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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Additional MusicAdditional MusicAdditional Music
Hans ZimmerNick Glennie-SmithMark MancinaJohn Van Tongeren
ComposerAdditional MusicAdditional MusicAdditional Music
True Romance (Expanded Score)
Label: Unofficial Release
Length: 34'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3946 votes)
  1. Main Title (2:32)
  2. Marry Me (2:48)
  3. Drive To Drexl's (1:06)
  4. Isn't It Romantic? (1:01)
  5. One Favor (1:13)
  6. Dad Saves The Day (2:04)
  7. Roller Coaster Guitars (1:08)
  8. Bama Gets Beaten (1:45)
  9. Airport (1:33)
  10. Mentor (1:12)
  11. Elevator (2:02)
  12. Cops Barge In (0:57)
  13. Final Confrontation (5:59)
  14. End Scene (1:48)
  15. Main Title (Alternate I) (2:32)
  16. Main Title (Alternate II) (2:32)
  17. Main Title (Alternate III) (2:32)
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mittens reply Replies: 0 || 2018-01-15 19:32:06
Yeah, I guess that makes sense. Thanks for clarification.

Marty reply Replies: 8 || 2016-05-17 11:01:32
5/5 !! I just love Hans! :)


meg2016-05-19 06:06:05
where can I get this expanded OST?


JohnF2017-08-05 22:54:19
Surprised no one has commented here about the fact a label is releasing this score for the first time only on lp. Anyone know if this will get a release on cd??


Hybrid Soldier2017-08-06 00:08:32
Don't you think it's a little fishy that a label is releasing exactly the content of a bootleg with a tracklist I literally made myself 5 years ago, with the exact same cues missing ?

I wonder what's the story behind this... lol


Bondo2017-08-06 01:34:50
Too bad they aren't using my terrible cover lol :P


Yumbo2018-01-13 05:59:01
https://itunes.apple.com/us/album/true-romance-original-moti on-picture-score/1310599297


mittens2018-01-15 18:12:39
I'm not an expert on exclusive rights, but I'm pretty sure that you can't just download some expanded score from the internet and publish it and sell it like it's yours. I mean when I got score from Rain Man I was so happy, until I started to play it. The quality was so bad, it was barely listenable. Then I started to search why is that and found out they didn't get the rights and (still) published some barely listenable bootleg of the score they found on the internet. Now this looks like exactly the same case, except that they found the bootleg in good quality. Ridiculous.


Per2018-01-15 18:46:01
As for Perseverance's Rain Man, they did get the rights (as far as I know ... there was some other score there were some rights issues with, but can't remember exactly now ... think it was some John Barry score or something), but no masters was found at the studio (supossedly anyway), but they had gotten the impression that Zimmer himself would help with a master, but when that didn't happen, they decided to go for it with the material they could get a hold of. Wether it was a good choice or not ($ - wise) I don't know, but while they could have gotten all the thousands ! of $ they had spent on it back, they might not have, so... it's not like if you buy something, and then get a refund by sending it back ... a bit more complicated I guess


Per2018-01-15 18:59:36
As a side note, where the source of the material comes from, doesn't matter. Those who release the music license the recorded music, not the mp3/flac files hat circulate (sort of).

And in many cases the material circulating on the internet is from the same (or just as good a) source (certainly for scores from the last 15-20 or so years) as whatever they use as source for the official releases.

And, as mentioned before by Hybrid, while it do look "suspicious" when something that gets an official release is more or less the exact same as what's circulating on the net, in general, I'd rather have the people doing a release, do a good enough reserach, so that they acknowledge (not necessarily by mentioning it in words, or by, in this case, release the exact same content) the unofficial material by including all they can, to more or less make any unofficial versions uninteresting.

 HANS-ZIMMER.com© 2001-2018 OST 
True Romance (Expanded Score) soundtrack - Hans Zimmer 1993