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man, i think i haven't listened to "A Dark Knight" deep enough. so many things i picked up from listening to it recently. oh by the way, it's Dunkirk that's making me go back and listen to the old scores.One of the most beautiful choral pieces of the 21st C. Mr. Zimmer please make this original London recording available in a cd (320kbps) or a lostless version to be able to enjoy its full beauty. The version on YouTube is just muddy cruddy. And the version on the Prague cd is not a chorus of this caliber. Plz plz plz! Gratefully, Philip...why is Eric Whitacre's credit being omitted?Music is royal and grand and the show is very good. Looking forward to more seasonsGreat score! Lots of fun.
Your Majesty is addictive and could listen to this also day long.Was Theme is last year ?Now, what do you thinnk anout the score?<br><br>There are two things that made me underappreciate the score: first these full credits (upset that perhaps a good track might havenot been written by POwell himself) and the fact that Powell will score Han Solo (expectation that this might be a trial score)<br><br>But,<br><br>"Madrid Finale" is clearly 5 star track, and so many nods to classical era of film score.<br><br>There are 4 themes that i can gather:<br>Ferdinand theme <br>Flower Theme<br>"Caring" theme<br>and "bad guy" theme<br>and all of them are good ( not as powerful as HTTYD though)<br><br>But, i find some action writing to be quite generic ( Anthony B Willis is to blame i guess)<br><br>Suffice to say that this is already a 4 star score because this is as subtle as you can get from hyperactive Powell's animation scoresThis score is BRILLIANT.Just started watching this season and the music is spot on especially the Princess Margaret episode. Gregson-Williams and Balfe have create a great score to this season.more intamint and emotional than before@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)
I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.
I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.
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Hans ZimmerJasha KlebeNathan StornettaHeitor Pereira
ComposerAdditional MusicAdditional MusicAdditional Music
Mr. Morgan's Last Love
Label: Promotional Release
Length: 22'35
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (2012 votes)
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  1. Main Titles (2:06)
    Hans Zimmer, Jasha Klebe
  2. Pickles On The Side (1:13)
    Hans Zimmer, Jasha Klebe
  3. Chance Encounter (1:27)
    Hans Zimmer, Jasha Klebe
  4. Matthew Walks Off (3:19)
    Hans Zimmer, Jasha Klebe
  5. Visiting The Grave (1:35)
    Hans Zimmer, Jasha Klebe
  6. Matthew Opens The Window (3:13)
    Hans Zimmer, Jasha Klebe
  7. Where Did You Park The Car? (3:05)
    Hans Zimmer, Jasha Klebe
  8. You're The Crack In My World (2:23)
    Hans Zimmer, Jasha Klebe
  9. Tell Her I Figured It Out (2:03)
    Hans Zimmer, Jasha Klebe
  10. Beach House (2:03)
    Hans Zimmer, Jasha Klebe
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Leo reply Replies: 1 || 2015-10-07 07:29:44
https :// m. youtube. com /watch?v=RLeWwydBEXo

This one sounds promising.


SP2015-10-07 16:38:39
What is it? Link didn't work...

Mike reply Replies: 1 || 2015-08-17 16:56:44
How much score is in this movie (never saw it)? I'm just asking because if this is all the cues, it looks like the credits aren't complete - there are way more people here than just HZ and Jasha Klebe. ;)


Hybrid Soldier2015-08-17 17:33:19
Not so much but Jasha really worked with Hans... Heitor did one cue on his own, Guillaume as well. Nathan did 2 cues.

Frank reply Replies: 8 || 2015-08-02 06:22:27
Glad we finally have this out! A very warm piece from Hans


Hybrid Soldier2015-08-02 09:50:05
Yep ! You can go listen to this on Jasha Klebe's new website ! :)


Mike2015-08-02 23:50:50
Wow, so he (Klebe) had a big role here.


Daniel2015-08-03 00:34:59
Hybrid, which is Jasha's website? Also, where can I download this soundtrack? I love it!


Hybrid Soldier2015-08-03 00:38:08
Be curious, click on Jasha's profile here, there's a direct link just near his profile pic to his site... I'm sure you can manage that... lol


Daniel2015-08-03 10:42:19
Even though u helped Hybrid, I went into the site and when I click "listen" nothing opens...


Hybrid Soldier2015-08-03 12:24:33
Then you might want to update or change your browser... lol


dmizh2015-08-04 10:29:39
you know what "lol" means, do you?!


Anonymous2015-08-17 17:05:42
okay jasha klebe's website leads me to ask a question...what exactly does the sequence programmer do on a score? because klebe and others have music on their sites or something where they were sequence programmers, but the music is really 100% hans zimmer or lorne balfe or something. so how is the music altered by the programmer?

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Mr. Morgan's Last Love soundtrack - Hans Zimmer 2013