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Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>
Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>It's a half-truth to everyone who makes up the RCP team, unfortunately. <br><br>But I honestly doubt that ANYONE wants to work with XL.<br><br>Snyder worked with him 3 times. 300, BvS and Man of Steel. Sometimes I even get the impression that he's always liked Tom's approach more than Zimmer's approach. See all the percussion and synths of all those scores that are far more present in the Xl field than Zimmer's.Got this today..well not my music type so pass it...Andrew's second solo feature...<br><br><br>Now still waiting for that Sky Hunter release... :(@Hybrid, what happened with Trevor? Why his scores are not listed in the page? Thanks

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Hans ZimmerJasha KlebeHeitor PereiraGuillaume Roussel
ComposerAdditional MusicAdditional MusicAdditional Music
Mr. Morgan's Last Love
Label: Promotional Release
Length: 22'35 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (2156 votes)


  1. Main Titles (2:06)
    Hans Zimmer, Jasha Klebe
  2. Pickles On The Side (1:13)
    Hans Zimmer, Jasha Klebe
  3. Chance Encounter (1:27)
    Hans Zimmer, Jasha Klebe
  4. Matthew Walks Off (3:19)
    Hans Zimmer, Jasha Klebe
  5. Visiting The Grave (1:35)
    Hans Zimmer, Jasha Klebe
  6. Matthew Opens The Window (3:13)
    Hans Zimmer, Jasha Klebe
  7. Where Did You Park The Car? (3:05)
    Hans Zimmer, Jasha Klebe
  8. You're The Crack In My World (2:23)
    Hans Zimmer, Jasha Klebe
  9. Tell Her I Figured It Out (2:03)
    Hans Zimmer, Jasha Klebe
  10. Beach House (2:03)
    Hans Zimmer, Jasha Klebe
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Leo reply Replies: 1 || 2015-10-07 07:29:44
https :// m. youtube. com /watch?v=RLeWwydBEXo

This one sounds promising.

SP2015-10-07 16:38:39
What is it? Link didn't work...

Mike reply Replies: 1 || 2015-08-17 16:56:44
How much score is in this movie (never saw it)? I'm just asking because if this is all the cues, it looks like the credits aren't complete - there are way more people here than just HZ and Jasha Klebe. ;)

Hybrid Soldier2015-08-17 17:33:19
Not so much but Jasha really worked with Hans... Heitor did one cue on his own, Guillaume as well. Nathan did 2 cues.

Frank reply Replies: 8 || 2015-08-02 06:22:27
Glad we finally have this out! A very warm piece from Hans

Hybrid Soldier2015-08-02 09:50:05
Yep ! You can go listen to this on Jasha Klebe's new website ! :)

Mike2015-08-02 23:50:50
Wow, so he (Klebe) had a big role here.

Daniel2015-08-03 00:34:59
Hybrid, which is Jasha's website? Also, where can I download this soundtrack? I love it!

Hybrid Soldier2015-08-03 00:38:08
Be curious, click on Jasha's profile here, there's a direct link just near his profile pic to his site... I'm sure you can manage that... lol

Daniel2015-08-03 10:42:19
Even though u helped Hybrid, I went into the site and when I click "listen" nothing opens...

Hybrid Soldier2015-08-03 12:24:33
Then you might want to update or change your browser... lol

dmizh2015-08-04 10:29:39
you know what "lol" means, do you?!

Anonymous2015-08-17 17:05:42
okay jasha klebe's website leads me to ask a question...what exactly does the sequence programmer do on a score? because klebe and others have music on their sites or something where they were sequence programmers, but the music is really 100% hans zimmer or lorne balfe or something. so how is the music altered by the programmer?© 2001-2017 OST 
Mr. Morgan's Last Love soundtrack - Hans Zimmer 2013