIMMER.com 2001-2017 OST 
Clash Of The Titans (Complete Score) soundtrack - Ramin Djawadi 2010