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The score reflects the situation of DC movies very well. If Zimmer, like Snyder, continued, the result may not please everyone. A lot of people were unhappy with Snyder's work in the genre, just as many fans of soundtrack were with Zimmer's contributions that never followed the path taken by all the other composers who came before him.<br><br>The two left (regardless of the reason that led them to do this).<br><br>When Zimmer left everyone knew that XL would not hold the pressure or that the result would not be satisfactory for most.<br><br>When Elfman and Whedon were announced we all knew that they were hired to go against everything DC has done before to try to reach the first film of the franchise to reach 1 billion. Even if they were to follow Marvel's script and drop their originality.<br><br>But the hiring of Elfman and Whedon shows that the studio was long lost. Snyder succumbed to BvS. The only salvation for the DCEU are the solo films like Wonder Woman, the next Batman, Aquaman ...and freedom. Freedom for the directors, composers... Warner has always had this advantage over Marvel.@Edmund <br>Given the chance I think Junkie probably could deliver a pretty fun score that stayed thematically consistent with the current universe. It all depends on what the studio/director wants out of the music. The biggest disappointment to me is that this was a huge missed opportunity to do a heroic take on Zimmer’s Superman theme, something we haven’t heard since MoS. Hell, even the trailers did that.... -_-rumor has it Lorne Balfe did this score<br><br>I guess if we do not get any credits then that proves it<br>======================================<br><br>Oh, absolutely! I'm sure we will soon find out that Balfe also scored Star Wars and Titanic. And Harry Potter. And Indiana Jones.Edmund, I somewhat agree - I've seen very little from Junkie to make me think this would have been a groundbreaking, wonderful score. However, maybe it's the Zimmer fan in me, but I would have loved to hear "stock, barely-altered reprises of Zimmer's themes all over the place" in this score. So many scenes begged for just that. Compositionally it doesn't make for an interesting soundtrack or film score, I agree, but I would be willing to sacrifice that for thematic continuity.I certainly understand the criticisms leveled at Elfman's JL score, but I'm not at all convinced Junkie would have been a better option. I've never been too convinced by him anyway (Mad Max was a situation where his sound happened to be a good fit, but even then I think a better composer could have made much more out of the same ingredients). And since anything worthwhile in the previous two (and yeah, I'm aware I like MoS and BvS waaaaaaaay less than the average reader of this site) ended up being by Hans anyway, I really doubt Junkie flying solo would have been up to much. My guess is he would have pulled out stock, barely-altered reprises of Zimmer's themes all over the place without adding much new material on his own, which would have satisfied the DC fans more than what Elfman did, sure, but would have been a lot less interesting as a score album. I mean, say what you want about the questionable thematic decisions Elfman made, the two gigantic full-length action cues are pretty solid in and of themselves. I'll take that over Junkie letting the drums pound for eleven minutes straight, any day of the week.
The studio is the music owner now.There you go. So we probably will never get to hear what Tom planned/did for this movie. I really believe that it would've been great compared to the generic score we got. <br>Only two tracks stood out to me and only one was an actual cue from the movie.Gabriel Yared leaked his Troy back in 2004 but I think he got in quite a lot of trouble for that. There's a reason he hasn't done too many high profile films since then, I think. A few rejecteds have slipped out over the years but it's pretty unheard of for the composer himself to be the one to leak it I think, that would be career suicide if they got caught. Usually they come out the same way complete scores do, some anonymous person working on the scoring team probably did it.and Zimmer criticized Elfman...back and forth, etc. So what? The movie is lame, the score is about as lame as Bat V Sup@JBSO99 you're right. It's so big and widely spread.<br><br>And you're right about me forgetting those score. I just picked these three because Elfman critized Zimmer
@Iamtommie  You forgot the theme by Elliot Goldenthal for Batman Forever and Batman & Robin, for not to mention the theme from the 60's TV show and all the themes for all the different animated motion pictures such as The Dark Knight Returns, Mask of the Phantasm, or the videogames like the Arkham series.<br><br>Batman's musical legacy is very big so him saying there is only one theme and his the one he created is really disrespectful to a big amount of composers.Yeah, that's what I thought you meant. And that's what Elfman should have done if he wanted to use the old themes.I think what Elfman said is not true.<br>Batman has different themes for different movies because every Batman is different.<br><br>Michael Keaton as Batman: Elfman's Theme<br>Christian Bale as Batman: Hans' Theme<br>Ben Affleck as Batman: Hans & Junkie's Theme.<br>Of course much more but the most important.<br><br>Each one if dies Batman's have a different story and a different universe. I think that for each universe a new theme is the best thing you can do. With a different theme you can relate more to this Batman than a previous one.<br><br>By the way, I think TDK, MoS & WW are 3 of the top 10 themes by Zimmer. I think what Elfman did the WW theme is an abomination. He removed the key instrument in the theme because he thought it was childisch.<br><br>I think the Justce League score is way worse than previous DCEU or Batman movies. I hope that Lorne of Junkie will do future DCUE movies instead of Elfman.<br><br>(Seeing Justice League thursday. I am curious if it is really that bad as everyine says)GITS was unreleased, JXL's JL score was completely rejected. The real qustion is how many rejected scores have leaked in the history of modern film scoring?Ghost in a thing that doesn't have life but does
Which score would that be?Seeing as how Lorne Balfe “leaked” his own score, I wonder if Tom could easily do the same?Haha - honestly though, before I realized this I felt Jablonsky didn't really bind the score together that well with themes and motifs. This is a pretty cool connection and I'm glad he made it.Almost like this was a film score or something! ;)I don't suppose you have credits for this score, Hybrid?
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Hans ZimmerAndrew KawczynskiSteve MazzaroChris Craker
ComposerAdditional ArrangementsAdditional ArrangementsMusic Producer
Interstellar
Label: WaterTower Music
Length: 131'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (46772 votes)
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CD1
  1. Dreaming Of The Crash (3:55)
  2. Cornfield Chase (2:06)
  3. Dust (5:41)
  4. Day One (3:19)
  5. Stay (6:52)
  6. Message From Home (1:40)
  7. The Wormhole (1:30)
  8. Mountains (3:39)
  9. Afraid Of Time (2:32)
  10. A Place Among The Stars (3:27)
  11. Running Out (1:57)
  12. I'm Going Home (5:48)
  13. Coward (8:26)
  14. Detach (6:42)
  15. S.T.A.Y. (6:23)
  16. Where We're Going (7:41)
CD2
  1. First Step (1:47)
  2. Flying Drone (1:53)
  3. Atmospheric Entry (1:40)
  4. No Need To Come Back (4:32)
  5. Imperfect Lock (6:54)
  6. What Happens Now? (2:04)
  7. Who's They? (7:17)
  8. Murph (11:21)
  9. Organ Variation (4:52)
  10. Tick-Tock (8:19)
  11. Day One (Original Demo) (3:49)
  12. Do Not Go Gentle Into That Good Night (Poem) (1:39)
  13. No Time For Caution (4:06)
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Magic Coop reply Replies: 0 || 2015-02-22 15:28:11
Today's the day, folks! Who's gonna be watching?

Leo reply Replies: 8 || 2015-02-19 21:01:10
Interstellar won Best Score of the Year cattegory on the IFMCA!
http ://film music critics. org / 2015/02/ ifmca-award-winners- 2014 /


Magic Coop2015-02-19 21:12:24
Nice. Although the link doesn't work.

Never even heard of these awards before.


Magic Coop2015-02-19 21:22:36
OK I found this through a Google search.

Note how although this was awarded Best Score, the award for Best Composer didn't go to Zimmer, nor did any of his individual tracks win FILM MUSIC COMPOSITION OF THE YEAR either.

Interesting.


Magic Coop2015-02-19 21:27:37
Nor did it win the FANTASY/SCIENCE FICTION/HORROR FILM category; Maleficent did.


Hybrid Soldier2015-02-20 00:14:10
Who honestly cares about the IFMCA, but the members of the IFMCA themselves ?

It pretty much has the same value as if I were distributing my own awards myself !


Magic Coop2015-02-20 00:49:51
Well, Soldier, that's also kinda what I was getting at in my initial comment but maybe I didn't emphasize that enough!


Anonymous2015-02-20 19:14:42
Hybrid, The Hollywood Foreign Press is the same way: an association that awards itself


Medigo2015-02-20 21:58:15
Maleficent winning anything is wut


Edmund Meinerts2015-02-21 10:31:40
Seriously? Maleficent is a very good score.

Ds reply Replies: 8 || 2015-02-16 18:20:08
Empire magazine made a poll about the Oscar winners, Hans Zimmer got 54% of the votes in the Best Score category. That's pretty cool :-)

We should be lucky that there is no other "epic sounding" score in competition this year, because the fans of this kind of music will have only one choice: Zimmer. The competition of How To Train Your Dragon may have hurt Inception back in 2011...


Anonymous2015-02-18 01:10:37
Zimmer won't win this. Unfortunately.

Here are the odds at bwin for "best score":
Theory of Everything @1.55
Grand Budapest Hotel @2.40
Imitation Game @11
Interstellar @34
Mr Turner @51

The bookies do know there homework and they are usually right on this.
But if you believe Interstellar will win, you'll get rich ;-)


Magic Cooper2015-02-18 02:25:47
Anon - I'm like Han Solo and I don't give a crap about the odds. Besides, what's more important is who SHOULD win, and not who MIGHT/WILL win. Zimmer's score is without a doubt THE best and deserves to win. It's EPIC, period. I listened to the TOE score - for instance - and that is boring compared to Interstellar. Just very standard orchestral sounding, so very ho hum. I've read plenty online and the vast majority want him to win.


Magic Cooper2015-02-18 02:52:23
"Him" meaning Zimmer, obviously.


badbu2015-02-18 08:11:03
34? :D oh my gosh...


Frank2015-02-18 09:36:45
Pretty sure the Academy will give the Oscar to the copycat of Desplat and Morricone, yes, that what Theory of Everything is. Even the Oscar doesnt goes to Hans, I'd like to see Desplat win it.


Zimson2015-02-18 17:46:40
Interstellar will definitely not win. Yes, they did unexpectedly give Reznor and Rose the Oscar back in 2011 but that doesn't give scores like Interstellar a higher chance of winning. The award usually goes to one of the favorites other than big picture (which will most likely be boyhood, not Budapest).
So I'm 96,34% convinced the award will go to Johannsson or one of the Desplats and I'm being a realist here.

My tip is Budapest.


Magic Coop2015-02-18 18:00:21
Thanks for the optimism, guys. Sheesh. Way to put a downer on things. Anyone would think you are WILLING Interstellar not to win. As fans can't we all just please remain hopeful until the envelope is actually opened and the winner announced, because life can be depressing enough without us completely writing off Interstellar this early on top of it.

I for one am looking forward to Sunday and remain optimistic. I'm not gonna let any Debbie Downers bring me down until I absolutely have need to be. Nothing's set in stone and anything can happen. Murphy's Law, peeps...Murphy's Law ;)


Ds2015-02-18 21:51:46
I agree with Magic Coop! As a true fanboy I'll wake up early on Monday morning to check the results. I'm used to be disappointed by these awards but anyway I've still hope.

Don't forget the three scores with the best "odds" should all appeal to the same category of voters!! They vote for only one score so I'm still hoping for a nice split and a fine victory for HZ!

Cade reply Replies: 18 || 2015-02-12 21:20:07
Goddamnit the FYC CD is that same as the gulds site files!!


Alan2015-02-12 21:57:34
Is the same track still messed up?


Cade2015-02-12 22:13:56
YES >:(


Alan2015-02-12 23:15:51
.....

Are you kidding me?!?! What a complete eff up all of this shambles of a score release has been. Ugh!!


Boldizar2015-02-13 03:17:21
Wow, how did you find out? The person who told me must not have really known the music.


Anonymous2015-02-13 15:28:27
Easy, rips of the promo discs hit the net yesterday. The quality of the files is only slightly better than the web rip.


Boldizar2015-02-13 17:00:22
Ahh I see. I haven't been looking. I like that they released a batch of CDs with audio errors for awards consideration. I wonder if they are all messed up.

Russel did you get yours yet?


Jeanbayljean2015-02-13 17:01:56
Does this mean the academy members had to listen to this messed up tracks ??? :o


Alan2015-02-13 20:00:01
Anon, what are the quality of the rips? All I am finding are the same one from months ago.


Boldizar2015-02-13 20:53:26
For reference, I have heard directly from someone with the disc. They said they listened to it and it sounded good. I don't know they're familiarity with it but it is also really obvious on the website rip.


Anonymous2015-02-13 22:13:03
Well the poster ripped the contents of the discs as flac, but like I said, spectral analysis shows the files to be only slightly better than the web rip. We're talking about a pretty steep cutoff right around 16k.


Anonymous2015-02-13 22:15:00
Oh and whoever says these discs sound fine clearly couldn't hear the problem in the first place. "Quantifiable Connection" is definitely still screwed up.


Russel2015-02-14 19:19:19
Yes, and Quantifiable is still screwed up, and the discs aren't lossless :/.


Anonymous2015-02-14 23:21:32
Oh my god!! And you freaks just wasted $300+ on something crappy that one can download for free. I feel bad for you (I was tempted to bid on one myself but looked at the prices and thought no way, and I didn't wanna risk it either), but you gotta admit it IS kinda funny. Maybe next time you'll think twice.


Boldizar2015-02-15 00:13:28
Thanks Russel

And anon, I didn't waste anything yet but I still plan on buying one. Randal/your favorite music made a great QC fix and there are plenty of other tracks in it. I know the quality isn't CD standard per se but these tracks aren't getting released any time soon. I love this score either way.

Now if they do release these soon, then you can laugh.


Anonymous2015-02-15 03:51:10
For the record, there are at least two people going by "Anonymous" in this conversation. *My* comments were just to clarify the moderate uselessness of the FYC discs.


Anon #22015-02-15 04:30:10
Quite right, Anon. I apologize. My name change reflects this.


Anonymous2015-02-15 23:11:59
Haha no worries man, I just didn't want anyone getting confused.


Anonymous III2015-02-17 21:33:22
Confused? How do you think I feel??!!! haha.

Laurens reply Replies: 1 || 2015-02-17 11:32:02
Any chance that they'll release the illuminated bonus tracks (e.a. Murph and Tick-Tock) on iTunes someday (especially considering that they're now released on vinyl when they told us earlier that those tracks were 'star box-only')? I truly like those tracks but they charge €120 (!) for this box set here... If they'd do a digital release on them (just like they did with Dark Knight), that'd be great...


Magic Coop2015-02-17 21:29:29
No offense but I hope not. I know they are being released on vinyl next month (under license by somebody else I might add, and not through the actual official label), but I like the idea of the exclusiveness of them, and would prefer them to be limited to physical releases only. For those who can't get, afford, or don't want the illuminated box, or the vinyl, then I am sure the tracks will appear online eventually when somebody rips and uploads them (if they haven't already done so) but I wouldn't want to see them offically released digitally. That would spoil the pleasure of me owning an exclusive boxset (although the design of the box and electronics do feel special too).

badbu reply Replies: 0 || 2015-02-13 12:09:53
Cosmic Sounds—The concepts, process, and recording of Hans Zimmer’s unforgettable score. -> 13min!!! :-)

Andy reply Replies: 3 || 2015-02-12 07:48:56
So the tracks not listed on the vinyl tracklist are missing from the lp, or just abridged or added in to other tracks? Because I would love some classic Nolan Noise Blasts, but if 'Mountains' isn't on the lp than I guess that won't happen


Andy2015-02-12 08:08:46
Also Coward would be nice too


Bolidzar2015-02-12 12:42:31
Coward is absolutely necessary. I don't get it.

At least you can hear un-mastered noise blasts from the poor mix of NTFC ;)


Alan2015-02-12 17:10:26
"Mountains" is taken out and replaced by that themes suite from the Illuminated Star edition called "Tick-Tock". It's basically the same song, but longer and with a different bit of choir work.

Roman reply Replies: 3 || 2015-02-12 03:58:38
Does anyone know what is the music track that's playing when the crew wakes up Dr Mann and he starts to describe his planet? Cheers!


Adam2015-02-12 05:47:33
Roman, that cue is the amazing "Our World" and it can be found on the FYC Score. It's one of the best!


Rom2015-02-12 06:28:08
Awesome, thanks Adam! You just made my day.


Adam2015-02-12 07:57:35
Happy to help, Roman! Hope you really enjoy that cue!

Boldizar reply Replies: 9 || 2015-02-10 21:39:47
Really? Why did that thread get deleted?


Mortifer V.2015-02-10 22:33:04
hmm... no idea...


bro2015-02-10 23:24:35
who the fuck cares, we can just talk about it elsewhere anyway, I don't have time to play politics with Hybrid and be told what we can or can't talk about here.


Hybrid Soldier2015-02-10 23:43:12
Actually I do many many MANY things on this site, but dealing with the comment section is not part of my job description...

I didn't erase this... lol


Adam2015-02-11 02:29:18
What got erased here??


Alan2015-02-11 04:54:50
That 2-disc FYC soundtrack have been found on Ebay for sale, and a few people are waiting to get theirs in the mail to let us know if it's good quality or not. It looks official.


Alan2015-02-11 04:55:51
Sorry... with that information I'm sure this thread will be deleted. But, that's probably why.


Alan2015-02-11 04:58:34
Maybe it wouldn't be considered wrong, illegal, or in some way in breach of a copyright law if the people in charge would just *ehem* release *cough* a good version *sniff* of the score *ehem*.

Ugh. Got something in my throat...


Boldizar2015-02-11 14:36:01
I agree Alan. I do not understand why it is so different than what released. They created more demand for it because of that. Obviously there was demand enough already.

Form what sellers have told me there are no audio glitches. It is definitely 2CDs and the same track listing as the FYC website.


Damien, Moderator2015-02-11 20:35:04
As he already told, Hybrid has nothing to see with the thread deletion.
I removed it because it began to go in some wrong direction. And depending on how readable the thread will become after removal of unwanted posts and how tired I am, I could take my big scissors or be more precise in the removal. Yesterday, I took my big scissors.

isildur reply Replies: 10 || 2015-02-09 02:16:31
Really? The Grand Budapest Hotel over Interstellar? Come on! I admit the former was rather enjoyable but it doesn't even come close to the league Interstellar is in. Looks like same thing is going to repeat at Oscars too.


Adam2015-02-09 04:50:13
Interstellar was not up for a Grammy -_-


isildur2015-02-09 05:05:19
Grammy? Was talking about BAFTAs


badbu2015-02-09 10:00:47
:-( bye bye oscar...


bro2015-02-09 11:34:08
interstellar wasn't even nominated for a grammy, stop crying


Ds2015-02-09 14:16:52
This year Grammy nominated only stupid song collection soundtracks (like American Hustle, Guardians of the Galaxy, etc), no proper filmmusic... Has there been a change in their rules? I think Hans won a few Grammys in the past...


Ds2015-02-09 14:19:24
Guys, don't forget Alexandre Desplat is nominated for 2 Oscars, and don't forget The Theory of Everything should appeal to the same people who use like Desplat, so with a little bit of chances the votes will be evenly split between those 3 movies and Hans will win!!!


Bebop2015-02-09 14:46:38
Interstellar is not eligible until next year for the Grammys.
I am pretty sure cut of is October to October release,


Zimson2015-02-09 14:52:57
When will you people realize that this category is a contest between the most favoured movies, no matter which award. We shouldn't care.


Ds2015-02-09 14:56:56
Zimson, we all perfectly know that. But, still, for some reason, this happens to be THE biggest award in the world. So, as true fanboys, we would be glad to see our idol get it :-)


Mikkel2015-02-09 15:28:34
The oscar goes to Jóhannsson...

Russel reply Replies: 0 || 2015-02-08 07:26:40
Of course..?

Edmund Meinerts reply Replies: 32 || 2015-01-26 11:20:05
Clemmensen gave Interstellar 2 stars.

Normally I'm not the one to rag on the guy but by this point, I think he can just rename his website to "Filmtracks - Good Score Reviews of Everybody Except Hans Zimmer For Some Reason".


Mike2015-01-26 15:23:51
Ya know, I really felt sure he'd give it 3. Granted, he did give it 3 "as written for the film", but really, 2 stars overall because of a complicated (and not even poor—all three albums are strong presentations of the score, minus that No Time For Caution issue) album situation seems unfair to me. I do agree that the score's themes don't see much development, and also that it has a tendency to repeat itself a little too much, but IMO, to give this score fewer than 4 stars is an injustice.


Mike2015-01-26 15:46:35
(I will say, though, that as much as I really like this score, I appreciate that Clemmensen did address some of its more negative elements, which have been largely ignored by most people. Still, the negatives, while they exist, don't detract heavily from the score for me like they did for him.)


NM2015-01-26 17:04:17
I honestly could see where he was coming from for a lot of that review. But the final score is unfair in my opinion.


Mortifer V.2015-01-26 18:34:41
Well, to be fair, he doesn't bash Zimmer's scores only... But yeah 2* for Interstellar is atrocious.


Edmund Meinerts2015-01-26 20:16:13
The album situation with this score deserves to take some flak, but to pull an entire star for it? Nah.

To be honest, I think it's a decent review. CC obviously has huge issues with Zimmer's root methodology of scoring the concept moreso than the film itself that he simply won't ever get over, but that - narrow-minded as it is - is his opinion, which is fair enough. It's a more balanced review than his take on TASM2 was earlier this year, that's for sure.


Pluto2015-01-27 01:04:09
I'll give my opinion on this issue once because that's all it deserves really. Personally, I don't mind negative film reviews for some of my favorite scores as long as the film reviewers seriously review the material and state why he or she did not like it. It is their opinion and I respect it. However, in the case of CC, he once again demonstrates his extreme ill-will towards Hans, and it has gotten out of hand. I read the review for Interstellar, and I can honestly saw that only two of the eight paragraphs there focus mainly on the music in the album(s)/movie. Most of the review focuses on Clemmensen's thoughts on Hans, how Hans scored Interstellar, Hans' fans, etc. Music reviews are to review the music, not the composer, his scoring method, or his fans. Sadly, the review never truly analyzes the music track-by-track, which is the best way to do so. Review the music, not the composer. And to take away a star for the album situation-- just stupid. The music on every album was fine, so just because there are three albums does not take anything away from the quality of music. There.


janlee2015-01-27 01:38:09
wait what, people still read reviews? I thought those days were long gone, you can just listen to everything on youtube and decide whether its worth the money or not....


Anonymous2015-01-27 02:58:33
Clemmensen has given nearly all of Hans' really great past scores (such as Gladiator, Crimson Tide, The Last Samurai, King Arthur, The Peacemaker, Angels and Demons, and even the lessor known ones like Invincible, The House of Spirits, Cool Runnings, etc. etc.) at least four stars and some five. How can you say he hates HZ?

I don't think he is being purposefully unfair towards Hans, he, just like myself and a couple others on this board just didn't really care for Interstellar and also for some of his more recent experimental ambient scores. I think Clemmensen really summed up the issue with Interstellar when he wrote "[Interstellar] is a "...predictably ambient series of repetitive crescendos". My sentiments exactly. Why does a person have to be trashed because they have a different opinion?

Now I'm sure all the "we-love-everything-Hans-Zimmer-ever-did-and-you-better-agre e-with-us" fanatics are going to attack me, so go ahead get it over with.


Hybrid Soldier2015-01-27 12:28:36
Always that same shitty argument, "But look, he liked THIS score ! So he's OBJECTIVE !" And he can trash everything else... :)

Please...


I don't care about reviews, critics & stuff, if people are stupid enough to not make their own idea of something, that they need the enlightment of the IFMCA or so called "reviewers", it's not my problem...

You're giving this guy way too much importance... He's the lame owner of a lame site crying every once in a while to attract some money for his dying website, and the only way he has to attract clicks is to cover HZ's stuff, while he could focuse on so much better scores, according to him...


Zimson2015-01-27 13:38:49
Lol, I've been waiting for this a long time now. His reviews are hilariously bad! :D


Zimson2015-01-27 13:47:32
Btw, he gave Gladiator 3 stars (!), for both "as written for the movie" and "as presented on album", but for some reason nominated it for best score that year, although it couldn't possibly have been in the top 40.
And how do you even define "great"? By your personal opinion or critical and public acclaim since Angels & Demons definitely isn't acclaimed but Inception is.


Mike2015-01-27 15:14:28
Pluto, you said it well. I can't quite say how much I thought Interstellar would get a better score on the site, but now I'm completely convinced that Zimmer will be doomed to 2-star ratings from now on. :P I was at least expecting him to hate MOS, TASM, and Batman, for example, but I wasn't expecting this. But I will be expecting it now, regardless of the project.

And in the end, Hybrid's right—the man has one opinion, and it doesn't affect others' opinions. But it definitely comes across as biased.


Anonymous2015-01-27 17:42:01
So let me get this straight, unless someone loves EVERYTHING that Hans Zimmer has EVER DONE, good or bad, he is just an idiot with a "lame" web site? Wow, you are unbelievable. Does the term "finatic" or "groupie" mean anything to you? Are you really trying to say there is absolutely nothing that HZ has ever done that you dislike?


Ds2015-01-27 17:55:38
Anonymous, to be frankly honest, I've never seen a single movie scored by HZ where I thought "shit, the music was out of place, I didn't like it". Not a single one. It doesn't mean I'm playing every single HZ score on repeat, but I think that inside the movie they all work extremely well.

But yeah, actually, MOST of them are still working insanely well without the picture :-p


Hybrid Soldier2015-01-27 19:32:21
Well actually there's Shark Tale (though it was mostly done by Geoff Zanelli & Trevor Morris lol) which is terrible (following the path of the movie lol)...

And I'm not a HUGE listener of some of his rom com stuff like It's Complicated...

But no, there isn't a HZ where I'm in pain listening... Was relistening I'll Do Anything yesterday, didn't remember it much, and it's a good one... :)


Anonymous2015-01-27 23:02:50
Hybrid, you don't rate any of HZ scores any differently? Like say maybe some are only 2 or 3 stars but others are 4 stars? I don't hate any of his scores, there are just some that are truly only 2 stars and other that are 4 stars. Nobody's perfect, not even Hans. He is definitely one of the best composers out there but I have even heard him even say he doesn't like some of his own scores. There's nothing wrong with people having differing opinions, but to criticize someone simply for not liking something you like is a just little over the top, don't ya think?


Hybrid Soldier2015-01-27 23:22:12
No I don't rate them, I like them (and therefore I listen to them) or I don't.

When I'm listening to King Arthur, I'm into King Arthur. It's the only music that exists to me at that very moment. Then the day after it's The Rock, then it's Pacific Heights, then it's Interstellar, then Gladiator, then Preacher's Wife & so on...

There's no rank... There's sooooooooo many things in music I don't listen I won't lose time talking about why I don't listen to them. I rather focuse on what I listen...


Edmund Meinerts2015-01-28 10:20:44
Ds, not even On Stranger Tides?


Anonymous2015-01-28 18:26:01
Edmund, that's a perfect example of one that doesn't work and one I never listen to either. I went back and took a closer look at some of Clemmensen's reviews of other composers and I have to say that he seems pretty fair across the board with most composers in rating them equally good vs. bad as he does with Hans, I don't think he rips on HZ at a ratio any higher than he does most others. I personally don't care too much for some of Clemmensen's overtly left-wing political ideology that he frequently injects in his web site however.

I will also admit there are parts of Interstellar that are growing on me the more I listen to it but it certainly is nothing on par with Crimson Tide or Gladiator. I think most logically thinking people would probably agree with that.


thejok3rrules2015-01-28 18:56:22
And the others wouldn't agree? You don't own the truth, don't make assumptions regarding anything. I actually never was interested in Crimson Tide and Gladiator, does that mean I'm not 'logically thinking'? Because you express your opinion like shit, it's kind of hard understanding it.


Anonymous2015-01-28 20:10:29
Joker, take a chill pill dude. We're just having a conversation here about differing opinions, musical tastes and such. This certainly is not worth you acting like an a-hole about it. I never said "I own the truth" did I? Get a life man. I suppose just because you don't like Crimson Tide or Gladiator must mean they are not good, right? Does that mean you own the truth too? I would guess that 90% of Zimmer fans love both of those scores since they represent the quintessential Hans Zimmer style that a lot of us came to know and love that made us HZ fans in the first place.


Ds2015-01-28 20:30:44
Well, Edmund, I forgot that one. I think of it as a huge disappointment because the 2nd and 3rd movies scores were so unbelievably awesome... The 4th is just a generic score that overuses well-known themes, but I still don't think it harms the movie at all. It didn't irritate me when I was watching it, and actually there are some nice parts (Mermaids, Palm Tree Escape) and some good ideas from HZ that were sadly left out of the movie...


thejok3rrules2015-01-30 06:00:13
I'm now one of the many who finds himself with an evil counterpart...


Anonymous2015-01-31 05:04:45
Joker, the only "evil counterpart" you have is with yourself dude. Everyone else on this forum is civil and respects each others differing opinions and thoughts but oh no, not you. Rather than simply agree to disagree with someone you start up with your smack talk and insults. Are you one of those web trolls by any chance?


thejok3rrules2015-01-31 08:29:06
The person using my name is. I thought you would have understood but... you didn't. Whatever.


thejok3rrules2015-01-31 08:29:06
The person using my name is. I thought you would have understood but... you didn't. Whatever.


Anonymous2015-01-31 19:04:59
Joker, thats why is best to just leave the name field blank when posting since there is no way to lock in a user name on this site and people can even claim to be Hans Zimmer himself as I have seen.

So if you claim that it was really your "evil counterpart" who was the one making the snotty remarks, then I accept your apology.


thejok3rrules2015-01-31 19:16:11
I'm not sorry at all, truth be told. You're pissing me off too.


Anonymous2015-01-31 21:08:49
LOL, then that just proves you were your own "evil counterpart" all along just as I knew you were. Let me check... do I care if you are getting pissed off? Uhh, the answer is no.


thejok3rrules2015-01-31 22:08:50
This conversation is ridiculous. What are you trying to accomplish? You're just a smartass behind a computer. The same could be said about me, about everyone here, but you're the one who's been acting like a dick. I don't like you, no, but it is a forum dedicated to HANS ZIMMER, and I'm quite sure Hybrid does not run this site for people like you, who just try to prove themselves because they're nothing in real life.

Now that I've expressed my true feelings about your childish attitude, I'm going to leave. You have the power to answer back but be aware that I will not ever bother replying anymore. You've wasted enough of my time on a thread that is supposed to be about Interstellar. Let's keep it this way. Hybrid, you are free (read 'welcomed') to delete our comments, as they are pointless.


Anonymous2015-01-31 22:42:42
Well, lets see... who was the first person to start this crap? That would have been you, remember how I was having a conversation about some of Clemmensen's reviews OF INTERSTELLAR with some civil posters on this forum and you stuck your big fat @$$ in and started saying I was full of $h*t and my opinion didn't matter, etc, etc. So look in the mirror pal... it is you who are the moron starting up with the smack talk, not me. No one else started that crap with me, only you my misguided friend (NOT). I don't care if you like me or not. Talk about childish behavior. ohhh I don't like you... Good grief man you need help. Now pretend you didn't read this post but we both know you did, and I'm glad you won't bother to reply because it would be nonsense anyway.


RealFfingMusic2015-02-01 03:59:59
I could feel my IQ drop and my neurons gasp & choke as I read this thread.

Moving On.

Auceps reply Replies: 4 || 2015-01-22 17:43:56
Hello everybody!

Most of fans are awating of the good version of "No Time For Caution" etc. But I would like to ask a question: When will be released a track that plays as Cooper realized that Murph is the chosen one and he starts to send her messages and the whole music theme until she cries "eureka!"? This themes uses as a base my favorite track "Cornfield Chase" but with additional piano chords.


Bolidzar2015-01-22 18:24:35
Give it about 5-20 years until LaLaLand releases an archival collectors edition. Otherwise we're not getting anything unless they pull a Dark Knight Collector's edition where it came out later (although the ISP and that mess seems to have filled that space).

The quick answer. Fan edits... unfortunately.


Ds2015-01-22 19:18:17
Auceps, the track you're speaking about is "Quantifiable Connection", just google it and you'll find it!


Laurens2015-01-22 20:56:23
Yes it is indeed Quantifiable Connection which was released on the Paramount Guilds website but as you may have heard or read, the track is messed up with a static noise (perhaps due to a gravity anomaly during the ripping ;) ). Anyways, there is no official clean version of that track released yet (as far as I know at least) but of course there will be fan edits where the noise is filtered out...


Auceps2015-01-30 13:55:33
Oh, it is that track!! Thanks everybody!!!

... reply Replies: 8 || 2015-01-27 19:52:30
Hybrid, do you know anytinng about the track by Davide Anselmi and Hans?
It's called Overture and was released as a single a few weeks ago.


Hybrid Soldier2015-01-27 20:03:16
No I don't, nor have I an opinion on it. End of story for me... :)


Ds2015-01-27 20:54:34
Yeah but since you're in touch with Hans, you could ask him if he really collaborated with this Anselmi... Maybe he's not even aware that guy is using his name :-p


Mike2015-01-27 21:00:57
Right, that could end up being a big problem...


Per Kiilstofte2015-01-28 04:46:07
I am the original composer of the track that "Davide Anselmi" released, and I run a small company that releases my own, my brothers and 2 other peoples work.

The original recording and composition I did is called "Rallying the Defense", and I wrote and recorded that track in 2010 where I also uploaded it onto YouTube, and released it under a Creative Commons Attribution License.

I've used the past 2 weeks fighting off the release of "Overture" on YouTube, to try and keep the fans and users of my music free from the false ContentID claims.

"Rallying the Defense" was released as "Overture" through a small distribution company in the UK called Horus Music, who makes it very easy to do so, by making it free.

It is also now part of the Roadrunner Records catalog, as that too appeared on ContentID on YouTube.

I've been manually filing DMCA claims left and right to iTunes, Spotify, Roadrunner Records and YouTube, and in my Googling for more places to approach I stumbled upon this comment section.

So I can safely say, that Hans Zimmer has nothing to do with my old composition and recording. Anyone with experience can hear the track sounds very sub par anything commercially released.


Hybrid Soldier2015-01-28 10:18:59
Thanks Per, and Ds no I wouldn't have asked Hans because you don't have to be a genius to know this was smelling fishy... :)


Hybrid Soldier2015-01-28 18:54:52
Actually it's also on Google Play...

I reported this fraudulent use of his name to Hans... lol


Per Kiilstofte2015-01-28 19:33:07
Thanks for the heads up Hybrid. I've now filed a DMCA takedown with Google Play as well.


Hybrid Soldier2015-01-28 22:53:31
Hans got the message... ;)

I'm sure he'll have someone look into this to shut this thing down and indirectly help you (I mentioned that you wrote it in the first place lol)...

Your music is used and his name is used, that Anselmi guy won't get away with it and receive money from sales...

ei18 reply Replies: 8 || 2015-01-22 05:28:53
anyone know what this is? https://itunes.apple. com/us/album/overture-single/id957473976


NotSoAnonymous2015-01-22 08:12:04
Lol, what?


ei182015-01-23 18:09:29
found it on his iTunes page as his most recent release


Ds2015-01-23 22:20:47
I don't know what it is... Strange. This Davide Anselmi appears to be a young italian musician. He's got 2000 followers on his facebook account, where he announced his new single Overture as "with Hans Zimmer". Without any comment.

Hybrid, do you know anything about that?


Mike2015-01-24 00:12:25
It sounds more like something with Two Steps From Hell than with Hans Zimmer, if you ask me... :P


Zimson2015-01-24 00:26:14
It's on Spotify too. Some kind of lame promo trick?


Per Kiilstofte2015-01-28 09:10:47
Please see my previous comment in this thread about this track. The original is by me, and the socalled "Davide Anselmi" is a plagiarizer.


Zimson2015-01-28 14:51:28
I'm no legal expert but if you have registered it, you own the copyright. You should report it, if you haven't already done it.


...2015-01-28 15:18:59
Report it!!

Joshua reply Replies: 5 || 2015-01-24 05:12:31
Well this is a load of shit! Doesn't even sound similar at all. Friedman is a fucking scumbag.
h t t p://m.tmz.com/#Article/2015/01/23/12-years-a-slave-soundtrac k-lawsuit-stole-music-hans-zimmer


Anonymous2015-01-24 05:43:02
What total bullshit. If anything, Hans sued himself and won for the similarities to Time lol.

Please......


Zimson2015-01-24 13:58:40
This is even more ridiculous than the Gladiator lawsuit back in 2006. It seems if you're a frustrated c-list composer, you're trying new ways to get a piece of the cake.


ei182015-01-27 03:37:32
www.tmz. com/2015/01/23/12-years-a-slave-soundtrack-lawsuit-stole-mus ic-hans-zimmer/ what do you guys think of this? Just listened to both clips provided in the article and there a very little similarities in my opinion


Hybrid Soldier2015-01-27 12:59:07
Well what to say, the famous composer of Ticking Clock and Max Havoc: Curse of the Dragon has been plagiarized by Hans Zimmer, who has been waiting 10 years to finally find the right time to use his masterpiece cue in 12YAS...


LOL


Zimson2015-01-27 13:37:11
Lol, Hybrid. :D I wonder how many composers Hans could sue for ripping him off.
However, this Friedman guy now gets more attention than he has ever gotten, so it's a win for him even if it doesn't go to court. We shouldn't care at all.

Gunther reply Replies: 14 || 2015-01-15 14:43:10
Congratulation to Hans Zimmer for his 10th OSCAR nomination :)


badbu2015-01-15 15:12:57
Interstellar 5 nominations! GO!


Edmund Meinerts2015-01-15 16:02:53
I honestly hope Zimmer wins it this year. It doesn't even seem all that unlikely - Zimmer's very popular, he hasn't won one in ages and they might give it the Best Score oscar as a "consolation prize" since the film didn't get many other nominations (they kind of did the same thing with Social Network). I certainly think it's the best score out of the five. Desplat deserves a statue, but not for either of the two scores they picked out (and his double nom kills any chances he would have had). Desplat-lite, uh, I mean Johannson is the biggest threat.

Also, who the hell has even heard Mr. Turner, or of that composer?


Ty Scott2015-01-16 05:23:51
Hopefully he'll have the same result as last year's winner, Steven Price (lost the Golden Globe, but won the Oscar), cause Johannson is right on his heels. Not many award ceremonies have been held yet, so it's unknown who's got the edge right now. Hans has gotten 2 wins from Dallas and Georgia Critics Associations while Johannson has the Globe only. But hey, it's been exactly 20 years since Hans got his Oscar for The Lion King, so it's a perfect time for him to earn his second.

And Edmund, Mr. Turner reminds me of the rather questionable nomination Arcade Fire got last year for Her. Seems the Academy just wants to throw one random score in there for flare I guess. But hey, at least it wasn't Reznor & Ross.


bro2015-01-16 07:00:01
Yeah, Zimmer deserves the Oscar this time guys. There's really no contest at all.


Ds2015-01-24 19:01:31
I've just seen "The Theory Of Everything", and I have to say it's a beautiful score. I think it's just the Academy's cup of tea. But let's not forget they gave the Award to "The Social Network", which was everything but classic.

Now I'm upset because I think Hans may lose. I really want him to win his 2nd Oscar!


Ds2015-01-24 19:01:32
I've just seen "The Theory Of Everything", and I have to say it's a beautiful score. I think it's just the Academy's cup of tea. But let's not forget they gave the Award to "The Social Network", which was everything but classic.

Now I'm upset because I think Hans may lose. I really want him to win his 2nd Oscar!


Mike2015-01-24 19:33:31
Heaven knows, if any recent Zimmer score deserves an award, Interstellar is the one.


Edmund Meinerts2015-01-25 20:18:00
The Theory of Everything's score is such a "typical" drama score, though. It's pretty enough, but it could have been written for practically any Oscar-bait biopic. Interstellar on the other hand is a big, ambitious work that really strives to create a unique sound for its picture. There's no contest, if you ask me (unfortunately nobody is).


Hybrid Soldier2015-01-25 20:27:33
Theory is a good score actually...

But the disappointing thing is that the best cue in it, for the final scene, is not even Johannsson's, it's a temp cue...


Ds2015-01-25 22:59:45
Hybrid, what cue is it actually?


Hybrid Soldier2015-01-25 23:40:23
The Cinematic Orchestra - Arrival of the Birds & Transformation


Mike2015-01-25 23:45:32
I've loved that cue quite a while now. :)


Jo2015-01-26 12:46:54
The Oscars are never about what's the "best" in each category. Personally, I don't see any chance for Interstellar. I don't really see HZ ever winning an Oscar again, unless it's for some film that the Academy loves and votes for in every category, no matter what. So, yeah.

Meanwhile, the Interstellar score is still amazing.


Ds2015-01-26 22:06:54
Thanks Hybrid. Actually it's so close to the rest of the score that I really thought the ending scene was also Johansson's music.

Sadly, I guess a lot of voters will make the same mistake and will not vote for Hans...

NotSoAnonymous reply Replies: 0 || 2015-01-26 19:40:54
Any ideas on a Piano Solo Sheet Music Book release. Most of Hans' recent work has a piano book released shortly after or around the time of a DVD or Bluray release. Of all the recent scores of Hans' I figured this would be the most deserving or most appropriate for a piano release. You can currently buy 'Cornfield Chase' for Solo Piano. Though the score relies really on the known theme, there are several other tracks that are unique enough to warrant a release. Just curious if anyone else has any thoughts or news.

Doge reply Replies: 1 || 2015-01-26 01:54:37
Any news on No Time For Caution?


NotSoAnonymous2015-01-26 02:47:12
Oh God, Not Again.

antovolk reply Replies: 1 || 2015-01-25 19:30:12
Any updates on the vinyl version? Apparently its going to be significantly different from the released OST...


Adam2015-01-25 19:42:09
Really? Where did you hear this?!

Alan reply Replies: 4 || 2015-01-21 08:05:00
This isn't really music related, but Walmart's got new information on the home-movie release that I thought seemed interesting. A 2 pack Collectors Edition with Bluray, dvd, and art book. As well as a IMAX film cell. They have it for $31. 98.


Boldizar2015-01-21 12:58:12
Ugh, hell-mart exclusive. Well I am still hoping for a super deluxe version that comes with a die-cast steel TARS Model.


Alan2015-01-22 01:27:01
As I've said before, I work at a music store (B&N) and I check everyday for updates. Just this morning it looks like we've added just two versions: a typical blu ray and a dvd. ISBN's are 003242920952 and 0032429209238, and other stores (Amazon, Best Buy, etc) will be using that # too.

That Walmart release says its a two blu ray disc with one did collection, so might this mean AND be the first legit Nolan home video release? I feel his skimps on special features so often; but a TWO blu ray set tells me there's a lot of extras :) even the Dark Knight Rises blu ray was just one blu ray disc, and it had the most so far!

Our system hasn't added a cover yet for either though. I'll update when we do.


Alan2015-01-23 19:14:01
Wow! Digital and Blu-ray just announced! And the Blu-ray comes with over 3 hours of special features, just as I'd hoped/assumed!

The features are as follows:
The Science of Interstellar - Extended cut of the broadcast special.
Plotting an Interstellar Journey - Discusses the film’s origins, influences and narrative designs.
Life on Cooper’s Farm - Bringing Americana and the grounded nature of a farm to a sci-fi space movie.
The Dust - Learn how cast and crew avoided sand blindness, and see how to create, and clean up after, a catastrophic dust storm.
TARS and CASE - Designing and building these unique characters and how they were brought to life on set and in the film.
Cosmic Sounds - The concepts, process, and recording of Hans Zimmer’s unforgettable score.
The Space Suits - A look at the design and build of the suits and helmets, and what it was like to wear them.
The Endurance - Explore this massive set with a guided tour by production designer Nathan Crowley.
Shooting in Iceland: Miller’s Planet/Mann’s Planet - Travel with the cast and crew to Iceland and see the challenges they faced in creating two vastly different worlds in one country.
The Ranger and the Lander - A look at the other two spaceships in the film.
Miniatures in Space -Marvel at the large-scale models used in the explosive docking sequence.
The Simulation of Zero-G - Discover the various methods that the filmmakers used to create a zero gravity environment.
Celestial Landmarks - Explore how the filmmakers used practical special effects informed by real scientific equations to give the illusion of real space travel for both the actors and the audience.
Across All Dimensions and Time - A look at the concept and design of the Tesseract, which incorporated a practical set rather than a green screen.
Final Thoughts - The cast and crew reflect back on their Interstellar experience.
Theatrical Trailers


Alan2015-01-23 19:20:18
I'm so glad they're doing something on the music... so far, with most movie releases, if there are special features, the score gets overlooked. I remember with the Extended Editions of The Lord of the Rings, how blown away I was with the lengthy and informative documentary that went into detail with each movie on how Shore wrote and was inspired and recorded the score. I would love to see such a thing like that but with Zimmer and Nolan.

Jonathan Rochat reply Replies: 3 || 2015-01-23 12:25:52
Two months after the first release (with some modifications and volume adaptation between FYC and others releases), here is IMO a five stars listening experience album of interstellar (77min).

1) Dreaming Of The Crash (3:55)
2) Cornfield Chase (2:06)
3) Murph (11:21)
4) Day One (3:19)
5) Stay (6:52)
6) Message From Home (1:40)
7) Entering Endurance (2:40)
8) Mountains (3:39)
9) Murph Comes Home (1:45)
10) No Need to Come Back (4:34)
11) Our World (3:54)
12) No Time for Caution (Organ & Vocal Edit) (4:06)
13) Coward (8:26)
14) Detach (6:42)
15) Quantifiable Connection (Clean) (3:31)
16) Where We're Going (7:41)


Bolidzar2015-01-23 12:48:55
This is mine, ignore the numbers:
04-Day One
01-Dreaming of the Crash
02-Cornfield Chase
18-Flying Drone
03-Dust
Who's They?
06-Message from Home
07-The Wormhole
19-Atmospheric Entry
08-Mountains
09-Afraid of Time
20-No Need to Come Back
10-A Place Among the Stars
11-Running Out
12-I'm Going Home
13-Coward
21-Imperfect Lock
22-No Time for Caution
05-Stay
14-Detach
15-S.T.A.Y.
Quantifiable Connection - Fan Edit
23-What Happens Now_
16-Where We're Going
17-First Step
24-Do Not Go Gentle Into That Good Night
No Time for Caution (Film Version) - Fan Edit
IMAX End Credits (Re-Created) - Fan Edit


Boldizar2015-01-23 12:51:55
Edit*

I would like to add the cue from the scene where the Endurance pulls away from earth. However this list is comprised of the HD tracks, direct lossless rips, and fan edits only. I was aiming for most complete and highest fidelity.


Bolidzar2015-01-23 12:55:48
Ignore that list. I don't know how the hell Stay showed up at the bottom.

04-Day One
01-Dreaming of the Crash
02-Cornfield Chase
18-Flying Drone
03-Dust
Who's They?
05-Stay
06-Message from Home
07-The Wormhole
19-Atmospheric Entry
08-Mountains
09-Afraid of Time
20-No Need to Come Back
10-A Place Among the Stars
11-Running Out
12-I'm Going Home
13-Coward
21-Imperfect Lock
22-No Time for Caution
14-Detach
15-S.T.A.Y.
Quantifiable Connection - Fan Edit
23-What Happens Now_
16-Where We're Going
17-First Step
24-Do Not Go Gentle Into That Good Night
No Time for Caution (Film Version) - Fan Edit
IMAX End Credits (Re-Created) - Fan Edit

Laurens reply Replies: 3 || 2015-01-21 19:31:53
Is there a major difference in terms of audio quality or volume of No Time For Caution on the illuminated compared to the iTunes release or do they not differ at all (except for the cd being lossless)? I'm not sure whether I should get the illuminated version because here in the Netherlands it's priced at €65 or something...


Dillan2015-01-21 19:55:07
There is absolutely no difference in sound quality from the Itunes version to the Illuminated Limited Edition.


Dillan2015-01-21 20:09:41
It actually is rather depressing because the Illuminated Projection Edition is beautiful, the music it contains is breathtaking especially DUST, STAY, DETACH, and DAY ONE. However, although NO TIME FOR CAUTION is supposed to be the highlight, when it reaches that part in the score, it kind of stalls it. For me anyway. I wish they would have cleaned it up better but I am glad that we got it.


Laurens2015-01-22 12:23:43
Thanks that helps me out a lot! I hoped that since the iTunes release of NTFC was a bit rushed, they took the time to master it properly and adjust the volume on the cd version but apparently they didn't...

Anonymous reply Replies: 3 || 2015-01-19 22:44:37
do we know which cues mazzaro/kawczynski did programming for?


Mike2015-01-19 22:50:36
Well wasn't the entire score placed onto the picture by people other than Zimmer? He said himself in the liner notes that, even though he wrote all the music, it was placed in the film by Alex Gibson and other people, and that he didn't have the film in front of him when he wrote the music. So shouldn't all the crediting here go to the music editors, too, if we're going to bother giving Steve Mazzaro and Andrew Kawczynski credit? Cause it looks like the amount of work they had adapting Hans' music was the same: generally, a copy and paste job. :P


Mike2015-01-19 22:55:39
Also, sorry for a double post, but that reminds me: wasn't this also how Inception was scored before Lorne Balfe got to work arranging/writing? And then, a question: Hans was "allowed" to see the movie while scoring TDKR, right? That one seemed more....synchronous with regard to the picture.


bro2015-01-19 23:51:01
I will admit Interstellar's music editors deserve a lot of credit. Some of the best I've ever heard. You can thank them for the film version of No Time for Caution and some of the other more popular parts of the score.

Ds reply Replies: 11 || 2015-01-15 23:34:30
Someone posted a clean version of "Quantifiable Connection" here a few hours ago, and apparently it's been removed... Why is that? I think it's something really cool for the fans, and it hasn't been officially released, so I don't see what's wrong.


Hybrid Soldier2015-01-15 23:52:32
Because no links to download music illegally here... Dot. :)


Bolidzar2015-01-16 13:34:30
But if the track isn't available normally for purchase, is a fan edit, or at all (such as Day One Dark, where the offer isn't up on movie tickets anymore) what does it matter?

I'd gladly pay for all the missing cues etc... but there is no choice except to download them.


Zimson2015-01-16 17:04:31
Hybrid, do you work for the government? ;) If it's a fan edit and not used commercially I don't see why thee there would be copyright issues.


...2015-01-16 17:46:47
Come on guys... There is a no link policy here! Just respect it or leave this site if it bothers you.


Hybrid Soldier2015-01-16 20:11:00
Hans-Zimmer.com is not a democracy... I can't do better than that... lol


RealFfingMusic2015-01-17 11:05:55
Always remember sir Ian McKellen's precious words: "The French cannot be trusted>"


Jeanbayljean2015-01-17 16:35:49
I'm french. Who's french ?


Hybrid Soldier2015-01-17 19:03:32
H-Z.com is... ;) lol


Sir Lee Teabing2015-01-17 19:58:10
I am pretty sure that if this website was French, Google Chrome would have to translate it to English for me. That is not the case here.


Hybrid Soldier2015-01-17 21:17:41
We do it in English, but trust me we're French... I think I know ! lol


Megalith2015-01-17 21:43:46
If it's just another fan edit, who cares.

Macarenox reply Replies: 1 || 2015-01-16 15:11:40
OSCAR 2014!!! CONFIRMED


Gilbert2015-01-16 17:46:46
What's confirmed? That he got a nomination? No shit. You make it sound like he will win

Anonymous reply Replies: 7 || 2015-01-15 15:13:00
Well it did get a Best Original Score nomination, and sound mixing/editing and visual effects. No Best Picture. I don't think it's going to happen :/


Boldizar2015-01-15 16:43:35
I have no clue how this isn't at least nominated for Best Picture. What a joke.


fizzbin2015-01-15 18:29:04
I´m not wondering. I have the feeling for a few years, that there was something not quite koscher. Maybe the nominations and winners (for Best Picture) are only for advertising the DVD/Bluray-Releases in countries outside the USA. On what films, we can make more money? That´s the nominations.
Excample Germany: only 2 Films are avaiable for home entertainment. The others will be released earliest to the oscar ceremony. (as appropriate. I bet the winner is one of them)
Of course there some nice films in the nominations,
But, perhaps i have only a kind different taste....

Let´s see , if Hans get´s this golden stuff... i hope


Ds2015-01-15 18:52:30
Actually I think it's the other way around. Distributors choose to release "Oscar-bait" movies in November/December in the US, and then in January/February in the rest of the world. This way, they're eligible for Oscars, and could benefit from the nominations/prizes and make more money.


NM2015-01-15 19:15:23
"I have no clue how this isn't at least nominated for Best Picture. What a joke."

It's not really good enough. Then again, neither was Gravity, so...


Boldizar2015-01-15 20:47:27
Right NM, it is better.



Edmund Meinerts2015-01-15 23:00:08
I'm not 100% sure if Interstellar deserves a Best Picture nod but Matthew McConnaughey certainly deserves a Best Actor one. That particular "snub" bums me out more.


Zimson2015-01-15 23:08:41
There are plenty of excellent films among the nominations, but it's really a joke that Imitation Game and Theory of Everything both could beat Interstellar. Actually, once again considering the average age of the Academy I shouldn't be surprised anymore. Of what I'm surprised, though, is that Grand Budapest Hotel wasn't forgotten. Thumbs up, grandpas!

Boldizar reply Replies: 0 || 2015-01-15 20:48:53
I recently came across a spread sheet that compares and notates differences in each release of this score. It notes that the released version of No Time For Caution is Zimmer's intended version and that the film version was a result of a music editor. Does any one have the source for this detail?

Paul reply Replies: 0 || 2015-01-15 16:39:31
The Oscar nominations were just released, and Hans is nominated for Interstellar :) now let's hope he's going to win it....

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