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Hybrid, is Zimmer's Scoring the Drive going to be available on itunes/Amazon, etc.?<br><br>"Thief & A Forger" and "An Idea is Like a Virus" are two other good cues. The latter is a powerful rendition of the Time theme.@thedicksqueezer eres malévolo jajajajaYou know this score can be quite good sometimes. i find myself getting really into the new themes and ideas and thinking this score really had potential.. but then the track awkwardly switches to a painfully obvious temp from AWE that doesn't make any sense any way you think about it and my eyes roll so hard it hurts.<br><br>Fantastic score, very much in the vein of Chicken Run and his other animated scores at that time
One of the few Powell scores I still haven't heard. I remember the music working well in the movie, but I really need to listen to the whole thing separately. Any opinions on it from Powell fans?I agree. Though the album selection is pretty solid, those tracks you mentioned are definitely missing!It's criminal that Mr Charles, Strategy, and It's a Trap weren't included on the OST. I guess we did get It's a Trap as a bonus track, but it wasn't the film version.Well with that score we got pretty lucky in term of theme suites being released, with 5 of them. I don't know for sure if there's more but I think we have it covered.Hybrid, do you know if any suites were written besides the ones that they released?
“Our World” is a pretty amazing track, the “Murph” suite is also incredible just in how it gradually builds to that finale...Dust, Who's They, and Our World are other favorites, for sure. Our World is some fantastic ambient music. Before the film was released, I expected most of the score to sound like "Our World."Mountains too... The Tick Tock suite.<br><br>"Our World" is a fav' of mine too, how could they not release it ?Coward is amazing. Ntfc is overratedDon’t forget Coward! :D
I don't think Cornfield Chase is underappreciated because that is the cue everyone is talking about besides No Time for Caution and Mountains. The most underappreciated cue to me is Dust. The amount of mystery, wonder, and curiosity from that cue is amazing.The development of the music in season 2 is great.<br>Love the Westworld suite, a lot of Person of Interest in this cue :)<br>Listening With A Million Ears In the West :)Mike, I definitely agree with you. I think that Cornfield Chase is an excellent example of Zimmer's diversity in music. It shows that He can compose themes that are adventurous and light-hearted rather than being so dark, which is quite different from a lot of his works including his other collaborations with Nolan.So everybody talks about No Time for Caution, and that is a great cue, but I think an underappreciated track from this score is Cornfield Chase. It sounds so whimsical and uplifting. It captures the wonder and fun of childhood really well. The fact that it's so driven by the pipe organ makes it even better. I love how Hans incorporated the organ into most of the tracks.
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Trevor RabinPaul LinfordDon HarperJennifer Hammond
ComposerAdditional MusicConductorOrchestrator
I Am Number Four
Label: Varese Sarabande
Length: 44'12
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2078 votes)
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  1. Welcome To The Jungle (1:56)
  2. #3 Ashed (0:50)
  3. Who We Are (3:02)
  4. Water Vision (0:59)
  5. Getting To Know Sarah (3:28)
  6. OK Well Stay (3:05)
  7. Finding Henry (2:31)
  8. VI To The Rescue (3:42)
  9. IV And Sarah Escape (1:50)
  10. Pack Your Things (1:37)
  11. Mog Shop And Feed (0:59)
  12. Henry Dies (1:25)
  13. Hit Me With Your Lumen (2:49)
  14. Forest Fight (2:28)
  15. Going To A Party (1:29)
  16. Darkroom Lumenary (1:06)
  17. Rising From The Ashes (1:10)
  18. Warehouse Search (3:14)
  19. Commander Mog Explodes (2:29)
  20. Quarterback Intuition (1:07)
  21. We Know Where To Go (3:06)
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Bayhem reply Replies: 2 || 2018-05-17 19:43:09
Very underrated score. As already pointed out by a couple of reviewers, it's a nice, little throwback to MV/RC's Golden Years and Trevor's own scores from 1997 to 2002. Give it a listen if you can. It's not long and it's worth it.


rockhound2018-05-17 22:05:06
i also think it is an underrated score. especially the action music has a couple of nice touches. i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene. the emotional music is nothing ground breaking, but a lovely listen.


Bayhem2018-05-18 05:36:12
i saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.
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I agree.

And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.

People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.

It was pretty much the same with I Am Number Four...

It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.

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I Am Number Four soundtrack - Trevor Rabin 2011