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Cool thanks for getting back! I am still a little bit confused though. Do any Basil Poledouris cues go somewhere in that list? Itís been a very very long time since I have seen the film.The Hans cues used are :<br><br>1M1 OPENING CREDITS / MAIN TITLE (USED FROM 2:18 TO 3:03)<br>1M2 GOLDEN STAIRCASE (USED FROM 0:00 TO 1:56)<br>2M2 JACK SEES WOLVES<br>2M3 BLACK WOLF<br>2M6 THE TREK CONTINUES (USED FROM 0:28 TO 1:15)<br>3M1 THIN ICE<br>3M2 SKUNKER'S DEATH<br>3M3 FULL MOON WOLF ATTACK<br>3M3A MORNING WOLF ATTACK<br>6M4 THE BEAR<br>6M4A THE BEAR ATTACK<br>7M3 IN THE STABLE<br>7M5 WHITE FANG FIGHTS SATAN<br>8M1 FIGHT MONTAGE (FIRST HALF USED)<br>8M3 PIT FIGHT (FINAL 20 SEC USED)<br><br>All the rest, by definition, is Basil's score...Hey hybrid soldier! You mentioned on the ghost in the shell page about white fang so I came here! Can you give us a list of the cues as they appear in the film please? The Basil Poledouris cues and the Hans Zimmer cues pleaseI imagined it ... hopefully this time Max Ritcher does not give him a lollipop and refuses to launch his musicYes Unbreakable.
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<br>Exactly like White Fang. Have Poledouris write a score, then HZ do another, then pick what you want from both.
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<br>Ghost In The Shell was kinda different...
In the credits of the movie, Max Ritcher appears as the Main Composer, meanwhile, Lorne appears as Additional MusicI find that it would be best to accredit both and launch the two soundtracks and all happy.Hybrid implies that Max Ritcher's score was rejected, and that Lorne made a new one and in the end, the best of both has been used.  I am right?ANd now apparently another guy is scoring it as well lmaoTechnically he's a little under 50% used so there's no obligation. But he wrote a whole score for it.
but if Lorne has written 50% of the score you should have a credit like in Ghost in the shellLorne is got additional music credit, not for co-composer, and still appear the image of the label for the soundtrack.But Lorne is still not credited as an official composer.  It is possible that Lorne shares credit with Max.In other news Lorne just finished compiling the OST for Gemini Man...When Richter was the composer there was an album planned at Deutsche Grammophon...<br><br>When Lorne jumped in to write a new score for the movie, apparently that release was cancelled... Now that film has like 50/50 MR LB, and nothing's planned at all.<br><br>So we'll see, but apart from posting some cues of his score online, like Lorne did before, I doubt there'll be an official release... And if Richter's release gets back on track, it would definitely have his score only.
Hybrid, by "not happening" you mean Richter's part of the score or Balfe's? Or the whole thing is as messed up as Ghost in the Shell, regarding the score?@Hybrid why?Will theyíre ever be a release score on YouTube and other websites this is a piece of art beautiful score 18 years later itís still have been published please answer my question if have this score Gmail it to me itís elijahboy564@gmail.comProbably not happening...Huh. Weird how Harper and HGW worked on continuous chunks of the movie, like Hans assigned them reel by reel or something...
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Marc Streitenfeld
Composer
After The Fall
Label: Lakeshore Records
Length: 31'47
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2986 votes)
  1. Elevate (2:00)
  2. Changes (1:23)
  3. Searching In The Dark (3:30)
  4. Innocence (2:48)
  5. Goodnight (1:33)
  6. Connected (2:22)
  7. You Never Know (1:16)
  8. Robberies (2:10)
  9. Wrath (2:44)
  10. Whole Again (2:09)
  11. Virtue (2:42)
  12. Home Sweet Home (4:14)
  13. Just To See You (2:56)
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After The Fall soundtrack - Marc Streitenfeld 2014