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No no, it's just a fake rumor. I was just responding to that MusoPT guy who made it sound like it's totally inconceivable that Balfe could ever be replaced.Wait!<br>So has Balfe been replaced due to having other projects?<br>I thought it had been completed?Why was there the change of composers?...wouldn't being really busy be an argument *for* him possibly being replaced? When you're signed on to 10 movies and release schedules are being constantly pushed around because nobody has a clue when theaters are going to open again, you shouldn't be surprised if eventually you might run into some conflicts.Jackman is not replacing Balfe! <br>Balfe is the most busiest composer at the moment so he isn’t going to get replaced last minute!!!!!
Thank you for your replies. On IMDB she is listed.Alright, after re-listening to the score, I've made a few educated guesses of what the additional composers did, based on what we know about the score and their previous work. Note that none of this is confirmed by Hybrid, just my opinion.<br><br>Lorne Balfe: Seems to practically be a co-composer here. I hear a lot of him in this score. It seems he did Invasion (as he's known for contributing trailer music to films he works on) seemingly the suites "Brooding", "Deciphering the Signal", "Battle", and the one we know he cowrote, "Journey Suite". Based on this here's my guess as to what he contributed. <br><br>Soccent Attack - Sounds like his style, probably him arranging AllSpark and Decepticon material. <br><br>Keller's Briefing - Arrangement of "Deciphering the Signal"<br><br>Deciphering the Signal - Obviously another arrangement of "Deciphering the Signal" with Batman Begins-like action at the end.<br><br>Sam's Pink Bike Ride (Part 2) - Sounds like an arrangement of "Brooding" material. <br><br>(Possibly?) Are You LadiesMan217? - Some arrangement of "Brooding" and "Journey Suite" material, although hard to say whether the theme at 1:10 is Steve's or Lorne's. Could be Steve arranging Lorne material, as it sounds more Jablonsky-esque to me. <br><br>Autobots to the Rescue - Could be Steve imitating Batman Begins style, but sounds far too Lorne for me to not consider it a co-written track. <br><br>Sector 7 Chase - Part 1 sounds more Jablonsky than Lorne, but there's no question to me that part 2 has a lot of Balfe in there. <br><br>Where Is My Car? - Batman Begins-like again, probably Lorne solo, or Lorne and Steve<br><br>Decepticons Mobilize (Part 2) - Arrangement of "Brooding"<br><br>Freeway Fight - Battle version of Decepticon theme from "Brooding"<br><br>Stumble Bumble (Part 1) & (Part 2 Alternate) - Arrangement of "Journey Suite", second part not used in the film sounds like Steve & Lorne Combo to me. Film version of part 2 sounds pure Steve to me. <br><br>You're A Soldier Now (Parts 1 & 3) - Lorne being heavily involved in the final battle is known, and Parts 1 and 3 have arrangements of Lorne material. I'm also fairly certain that Lorne wrote the Optimus vs Megatron theme from Part 3 and "Optimus vs Megatron".<br><br>Optimus vs Megatron - Finale of theme introduced in "You're A Soldier Now (Part 3)" as well as the "Journey / AllSpark" theme which could be Lorne's or Steve's. <br><br>Trevor Morris: I can infer from his work on Pirates 2, The Island, and the one track we know he worked on. <br><br>Soldiers Arrive - Not sure why, but I've always assumed this military theme was Morris'.<br><br>Arctic 1897 - Dark theme that reminds me a lot of his work from Pirates 2. <br><br>Scorponok - Known fact that he co-wrote this. <br><br>Hoover Dam - Arrangement of military theme<br><br>Transforming -  Same theme from Arctic 1897<br><br>Sam on the Roof (Part 2) - Arrangement of theme from Scorponok, though could be Steve or Lorne arranging it.<br><br>Optimus vs Megatron - A slight hint to the Military theme when they begin attacking Blackout, and Scorponok theme reprisal, once again could be Steve or Lorne arranging these themes. <br><br>Creeper Suite / A Call to Arms (Unused) - Original music for Optimus' Epilogue, contains arrangement of military theme. <br><br>Jay Flood: Can be inferred from his work on Transformers: The Game, his overall more orchestral writing, and his contributions to Nightmare on Elm Street, Sims 3, and Desperate Housewives. <br><br>Camaro on the Run - Definitely has a TF: The Game sound to it overall. As well as a bit of Thomas Newman-esque music. <br><br>Witwicky (Parts 1-3) - Definitely some of his style here along with Steve's overall Desperate Housewives-esque music. <br><br>Decepticons 2 Suite / Frenzy - The suspenseful strings make me think of Flood's Nightmare on Elm Street work, and the brass writing seems more characteristic of him than Jablonsky to me, though it was still probably a co-written suite. <br><br>Tense Action Suite - Once again reminds me of Flood's Nightmare suspenseful string writing, probably at least co-composed with Jablonsky. <br><br>Clay Duncan - I can guess somewhat based on his contributions to "The Island" but otherwise I don't know much about him so I'm not sure about any of the inferences I'm about the make. <br><br>Angry Camaro - This sort of drone music sounds like it could be him as his contributions were very electronic in The Island.<br><br>Bumblebee vs Barricade - Strange electronics and sounds plus more minimalist writing make me think Duncan. <br><br>Tow Truck Charge - Definitely has The Island's sound. Could be Trevor Morris too. <br><br>TJ Lindgreen: I know so little about his style except he works with Elfman and did additional music for TF: The Game so not much I can say for what he did. <br><br>Belly Shot(?) - The ethereal choir style sounds somewhat like TF: The Game's score and Elfman's choir. <br><br>Not to Hear That(?) - Maybe he composed this motif for Mikaela that also appeared in "Belly Shot". <br><br>Surreal Mikaela(?) - Once again I'm hoping the specific choir sound is part of his style. <br><br>Anything I didn't mention is a track I'm assuming is all Jablonsky. Please note that I'm not trying to take away from Steve's work on this score, and that for most of these track I'm assuming Steve had some involvement in as well, I'm just speculating for fun because I've always wanted to know who did what on this score.LP sadly, but it's also on Spotify.Technical reasons ! lol ;)<br><br>But she was there.Most welcome news. Should be a nice replacement for the Fantastic Beasts score that will have to have been pushed off. I imagine his work on Jungle Cruise will be great as well. 2021 is looking pretty exciting for score releases!
She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
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Hans ZimmerAndrew KawczynskiSteve MazzaroChris Craker
ComposerAdditional ArrangementsAdditional ArrangementsMusic Producer
Interstellar (Complete Score)
Label: Unofficial Release
Length: 193'11
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (9467 votes)
  1. Dreaming Of The Crash (3:35)
  2. Chasing Drone (2:08)
  3. Flying Drone (1:52)
  4. Combines Went Haywire (1:54)
  5. Dust Storm (1:14)
  6. Decoding The Message (5:41)
  7. Who's They? (7:18)
  8. Stay (5:33)
  9. Docking (1:29)
  10. Entering Endurance (2:40)
  11. Rage Against The Dying Of The Light (0:56)
  12. Down For The Long Nap (0:56)
  13. Message From Home (1:41)
  14. Through The Wormhole (1:31)
  15. We're Here (0:43)
  16. Atmospheric Entry (2:45)
  17. They're Not Mountains (3:39)
  18. Years Of Messages (5:26)
  19. Afraid Of Time (2:33)
  20. Murph Comes Home (1:45)
  21. No Need To Come Back (4:34)
  22. Our World (3:54)
  23. We Are The Future (3:27)
  24. We're Running Out Of Time (1:57)
  25. I'm Going Home (5:49)
  26. Coward (8:27)
  27. Imperfect Contact (6:55)
  28. No Time For Caution (4:06)
  29. Detach (6:42)
  30. Eject (2:13)
  31. Landing In Tesseract (4:42)
  32. S.T.A.Y. (6:22)
  33. Quantifiable Connection (3:31)
  34. What Happens Now? (2:05)
  35. Where We're Going (7:36)
  36. End Credits (4:59)
  37. Day One Suite (3:22)
  38. Murph Suite (11:21)
  39. Tick-Tock Suite (8:19)
  40. Stay Suite (6:52)
  41. Day One Dark Suite (6:38)
  42. Organ Variation Suite (4:52)
  43. Day One (Original Demo) (3:49)
  44. Do Not Go Gentle Into That Good Night (Poem) (1:39)
  45. Chasing Drone (Alternate) (2:07)
  46. Decoding The Message (Alternate) (5:42)
  47. No Time For Caution (Alternate) (4:06)
  48. First Step (Teaser Music) (1:48)
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Patricia reply Replies: 0 || 2020-01-19 16:55:40
Thanks for this fuc**** awesome bso. Really is amazing.

xiangbt reply Replies: 0 || 2019-12-19 14:22:11
thank you very much!

Jacob reply Replies: 1 || 2019-11-16 21:10:15
I found a version of this soundtrack online that contained several alternate versions of "No Time For Caution", as well as two additional suites, supposedly titled "Endurance Suite 1" and "Endurance Suite 2". I've listened to both and they both seem legit, but are they a part of this complete score?


Anonymous2019-11-17 09:38:56
Nope. They were recreated using film stems.

Hybrid Soldier reply Replies: 16 || 2015-03-15 10:18:29
The final cuesheet from ASCAP :

DREAMING OF THE CRASH
CHASING DRONE
FLYING DRONE
COMBINES WENT HAYWIRE
DUST STORM
DECODING THE MESSAGE
WHO’S THEY?
STAY
DOCKING
ENTERING ENDURANCE
RAGE AGAINST THE DYING OF THE LIGHT
DOWN FOR THE LONG NAP
MESSAGE FROM HOME
THROUGH THE WORMHOLE
FIRST HANDSHAKE
WHE’RE WERE
ATMOSPHERIC ENTRY
THEY’RE NOT MOUNTAINS
YEARS OF MESSAGE
AFRAID OF TIME
MURPH COMES HOME
NO NEED TO COME BACK
OUR WORLD
WE ARE THE FUTURE
WE’RE RUNNING OUT OF TIME
I’M GOING HOME PT 1
I’M GOING HOME PT 2
COWARD
IMPERFECT CONTACT
NO TIME FOR CAUTION
DETACH
EJECT
LANDING IN TESSERACT
S.T.A.T.Y. PT. 1
S.T.A.T.Y. PT. 2
QUANTIFIABLE CONNECTION
WHAT HAPPENS NOW?
WHERE WE’RE GOING
END CREDIT 1 DAY ONE V10.03
END CREDIT 2 DAY ONE V7.09
END CREDIT 3 8M32


Murphy's Law2015-03-15 15:10:00
Ok why are there 2 parts of "I'm Going Home"? Is it split in half, like 5m23a and 5m23b?

And shouldn't it be "S.T.A.Y.", not "S.T.A.T.Y."?

Other than that, looks like everything on the FYC is here making it pretty complete


mpolonest1232015-03-15 15:37:47
Funny, I don't remember any music playing during the "First Handshake" scene. I wonder what that is?


Hybrid Soldier2015-03-15 15:47:26
Yeah the guys that type that are pretty bad usually...


First Handshake, yeah it's either sound design or an unused cue...


Murphy's Law2015-03-15 16:39:52
After I downloaded the Blu-ray last night I watched the "first handshake" scene and I kinda heard what sounded like the "Down for the Long Nap" cue. But it was through my laptop. I'll be paying extra close attention when I watch it through my stereo and HDTV today.

"End Credit 3" is labeled as 8m32. But 8m32 is really "What Happens Now?". Is it labeled like that because it's the same theme? Cause if not that makes 8m33 Where We're Going and 8m34 End Credits the end credits parts 4 and 5. Am I right?


Hybrid Soldier2015-03-15 17:18:03
Like slates have any importance ? lol


Murphy's Law2015-03-15 17:21:39
If slates didn't have importance then they wouldn't be used :P


Hybrid Soldier2015-03-15 19:08:10
I mean for YOU... For the composer, the music editor, okay... But for the rest ? lol


Murphy's Law2015-03-15 22:18:15
I know, I was only kidding ;)

I found all of the cues on ASCAP same as you did, and even that BMI site. They're pretty cool places if you want credits, I should do this for all scores. Anyway, I found the entire cue list and HZ is not alone. There's Alex Gibson and Ryan Rubin. The 3 of them all credited for every single cue on both sites. Is that correct?


Mike2015-03-15 22:49:27
Well those two were the editors who tailored Hans' cues to picture, right? I think it's been stated already that Hans wasn't *watching* the movie while writing the score, so I guess to some extent his music would have had to be edited to make it "synchronous" with the onscreen material (but then, that makes me wonder..... how were cues like Cornfield Chase written, which match up with the image pretty precisely?).


Murphy's Law2015-03-15 22:55:25
Hmmm......


Hybrid Soldier2015-03-15 23:21:00
The music editors are usually credited & get royalties on HZ scores (Interstellar, Rush, How Do You Know, TASM2, TDK, Bat Begins & more)...

They hard work on many films, even if they don't write music. It's some kind of reward for them... Not everyone would do that...


Murphy's Law2015-03-16 00:05:42
Is that why (HZ & JNH aside) Alex Gibson, Mel Wesson, Henry Jackman (although I know he did stuff towards the end like "Ferries"), and Lorne Balfe are credited with the entire Dark Knight score?


Mike2015-05-05 22:36:51
If a certain uploader's YouTube channel/Interstellar works are correct, the tracklist here is actually right, and there is indeed brief music during the First Handshake scene (sounds like the first part of "Our World").


Murphy's Law2015-05-06 05:20:37
It's definitely there. After hearing the version that was ripped from the Blu-ray and then watching the film it's in there. And yes it's basically a short version of "Down for the Long Nap" or even "Our World"


Boldizar2015-05-06 20:35:57
Does the bluray have the score isolated on its own track?


The_Lone_Warrior2018-12-31 15:07:39
Is it possible to download the cuesheet? If so, how? Thanks for replying. :-)

Mike reply Replies: 2 || 2018-11-08 04:06:08
Watched Interstellar tonight and remembered the whole "No Time For Caution" debacle with the track not being released, and everyone falling in love with the music in that scene.

And I wonder, what will Hans' next "No Time For Caution" moment be? The track that everyone just flocks to in a new film cause it resonates really powerfully with audiences, and which shows Hans writing something a bit out of the usual box?


Mephariel2018-11-08 06:39:02
That scene is seriously one of the greatest scene in sci-fi movies. Zimmer's music just elevated it to space.


ThePhantasm 2018-11-08 19:22:29
I always wanted to know why that is? when you hear music in the movie composed by Hans or company they sometimessound different, or are not in the soundtrack. Perfect example the Batman trilogy and specially Man of steel. John powell has a lot of missing music as well.

1.25 Seconds reply Replies: 1 || 2018-07-21 20:33:30
On Millers water planet, those ticking noises happen every 1.25 seconds. Each tick you hear is a while day passing on Earth.


superultramegaa2018-07-23 03:01:27
Yep, Hans can be a musical genius when given the opportunity.

Bruno Politchuk reply Replies: 0 || 2018-06-15 01:26:16
What a wonderful soundtrack, I can not stop listening either. When I get home after work, Interstellar is the best soundtrack to listen to in the quiet of dawn. It's to get in touch with the Cosmos. Congratulations Hans Zimmer.

Stellar reply Replies: 1 || 2016-01-10 23:53:46
out of random curiosity are there credits for what scenes andrew k and steve m did arranging on ?


Mike Peterson2017-10-27 20:49:03
What a great score for a great movie. I cannot stop listening to the soundtrack. For me it is quite moving and when I show my friends portions of the movie and the soundtrack, they are just as affected as I am.

isildur reply Replies: 4 || 2015-09-14 21:06:35
Hey Hybrid, is Hans going to score the next with Nolan which is going to release in 2017?


Ds2015-09-14 21:25:36
Of course he will, why are you even asking? Hans and Chris are fond of each other, and Hans has proven countless times he was able to adapt to any genre, so there is no way Nolan is going to pick up another guy...


Edmund Meinerts2015-09-14 23:39:47
He did go back to David Julyan for The Prestige after collaborating with Hans on Batman Begins...but otherwise, yeah, I think a Nolan film is as safe a bet for a Hans score as anything.


Ds2015-09-14 23:51:57
I dont think they had the same relation before. BB was their very first collaboration, it became much more special after TDK and Inception especially. Now I dont think Nolan would even think of doing a movie without Hans :-p


Mike2015-09-15 15:34:19
Especially after Interstellar, which was lauded by the general public/was made a big deal of by everyone/got a live performance with Hans and Chris in attendance. :P Whether or not the Interstellar score might be a tad overrated (I thought it was excellent myself), it's no doubt further solidified for Chris that Hans is an essential component of his movies.

Adiel reply Replies: 1 || 2015-08-18 00:20:40
I can't see any option to download or buy this soundtrack here, there is only one music "coward" that is playable here, can any one please tell me how to get this complete album?


GR72015-08-18 11:18:46
This is not a commercial website here.
Try Amazon or iTunes I think

HZfan reply Replies: 10 || 2015-03-11 12:32:15
So, I know this is being discussed (read: disgust) to death, but is there any word on the complete COMPLETE score (the one above with 48 tracks) ever being released?

I've got the projection edition, which came with the 24 track digital deluxe edition, and the vinyl edition is on it's way. I've also hunted for the missing tracks like "Day One Dark" and "Quantifiable Connection (fixed)" and "No Time for Caution" (which frustratingly wasn't on the Illuminated Projection Set.

Am I missing anything else? I haven't even listened to anything proper yet because my only goal was to obtain every track Hans made for this film.


Boldizar2015-03-11 14:17:45
The listing above is almost entirely the FYC score, with the missing tracks/bonuses tagged onto the end.

Unless Hybrid is hiding something, this list is a hybrid of the various releases.


Boldizar2015-03-11 15:54:00
I should add certain tracks on here are not available on any (known) release. These include End Credits, Day One Dark, and the Stay Suite.

I am not sure what 46/47 are or the Day One Suite. I use Randal's (yourfavoritemusic)Quantifiable Connection, No Time For Caution (dubbed Endurance Mix, and IMAX end credits for my playlist.


Medigo2015-03-11 17:42:22
The Stay Suite is just 'Stay' from the original album
'Stay' in this list is the FYC version which is the movie version

45/46 are also the album versions of those tracks instead of the correct FYC versions


Boldizar2015-03-11 19:12:38
@Medigo: Ahh thanks. I thought so but wasn't sure. To me the whole FYC sounds like an alternate mix, aside from the obvious audio resolution issues. That would mean all of the album mixes are alternates or vice versa. Do you know why these tracks specifically were duplicated on this list as opposed to others?

In reality, shouldn't this page define the album as an FYC and eliminate all tracks except the 33 that come on it? This "complete" version doesn't really exist, as opposed to other completes (Dark Knight Trilogy, Inception, etc...) that do. It seems misleading, in regards to confusion, as it is now.

@HZfan, the official, poorly mastered version of No Time For Caution is the last track on disc 2 of the ISP edition.


HZfan2015-03-12 11:05:08
@Boldizar The last track on the Illuminated Star Projection Set is No Time For Caution? Disc 2, Track 12 of the ISP set is "Do Not Go Gentle Into That Good Night". I'm looking at the back of the actual box set right now.

I see no track called "No Time For Caution" on the ISP.


Boldizar2015-03-12 11:36:00
@HZfan: It is not listed on the back of the case. They just tagged it onto the end. However, are you in the US? If not it is possible they did not include it in other regions. That doesn't make sense but who knows.


HZfan2015-03-12 17:02:03
@Boldizar That would be adding more confusion if that's true. Yes, I'm in the US. It's not listed on the box, and I haven't opened it yet and actually listened so I can't confirm what you're saying. I know the UK got the ISP later, but I'd be shocked if it had that track and the US version didn't. This whole situation is a mess. I mean, I appreciate this music so much (this music meaning soundtracks in general) and I literally can't even pay them to just release the complete recordings of my favorite composers! I mean, I just want every song these guys created and I'll pay for it! Instead they do these single disc CDs leaving out tons of tracks and worse, creating suites or different than the movie. Only thing I'm happy with is a very rare thing in the industry where The Lord of the Rings The Complete Recordings were created. I'm very proud to have them. Why can't they do that with any and every soundtrack?? So frustrating. Hilarious they don't want money.


Boldizar2015-03-12 18:41:14
@HZF Yes I have the LOTR sets too. They are excellent.

If you live here then it definitely has NTFC as the last track on the second disc (as it should in all regions barring the possibility I mentioned). It indicates nowhere that it is on the CD you just have to play it lol

Hopefully in 10 years LaLaLand/Intrada or their future equivalents release this and other Zimmer scores properly.


HZfan2015-03-13 16:09:15
@Boldizar Well, I'll take your word for it that it's at the end of the actual CD, disc 2. Why it's printed wrong on the back of the box set is unfortunate. I'm just glad it's on there. Not that I didn't already download it from other sources, and I got the digital version of it when I bought the box set. I wanted it on CD, so I'm glad it's there.


Boldizar2015-03-13 21:30:47
I think because it was more of a last minute thing. They may have even repressed the discs after the fact to add the track, but did not redo the track listings as it would be more wasted resources.

Do not get too excited, this version is pretty bad. Not because it doesn't sound like the film but because it isn't leveled or mastered to match the rest of the soundtrack. It was an after thought all the way through.

keys39 reply Replies: 3 || 2015-02-23 14:56:04
How can I listen full Score? Only "2014 Interstellar - Coward" is available


SuffZ_ru2015-02-23 17:14:09
I dont understand it too) I have only text with names of tracks and its length



Mike2015-03-08 16:39:12
If you want to listen to the whole score, you'll need to find another site. The tracks you can listen to here are just to highlight a given composer's work on a score.


NM2015-03-08 19:10:06
You could even buy it, though I know that's a crazy idea to many people these days.

&#12615;&#12615; reply Replies: 1 || 2015-01-24 12:49:22
When does this album release?

I've got almost dying

And What's the format? CD? FLAC(Digital DL)?


Mike2015-01-24 16:02:57
This is not a commercially available album. If you look, it says, "Unofficial release".

Mikkel reply Replies: 6 || 2015-01-20 12:10:14
Hybrid?!
What for a Cubase VST Piano Plugin used hans? :)


bro2015-01-20 18:07:27
There's no plugin available that he used because he uses his own sample library but the piano in interstellar was recorded specifically for the score do this is a stupid question


bro2015-01-20 18:08:06
So*


DanTri2015-01-21 13:12:40
I think it was the Malsmjo Acoustic Grand by ArtVista, which Hans often uses :)
It has this special "Hansy" Sound :D


Mikkel2015-01-21 13:27:59
Thanks :) Only for win? Or mac too? :-)


DanTri2015-01-22 09:38:11
Both :) just search for it in google. I think the price is 99$ !
I use it for my intimate piano pieces


Mikkel2015-01-22 10:42:52
Thanks :)

Mike reply Replies: 7 || 2014-12-09 17:04:34
Was any good music played during the ending credits? I actually stayed through all the credits when I saw the movie, but I don't remember much of the music at this point.


badbu2014-12-09 18:02:11
I think it was a piano part of day one :)


theeaglesfan005 2014-12-15 17:06:33
badbu

It is the first 2:44 of "Who's They?" and "What Happens Now?"

There is a piece that plats in between the two, but I do not think has been released on the FYC or OST


badbu2014-12-15 18:07:00
Yep, you're right :)
But the part at the piano part at the end is a different version of "Quantifiable Connection". (i think) :-)
Btw, awesome end credits ;)


badbu2014-12-15 18:07:52
gosh...
The piano part at the end -> :D


badbu2014-12-15 18:09:58
ah :D btw...
maybe we get the end credits on the illuminated edition ;-)


Anonymous2015-01-21 18:08:16
LOL and maybe we'll get it on the "Super Duper Absolutely Positively Final All-Encompassing Unabridged Essential and Totally Complete Interstellar Soundtrack" We are such saps to put up with this crap.


bro2015-01-21 18:56:07
nobody really knows what is used in the end credits, it's sure as hell not "Who's They" if you actually payed attention to the piano and the organ playing the woodwind part instead. There's a lot of stems replaced, stuff that seems to be alternates of tracks we did have, unreleased material, ending is a blend of "Our World and What Happens Now?", little parts of Day One (Original Demo) are all over the place that help fade the three parts of the end credits together, and the piano part at the end isn't "Quantifiable Connection" at all, it's similar but it's just a much more simple piano variation of the main theme. There's a lot going on in the end credits, much more than you guys realize.

D A R T H reply Replies: 0 || 2015-01-20 11:21:27
No trace of "A place among the stars" the tracks was cut-edited into several other tracks ?

Laurens reply Replies: 5 || 2015-01-18 20:04:45
Perhaps its just me but the FYC release has pretty bad audio quality, even for MP3 standards... The loud parts during Mountains for example are creaking and cracking all over the place. Are these FYCs always in such low quality? I mean, the MP3 Inception bonus tracks sound a lot better than this release, so what makes it so difficult to release a decent MP3 version of the complete score?


Anonymous2015-01-18 21:59:20
The difference is that it's a 192k web rip vs a 320k download


Per2015-01-18 23:15:05
Yeah, the difference alone (the original source has nothing to do with it) between 320k and 192k is what makes the sound to be either great, or pretty bad...


Anonymous2015-01-19 00:01:54
And in this case, it's total shite


Anonymous2015-01-19 23:04:53
someone mentioned Batman Begins as the beginning of Hans' suite mania...actually there were only two suites in that score, and both not used too often...that score was really written to picture, I think...


bro2015-01-19 23:45:25
TDVC and POTC 2 & 3 were pretty suite heavy, especially after considering the amount of suites released with the treasures collection edition - plus the other suites included in the OSTs and the leaked complete scores.

Hybrid Soldier reply Replies: 18 || 2015-01-10 16:08:35
Updated this a bit...

And yeah I changed the OST Stay definitely sounds like a suite to me...


Mike2015-01-11 23:11:48
My gosh, the Murph suite beginning around 9:00 or so is awesome. A nice extended version of the end of "Detach". :)


theeaglesfan005 2015-01-11 23:16:07
Yeah it's a suite... the FYC version is the film mix for sure

I noticed it on my 4th viewing


Mike2015-01-11 23:28:10
I know Hans likes his suites, but I must say it did kind of surprise me how much of this score is just suites copied and pasted to the picture. It's a greatscore, don't get me wrong, but it looks like the only "original" music (i.e., non-suite material) is Cornfield Chase and the piano part of Quantifiable Connection.


Anonymous2015-01-11 23:43:37
Cornfield Chase is actually more of a copy and paste job than most of the other parts of the score


Ds2015-01-11 23:57:19
Well, at the same time I find it frustrating that there's a lot of repetition in this release, while some very important themes/cues have been forgotten.

"Day One Dark", one of the best suites of Interstellar, hasn't been released properly. Hans probably worked a lot on it, and this whole organ tune is nowhere to be found, except for a small bit in "Coward" (and in "No Time For Caution", but that one wasn't supposed to be released in the first place).

Same thing about the piano part of "Quantifiable Connection". The only missing track is damaged on the FYC, can you believe it? It's almost like it was done on purpose :-p

So what's the point of filling the 2nd disc with original demo, teaser trailer music, poem, "organ variation" which is über repetitive and already featured in the first album? I really can't understand.


Hybrid Soldier2015-01-12 00:01:19
Well Mike that's exactly the point of suites, to be copied & pasted to picture... lol


Mike2015-01-12 00:48:58
Well, yeah, I get that, but usually there will be more variations between suites and cues than is the case here. :P Again, I love the score, and the suites, but I couldn't help noticing that.


bro2015-01-12 03:35:42
I know what you mean Mike, in Angels & Demons there were probably 15 different new variations and arrangements lifted from ideas in the 160 BPM suite and they were masterfully applied to picture. (Mostly thanks to Lorne and Zanelli)

And the suite track itself never had a second of screen time.


theeaglesfan005 2015-01-13 00:55:27
I have been told that HZ writes the suites first and then the individual cues are derived from them

That would explain why most Zimmer OSTs are suite heavy


Per2015-01-13 02:53:03
Not to start a discussion here, but why does everyone say, or think most Zimmer CDs are suite - heavy ... Maybe it's true for the last 10 years, but it wasn't really before that. But of course, I guess there's been quite a few releases the last 10 years, so... maybe it's starting to get "most" soon...

well, completely (un)related, I miss the Zimmer(-style) from 10 years ago and back :)


Edmund Meinerts2015-01-13 09:21:04
Well, it seems like Zimmer's only adopted his "suite" methodology over the last 10 years or so (starting around the time of King Arthur and Batman Begins, it would seem), so maybe that's why.


Per2015-01-13 10:03:13
Yea, probably around Batman Begins I'd say to.

There are no theme suites on the King Arthur CD though.


Edmund Meinerts2015-01-13 11:26:12
They're not on the CD or even the complete score. I recall Hybrid saying there were two suites written for that film but they've never seen the light of day (probably were never more than demos).


Hybrid Soldier2015-01-13 12:28:06
I asked Hans this he was never precise but it depends on the projects... I think the first suite I know of is from Nine Months (We Can Work It Out is my memory doesn't suck). There's the Gladiator Waltz, the Peacemaker suite too.

But for sure he developped the process a lot more later. Though it's not ALL THE TIME, on Rush for instance he wrote directly to picture, improvising & writing most of themes than only after got a little rearranged...


Mortifer V.2015-01-13 16:26:58
I personally enjoy every suite a lot and I am very glad Hans works that way. Tick-Tock and Murph are masterpieces for me, I don't think I'd want to live in a world where those suites weren't released :p In the suite you get to hear the themes in a more full and satisfying way IMO. Of course I'd like to hear some more tracks from the score itself, instead of the pointless poem track... which doesn't at least feature Michael Cane's awesome voice :P


Poe2015-01-13 21:46:03
Hyrbid, did you mainly use OST tracks in place of FYC tracks for better sound quality?? Maybe someone could be so kind as to mention which tracks come from which (the boxed set tracks are obvious but some of the others may not be).


El Baradei2015-01-14 14:27:02
It's the voice of John Lithgow, not Michael Caine.


Mortifer V.2015-01-14 16:28:08
Well, @El Baradei, I know, that's why I said "doesN'T at least feature..." :p

Aro reply Replies: 0 || 2014-12-29 19:46:19
I want to have song from end credits.

Hybrid Soldier reply Replies: 18 || 2014-11-27 21:01:11
Here we are with this one, though subject to change if depending on what's in the Illuminated...

Again a combo off all that's available so far (FYC & OST).


Poe2014-11-27 22:27:15
Is Track 42 the FYC track with the slightly different mixing levels?


Hybrid Soldier2014-11-27 22:38:01
Yeah...


T-Mann0362014-11-27 23:06:43
I tip my hat off to you, Soldier. I hope someone out there has the "Quantifiable Connection" track that has 0% static or distortion.


Hybrid Soldier2014-11-27 23:11:50
Well if the CD version of the FYC aren't as screwed up as this web upload, we might... lol


Medigo2014-11-27 23:12:48
so are the FYCs closer to the movie version?


Medigo2014-11-27 23:12:49
so are the FYCs closer to the movie version?


Hybrid Soldier2014-11-27 23:13:32
Of what exactly ?

Of what exactly ?

lol


Medigo2014-11-27 23:18:34
of the alternates

the *gets shot twice*


Hybrid Soldier2014-11-27 23:20:55
Yeah, usually they are...


Joe2014-12-05 19:52:58
What a show-off!
To say that you own a copy the bootleg and not to share not even where you got it?!
Hmmm!
Bootlegs are illegal....Please do not ask us any copy of them.
But if you are recognizing you have it!
Nobody is asking for a copy, not even a link, but just the words to Google it!
Is that "illegal"?


T-Mann0362014-12-07 04:05:32
Joe... are you a republican?


Slavic G2014-12-25 07:33:30
Does anybody know where I can get the album with 43 tracks? I've been on the Paramount site and they only have like 33 tracks.


Slavic G2014-12-25 07:33:32
Does anybody know where I can get the album with 43 tracks? I've been on the Paramount site and they only have like 33 tracks.


Per2014-12-25 11:21:10
You answered your own question; Paramount site, and I'm sure you're aware of the OST(s)...

Merry Christmas !


Slavic G2014-12-25 19:43:39
@Per
You didn't read clearly! I said they only have 33 tracks! Where are the other 10?


LCB2014-12-25 20:13:24
This is a compilation putted into written of all the existing music regarding this film (mixing the music of CDs, recording sessions, etc), not a physical one. You understand now?


Slavic G2014-12-25 23:17:22
@LCB

I understood from the beginning. I just wanna know if there is a folder that I can download all of these tracks? I don't wanna be buying all the album versions.


LCB2014-12-26 00:25:11
Ok... Emm... No.

T-Mann036 reply Replies: 1 || 2014-12-18 03:56:40
Out of all the tracks in the FYC/"Sessions", Quantifiable Connection is my new favorite track!


badbu2014-12-18 07:24:16
x2 :-)

DayOneDark reply Replies: 1 || 2014-12-15 12:39:31
Hello,

Does anyone know where this release information came from?


badbu2014-12-15 12:49:51
FYC Awards! -> paramountguilds

Anonymous reply Replies: 1 || 2014-12-05 16:55:15
Science and Religion in "Our World", anyone? :D


Anonymous2014-12-07 04:32:03
And hints of Last Samurai in No Time for Caution.

mat78 reply Replies: 1 || 2014-11-28 04:50:59
Ok im confused lol... All 24 tracks from the deluxe version are in the FYC but with diferent names?


clon2014-12-01 12:33:31
not all of them i think. only a few tracks and additional ones.

Mikkel reply Replies: 2 || 2014-12-01 08:25:14
In which scene is the track played?
"Landing In Tesseract".


Hybrid Soldier2014-12-01 08:50:49
When he... lands in the Tesseract... lol


badbu2014-12-01 08:57:56
hahaha :D :D

Mike reply Replies: 5 || 2014-11-28 22:03:01
I wasn't expecting it, but I found myself genuinely moved during the Years of Messages cue, when he realizes just how long he's been away, and sees his son as a grown up, and realizes now that he's a grandfather.... The music was so simple and yet so effective during that scene.


Edmund Meinerts2014-11-28 22:27:47
That scene is one of the most gutwrenching I've seen in a film in a long, long time. And yes, Zimmer does his part to make it so. Oddly enough I find that piece to be no more than pleasant on album. Weird...


Anonymous2014-11-28 23:20:45
"No more than pleasant"? What are you talking about? That's the most beautiful piece of music ever written by anyone in the history of mankind... ever. Pretty negative of you to say otherwise because everyone else here loves every single second of the score right Edmund?


Edmund Meinerts2014-11-29 02:32:00
Okay, Anonymous (if you're the same Anonymous from before), you've made your point I think.


RealFfingMusic2014-11-29 06:56:17
I don't know how others feel, but I can almost feel Cooper comprehending the fact that he has missed his kids' adolescence, early adulthood, and youth, that is, their transformation from children to grown-ups.

"Gut-wrenching" is quite precise.


Anonymous2014-11-29 17:45:32
Thanks Edmund, now can we be friends again? I'll try to be more positive from now on too.

Hybrid Soldier reply Replies: 1 || 2014-11-28 10:42:18
Actually I'm wondering if the Stay on OST isn't just a theme suite...

It has the part from Dreaming Of The Crash, and the big ending, quite different in the film version...


NM2014-11-29 11:51:30
I think you might be right, though I'm hoping not. I would love to hear a longer arrangement of it, it's stunning.

JR reply Replies: 2 || 2014-11-28 09:01:17
Finally, is there any version of "Quantifiable Connection" without noise??!


badbu2014-11-28 09:09:54
Nope!


T-Mann0362014-11-29 06:59:41
Not at this moment. Sorry...

Anonymous reply Replies: 1 || 2014-11-28 22:18:58
Does this have the music when the NASA people are explaining things to Cooper and Murphy at their base? I remember that being an interesting cue.


TNT2014-11-28 22:22:08
Yes, it does! The cue is called "Who's They?"

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Interstellar (Complete Score) soundtrack - Hans Zimmer 2014