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@Meta: Really Point Break was interesting?, it's only 10 minutes of music released, and i din't care about it, honestly, and the movie was really, really bad.<br><br>As for Tomb Raider, the music was serviciable in the movie, but i more comfortable with it than Point Break.I'm not sure JXL is picking the projects. In the case of Tomb Raider it seems like WB handed it to him when Joss Whedon asked them to replace him on Justice League. I guess they were annoyed because he had been a frequent collaborator, so giving him another blockbuster straightaway was a soft way of dealing with that.<br><br>Also yes poor JXL really seems pigeonholed. Even though, to be honest, the only style he's proven excellent so far is the rythmic stuff (see the highlights of Fury Road). His rare excursions to other styles have been quite bland to me, so the fact that he's always asked to do the same style isn't really a surprise. Directors/producters who want this specific sound will call JXL, and people who're making a comedy or romance won't even bother and will call another composer.@mpolonest123<br><br>I agree...And, after the promise with Man of Steel and Mad Max (Technically it's OK and serviceable, but I hold this one personally dear, so I give it a pass) I have to say that after Bat v Sup Junkie has gone by the wayside...I dunno if it has anything to do with his influence with Zimmer or what, but...Apart from Point Break and Max, I don't really care for his other all.   <br><br><br>This guy seems to be waning worse than most all the RCP composers...Hell, I'm even finding Rupert Gregson Williams to be surpassing him, these days....and I don't give a crap about Rupert's work at all, save Tarzan when he woke me.Though considering their actual roles in the production of the score, it's likely that it was an obligation on WB's part to credit Bob, Melissa, and Mark in this instance.The Justice League listing of "Is She With You?" in the credits list the following people: Hans Zimmer, Bob Badami (as Robert Badami), Melissa Muik, Mark Wherry (as Mark Andrew Wherry) and Steve Mazzaro. No sign of Tom here either, so I'm definitely inclined to agree that he was asked his opinion on the theme to help shape it a bit.
Rona ma Africa<br>Ratang ka kopano<br>Batho ba Africa<br>Ngothando<br>Sizongoba<br>Ma AfricaAlso, i saw Tomb Raider... it was OKI don't Mad Max as score was great, i enjoyed few tracks, but not much neither. Also that too for Deadpool, the main theme is kinda good, the rest is forgettable.oof...if you "can't wait any longer!" then stop waiting and shut up about it. Convenient indeed :P
@Edmund<br>I think one of the key problems is that he seems to pick the shittiest films to work on. Point Break, Dark Tower, Tomb Raider, etc. <br>But then we get Black Mass, Brimstone, and Mad Max, all excellent scores/films. And I know the quality of the film doesnít need impact the quality of the score but JXL obviously is pigeonholed as an action/electronics composer. I would love to hear him expand his range and work on scores outside of the action genre. Much like how Hans does a number of different scores.<br><br>Imagine a Junkie XL comedy or romantic drama!Nevermind found it on youtube. Well how convenientI wasn't yelling at the site workers. How has this been out. I have  looked all over youtube and the internet and I can't find it. Can you kindly point me to where I can listen/download it??I wasn't a huge fan of Mad Max in the first place, but I'm increasingly convinced that it was the peak of Mr. XL's powers as a film composer.Itís funny you say that, in The Dark Tower there is an amazing string section at the opening of ďDeath Always WinsĒ (which was cut out of the film of course) that lasts maybe 10 seconds and is probably the highlight of the score for me.<br><br>As for Tomb Raider, Iíve tried revisiting it in the past few days to see if I would like it better.<br>No.<br>Almost everything about this score is functional at best, undeveloped at worst. Itís almost as if long sections go by with only sound design, just to have a burst of drums or orchestra, then back to sound design. And yes, I know Mad Max was the same case, but itís frustrating to hear a lesser version of that sound years later from the same composer.
There was this tiny section towards the end of the track The Devils Sea, which I thought was pretty daring, symphonywise. But I just didn't have the care in me to even cut that little 10 second part out to add to my collection.I'm not really sure either. I'm having a hard time making the tracklist from what leaked line up with the tracklist we see here. And I don't think everything is on there, I can't find the Atli track for instance...Okay, so maybe "decade-plus" would have been more accurate...My point stands! ;)Bullet reused on dunkirk, so this what I mean hybrid when 2 month ago I said that Hans reused some cues from BvS on Dunkirk...i'm not criticizing just noting.Officially, the whole BvS score is credited to HZ & JXL, so the theme is kind of "his" even if he didn't write it himself. Note that his formulation is very careful and leaves all interpretations open: "I may have had a hand" didn't mean he wrote it. It can simply mean that he gave Hans his opinion about it, or some piece of advice on the mix or the drum pattern for instance...

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Trevor Morris
Dragon Age - Inquisition (VG)
Label: E.A.R.S. (Digital Download Only)
Length: 96'43 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5046 votes)


  1. Dragon Age Inquisition Theme (2:52)
  2. Escape From The Fade (1:14)
  3. The Wrath Of Heaven (5:25)
  4. Calling The Inquisition (1:59)
  5. Champions Of The Just (3:55)
  6. Lord Seeker (2:08)
  7. In Hushed Whispers (4:49)
  8. Sacrifice (1:01)
  9. Alexius (2:35)
  10. In Your Heart Shall Burn (1:33)
  11. The Dawn Will Come (1:58)
  12. Journey To Skyhold (1:48)
  13. The Western Approach (2:07)
  14. Siege Of Adamant (1:14)
  15. Adamant Fortress (4:16)
  16. The Fall (2:08)
  17. The Place Of All Fears (2:42)
  18. Nightmare's End (0:40)
  19. Val Royeaux (1:12)
  20. Wicked Eyes And Wicked Hearts (3:35)
  21. The Inquisition Marches (1:46)
  22. The Lost Temple (6:50)
  23. Death On The Bridge (2:26)
  24. Guardians Of The Past (3:14)
  25. The Well Of Sorrows (2:00)
  26. Call His Wrath (1:52)
  27. The Lie In Which You Linger (3:14)
  28. Battle In The Sky (1:05)
  29. Tooth And Scale (3:45)
  30. Let The Skies Boil (0:40)
  31. Doom Upon All The World (3:48)
  32. Orb Of Destruction (1:19)
  33. The Scar (0:56)
  34. Return To Skyhold (2:13)
  35. Epilogue (1:10)
  36. The Elder One Theme (4:28)
  37. Orlais Theme (2:44)
  38. Thedas Love Theme (1:59)
  39. A World Torn Asunder (Gameplay Trailer) (2:03)
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GrayEdwards reply Replies: 0 || 2017-06-18 04:41:29
So it seems that Ted Reedy, who was an additional composer on Inquisiton is scoring Bioware's upcoming game "Anthem".

Any reason he doesn't have his own page here? Is he not officially part of RCP?

Everan reply Replies: 1 || 2014-12-16 18:43:07
I can't stop listening to the main themw!!

Hoping there are more editions in the future, Dragon Age II had some. There's so much music in this. Wish the bard songs in taverns were available too.

Miles2015-11-18 17:13:09
You're in luck! E.A.R.S. has released an album with the main bard songs, along with an album containing Morris' music for the Descent and Trespasser expansion packs!

Gray Edwards reply Replies: 0 || 2015-01-16 06:21:49
I was disappointed when I heard that Morris would be doing this. I loved his work on The Tudors, but basically everything else he's done has been generic RCP junk.

The main theme for this was okay, but it's very similar to Pippin's song from Return of the King. On top of that, I absolutely hate The Dawn Will Come and the scene it went with, so now every time I hear the theme those stupid lyrics pop in my head.

Now I have the hear that annoying theme every time I bring up the main menu on the game.

OKKU reply Replies: 0 || 2014-12-14 21:43:47
Val Royeaux is good..

Nicolas reply Replies: 0 || 2014-11-25 01:47:14
Verry good song
when I listen to this music with my coffee
I tell myself that everything is possible
i'm french and i like your job !!!

jewen reply Replies: 0 || 2014-11-15 23:54:27
Thanks, THANKS Mr.Morris.

Such Amazing score. Up there in my top 5 of 2014.
And nearly perfect like Jeremy Soule's Skyrim.

And for all of you collegas...Do not leave the chance to hear this Big Piece of Work.

Miles reply Replies: 2 || 2014-10-23 06:47:07
This is amazing! Where did you find this?

Hybrid Soldier2014-10-23 09:39:05
Come on Miles, I'm supposed to know all this ! ;)

SomberXIII2014-10-27 04:46:28
E.A.R.S. on iTunes. Google "Electronic Arts Recordings". It's a bit difficult to find the official iTunes page.

Hybrid Soldier reply Replies: 1 || 2014-10-22 21:21:33
This should be interesting ! :)

Bondo2014-10-22 23:35:52
Where's the "like" button? :D© 2001-2017 OST 
Dragon Age - Inquisition (VG) soundtrack - Trevor Morris 2014