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The track is unreleased yeah, part of the movie's climax<br>chronologically it goes between Devils Anus and 'Asgard is a People'The Sierra Leone track Andrew K posted (link below)...I almost wonder if that's how 2010s Zimmer would redo The Lion King. More bass, more minimalist, more Interstellar...but still with an African flare.Horner and many others with Star Trek is a good example too.Huh. Well, the music Andrew posted is nice."Don't believe everything you hear, son."
what do you gyus think about this? <br><br>www . youtube.com/watch?v=9riigqWjovMHallo,<br><br>Der 'Gladiator' ist schon langsam in die Jahre gekommen, die Musik ist aber nicht älter geworden. Genial.<br><br>Gruß  <br><br>Not bad score.<br><br>But I prefer the other oneIsn’t that ironic that DC is abandoning the continuity while Marvel is finally embracing it?<br><br>For any electronic fans out there, this score is definitely a must listen, there are some badass 80’s beats (with a dash of Tron legacy) in here.I'm so mad at DC right now I'd rather promote Marvel !! lol<br><br><br>Well jokes aside I add cause Andrew worked on it. And btw he posted another 5 min cue on his Soundcloud, dunno if it's unreleased, there'll better specialists of that score than me !
Yeah, I happen to have seen the film and the score is not really "coherent", it's more like many different cues put together...Okay, thanks for clearing that up. The Tracks released were kind of interesting, a kind of mix of soundsAnyone else think Hans knew about all the studio meddling during pre-production, the rewrites etc and walked away ? I mean, when I heard Elfman's score I thought it was generic and wouldn't fit the movie. Then I watched the movie and it fits well. The movie is just as bland as the music in the background.I don't have to ask, that movie was a failure that barely got distributed... No one had any interest in releasing this score...Hybrid, did you ever ask Hans why this score wasn't released?
After watching the movie, I just have to say it was okay. It had some great moments but for me it had also many problems. And one of them was the music. For most of the part it wasn't even noticeable and when it was, it was like random background music with no really emotion or heart.<br><br>BvS and MoS movies can be criticized for some things but the score is not one of them. The movie gave the movie a strong and powerful side, as well as a heart and emotion into it. In this movie there were so many moments that needed different score. <br>***SPOILERS***<br>Superman's resurrection needed the MoS in full epic form. Wonder Woman at the bank at the beggining needed her theme with the electric cello in full power.<br>The Batman theme at the beginning when he is after that Parademon.<br>We should have a really memorable theme for the whole Justice League as well as for each individual member.<br>The scenes with Clark and Lois at the house in Kansas and when his mother sees him, this needed the piano theme from This Is Clark kent or something like that.<br>And that final moments with Superman opening his shirt showing the Superman logo and then flying to the sky, we needed something like "What Are You Going To Do When You're Not Saving The World?" or "Flight" and not that unmemorable music we got.<br><br>I really hope that the petition of the Extended Cut of the movie made by Zack with Junkie's music gets to be released someday, but for now, I'm disappointed.Sounds fun!!<br>Thanks for the linkAny ideas on the Chronological Order of the Tracks?<br>I made a start here...<br><br><br>Logos<br>Batman On The Roof<br>Everybody Knows - Titles<br>Wonder Woman Rescue<br><br>...<br>Icky Thump<br>Aquaman In Atlantis<br>...<br>1m1a Krypton (from Man Of Steel)<br>Spark Of The Flash<br>Friends And Foes<br>...<br>Come Together - Credits<br>Anti-Hero Theme - CreditsNo, they are the full score cues- as presented in the film. The presentation of the final three tracks on the first disc are edited down for timing.* I posted this at filmtracks and wanted to share it here as well. <br><br>Danny Elfman's comments are very disrespectful and so disappointing for a creative person to hear, especially for composers. Nostalgia is a big problem with Hollywood and it's a simple Jedi mind trick. It's slightly different, but the same meal over and over with different seasoning. Imagine if James Horner didn't get to write the score he wanted for Spider-Man? Or Zimmer had to use Elfmans Batman theme for the DK triliolgy or BvS? Or Shirley Walkers incredible Batman theme for Batman: Mask of the Phantasm. Or Giacchino just used the original star trek theme, or the original Star Wars themes for Rogue One and created nothing new at all? How boring and uninspiring for the composers not being able to challenge themselves to create new original music.<br><br>Whether you like these scores or not isn't important, the pursuit to create something new is what drives a creative person and gives us freedom in choosing something to enjoy and not enjoy. I love the original Batman theme by Elfman but I love it in the Burton films. I love Zimmer scores for both the DK trilogy and BvS. I am happy I can enjoy both types of scores and films but there are those who don't and that's a great thing because that means we are not all the same and that brings variety of opinion and taste which creates real conversation and most importantly gives an identity to a project.<br><br>It's easy to go back to original ideas, but I respect the creators who actually take the risk and want to try and do something new. If Danny Elfman stands by his words he should have just used the original Batman theme from the Tv Show and film or the original Spider-Man theme. Oops he didn't and we got a whole new Batman theme and Spider-man theme which most of us love. Thank god he didn't stick to using the original themes. The Batman reboots and superman and Spider-man reboots are completely different takes on the characters and that's why they deserve their own new themes and soundscapes. The only time I think an original theme from a film should be used in a new film with the same characters is if it's actually a sequel or prequel connected to that actual original film. Re-boots should always have new original music.<br><br>In the end the comments from Elfman are simply stupid and uninspiring and it's definitely a hidden ego coming through I never new he had which is a shame. I remember what Zimmer said about Danny Elfman's Batman theme being a bit jolly, but that's not attacking Elfman at all, it's how he felt and heard the music and felt that that style wouldn't fit in the new batman films ect.. I have always found the original Batman theme a bit on the jolly side too and I love it because it nails Burton's take on the character and world. That theme is for Keaton's Batman, no one else's.<br><br>One final point, if we keep wanting to just revisit the past and hear and see the same thing over and over and not be challenged with new ideas, what a damn uninspiring and boring world of creativity we will live in.<br><br>All the best to you all!<br><br>
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Harry Gregson-WilliamsJohn PowellJames McKee SmithSteve Jablonsky
ComposerComposerAdditional MusicAdditional Music
Chicken Run
Label: RCA Victor
Length: 62'28 (Score: 59'52)
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (5632 votes)
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  1. Opening Escape (3:39)
    John Powell
  2. Main Titles (3:24)
    John Powell
  3. The Evil Mrs. Tweedy (4:22)
    John Powell
  4. Rats! (1:09)
    Harry Gregson-Williams
  5. Chickens Are Not Organized (1:01)
    John Powell
  6. We Need A Miracle (2:03)
    John Powell
  7. Rocky And The Circus (3:51)
    John Powell
  8. Flight Training (3:39)
    John Powell
  9. A Really Big Truck Arrives (5:56)
    Harry Gregson-Williams
  10. Cocktails And Flighty Thoughts (1:58)
    Harry Gregson-Williams
  11. Babs' Big Break (1:40)
    John Powell
  12. Flip Flip And Fly - Ellis Hall (2:09)
  13. Up On The Roof (3:08)
    Harry Gregson-Williams
  14. Into The Pie Machine (3:10)
    John Powell
  15. Rocky‚ A Fake All Along (3:28)
    Harry Gregson-Williams
  16. Building The Crate (3:32)
    John Powell
  17. The Wanderer - Dion (2:47)
  18. The Chickens Are Revolting (2:45)
    John Powell, Gavin Greenaway
  19. Lift Off (3:41)
    Harry Gregson-Williams
  20. Escape To Paradise (4:59)
    John Powell, Gavin Greenaway, James McKee Smith
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Edmund Meinerts reply Replies: 4 || 2013-11-17 15:21:00
How come there are some guys like Jablonsky and Zanelli who are listed as additionals here, but don't have any cues credited to them?


Frisbee2013-11-17 16:34:20
Two possibilities:

1) The parts they wrote didn't make it to the album program, or

2) It is known that these guys did write some music for this film, but the exact cues are not known.


Edmund Meinerts2013-11-17 16:42:36
Not sure about #1, because I honestly don't think there's much more music in the film than there is on this album.


Mike2013-11-19 04:15:54
Perhaps they did source music not included here...I know that was what Zanelli did on Antz.


Mr Tweedy2013-11-19 22:24:11
Actually Edmund there are a few tracks in the film that didn't make it to the album (5 minutes or so I think).
This could be an explanation. Perhaps some additional composers just helped here and there but didn't earn credits because their contribution was meager too much ?

I don't remember if there was any source music in the film apart from "The Wanderer" (that was not composed by the score team, of course).

MacArthur reply Replies: 1 || 2013-08-11 19:30:05
I Kinda Sounds Like the Great Escape Theme by Elmer Bernstein


Edmund Meinerts2013-08-11 22:40:22
Well, considering the movie is essentially The Great Escape except with chickens, I think that was the general idea. ;)

Anonymous reply Replies: 0 || 2013-06-25 07:55:05
So then, I take it JP was the primary guy here?

Ele reply Replies: 1 || 2009-12-16 00:00:00
There's mistake. Geoff Zanelli did not write additional music here.


Mike2013-04-10 04:59:28
Apparently he did. The film is listed on his site.

Mike reply Replies: 0 || 2012-12-28 09:26:05
Steve Jablonsky worked on this score! Wow!

FunnyML reply Replies: 0 || 2011-04-12 00:00:00
According to the film's credits sequence, Geoff Zanelli actually did an additional cue.

Mario Soundtrack reply Replies: 0 || 2009-07-25 00:00:00
New Actualist!!!!! John Powell and Harry Gregson-Williams is the best DUO. Yes, and with Hans Zimmer too.!

Opening Escape - Main Title - The Evil Mrs.Tweedy - Chickens Are not Organized - Flight Training -
A Really Big Truck Arrives - Cocktalis and Flighty Thoughts - Into the Pie Machine -
Building the Crate - The Chickens Are Revolting - Lift Off - Escape to Paradise !!!! 12 of 20 Goods!!

Mario Soundtrack reply Replies: 0 || 2009-02-28 00:00:00
Opening Escape - Main Titles - A really Big Truck Arrives - Into the Pie Machine - Building the Crate - Chickens Are Revolting - Lift Off & Escape to Paradise!
The best!!

Mario Soundtrack reply Replies: 0 || 2008-11-19 00:00:00
This audible band is especially good, very varied and wonderful. The by that? The name of the two authors explains it all, loves me this duo. My favourite songs of here are:
Opening Escapes, Main Titles, A Really Big Truck Arrives, Building the Crate, The Chickens Are Revolting, LIFT OFF & Escape to Paradise.

DemonStar reply Replies: 0 || 2008-07-24 00:00:00
Amazing score!

Anthony reply Replies: 0 || 2006-12-23 00:00:00
Go Hans Zimmer? Excuse me?

Anonymous reply Replies: 0 || 2006-10-24 00:00:00
Great score for an amazingly made movie. Go Aardman. Go Hans Zimmer. Go life!

Ant reply Replies: 0 || 2006-08-13 00:00:00
Heh, the kazoos are just the cherry on top!

Peter Mandelson reply Replies: 0 || 2005-01-09 00:00:00
Great score for a great film!

John Mason reply Replies: 0 || 2005-01-09 00:00:00
My excitement just couldn.t be contained when I heard that Chicken Run was being scored by Gregson-Williams/Powell after their amazing collaboration on Antz. I knew we were all in for a treat!
I heard somewhere that main title music is a good way of telling how good the rest of the score is going to be and this is no exception. The "--Opening Escape"-- and "--Main Titles"-- tracks are seven minutes of sheer excitement. The music could be easily inserted into any old-fashioned war movie like 'The Great Escape' (which the film and music obviously parodies).
The introduction of the Mrs Tweedy character, which is gloriously placed in track 3, is at first ominous and then sad to accompany the execution of a fellow chicken.
There are many other sad, heartfelt cues in the score such as "--We Need A Miracle, "--Up On The Roof"-- and "--Rocky, A Fake All Along"--.
There are also many other action filled tracks (tracks 14 and 16).
I almost forgot to mention the kazoos - they are great. They provide a perfect comical feel to the score whilst preventing it from becoming too serious.
There are two songs on the album, one existing and one original - which is very enjoyable.

A great collaboration between the two composers who will continue to produce, interesting and exciting scores for years to come.

***** out of *****

Mr.Tweedy reply Replies: 0 || 2004-12-07 00:00:00
Certainement l'oeuvre la plus aboutie écrite par John Powell et Harry Gregson-Williams.
Les deux compositeurs ont réalisé un travail excellent pour ce film des studios Aardman, déjà créateurs des courts "--Wallace &-- Gromit"--.
L'humour est omniprésent et les différents thèmes sont recherchés, et d'une énergie rare.
Du "--Main Titles"-- au "--Building the Crate"-- survitaminé, pas une seule seconde de musique n'ennuie l'auditeur. Même les deux chansons ("--Flip Flop and Fly"-- &-- "--The Wanderer"--) s'inscrive parfaitement dans le contexte.
L'utilisation des kazoos donne un son nasillard très drôle, en guise d'identité sonore de la bande originale.

Une petite perle que tous les fans de Powell et Gregson-Williams se doivent d'avoir dans leur collection. Magnifique.

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Chicken Run soundtrack - Harry Gregson-Williams - John Powell 2000