NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Good questions....<br><br>I got nothing...Sorry!I just want to say that if CHAPPiEs score had been done with an orchestra or were to be remade with a live orchestra it would  instantly become a hit.I have some questions about the score. If anyone has any answers or thoughts about these feel free to discuss below. Thanks! <br><br>Is the action motif in "Abduction" and "The Greatest Mission of All" Hot Rod's theme? It plays when he abducts Viviane and also when he and Bumblebee attack the Nazis. <br><br>Is the action motif in "Viviane Follows Merlin" the TRF theme? I don't think so, as it's not played anywhere else in the film, but I can't figure out whose theme it would be. Check out these timestamps for the motif, which pops up a lot throughout the track - 0:13, 3:54, 4:16, 4:32, 5:03, 5:37, 5:53 and 6:10. <br><br>Who does the new theme in "Purity of Heart" belong to? It is also used in the "Sir Edmund Burton Suite", as well as "Sacrifice", "Seglass Ni Tonday" and "Cogman Sings". My best guess is it's Burton's theme, but I'm not 100% sure about that. <br><br>And lastly, are the tracks "Vivian" and "Running Out Of Tomorrows" played at all in the film?haha hybrid :D made my day :) lolI honestly haven't checked and don't plan on doing it anytime soon ! lol
Haha.... a yes or no was very hard for you?!... But thanks for the great information :)... lolYeah, Chappie really is one of the Z-Man's best scores as of late. For all the talk he does of innovating, both TASM2 and Chappie are pretty fresh as compared to BVS/Inferno/Dunkirk. <br><br>And yes, the film itself is a hot mess...Why... why don't you check yourself with the film ? I assure you it's not that hard ! Might take some time but if you wanna find out... lol01. Main Titles (02:55)<br>02. Grandfather's House (05:13)<br>03. Bedtime Story (02:17)<br>04. Polish Monsters (01:27)<br>05. Postcard (00:52)<br>06. Arrival At The Island (01:11)<br>07. House Reveal (01:30)<br>08. Exploring The Home (04:21)<br>09. Pub Escape (00:42)<br>10. Welcome To The Loop (00:43)<br>11. Home For Peculiar Children (01:40)<br>12. Squirrel Rescue (02:30)<br>13. Enoch At Window (01:18)<br>14. Enoch's Dolls (01:40)<br>15. Phone Ring (00:37)<br>16. Horace Projecting Dreams (01:41)<br>17. I'll Be Here Forever (01:38)<br>18. Dying Rose (01:49)<br>19. Sneaking Out (00:45)<br>20. Ventriloquist Victor (01:09)<br>21. Victor's Tear (00:37)<br>22. Emma Blows Jake (05:24)<br>23. Cliff Hollow (01:29)<br>24. The Experiment A (03:22)<br>25. The Experiment C (02:40)<br>26. On The Rocks (02:44)<br>27. Baron Reveal (02:47)<br>28. Surprise Visitor (05:03)<br>29. Hollow Attack (05:51)<br>30. Raising The Augusta (02:06)<br>31. Blackpool (02:35)<br>32. 3 Weeks In Florida (03:15)<br>33. Handy Candy (03:55)<br>34. Peculiar Vs Baddies I (04:07)<br>35. Peculiar Vs Baddies II (03:28)<br>36. Jake Vs Jake (04:39)<br>37. Goodbye (06:50)<br><br>Hey Hybrid, Is This Complete?@giles -- ridicule Nolan fan boys and hammer Nolan's work, only to turn around and provide fanboy service to current hack Ridley Scott, destroying your own argument.
Promotional Album has release date or we must wait until Lorne Balfe to upload the rest of the tracks?Djawadi basically confirmed that the Dragonstone piece would be on the OST in an interview he gave after the first spisode aired!<br><br>The music is really great in this season and the battle music in particular!The score is really Chappie's prequelI really liked that variation. <br>And there have also been many variations on the Targaryen theme so I hope they include some of them like(SPOILERS) Danny arriving at Dragonstone or the one from the final scene from the previous episode or that variation when Job touches Drogon.there is a score in this movie? not noticed...
saw chappie last week for the first time. what a bad movie...jesus...the score is okay but nothing specialAre you kidding me? Chappie I consider MILES above Dunkirk, and even Inferno last year...<br><br>Best of 2015....They better included a track with the new variations of the Measter theme. Last episode agai. Had some great new music. Can't wait for this album.I'll never understand why so many people dismiss Chappie. I think it's a brilliant score, as interesting as it is entertaining. It's very melodic in a typical HZ fashion, the electronics sounds partly modern, partly old school, and it's got some fantastic cues. Really, one of my favorites HZ scores in the last few years.Most amazing soundtrack in a long time and better than the film.
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Choir Conductor - Song ProducerAdditional Music - Conductor - Choir Conductor
Hans ZimmerHarry Gregson-WilliamsRupert Gregson-WilliamsKlaus Badelt
ComposerAdditional MusicAdditional MusicAdditional Music
The Prince Of Egypt (Complete Score)
Label: Unofficial Release
Length: 81'54
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3317 votes)
  1. Deliver Us (7:16)
    Stephen Schwartz, Hans Zimmer, Martin Erskine, Andrew Lippa
  2. Chariot Race (3:02)
    Hans Zimmer
  3. Brothers (4:24)
    Hans Zimmer
  4. Meeting Tzipporah (0:19)
    Rupert Gregson-Williams
  5. Desert Flower (1:37)
    Hans Zimmer
  6. Following Tzipporah (1:00)
    Hans Zimmer
  7. All I Ever Wanted (With Queen's Reprise) (2:52)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  8. Hieroglyphic Nightmare (1:38)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  9. Moses & Seti (1:46)
    Stephen Schwartz, Hans Zimmer
  10. Beating - Gate - Desert Montage (5:33)
    Stephen Schwartz, Hans Zimmer, Klaus Badelt
  11. Camel Boogie (2:12)
    Stephen Schwartz, Hans Zimmer, Rupert Gregson-Williams
  12. Through Heaven's Eyes (3:42)
    Stephen Schwartz, Gavin Greenaway
  13. Moses Finds Cave (1:14)
    Stephen Schwartz, Hans Zimmer, Harry Gregson-Williams
  14. Burning Bush - Remember (7:55)
    Stephen Schwartz, Hans Zimmer
  15. Meeting Pharaoh (1:26)
    Hans Zimmer, Rupert Gregson-Williams
  16. Playing With The Big Boys (2:53)
    Stephen Schwartz, John Powell
  17. Line In The Sand (1:33)
    Hans Zimmer, Harry Gregson-Williams
  18. Moses Reviled (3:44)
    Stephen Schwartz, Hans Zimmer
  19. The Plagues (3:23)
    Stephen Schwartz, Gavin Greenaway
  20. Memory Lane - Ultimatum (3:52)
    Hans Zimmer
  21. Death Of The First Born (1:08)
    Hans Zimmer
  22. When You Believe (4:55)
    Stephen Schwartz, Hans Zimmer
  23. Red Sea (5:51)
    Hans Zimmer
  24. Epilogue (3:39)
    Stephen Schwartz, Hans Zimmer, Gavin Greenaway
  25. Epilogue (Alternate) (3:25)
    Stephen Schwartz, Hans Zimmer
  26. The Prince Of Egypt Trailer Music (1:46)
    Hans Zimmer, Harry Gregson-Williams
Create Topic

Mike (OTM) reply Replies: 1 || 2017-03-25 21:18:05
So I just picked up the Collector's Edition CD that was released (the one with the 3 extra cues), and i have to say, I'm glad I did. Having the Chariot Race and Epilogue (alternate version, granted) really rounds out the main CD. Those were two highlights. Having "Moses Reviled" is also good, as that was a strong cue (called "It is Only the Beginning" on the CD). The whole score has essentially been released when you put the main CD and the collector's one together (though sadly, the film version of the Epilogue isn't here).

I got the thing for $3.00. I was inspired to look into it due to a comment about it below.


Mike (OTM)2017-03-25 21:24:40
Not to double post, but can I just say that both versions of the Finale - the one using Hans' theme and the one using the Deliver Us theme - are really, really epic? Zimmer outdid himself with this segment particularly. The Prince of Egypt is a truly underrated score.

Anonymous reply Replies: 4 || 2016-07-06 01:47:52
Okay. Listen to Hero from 13 Hours, then Burning Bush...


Waymann2016-07-06 08:38:47
I knew it. When I saw 13 Hours I kept thinking about another score that sounded just like that theme.


Mike2016-07-06 17:12:02
Yikes! Temp track? Well, Hans was producer on 13 Hours... Maybe that was his suggestion. :P


Mike2016-07-06 17:15:02
The similarity I caught while watching the film was the "Deshi Deshi Basara" percussion in "Welcome to Benghazi." It sounds like Zimmer-temp (or Zimmer suggestions?) was used in a couple places.


jrej35552017-03-20 13:56:02
WOW!!! That is shameless!

Anonymous reply Replies: 0 || 2017-03-19 22:30:51
The Collector's Edition contains "Moses Reviled," along with "Chariot Race" and Zimmer's original Epilogue as one track, is that correct?

Mike reply Replies: 6 || 2016-07-04 20:27:10
Interesting little thing... If you listen to the director commentary on the film, they say that Hans' original idea for the Burning Bush sequence had "choir and organ and stuff," but they asked for a re-write because that was stereotypical and they wanted something different for the scene. I love the final version, too, but I can't help wanting to know what the original sounded like.


Hybrid Soldier2016-07-04 21:12:50
Stay from Interstellar ?! :P


Mike2016-07-04 22:37:01
Quite possibly. Has Hans done any interviews for this score? I haven't found any.

Also a little interesting was that the directors mentioned Harry Gregson-Williams by name with regard to the "Line in the Sand" cue. As Rameses opens his eyes while holding the ring, one of them talks about how it was "scary" and "that was Harry Gregson-Williams' idea." :P


anonymous2016-07-04 22:58:47
on a somewhat related page... zimmer produced the first use of "all i ever wanted" sung by moses, and harry did the queen's reprise, right? or did harry do both?


Hybrid Soldier2016-07-04 23:39:34
Yep !

To be complete on POE, on the cuesheet HGW & RGW get 100% on the following cues :

HGW :
Hieroglyphic Nightmare (with Schwartz)
Moses Finds Cave
Line In The Sand

RGW :
Meeting Tzipporah
Camel Boogie
Meeting Pharaoh

Klaus got 0, lol, did some arranging...

Up until the early 2000s, HZ used to give 100% of some of the cues to additionals even when it used some of his music. But then all the rest of the cues were credited to HZ only while some were arranged by these guys... So I guess nowadays way of doing is not so bad...


Mike2016-07-05 00:11:29
Here's something I've wondered:

Do Hans' additional guys do substantially more than they did in the 90's / 2000's, or is it really a matter of crediting differently like your comment suggests? Cause it seems like Zimmer had a lot more "solo" credits on his scores back then (70% of cues, typically), whereas now he'll have only 2 or 3 on a given score. So did Hans' methodology change at some point and now he's more collaborative than he used to be, or is it mostly that now he credits "arrangers" and he didn't used to?


Hybrid Soldier2016-07-05 00:19:22
Well, I don't think it's much different, in proportion it's the same thing...

Remember in the 90s he had to do scores quite short, even big action films were 90 min long...

Now when you have an Inception, POTC or whatever, it's always between 2 & 2,5 hours of music to write... And relatively less time to write them ! lol

Hybrid Soldier reply Replies: 4 || 2015-01-07 22:16:25
Found some credits for it, should look like that ! :)


Mike2015-01-08 00:24:58
Thank you! I've wanted these forever!


Mike2015-01-08 00:26:18
Where Stephen Schwartz is credited, it's because it contains some of his song material, but Zimmer did the cue, right?


Hybrid Soldier2015-01-08 11:42:03
Yeah there are quotes of the songs but Schwartz only did the songs...

But credit is due... :)


NM2015-01-08 22:29:13
Haha, the ones I guessed were HGW were spot on. I have no idea how I was able to tell.

Anonymous reply Replies: 9 || 2014-12-06 16:08:19
Zimmer made Such. An Epic. Arrangement. of Deliver Us for that last scene. My goodness. It gets me every time.


Mike2014-12-06 16:15:53
This is a sadly under-spoken-about score. It's probably one of my favorite Zimmer scores of the 1990s, and it uses his big, epic sound to really good effect. It just manages to complement the film really well, and it even has a nice Eastern flair sometimes.


Edmund Meinerts2014-12-06 23:43:12
This is something like my third-favorite Zimmer score. I don't think he ever quite managed to go as grandiose and BIG as this again, not even in Gladiator.

On a vaguely related note, wouldn't it have been hilarious if Ridley Scott had decided to reunite with Hans on Exodus: Gods and Kings of all things? :p


Hybrid Soldier2014-12-06 23:53:55
I would have loved to... :(


Adam2014-12-07 00:13:20
I would have loved that as well :(

Hey Hybrid, do you know why Ridley & Hans stopped working together? They were partners since Thelma & Louise. I mess their collaborations :'(


Ds2014-12-07 00:40:10
Edmund, I think PotC 3 and King Arthur are even BIGGER than this one :-)


Edmund Meinerts2014-12-07 02:08:36
Funny that you mention those two, Ds, they're my other two favorite Zimmer scores. ;)

Yeah, they're both pretty massive, but more in an action-score kind of way. I don't think King Arthur in particular hits quite the same grandly religious heights as Prince of Egypt. For overall size At World's End wins everything, though.


NM2014-12-07 09:07:50
Nice to see some appreciation for this score. I really love it.


Hybrid Soldier2014-12-07 09:10:39
Hans & Ridley isn't gonna happen ever again. They keep talking about each other a lot in interviews & stuff, they are still in contact, phoning or dining from time to time...

But the look on Hans' face when I asked him said it all... He just said they were "out of synch"...


Anonymous2015-01-07 22:36:28
Oh good grief. When "you" asked him?? LOL

Mike reply Replies: 0 || 2014-07-29 19:54:28
Good to see this one up here!

NM reply Replies: 0 || 2014-07-25 18:00:38
The theme for the two brothers is heartbreaking, I wish this score got more attention. There's some really great thematic writing.

 HANS-ZIMMER.com 2001-2017 OST 
The Prince Of Egypt (Complete Score) soundtrack - Hans Zimmer 1998