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Interesting to see Lorne Balfe replacing Jablonsky now with Micheal Bay.6 Underground is totally crazy and Balfeís score equals it.Also has emotion like 13 Hours.<br>Doesnít beat His Dark Materials but a great scoreSorry, das ist doch ein Witz, Dortmund ist nicht dabei :(Way too many songs.<br>Lorne Balfe score nailed it.Great to see Bay working with Balfe now.This is an RCP website, those scores aren't by RCP composers...Power anthems ???? Obviously you havenít watched the movie.They would not fit in this movie.<br><br>Balfeís score is really cool and not expected.Already listened to it 4 times!
I agree completely.<br><br>The movie was awesome, the score works perfectly, and the only thing I didn't like was the use of songs. Too much of them. Songs rarely work during intense action scenes. They distract.<br><br>But every time the score started, I liked it. Bay may be known as the big action guy, but when it comes to scoring the more intimate/emotional moments, he and the composer (no matter who he is) always do a good job.Greenaway for President! :))I agree with Knight.<br><br>It seems some peeps were expecting power anthems left and right. Yes, this is a big movie, but not a "Transformers-big" movie. I didn't like the use of source music (I hate songs in action movies) but when Balfe's work popped up I noticed it right away.<br><br>The more emotional cues were definitely the most memorable.What a fantastic soundtrack.<br>Itís totally crazy and works brilliantly in the film.<br>The bit emotional sections are very classic Bay but Balfeís electronic weirdness is very unique.<br>Itís nothing like Balfeís Dark Materials BUT why Iím earth should it be !<br>10/10Gavin should be listed as conductor
Because Ice Age was composed by David Newman and Collision Course was composed by John DebneyWhen i heard just the sound clips, i thought wtf. Sounds like the worst score, a michael bay movie ever had. Then i listened to the whole album and i have to say, there are some pretty cool tracks. I really like the electronic rhythmic stuff. Welcome to florence is awesome. The emotional moments are nice, but standard balfe stuff. In the movie, the music works really good. I think this music style is the only style, that works in THIS movie. And as hybrid says a mish mash of score and songs. The movie itself is.....strange. but at least the action rocks as hell.If "The Meltdown," "Dawn of The Dinosaurs" and "Continental Drift" are added, then how come "Ice Age" and "Collision Course" aren't?I haven't heard the album yet but there isn't much score in the film. It's like Bad Boys II meets Domino in terms of editing, songs everywhere (19 sourced songs used), short cues... Hell there's even a 13 Hours cue tracked in the film ("Getting Aboard The Plane")."Second time"... lol
Another awsome score by lorne balfe. I really like the film 6 underground directed by michael bay, is very awsome and intense and i begin to hear the score composed by lorne balfe, and its phenomenal and his second time working with michael bay since 13 hours, which i like lorne balfe's score too. Balfe's work is really inspiring in his film score.I don't expect Lorne to make a masterpiece with each movie, but it is true that most of her films are action candies, and I can't understand how she can deliver 6 underground and then make His dark materials.  It seems that within Lorne there are a thousand different composers.  And I don't know what to expect from Lorne again.Can't help noticing not one, but two Zimmer titles in here.... Tracks 14 and 16. lol.What is most disappointing is that this is a Michael Bay movie with a score being so bad. Historically his movies have fantastic scores by either Hans, Steve Jablonsky, and even Lorne Balfe. But this is hands down the worst Michael Bay score Iíve ever heard. <br><br>Itís functional, yes, but nothing compared to 13 Hours, any of the Transformers movies, The Rock, Pearl Harbor, etc. I definitely had high hopes for another good ďpower anthemĒ score... and the only cues that are any good are just Time ripoffs.<br><br>Highly disappointing.Again, if we have to expect every piece of work of one composer is have to be as good like his others pieces of work, that's pretty underwhelming and impossible.<br><br>Yeah, 6 Underground is not a good score by any means (neither Gemini Man, but is far more listenable), but works perfectly in the hiperbolic movie.
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Hans ZimmerGeoff ZanelliRupert Gregson-WilliamsLorne Balfe
ComposerAdditional MusicAdditional MusicAdditional Music
The Lone Ranger (Complete Score)
Label: Unofficial Release
Length: 127'14
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5667 votes)
  1. Logos - Exhibit (1:33)
  2. Meet Old Tonto (1:14)
  3. This Is A Robbery (1:16)
  4. Building Railroad (1:13)
  5. The Rangers (1:02)
  6. Meet John (1:05)
  7. Cavendish (0:35)
  8. Cavendish Gang - Gun (2:05)
  9. Gang Boards - Cavendish Escapes (3:59)
  10. Runaway Train (5:30)
  11. Arrest Trio (0:42)
  12. John & Becca (1:50)
  13. Tonto Chant (0:48)
  14. Ride Out - Spirit Horse (2:53)
  15. Tracking (1:30)
  16. No Cover (0:53)
  17. Ambush (1:29)
  18. Cannibal (2:37)
  19. Dead Rangers (1:28)
  20. Old Tonto Pre Burial (0:36)
  21. Burial (1:04)
  22. Spirit Horse - John (1:08)
  23. Poop (0:21)
  24. John's Vision (0:31)
  25. Precarious Perch (0:24)
  26. Sneaking (0:38)
  27. Silver Bullet (0:41)
  28. Justice (1:58)
  29. Windingo Getting Away (0:32)
  30. Silver Vision (0:21)
  31. Leaving Reds (1:58)
  32. Comanche On Ridge (0:42)
  33. Ranch Attack (0:44)
  34. Embers (1:19)
  35. Barn Burn - Stand Off (2:51)
  36. Limp Crow (0:17)
  37. Wrong Brother (1:12)
  38. Valley Of Tears (0:48)
  39. Collins & Dead Horse (2:08)
  40. Because I Am Savage (2:02)
  41. Comanche Border Train (1:18)
  42. Old Tonto Pauses (0:15)
  43. Young Tonto - Silver Discovery (2:02)
  44. Aftermath Village Slaughter (2:05)
  45. Scorpions (2:11)
  46. Where The River Begins (0:47)
  47. Frank In Tunnel (0:27)
  48. Cave Walkout (0:47)
  49. Finish Him (3:16)
  50. John Captures Cavendish (0:31)
  51. Alexander The Great (0:53)
  52. Prayer (2:09)
  53. Stupid White Man (0:30)
  54. Supply Car (1:00)
  55. Daddy Dead (4:38)
  56. Build To Execution (3:27)
  57. Night Mine (2:58)
  58. Aftermath - Wear The Mask (2:08)
  59. Ignition (0:39)
  60. Bank Robbery (0:27)
  61. Train Chase (Part 1) (10:09)
  62. Train Chase (Part 2) (1:09)
  63. World Evolving (3:15)
  64. Crow (0:25)
  65. End Credits (2:53)
  66. Home Suite (6:54)
  67. Absurdity Suite (4:03)
  68. Silver Suite (4:03)
  69. Poop (Alternate) (0:21)
  70. Leaving Reds (Alternate) (0:23)
  71. Wrong Brother (Alternate) (1:12)
  72. Frank In Tunnel (Alternate) (0:26)
  73. Prayer (Alternate) (1:52)
  74. World Evolving (Alternate) (0:55)
  75. Crow (Alternate) (0:25)
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Edmund Meinerts reply Replies: 10 || 2018-05-02 11:11:49
Listening to this complete score and once again it strikes me how much weaker, quieter, less punchy recording sessions frequently sound when compared to the equivalent album tracks. The Pirates of the Caribbean completes have the same problem. It puts me in kind of a conundrum because take from this score "Runaway Train" vs. its album track "The Railroad Waits for No One". The percussion in particular sounds so much more satisfying and prominent in the latter. So do I take the version with the two extra minutes of material, or the version that sounds much more vibrant and exciting to listen to? Or do I edit together some weird mixture of the two (which is actually what I did, but that's an imperfect solution too because a) it's time-consuming and b) then the track constantly moves back and forth between two different mastering styles which is distracting).

Not to mention the huge chunks of silence at the beginning and end (and sometimes middle) of tracks, and the crappy sound quality on "Ride Out/Spirit Horse" and "Aftermath Village Slaughter". It's great to be able to hear these recording sessions but sometimes their flaws are too irritating to ignore...it's quite clear that they weren't prepared for consumption at all, and getting them to the point where you can listen to them is hard work sometimes!


Mike (OTM)2018-05-02 15:45:11
I noticed that with The Dark Knight Rises... a lot of the cues sound like demos almost, even the final versions, where the score in-film is a lot more polished.


Mr Tweedy2018-05-02 18:58:22
That's why I'm mastering my bootlegs before givin them a "real" listen.
Though you can't really master stereo files the same way studios do masterings (with separate layers of instruments), I manage to add some noticeable energy to the bootleg tracks.


mpolonest123 2018-05-02 19:47:24
Itís funny how certain RS are affected by this whole mastering thing while others arenít. TASM2 and MoS sound almost perfect, while AWE has completely different instrumental layering (although in that case I prefer the more traditional sound as opposed to the bass heavy album).


Joshua2018-05-02 20:37:44
Well considering the film versions have to compete with dialogue and sound effects, it's an absolute must to make them "less punchy" or "quieter". There's only so much sonic space to play with. But with album versions you can go balls to wall. It's not a problem in the recordings. They're doing exactly what there designed to do.


Edmund Meinerts2018-05-02 21:05:58
Yeah I know, it's only a "problem" if you're listening on its own, which these files were never really meant for. I understand the circumstances, it's still just a bit frustrating.

Incidentally, I actually prefer the sessions' mix of "Train Chase" (or "Finale"). It lets the dynamics breathe a bit more whereas the album version was a bit brickwalled and over-loud and exhausting (which works okay for your usual Zimmer/RC-style simplistic power action music but not quite as well for a more dynamically orchestral piece like this; I have the same issue with Thomas Bergersen's "That's a Wrap"). Also the opening trumpet isn't quite as piercing and abrupt (I actually get a huge "jump-scare" sometimes when it comes up on shuffle). So you win some, you lose some. :)

mpolonest, I sort of agree on AWE, although I do wish the sessions had just a *bit* more power. It's not 100% traditionally composed orchestral music, after all, still has that Zimmer heavy touch which goes missing a bit in the sessions. The ideal medium would be somewhere between the sessions and the overly-loud album (which is hopefully what we'll get when that score gets an official complete release one of these years from someone like La-La-Land, which I'm perhaps foolishly optimistic it will, there's so much great unreleased material and it's a very, very popular score, with good reason).


mpolonest123 2018-05-02 21:28:13
@Edmund Well more traditional in the Zimmer sense lol.
With the first Pirates and DMC, you need to have that bass heavy ďrockínírollĒ sound, AWE was always a pretty different score tonally.

As for the issues with session mastering, I always edit my copies to remove silences and boost volumes when needed. The only major issue that seems to arise is when lossy files are released. BvS, as one example, sounds atrocious in parts due to the quality of sound.


Edmund Meinerts2018-05-02 21:58:25
Boosting volume helps but it doesn't bring the music up to album levels. There's a much more involved amount of balancing/mixing/mastering that goes into albums that is far beyond my rudimentary Audacity skills...


mpolonest123 2018-05-02 22:04:57
Oh definitely not... I think you would need the stems to have a 100% perfect representation of the album sound. (Though Iím sure some people have strong enough editing skills to come close)

Two asides:

1. In Cavendish Escape (film version) there are some awesome drum placements when he exits the train with his gang that arenít on the sessions. Weíre those done by a music editor?

2. How on earth did the skeleton dance and finale cue from Curse of the Black Pearl pass the bar with those horrible bass distortions? I donít think Iíve ever heard an official release with something as botched as that....


Edmund Meinerts2018-05-02 23:11:12
There's some pretty gnarly bass distortions in "Terraforming" from Man of Steel as well (at around the 2:30 mark) but I'm not sure those aren't on purpose...


mpolonest123 2018-05-03 02:34:28
Those are pretty noticeable, although they do fit the whole terraforming sound design in a weird way. I want to say there is some awful mixing in the Hero Fight cue from BVS as well. Actually, make that most of Junkie XLís scores. Run All Night and Mad Max have some genuinely bad portions.

Daniel reply Replies: 0 || 2017-04-07 23:13:16
"After the Battle of Aughrim" was inspired to the theme

Felix reply Replies: 2 || 2016-06-25 18:59:38
Do you have any credits here Hybrid?


Hybrid Soldier2016-06-25 19:10:31
No.


Anonymous2017-03-01 03:11:40
Andrew Kawcynski has a few cues from here on his soundcloud. So there's that.

Daniel reply Replies: 0 || 2015-12-04 21:53:10
It's here!!

Sam reply Replies: 0 || 2015-05-12 21:54:40
Is there a way to actually listen to these?

T-Mann036 reply Replies: 4 || 2015-03-10 00:46:26
Mind-- FREAKING-- BLOWN!!!! The Lone Ranger complete score is here!!!!!!


Anonymous2015-03-10 18:09:28
Uhhh, sorry my friend, this "complete score" doesn't and never will exist. It is just more of Hybrids useless never-ending posting of songs we will never hear or be able to buy. Just a senseless waste of time.


Marcos2015-03-10 19:38:34
What are you talking about? I have all these tracks, this is real. Maybe you should look better


Anonymous2015-03-11 02:55:32
Well where exactly did you obtain it? It clearly states "unofficial release" next to "Label"


Anonymous 11382015-03-11 06:19:39
It's also been clearly stated that it's against the rules here to post links to other websites, especially ones where bootlegs are available for download. ### EDITED ###

Dude reply Replies: 0 || 2015-03-10 21:31:07
And in this version "Ride Out - Spirit Horse" is also in low quality?

Marcos reply Replies: 7 || 2015-03-10 10:53:01
Another one Zimmer's leak ? What 's going on? , POTC On Strangers Tides was leaked too. now just missing the complete score of the amazing spider-man 2 , does anyone know why all complete scores are been leaked in these days? Maybe @Hybrid can tell us


Hybrid Soldier2015-03-10 11:34:38
No comment Marcos...


Anonymous2015-03-10 18:06:02
"No comment" translates to Hybrid has no f-ing clue as to why


john2015-03-10 18:08:48
hey hybryd, after leaking pirates mos and lone ranger can you leak spiderman ?
thanks


Anonymous2015-03-10 18:11:50
What is the use in "leaking" these alleged "complete scores" all the time? Will we ever, or have we ever been able to buy these, let alone hear any of these extra songs? The answer is no so why keep doing it?


Marcos2015-03-10 19:35:47
now apparently the recording sessions of Amazing spider.Man 2 has been leaked. but for now is a rumor, i'm going to check now the tracklist.


Medigo2015-03-10 19:37:46
No that one was a prank apparently
dont get your hopes up on that front


Marcos2015-03-10 19:43:35
Yes, you're right , most probale is that be a prank.

RealFfingMusic reply Replies: 8 || 2015-03-10 06:00:19
I know it's a silly question, but why does this site replace slashes with hyphens?

E.g. "Logos / Exhibit 1:33" to "Logos - Exhibit (1:33)"


Anonymous2015-03-10 06:15:48
Annoying, is it not?


Hybrid Soldier2015-03-10 11:56:25
Because it's my H-Z.com standard... I personally hate the "/" !

Sue me it bothers you ! lol


RealFfingMusic2015-03-10 12:08:21
Sometimes I forget everybody here is human. Shame, I always imagined Hybrid to be like Ian McKellen in Gandalf costume.


Edmund Meinerts2015-03-10 13:51:35
I personally prefer slashes to hyphens but as long as one or the other is used consistently, everything's cool. :)


RealFfingMusic2015-03-10 16:48:20
Well, hyphens are used to join two words. Slash is used to separate two parts of the same element. So yeah, slash is more accurate.


Hybrid Soldier2015-03-10 17:45:05
Who cares, you have a problem ? You're free to leave !


RealFfingMusic2015-03-10 18:03:41
@Hybrid, don't be dick. I never said I have a problem. I don't have anything against hyphens. I just mentioned in Indian English slash is MORE accurate here, doesn't mean hyphen is wrong.


Anonymous2015-03-10 18:03:54
Hybrid, don't be such an a-hole okay?

JackieStewart reply Replies: 1 || 2015-03-10 11:07:53
What I really want is the RUSH complete score. The cd release of this was good enough.


RealFfingMusic2015-03-10 12:00:30
There won't be more than 10 minutes extra material in Rush CS. Most of the music is already in the OST.

Edmund Meinerts reply Replies: 0 || 2015-03-10 09:56:33
Now THIS I'm excited to hear.

T-Mann036 reply Replies: 1 || 2015-03-10 02:59:03
Just a curious question... Are the Absurdity and Silver suites are parts of the original film score?


Tonto2015-03-10 03:07:23
They are suites which themes get used in film

Cooper reply Replies: 2 || 2015-03-10 02:24:15
I listen now, but i cant find, where is Music Box track ?


Tonto2015-03-10 02:28:56
That is a source cue. Not included


Cooper2015-03-10 02:51:20
I thinking, Hans composed this track (Music Box) :( disappointment. :(

Hybrid Soldier reply Replies: 2 || 2015-03-10 00:43:12
Before anyone shows up...


Adam2015-03-10 01:39:17
Oh my God! First Man of Steel and now The Lone Ranger! This is awesome!

Are any credits known at this time? :P


Russel2015-03-10 02:17:07
Yeah, Hans Zimmer. Lol

Scorefan reply Replies: 0 || 2015-03-10 01:24:14
This day is awesome!!!

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The Lone Ranger (Complete Score) soundtrack - Hans Zimmer 2013