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last big grail chappie and kfp3? what about tears of the sun? what about beyond rangoon? what about spanglish?This and KFP3 are definitely 2 of my last big “Zimmer Grails”. Some great stuff missing.NOPE!Has a complete/expanded score been leaked?Feel free to correct me if I made a mistake
Okay so after cross-referencing the OST to the complete <br>and rearranging in chronological order heres what I came up with:<br>1234 A.D. - Atli Örvarsson, Martin Tillman<br>Season of the Witch - Atli Örvarsson<br>Behmen - Atli Örvarsson<br>Crusades - Atli Örvarsson, Matthew Margeson<br>The Plague - Atli Örvarsson, David Fleming<br>The Village - Atli Örvarsson<br>Is That the Witch? - Atli Örvarsson<br>Behmen & the Girl - Atli Örvarsson<br>Teach Him Some Manners - Atli Örvarsson<br>Eckhart's Funeral - Atli Örvarsson<br>Crossing the Bridge - Atli Örvarsson<br>Wormwood - Atli Örvarsson<br>Wolf Attack - Atli Örvarsson<br>Road to Severac - Atli Örvarsson<br>Clavis Salomonis - Atli Örvarsson<br>Dead Monks - Atli Örvarsson<br>Like Cockroaches - Atli Örvarsson, David Fleming<br>Kill the Demon - Atli Örvarsson, Bobby Tahouri<br>I Was There - Atli Örvarsson<br>Felson & Kay Fight (Alternate) - Atli Örvarsson<br>Anna & Kay (Alternate) - Atli ÖrvarssonThere were a few others but they aren't named on albumAccording to what I found on ASCAP, Metzger co-wrote:<br>Pontoons<br>We Got the Gear Box<br>It's Hip to be Cad<br>Cheers<br>Fire by the Lodge<br>Evacuation<br>Tourist Trapped<br>Rescue Harvey & WinnieHello everyone. I have recently watched "Son of God" and was blown away by the music in the scene where Jesus was lashed by the Romans. It's a slower and dramatic version of the main-theme. I was looking to find it on this soundtrack and also in "The Bible", but can't find it somehow?! Is it really not on the soundtrack, or am I just unable to find it? ^^<br><br>Please everyone, can you help me to find this cue or isn't it on the soundtracks? Thank you so much in advance and hope for your help.<br>Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.
After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :pScience & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!
I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.
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Trevor RabinPaul LinfordDon HarperJennifer Hammond
ComposerAdditional MusicAdditional MusicSong Arranger
The Guardian (Complete Score)
Label: Unofficial Release
Length: 92'07
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2476 votes)
  1. Opening - Randall Rescues Couple (5:54)
  2. Helen Leaves (1:14)
  3. Abandon Ship - Copter Crash (5:53)
  4. Billings Surfaces (1:14)
  5. Billings Dies (3:34)
  6. A School Introduction (3:48)
  7. Randall's Nightmare - Flashback #1 (0:39)
  8. Tread Water (2:00)
  9. Willing To Sacrifice (0:34)
  10. Hypothermic Pool Lesson (2:46)
  11. Pushing Blocks (1:27)
  12. Breath Record (1:17)
  13. Flare Demo - Flashback #2 (0:38)
  14. Understand Your Limits (1:44)
  15. Maggie & Randall Getting Old (0:49)
  16. Rude Awakening - Flashback #3 (0:27)
  17. Burning Boat Footage (1:11)
  18. Hodge Panics (1:28)
  19. Jake's Past (4:43)
  20. They're Not Coming Back (2:01)
  21. Skinner Bleeds (0:50)
  22. Graduation - Goodbye To Emily (3:19)
  23. Randall Back To Kodiak (1:45)
  24. Heading To Cave (2:46)
  25. Flashback #4 - Log Strike - Rescue (4:46)
  26. Randall Resigns (3:14)
  27. Randall Goes Back To Helen's (1:45)
  28. Randall Gives Helen Divorce Papers (1:30)
  29. Fishing Boat Rescue (5:24)
  30. Randall Returns To HQ (6:20)
  31. Randall Frees Jake (8:59)
  32. Never Let Go - Bryan Adams (5:06)
  33. Helen Leaves (Alternate) (1:15)
  34. Maggie & Randall Getting Old (Alternate) (0:49)
  35. Burning Boat Footage (Alternate) (1:09)
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Bayhem reply Replies: 2 || 2018-05-17 20:27:20
Hmm, aside from "The Guardian Suite' I don't think I've heard any other tracks from this score. And I have a feeling I'm not the only one....lol.

Speaking of.........I would most definitely put "The Guardian Suite' right up there next to "Now We Are Free" and "My Name is Lincoln". It's *that* good and powerful. Shame that the movie is not as popular as The Island and Gladiator. If it was, that suite would've been one of the most popular film score tracks with millions of views on YouTube. It certainly deserves it.


superultramegaa2018-05-17 21:56:46
Y'know, it's funny. The big names that always get the most attention in film music are often not my favorite tracks of the scores they represent. Now We Are Free, Arrival to Earth, Like A Dog Chasing Cars, Star Wars Main Theme, Indiana Jones Main Theme, Infinite White, One Day, Circle of Life, The Fellowship. Though they are the most well known, they're usually nowhere near the peak of quality of their scores.


I noticed this the most in Hans Zimmer's concerts (not World of Hans Zimmer mind you). The parts he played from The Dark Knight Trilogy in particular usually had the least substance. Just the bombastic tracks. The only choice I agreed with was Time from Inception. There was no Am I Not Merciful, A Watchful Guardian, Sunrise Over Pride Rock, none of that.


Even with Star Wars, the main theme and the Force theme are solid pieces of music, but neither come close to the beauty of Princess Leia's theme, or the wondrous Yoda theme.


Same with Lord of the Rings. The Fellowship Reunited, Very Old Friends, Gollum, and The Breaking of the Fellowship are much more substantial pieces than The Fellowship Theme alone in my opinion.


Can't say anything about My Name is Lincoln because I haven't finished The Island score yet, but yeah. I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.


Bayhem2018-05-18 05:16:58
I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.
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I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks.

But why most people don't think like us?

The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.

While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.

The subtle tracks simply can't win against that. Sadly....

By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.

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The Guardian (Complete Score) soundtrack - Trevor Rabin 2006