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So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!
Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photo
Hah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracks
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Atli ÖrvarssonDavid FlemingMonica SonandBryce Jacobs
ComposerAdditional MusicTechnical Score EngineerMusician
Chicago Fire (TV Series - Season 2)
Label: Lakeshore Records
Length: 52'34
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4289 votes)
  1. Boden's Retirement (2:17)
  2. Heather In Prison (2:27)
  3. Arson Fire (1:26)
  4. Factory Fire Call (1:33)
  5. Mouch For President (1:14)
  6. Benny's Baggage (2:43)
  7. No Regrets (3:28)
  8. Helping Casey (4:03)
  9. Heather Is Leaving (2:45)
  10. Underwater Rescue (2:32)
  11. Heavy Weight Montage (2:43)
  12. Herrmann Advice (2:14)
  13. Casey And The Darden Boys (3:20)
  14. A Dark Day (2:35)
  15. Commuter Train Crash (3:46)
  16. Permission To Date (1:22)
  17. Family Pile Up (2:52)
  18. Boden Proposes (3:34)
  19. Saving Nathan (2:29)
  20. Casey And Dawson (3:11)
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Felix reply Replies: 0 || 2019-11-21 11:58:26
https://www. axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620

Why they never release this?!....

Felix reply Replies: 4 || 2015-06-05 22:44:21
Hey Hybrid,

do we have any infos about Chicago P.D. & Chicago Fire Season 3 release?


Hybrid Soldier2015-06-05 22:55:47
Nope... :/ CF 3 would depend on how well it goes for 1 & 2, Atli told me... No idea...


Felix2015-06-05 23:05:33
Thanks Hybrid

Oh man, love this series & the score very well...it's a shame that this good music don't have a release till yet, and that's also small release...for 2 season we have 1 1/2 hour....


Felix2015-06-05 23:25:46
do you have this wonderfuls Suite Hybrid?

youtube. com/ watch?v=fT9I--dwl5w


Brent2015-06-08 19:21:00
I certainly hope we can get a Chicago P.D. release. I like the darker tone of that series.

Kenny Davis reply Replies: 1 || 2015-06-06 06:05:14
Mr. Zimmer & Team.
Please give us the honor of having you and listening to your Masterpieces!
I do not have words for how you can produce the way you do. It is beyond my knowledge and imagination. Such creativity & Passion. Please come and share your gift with us in Orlando Fl. Or nearby. Before my time comes I have to see your stunning breathe talking performance live. I can love seeing others via television. But your Sir, you are a scientist. I say to my friends and family that your mind it is not from this world.

Wish you the best and thank you for making millions happy and I am at the first row of those millions.


Kenny davis2015-06-06 06:07:45
Breath taking I meant

Borrtex reply Replies: 1 || 2015-02-23 00:20:31
Any download link? :-)


Anonymous2015-02-23 00:56:08
It's on iTunes for purchase.

Felix reply Replies: 0 || 2014-12-24 15:22:38
YES!!!!! It's coming next month

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Chicago Fire (TV Series - Season 2) soundtrack - Atli Örvarsson 2013