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I really liked Gary Go's Friend Request from 2016 too.My choices for Avatar 2 would be:<br>Powell or Newton Howard^ 2018 I meanSteve really knocked it out of the park with “Nightmare”. I always appreciate horror scores that balance the use of themes with the more atonal music you normally get.<br><br>And the last horror score I remember loving was John Carpenter’s 2019 Halloween score. A great blend of old and new, especially for Carpenter fans like myself.@Knight Powell’s last score was HTTYD3....
@superultramegaa<br><br>Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site.I'm a huuuuuuge fan of the Freddy character & movies, and I really liked this remake, it didn't deserve the reputation it has... Especially when you compare to Freddy 2 or 6... lol<br><br>Music is great, best horror score Steve did with Amityville. But I also liked his more ambient horrors like Texas Chainsaws or Friday the 13th or Hitcher. But I can understand he probably wanted to step out of that genre and not end up being the new Harry Manfredini typecast !"I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style"<br><br>Well that's the thing, if you think "TF style" thinking of TF1 & 2, then it's not exactly completely Steve. So I stick to my comment... :) lolI recently saw both this movie and Friday the 13th (2009). And I have to say that Steve did a pretty good job with the music. Yes, I'm aware of the complaints and the whole "remakes suck" mentality. But still......I advice you to revisit these scores. You might be pleasantly surprised. <br><br>Speaking of horror scores.......I realized these days that it's been a while since we've heard a TRULY memorable and effective horror score. Or maybe it's just me and I've missed some really good ones...<br><br>Your thoughts on the matter, folks?^ Yet he’s still not quite a household name like some of his peers. HTTYD, Bourne, and Solo have all given him great exposure, but I feel like the general public doesn’t quite recognize him on the same level as Zimmer, Giacchino, or Williams.
Many thanks Hybrid!John Powell's last score was for a Star Wars movie, I don't think you could get any more mainstream exposure than that.So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score<br>--------------------------<br><br>There you go. Exactly how I expected it to be. They were simply helping each other. We've seen it multiple times before with other big scores.<br><br><br>Thanks for clearing it up.I wouldn't say "Battlefield" sounds nothing like Steve, it is pretty in line with his TF style, but yeah, I definitely see the Lorne involvement in there. Interesting though, our first official additional composer credit on this score!John Powell would be an amazing choice, if only to get him more mainstream exposure. <br><br>The thing is, if you strip away the drums, sound design, and harsh-mixing Tom is a actually a pretty gifted “classical” composer imo. His string writing has always impressed me, and seeing his use of woodwinds in Alita definitely proved that he can write outside of the mold Hollywood had put him in post-Mad Max.<br><br>Avatar 2 is most likely going to need a pretty diverse score, if the first one is any indicator. James Horner combined traditional orchestra, tribal drums, ethnic elements, electronics, and masculine action writing. All of which I could see Tom doing quite well.
Chrono order goes like this :<br><br>Dublin 1996<br>Driving<br>Deceit<br>Second Warning<br>First Warning<br>Research<br>Conversations<br>The Beating<br>Traynor Lies<br>Never Show Your Fear<br>Preparations<br>The Killing<br>Bad News<br>The Funeral<br>One More Day<br><br>But some tracks have cues edited together, and some titles are not exactly perfect lol...Atli is fine in Iceland, maybe he just doesn't want to look for trouble anymore... :)Lorne did work on this score. At the very end, when the film (and therefore, the score) was getting butchered by editors to shorten it, there was very little time to rework the score to adapt it to the new cut. So Steve called Lorne for help, who agreed but asked not to be credited (his team was, so it kinda defeated the purpose lol)... They didn't do THAT much on the score, but Battlefield is indeed a LB cue (it sounds nothing like SJ).<br><br>Not the first time this happened. Lorne extensively worked on TF1 & 2 (credited), but also helped (uncredited) on TF3 (there again, his assistant back then Andrew K. was credited).Alright, that's ^^ a bit too far, but I agree that there's not enough evidence to really support the theory. The only compositions that seem like Balfe might have had a hand in are the various reprises of "Bumblebee" (aka the Journey theme) that was always rumored to be co-composed by Balfe, and the big choral section in "Your Voice" when the knights begin attacking Optimus, as that is also a progression I associate heavily with Balfe's involvement in the first 2 scores. But that's still not enough to prove that he was involved.<br><br>By the way Bayhem, I don't believe that John Williams or Howard Shore have lied about doing their work by themselves. John Williams has worked with William Ross and probably others, but I don't think they're lying when they say they've done a score themselves. They seem like they can compose on their own just fine.Yep, if "deserving" existed, Atli would've gotten many more movies than he currently does.
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Ramin DjawadiBrandon CampbellStephen ColemanWilliam Marriott
ComposerAdditional MusicOrchestratorTechnical Score Advisor
Game Of Thrones (TV Series - Season 4)
Label: WaterTower Music
Length: 60'37
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4501 votes)
  1. Main Titles (1:43)
  2. The Rains Of Castamere - Sigur Rós (2:42)
  3. Breaker Of Chains (4:05)
  4. Watchers On The Wall (2:11)
  5. I'm Sorry For Today (2:09)
  6. Thenns (1:43)
  7. Mereen (2:53)
  8. First Of His Name (3:52)
  9. The Biggest Fire The North Has Ever Seen (1:56)
  10. Three Eyed Raven (3:58)
  11. Two Swords (1:49)
  12. Oathkeeper (4:31)
  13. You Are No Son Of Mine (4:29)
  14. The North Remembers (2:33)
  15. Let's Kill Some Crows (3:36)
  16. Craster's Keep (2:06)
  17. The Real North (2:03)
  18. Forgive Me (2:31)
  19. He Is Lost (3:37)
  20. I Only See What Matters (1:25)
  21. Take Charge Of Your Life (2:05)
  22. The Children (2:41)
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iamtommie reply Replies: 1 || 2019-03-11 20:23:16
Episode 1
Two Swords
The North Remembers

Episode 2
First Of His Name
The Rains Of Castamere

Episode 3
Mereen

Episode 4
-

Episode 5
Craster's Keep

Episode 6
-

Episode 7
-


Episode 8
I'm Sorry For Today
Take Charge Of Your Life
Forgive Me

Episode 9
The Biggest Fire The North Has Ever Seen
Let's Kill Some Crows
Thenns
Watchers On The Wall

Episode 10
I Only See What Matters
Breaker Of Chains
The Real North
He Is Lost
Three Eyed Raven
Oathkeeper
You Are No Son Of Mine
The Children


...2019-03-13 09:21:23
This seems correct. I made a kind of chronological playlist because I don't like the completely unchronological OST.

Zimson reply Replies: 1 || 2014-10-03 18:12:22
Did anyone else notice the 12 years a slave similarity in the track "Thenns"?


Frank2014-10-05 12:15:33
I think it's obviously temped on Boat Trip to New Orlean

Radik reply Replies: 0 || 2014-08-29 13:48:18
Does knows anybody if Oberyn-Mountain fight present on soundrack? :)

yui reply Replies: 5 || 2014-06-11 17:02:54
can some one outline all the themes that are used in the children, thanks


Macejko2014-06-11 17:20:28
Respectively:
1) Stark theme ("King Of The North")
2) Main Theme
3) Arya's theme ("Valar Morghulis")
4) brand new melody


Macejko2014-06-13 11:02:19
Correction: at the end it's basically rendition of the Main theme mixed with Daenerys' theme from the first season's "Finale".


D A R T H2014-06-18 11:12:37
anyone for the good track order ?

i'm only ok for this :


...
He Is Lost (3:37)

The Children (2:41)

Oathkeeper (4:31)

You Are No Son Of Mine (4:29)


Macejko2014-06-18 12:17:11
I think it goes like this:

01. Two Swords
02. The North Remembers
03. First Of His Name
04. Mereen
05. Thenns
06. Craster's Keep
07. I'm Sorry For Today
08. Forgive Me
09. Take Charge Of Your Life
10. The Biggest Fire The North Has Ever Seen
11. Let's Kill Some Crows
12. Watchers On The Wall
13. I Only See What Matters
14. Breaker Of The Chains
15. The Real North
16. Three Eyed Raven
17. He Is Lost
18. Oathkeeper
19. You Are No Son Of Mine
20. The Children


D A R TH2014-06-21 19:16:05
the other season are in good order ?

Macejko reply Replies: 0 || 2014-06-10 13:52:46
Well, it's definitely the weakest of the four scores. But it's still pretty great. It absolutely delivers in the field of raw, brutal and chilly northern material - "Watchers On The Wall", "Thenns", "The Biggest Fire The North Has Ever Seen", "Let's Kill Some Crows"... all very, very good tracks.
This score is very dark overall - except for beautiful and awe-striking "The Children" cue, it lacks epic, rousing material like "Mhysa" or "Mother of Dragons". Instead, it's filled with despair, melancholy, adrenaline and horror - one can only guess if either "Oathkeeper" or "He Is Lost" will be played during THE event everyone desperately wants to see (for those who know what I'm talking about, yes, I mean "LS"). The trademark of the show's music - low-playing chello - is literally omnipresent here.
It's a shame that some good cues didn't make it to the soundtrack, like for example the great cue playing at the end of this year's first episode, which combines "The Kingsroad" theme with "Valar Morghulis". Oberyn's theme is also missing, but I guess this is because it will be further developed in Season 5, which will spend a lot of time in Dorne.
My final verdict for now is 7/10 after first couple of listens, but I imagine it will only get better from now on.

Hybrid Soldier reply Replies: 11 || 2014-04-15 13:09:01
Can't wait for that ! :)


Lambegue2014-04-15 13:19:32
Me neither ! At each season, Djawadi's music is getting better.


Jon Snow2014-04-15 15:03:32
Great.. Cannot wait!!
I wish this time they make the release much longer, we need to hear more music from season 04.


Evenstar2014-04-15 15:37:46
Djawadi did some really nice work on GoT. Can't wait!


Macejko2014-04-15 15:53:33
This goes without saying, but Ramin is a genius and I want to hear this so badly...


Rob2014-04-17 12:50:12
And digitally on June 10. Cannot wait..


Macejko2014-04-17 13:46:34
Rob: Where did you find that out?


Rob2014-04-17 16:06:06
herocomplex.latimes.com/books/game-of-thrones-icelands-sigur -ros-covers-the-rains-of-castamere/#/0


Macejko2014-05-19 18:51:46
Christ, where is that tracklist...


MC2014-06-05 17:21:34
Post the damn tracklist before I piss meself!


Hybrid Soldier2014-06-07 08:43:44
Tracklist is up !

And samples : youtu.be/hd-RBTvLhI4


Macejko2014-06-07 12:30:25
This will be freakin' awesome. Awesome, I tell you.

Bruno Rocha reply Replies: 1 || 2014-05-15 03:23:49
Eu e todo Brasil amamos Hans Zimmer #HansZimmerIsAmazing !!!


CJ2014-06-02 22:30:54
Been checking online every day for a tracklist. I'm guessing they're waiting until after next week's big episode or the finale to release it, so as not to spoil any upcoming events or outcomes. Just hoping this release is longer and more comprehensive than last season's soundtrack.

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Game Of Thrones (TV Series - Season 4) soundtrack - Ramin Djawadi 2014