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I think what Lorne wrote for the last 30 min of the movie is way better than what ended in the movie... Lorne tried to elevate what was going on on screen, but it was probably too "bold" for the taste of production... They wanted to keep as "kow key" as possible but to me it made the ending of the film fall super flat...
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<br>In the end there isn't that much Lorne in the film (most of the "Moon" reel is Lorne though, that big 4 notes motif appearing during the moon landing and then takeoff). Ironically most of the droning you're all complaining about is not that much Lorne... lol
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<br>I really hope Lorne will put out as much music as possible, even all the unused parts, which are the more interesting ones !Taking in the movie now after having seen it. The cinematography is brilliant, and there are some interesting concepts that really will have you thinking long after walking out of the theater. Still, I couldnít help but feel like the film dragged throughout. Coupled with the voiceover the movie has a very ĎTerence Malick-yí, ďThin Red LineĒ feel throughout.<br><br>Iím definitely not familiar with Max Richter so I canít comment on what he might have written, but Balfeís broad-chord style is pretty recognizable throughout. There are also some interesting electronic pieces used throughout, possibly might be Balfe but hard to say as of now. The rest of the music is pretty contemplative, ranging from slow/emotional string pieces to more ambient droning.Well, I heard only Balfe's "Prayer" and Richter's "To the stars"... All I can say is we need to wait for the full release, hear both composers and only then talk about who better coped with this. (and watch the movie of course)<br>I don't think Balfe is a bad composer. He does pretty good as an additional composer but not as a leading (mostly). The only soundtrack that I consider the best to date in his solo career is "M:I-Fallout" and "Assassin's Creed III". (imo)<br>Who knows what will be this time. But for now I like Richter's track more.I'm just waiting for Gemini Man, that (i hope) would be funI love that cue.
So I created a page for it, move away from Ghost In The Shell !! :PI wonder if this track is the one causing consternation: Nils Frahm: 'Says' https://www.youtube.com/watch?v=dIwwjy4slI8<br><br>It sounds a bit like what Richter and Balfe could produce, but it is much more artistic than Balfe and much more synth-based than Richter. Frahm is credited for additional music.Not writing negative comments about Balfe for the purpose of writing negative comments - ie. trolling - but for the fact that Balfe does not seem to take film composition seriously. Goldsmith had a similar pace in the 1990s that equates to contemporary Balfe, but he managed to produce fantastic scores like Air Force One in a few weeks (yes, with some help from McNeeely). Balfe simply does not seem to have those skills so he resorts to cliches and drony nonsense. I await to be proven wrong. That Balfe track is not half-bad so I do maintain a general sense of expectation for this.Not any more lame than the Balfe cueLorne says it will be released and insists itís not a GITS situation.
That's been standard in certain cases, though considerably less nowadays with how complicated these situations have become.<br><br>Having heard both tracks posted, both give me little on their own. I'm sure they work better in the context of the film, and we might see better tracks unveiled eventually.He deserve better.Hans and Lorne like twins. Lorne has a very good personality. I still don't understand why some people are still writing bad comments to Lorne?Probably... lolSo is this how itís gonna be? Official release for Richter and leaks by Balfe :(Lorne posted a track from Ad Astra on his YouTube channel
Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?Thatís literally the best part of the score though. But itís typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
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Nick Glennie-SmithSatoshi NoguchiKevin Globerman
ComposerMusic Scoring MixerDigital Score Recordist
Heaven Is For Real
Label: Madison Gate Records (Digital Download Only)
Length: 58'45
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4294 votes)
  1. Lord's Prayer - Driving (3:14)
  2. Carpet Jacob (1:00)
  3. I'm Here To Pray For You (2:31)
  4. Baseball On High (0:54)
  5. Collapse (1:04)
  6. Passing Stones (2:32)
  7. Butterfly Pavilion (1:42)
  8. Emergency (2:01)
  9. Prayer (4:24)
  10. I See Saw You (0:52)
  11. Jesus Has A Horse (1:35)
  12. Heaven (3:19)
  13. Laugh Like That (0:43)
  14. Wondering About Your Faith (1:19)
  15. He Has Markers (1:28)
  16. Playground Dustup (0:40)
  17. Angels In The Yard (2:19)
  18. Not Imaginary (1:42)
  19. Children's Ward (2:20)
  20. You Saw Pop? (3:26)
  21. Jacob Rawling (2:35)
  22. Did My Son Go To Heaven? (1:47)
  23. I Have Two Sisters (1:47)
  24. If Heaven Is For Real (4:03)
  25. Jacob Appears (0:50)
  26. That's Him (1:46)
  27. You Are Home (Film Version) (1:58)
  28. You Are Home (Ruby Version) (1:59)
  29. You Are Home (Bonus Track) - Cynthia Clawson (2:21)
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Hybrid Soldier reply Replies: 3 || 2014-04-16 12:55:33
Great score, like usual with NGS... :)

Lord's Prayer - Driving
Prayer
Angels In THe Yard
You Saw Pop?
That's Him

Great cues... :)


Guizmox2014-04-16 12:58:27
... and if you like the old MV sound, listen to "Emergency" :D
Ed Harris and Sean Connery meeting God in Heaven ^^


Hybrid Soldier2014-04-16 12:59:51
LOL yeah, something like that... :P


Prott2014-04-23 12:08:20
Guizmox: Sounds like they also met Jules Verne on the way there... :-) Anyway, it's a fantastic score!

moi reply Replies: 0 || 2014-04-21 21:33:51
''Heaven'' sound really like ''Look To the Stars'' :)

Evenstar reply Replies: 0 || 2014-04-19 06:27:21
Such a joy to hear something new from Nick Glennie-Smith :) Great album!

Edmund Meinerts reply Replies: 5 || 2014-04-15 10:48:40
Holy hell, what's with all the religious movies this year? Son of God, God's Not Dead and now this?


Bioscope2014-04-15 16:33:33
Tip of the iceberg...


Hybrid Soldier2014-04-15 16:56:53
Yes Ed, actually it's to prepare everyone for :

The Son Of God's Not Dead, For Real


Bioscope2014-04-15 18:42:05
I am looking forward to that day.


RealFfingMusic2014-04-15 20:17:39
Had a good laugh on this one. lol.


Lambegue2014-04-15 22:17:45
Yes, me too. I would nearly want to see such a movie !

Hybrid Soldier reply Replies: 5 || 2014-04-15 00:07:25
New Nick !!! :D


Guizmox2014-04-15 00:11:22
Amazing !


Anonymous2014-04-15 03:11:50
Hybrid, who is did the vocal work? Sounds a bit like Lizabeth Scott or Hilda? Great stuff!


Bioscope2014-04-15 05:29:56
Awesome!


Lambegue2014-04-15 12:23:28
Nice :)


Jon2014-04-15 14:42:42
Awesome. I love Nick and his music. I wish they would release a CD though. But a download is better than no download.

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Heaven Is For Real soundtrack - Nick Glennie-Smith 2014