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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Hans ZimmerJasha KlebeHeitor PereiraGuillaume Roussel
ComposerAdditional MusicAdditional MusicAdditional Music
Mr. Morgan's Last Love
Label: Promotional Release
Length: 22'35
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2689 votes)
  1. Main Titles (2:06)
    Hans Zimmer, Jasha Klebe
  2. Pickles On The Side (1:13)
    Hans Zimmer, Jasha Klebe
  3. Chance Encounter (1:27)
    Hans Zimmer, Jasha Klebe
  4. Matthew Walks Off (3:19)
    Hans Zimmer, Jasha Klebe
  5. Visiting The Grave (1:35)
    Hans Zimmer, Jasha Klebe
  6. Matthew Opens The Window (3:13)
    Hans Zimmer, Jasha Klebe
  7. Where Did You Park The Car? (3:05)
    Hans Zimmer, Jasha Klebe
  8. You're The Crack In My World (2:23)
    Hans Zimmer, Jasha Klebe
  9. Tell Her I Figured It Out (2:03)
    Hans Zimmer, Jasha Klebe
  10. Beach House (2:03)
    Hans Zimmer, Jasha Klebe
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Mike reply Replies: 0 || 2019-02-18 03:12:44
Don't know where else to put this... How much music did Hans + co. write for The Last Face? I know the movie flopped so it will probably never get released, but the 15 or so minutes that I've heard between YouTube and Andrew K's soundcloud is really pretty good. It's like Interstellar + The Lion King + Woman in Gold.

Leo reply Replies: 1 || 2015-10-07 07:29:44
https :// m. youtube. com /watch?v=RLeWwydBEXo

This one sounds promising.


SP2015-10-07 16:38:39
What is it? Link didn't work...

Mike reply Replies: 1 || 2015-08-17 16:56:44
How much score is in this movie (never saw it)? I'm just asking because if this is all the cues, it looks like the credits aren't complete - there are way more people here than just HZ and Jasha Klebe. ;)


Hybrid Soldier2015-08-17 17:33:19
Not so much but Jasha really worked with Hans... Heitor did one cue on his own, Guillaume as well. Nathan did 2 cues.

Frank reply Replies: 8 || 2015-08-02 06:22:27
Glad we finally have this out! A very warm piece from Hans


Hybrid Soldier2015-08-02 09:50:05
Yep ! You can go listen to this on Jasha Klebe's new website ! :)


Mike2015-08-02 23:50:50
Wow, so he (Klebe) had a big role here.


Daniel2015-08-03 00:34:59
Hybrid, which is Jasha's website? Also, where can I download this soundtrack? I love it!


Hybrid Soldier2015-08-03 00:38:08
Be curious, click on Jasha's profile here, there's a direct link just near his profile pic to his site... I'm sure you can manage that... lol


Daniel2015-08-03 10:42:19
Even though u helped Hybrid, I went into the site and when I click "listen" nothing opens...


Hybrid Soldier2015-08-03 12:24:33
Then you might want to update or change your browser... lol


dmizh2015-08-04 10:29:39
you know what "lol" means, do you?!


Anonymous2015-08-17 17:05:42
okay jasha klebe's website leads me to ask a question...what exactly does the sequence programmer do on a score? because klebe and others have music on their sites or something where they were sequence programmers, but the music is really 100% hans zimmer or lorne balfe or something. so how is the music altered by the programmer?

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Mr. Morgan's Last Love soundtrack - Hans Zimmer 2013