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The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?
The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.
Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?
Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.Man, i wan that score"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.
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Additional Music Arranger - Musician : Drum & Guitar
Hans ZimmerLorne BalfeMichael A. LevineTom Holkenborg (Junkie XL)
ComposerComposerAdditional ArrangementsAdditional Arrangements
Megamind (Complete Score)
Label: Unofficial Release
Length: 81'47
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4999 votes)
  1. Opening (1:03)
  2. Face Of Evil (4:29)
  3. Baddest Boy Of Them All (1:29)
  4. Metroman Day (1:26)
  5. Kidnapping Roxanne (0:35)
  6. Escape From Prison (1:21)
  7. Metroman Ceremony (0:49)
  8. Megamind's Evil Lair (1:12)
  9. Wooing Roxanne (1:21)
  10. Metroman's Celebration (0:29)
  11. Megamind Crashes Party (0:28)
  12. Metroman To The Rescue (2:19)
  13. Metroman's Weakness Revealed (0:46)
  14. Metroman Arrives (0:48)
  15. Megamind In City Hall (1:32)
  16. Meloncholy (2:10)
  17. Metroman Remembered (2:33)
  18. If Only... - Hatches A Plan (3:07)
  19. Roxanne Finds Megamind's Lair (3:29)
  20. Roxanne Opens Exit Door (0:13)
  21. Roxanne & Bernard Hug - Destiny Of Hal (3:40)
  22. Love On Blanket (0:39)
  23. Hal Becomes Titan (1:35)
  24. Megamind & Minion Fall Out (1:47)
  25. Roxanne Meets Titan (2:42)
  26. Roxanne & Bernard Dinner Date (2:31)
  27. Rejection In The Rain (1:45)
  28. Black Mamba Revealed (1:13)
  29. Being A Hero Is For Losers (4:52)
  30. Megamind & Roxanne Join Forces (1:18)
  31. Hey Stinger (0:48)
  32. Metroman Flashback (1:40)
  33. Roxanne Gives Megamind A Pep Talk (2:37)
  34. Roxanne In Jeopardy & Hal Terrorizes City (3:08)
  35. Final Battle - Return Of Hal (5:59)
  36. Drama Queen - We Did It (1:40)
  37. Bad Tail (1:02)
  38. End Credits (3:33)
  39. Hal's Theme (2:16)
  40. Love Theme (2:36)
  41. Metroman Ceremony (Alternate) (0:48)
  42. Metroman To The Rescue (Alternate) (2:17)
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mpolonest123 reply Replies: 2 || 2018-06-11 00:09:39
As many amazing animation scores as Zimmer wrote (almost all of them honestly) I would easily put this one in the top 3. And number one in Balfe’s case. Honestly it is surprising how intelligent it is. Each of the themes get significant development throughout, and the subtle incorporation of the “Bad to the Bone” riff is genius (any lesser composer/director would probably have it at the forefront constantly).

And the Love Tune is just beautiful....


Mike (OTM)2018-06-11 21:31:25
This is one I still need to listen to, surprisingly...Never gotten around to it, after 8 years. Is the album presentation good or should I stick with the complete score?


mpolonest123 2018-06-11 22:11:34
The album pres. isn’t great, it’s missing a number of essential cues and the flow is off. Stick with the CS :-)

Harry Harry reply Replies: 0 || 2018-01-22 00:03:07
How do I listen to this tracklist?

T-Mann036 reply Replies: 1 || 2014-04-28 07:40:32
One word when it comes to Hans & Lorne's music prowress-- Masterpiece!

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Jay the Dinosaur2014-08-30 19:17:40
You know, this is my cover at the top of the screen! so amazed that they used this. :D

NM reply Replies: 0 || 2014-08-30 00:15:21
Awesome score. Just listened to this full thing for the first time. An enjoyable score, can definitely hear a lot of Hans & Lorne's individual trademarks.

RealFfingMusic reply Replies: 0 || 2014-04-28 14:04:12
Just got this. Awesome.

Edmund Meinerts reply Replies: 2 || 2014-04-28 01:33:54
Excellent! Now all that's missing is a who-did-what... ;)


Mike2014-04-28 01:40:33
What this guy said.... ;)


Hybrid Soldier2014-04-28 08:49:19
Impossible to say... Apart from Bad Tail being Junkie... That's all...

Anonymous reply Replies: 0 || 2014-04-27 21:05:05
Niiiiice :)

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Megamind (Complete Score) soundtrack - Hans Zimmer - Lorne Balfe 2010