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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Tom Holkenborg (Junkie XL)Christian VorlanderStephen PeroneEmad Borjian
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Run All Night
Label: WaterTower Music
Length: 123'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3981 votes)
  1. Prologue (From Run All Night) (1:49)
  2. Main Title (From Run All Night) (0:28)
  3. Albiniens At Xmas (1:41)
  4. I See Those Faces In My Dreams (3:05)
  5. Witness (2:15)
  6. My Michael (5:11)
  7. I Just Killed Your Boy (4:01)
  8. Cop Chase (5:10)
  9. The Station (3:38)
  10. Just One Night (3:41)
  11. A Little Extra Sugar (5:08)
  12. I'll Come After Your Son (2:58)
  13. The Projects (11:36)
  14. A Nightmare That Won't Pass (3:06)
  15. The Train Tracks (4:23)
  16. Shawn (1:29)
  17. The Cabin (10:23)
  18. Epilogue (From Run All Night) (1:14)
  19. Tom's Run All Night Sketchbook (Bonus Track) (52:43)
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mpolonest123 reply Replies: 1 || 2015-04-23 01:23:30
I know many don't like this score but I don't really find it terrible. There is actually some pretty cool synth work and the main theme is very strong IMO.

My only complaint is the similarity to The Dark Knight, I feel some of this music would have served Batman V Superman much better.


Eobard2018-04-20 12:15:19
Yeah, totally agree IMO Mad Max is over rated, this is JunkieXL's best score as a solo outing, especially Tom's Sketchbook is so awesome & Batman v Superman is a perfect score in itself but yeah some pieces will fit perfectly. On another note Justice League (2017) could've benefited from Tom's presence but the movie failed from every point of view.

Marcos reply Replies: 6 || 2015-03-10 17:10:24
at last it was released !, amazing soundtrack, i liked it. is impossible not appreciate the zimmer's style in this score. really Junkie XL is the best disciple and partner of Hans. They have practically the same way to compose.


Lord Eddard Stark 2015-03-31 17:30:02
I disagree... in my opinion the best disciple of Hans Zimmer is Klaus Badelt


Anonymous2015-04-01 03:32:26
Klaus...?

HG-W for sure!


trent easton navarro2015-04-01 09:55:46
JXL would actually be one of the worst Zimmer disciples. All of his scores have been average at best, unlistenable at worst...

The best Zimmer disciples would be the class of the 90's, guys like Mancina, Powell, HG-W and Rona


thejok3rrules2015-04-01 18:04:20
How about Henry Jackman?


Lambegue2015-04-01 19:13:25
I'd say Powell above all the others. But don't misunderstand me, a lot of "disciples" from Remote Control are very good.

I'm not a great admirator of recent Zimmer's disciples, in fact. But that would be stupid from me to give a definitive opinion about them, we'll see what they will do in the future.



Meta2015-04-11 04:39:31
Ive said it before as well...

This guy sounds like he's using Zimmer's late 90s synths and is going at it like Tyler Bates circa 2005....makes me wonder if Zimmer helped him out on Mad Max with some of the softer cues.....

trent easton navarro reply Replies: 3 || 2015-04-08 12:42:19
Saw the film yesterday, pretty entertaining. Shame about the extra large junk of a score though!

Based on the music, I expected Batman to show up.


MacArthur2015-04-09 19:23:55
I Thought that the score was great honestly can't complain about a 53 min long song.


Anonymous2015-04-09 22:14:31
i don't really think this score deserves a Sketchbook. And I feel sorry for Nick Glennie-Smith, a great underrated composer, for having to conduct crap like this


Edmund Meinerts2015-04-10 18:55:24
Nepotism has been a great thing for Mr. XL.

Russel reply Replies: 0 || 2015-03-31 21:15:14
The theme to Run All Night almost sounds like it was from the Imaginaerum film..

Ds reply Replies: 0 || 2015-03-31 20:50:37
Junkie XL said the new Mad Max trailer contained mostly his music, and well I have to say I can't wait, it looks like a very bad-ass and epic score!!

Joshua reply Replies: 10 || 2015-02-14 01:20:37
Got to sit in on part of the recording session for this one. Really liked what I heard. Cant wait.


MrZimmerFan2015-02-28 11:40:56
OMG! 123 minutes... i hope for going to be good


Hybrid Soldier2015-02-28 12:55:18
The 52 min Sketchbook... lol


Mike2015-02-28 15:28:20
Borrowing ideas from Man of Steel, I see... ;)


Pluto2015-02-28 17:56:03
Haha, between Hans and Junkie, it wouldn't surprise me if we saw two CDs of one sketchbook from each of them for Batman v Superman.

Disc 1: Hans Sketchbook (60 minutes)
Disc 2: Junkie Sketchbook (60 minutes)


Mortifer V.2015-02-28 18:34:07
60 minute Hans Sketchbook?? that'd be freaking incredible. I with the Man of Steel sketchbook was 60min.


Edmund Meinerts2015-02-28 20:05:25
All this sketchbook stuff doesn't really interest me - it'll just end up being redundant demo versions of the ideas that are already in the score. I'd much rather hear the Lois Escape cue from MoS than an extended sketchbook.


Anonymous2015-02-28 23:25:50
If it helps, and if I'm thinking of the cue you are describing, Edmund, someone did their own mock-up of it that sounds really pretty great. Just search Man of Steel Escape from Ship. It will be by James Wong.

53 minute "sketchbook" is pretty ridiculous.


Mortifer V.2015-03-01 23:10:21
Even though I too want the Lois track really bad, I couldn't live without the sketchbook; the last 8 minutes of it are my favorite from the entire score.


Edmund Meinerts2015-03-01 23:43:00
I much prefer the version of that idea in "If You Love These People".


NM2015-03-02 22:32:50
I actually really like hearing demoes of the music. I'd love to hear/demos sketches of a lot of scores to get an insight into composers' process.

Hybrid Soldier reply Replies: 2 || 2015-02-28 23:59:00
Okay enough talks, let's listen ! I cut down a part of it... ;)


Russel2015-03-01 00:55:29
He posted the full cue list on his Facebook page..


mpolonest1232015-03-01 01:18:10
Gotta say I'm really digging this sample! Junkie XL has really surprised me lately, between this and Divergent.

Scorefan reply Replies: 0 || 2015-02-28 16:52:17
Available on CD or Digital Download?

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Run All Night soundtrack - Tom Holkenborg (Junkie XL) 2015