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The Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.
I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on album
I can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.I really liked Richter’s score over balfesI listened Max Richter for years. He is the kind of select or minority composer who does his solo works and soundtrack for movies not so famous. <br>His solo works are really really good with quintet and piano and voice. "on the nature of daylight" is definitely the best. <br>His sountrack is not good as his solo, to be honest. I think "the Leftovers" (2014-2017, HBO series), "Miss Slaone" (2016) and "Mary Queen of Scots" (2019) are cool.<br>If you need some peaceful music for meditation or good sleep, listen to his work.Richter did his recording in january and june 2019. The Director himself is a fan of Richter, so the deadline and director are not the reason.<br>It seemed that producers were not satisfied with Richter's music and they wanted something new, that's why they got Lorne. It turned out Lorne brought a very limited new...
@Cercei<br>Hybrid can definitely answer that best. Richter’s score is used (alongside Balfe’s material) as well as some source pieces. If I remember correctly it’s a mish-mash of the two.I do know that piece, it’s very pretty. I’ll check out his other works, thanks for the recommendation. In terms of minimalism I really am into Brian Eno at the moment. His “Music For Airports” and “The Lovely Bones” are excellent if you like more introspective music.btw, you're saying Lorne recomposed and reworked the entire score. as i haven't seen the movie yet, did the producers end up with not using richters score for it at all and just used the score from Lorne?thanks for your information. but i actually don't understand why they have done that. i've heard now Lornes cues and Richters cues. all those cues from Lorne, they sound very similiar to that what Richter composed, but somehow with less melodies. And you really have to work hard to not use fewer melodies then Richter, as he's a minimalist at its best ^^ with that being said, i can't hear any groundbreaking differences from Lornes part, so what was their idea on hiring it and getting the same style of music, but in a more "light" version? :/i really admire Max Richters work, he isn't that new in this scene. his style is that repeating minimalism. maybe you've heard once the cue "on the nature of daylight" which was used a lot by many other movies. his last score which knocked me out was "Hostiles". such an emotional and intense score, you need to hear that, and probably see the movie as well (with Christian Bale). <br><br>
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Additional Music - Executive Music Producer
Rupert Gregson-WilliamsHans ZimmerLorne BalfeHalli Cauthery
ComposerAdditional MusicAdditional MusicAdditional Music
Bee Movie (Complete Score)
Label: Unofficial Release
Length: 71'58
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2761 votes)
  1. Main Title (3:26)
    Rupert Gregson-Williams
  2. Honex Industries (2:50)
    Rupert Gregson-Williams, Hans Zimmer, Halli Cauthery
  3. Pollen Jocks - The Balcony (1:33)
    Rupert Gregson-Williams
  4. J-Gate (0:34)
    Rupert Gregson-Williams
  5. The Job Board (0:43)
    Rupert Gregson-Williams
  6. Adam Can't Decide (0:16)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  7. Barry Joins The Jocks (5:51)
    Rupert Gregson-Williams
  8. There's A Bee In The Car (1:30)
    Rupert Gregson-Williams, Lorne Balfe
  9. Rain (0:32)
    Rupert Gregson-Williams, Lorne Balfe
  10. Enter The Guacamole (0:47)
    Rupert Gregson-Williams, Lorne Balfe
  11. Vanessa Intervenes (2:03)
    Rupert Gregson-Williams, Hans Zimmer, Halli Cauthery
  12. Coffee & Conversation (2:21)
    Rupert Gregson-Williams, Lorne Balfe
  13. Return To Honex (0:41)
    Rupert Gregson-Williams, Michael A. Levine
  14. Thinking Bee (0:36)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  15. Poolside Lecture (0:21)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  16. Stroll To Market (0:39)
    Rupert Gregson-Williams, Hans Zimmer
  17. Honey Reveal (0:51)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  18. Supermarket Strings (1:18)
    Rupert Gregson-Williams
  19. Warehouse - Chase The Truck (3:14)
    Rupert Gregson-Williams, Lorne Balfe
  20. Honey Farm Undercover (2:35)
    Rupert Gregson-Williams
  21. Where It Really Hurts (0:29)
    Rupert Gregson-Williams, Halli Cauthery
  22. Yogurt Night (0:49)
    Rupert Gregson-Williams, Halli Cauthery
  23. Sugar Cube (0:42)
    Rupert Gregson-Williams, Lorne Balfe
  24. Trial Begins (1:46)
    Rupert Gregson-Williams, Lorne Balfe
  25. Courtroom - Grandmother (1:14)
    Rupert Gregson-Williams, Halli Cauthery
  26. Barry's Speech (0:47)
    Rupert Gregson-Williams, Hans Zimmer, Lorne Balfe
  27. Courtroom - Hunron (2:32)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  28. Ken Comes To Dinner (1:35)
    Rupert Gregson-Williams, Halli Cauthery
  29. Bathroom Assault (1:34)
    Rupert Gregson-Williams, Halli Cauthery
  30. Ken's Bad Aftertaster (0:50)
    Rupert Gregson-Williams, Halli Cauthery
  31. Monty Slanders - Adam Stings (2:14)
    Rupert Gregson-Williams, Halli Cauthery
  32. Hearts & Flowers (1:36)
    Rupert Gregson-Williams, Hans Zimmer
  33. Adam Stalls - Smoking Gun (3:13)
    Rupert Gregson-Williams, Hans Zimmer, Lorne Balfe, Michael A. Levine
  34. Settlements Demands (1:40)
    Rupert Gregson-Williams
  35. Hive Shuts Down (1:05)
    Rupert Gregson-Williams, Hans Zimmer, Michael A. Levine
  36. Rooftop Consequences (1:52)
    Rupert Gregson-Williams
  37. Taxi (1:46)
    Rupert Gregson-Williams, Lorne Balfe
  38. Rose Parade Caper (1:22)
    Rupert Gregson-Williams, Ryeland Allison
  39. Bees To The Rescue (6:57)
    Rupert Gregson-Williams, Lorne Balfe
  40. Barry Rallies The Hive (1:07)
    Rupert Gregson-Williams, Lorne Balfe
  41. Here Comes The Sun (4:32)
    Sheryl Crowe, George Harrison, Rupert Gregson-Williams
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Michael Poleschuck reply Replies: 4 || 2017-02-16 07:15:11
Interesting thing: Mark Russell is one of the additional music composers here. Who is it? Maybe, it's Hans Zimmer's alias?


Jim2017-02-17 00:12:01
Of course not... good grief! Mark Russell is a fine composer who happened to work on this film in some capacity.


Crisp Rat2017-02-17 01:53:33
No "Oswin Macintosh" situation here...


Andrew2019-06-04 03:11:02
Hans Zimmer was only an Music Producer. He didn't make the additional score.


HunterTech2019-06-04 03:36:47
So why am I seeing quite a few cues with his name on them then?

tilibro reply Replies: 0 || 2017-02-16 06:55:59
Top 10 anime film scores

Scorefan reply Replies: 0 || 2015-11-07 03:18:41
Nice score

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Bee Movie (Complete Score) soundtrack - Rupert Gregson-Williams 2007