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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Mark MancinaDon HarperJohn Van TongerenBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
Twister
Label: Atlantic Classics
Length: 51'09
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4912 votes)
    Oklahoma
  1. Wheatfield (1:19)
  2. Where's My Truck? (0:19)
  3. Futility (2:14)
  4. Downdraft (1:46)
    It's Coming
  5. Drive In (2:37)
  6. The Big Suck (1:09)
    The Hunt
  7. Going Green (2:48)
  8. Sculptures (3:03)
  9. Cow (5:37)
  10. Ditch (1:28)
    The Damage
  11. Wakita (5:01)
    Hailstorm Hill
  12. Bob's Road (2:10)
  13. We're Almost There (2:58)
    F5
  14. Dorothy IV (1:47)
  15. Mobile Home (4:38)
  16. God's Finger (1:46)
    William Tell
  17. William Tell Overture / Oklahoma Medley - vocal by Todd Field & Wendle Josepher (1:05)
  18. End Title / Respect The Wind - Edward & Alex Van Halen (9:17)
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Scorefan reply Replies: 1 || 2016-12-29 01:05:54
TWISTER (20th Anniversary Edition)
Music by Mark Mancina
LLLCD 1412
Limited Edition of 3000 units
Retail Price: $19.98

Produced by Mike Matessino and Dan Goldwasser
Edited and Mastered by Mike Matessino
Liner Notes by Tim Greiving
Art Direction by Dan Goldwasser

La-La Land Records, Warner Music Group, Warner Bros. Pictures and Amblin Entertainment present TWISTER: EXPANDED ARCHIVAL EDITION. This 20th Anniversary Edition (a tad bit late) has been newly remastered and expanded by Producers Mike Matessino and Dan Goldwasser, fixing all errors from the previous release and making it the best possible listening experience this side of a F-1. Liner notes by Tim Greiving feature new interviews with composer Mark Mancina and director Jan De Bont. Dan Goldwasser helps guide you through his cow flyin' art direction!

1. Wheatfield (Film Version)** 1:26
2. The Hunt Begins** 3:51
3. The Sky** 1:03
4. Dorothy IV (Film Version) 1:56
5. The First Twister* 0:49
6. In the Ditch / Where’s My Truck? 2:00
7. Waterspouts** 2:49
8. Cow 5:42
9. Walk in the Woods* 2:05
10. Bob’s Road 2:13
11. Hail No! 2:43
12. Futility (Film Version) 2:17
13. Drive-in Twister** 2:57
14. Wakita (Film Version)** 5:19
15. Sculptures (Film Version) 3:06
16. House Visit 4:47
17. The Big Suck (Film Version)** 1:47
18. End Title** 2:20

ADDITIONAL MUSIC
19. Wheatfield (Alternate) 1:33
20. Waterspouts (Alternate)** 2:50
21. The Big Suck (Alternate) 1:13
22. End Title / Respect the Wind§ 9:21
TOTAL TIME: 64:07

* previously unreleased
** contains previously unreleased material
§ written and performed by Edward and Alex Van Halen


Anonymous2016-12-29 03:27:26
Wow. A lot of people will go bonkers over this!

Didn't know Eddie & Alex had a song featured in the film. Isn't it just easier to say Van Halen though? lol

Mancina Fan reply Replies: 0 || 2011-04-28 19:41:20
According to the Twister Soundtrak sitting right in fornt of me Mark Mancina is the only composer and Hans Zimmer is not even mentioned in the credits

snowolf03 reply Replies: 0 || 2007-09-21 00:00:00
twister has good cgi for 1996 but i can persoilly do better on jake 3

Jack reply Replies: 0 || 2007-07-24 00:00:00
HI everybody! Here's my question: according to imdb.com Hans Zimmer is the composer of Twister's score; but hans-zimmer-com has different infos: Hans Zimmer as the producer.

So, what's the truth?

thanks

Hybrid Soldier reply Replies: 0 || 2007-07-24 00:00:00
I'ts not the same Twister !

Hans composed for Twister (1990), film by Michael Almereyda...

And he produced this one (1996), a Jan de Bont film...

Jack reply Replies: 0 || 2007-07-24 00:00:00
Ok, thanks.
I think there's a mistake at the top of this page: it's wrtitten "1988": should be "1996", as you said.

Bye

ś--limak reply Replies: 0 || 2005-03-21 00:00:00
Wpada w ucho :)

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Twister soundtrack - Mark Mancina 1996