"It's On Again" Performed by Alicia Keys feat. Kendrick Lamar Written by Pharrell Williams, Alicia Keys, Hans Zimmer & Kendrick Lamar Produced by Pharrell Williams & Hans Zimmer Recorded by Andrew Coleman & Mike Larson for i am OTHER Entertainment, Ann Mincieli, Chuck Choi, Stephanie McNally & Bob Badami Recorded at South Beach Studios, Miami Beach, FL, Conway Recording Studios, Los Angeles, CA, Remote Control Productions, Santa Monica, CA & Oven Studios, New York, NY
Recording Assisted by Hart Gunther, Ben Sedano, Raphael Mesquita, Val Beathwaite & Ramon Rivas Mixed by Mick Guzauski at Ocean Way Recording Studios, Los Angeles, CA
Mix Assisted by Rouble Kapoor Digital Editing & Arrangement by Andrew Coleman & Mike Larson for i am OTHER Entertainment Alicia Keys' Vocals Engineered by Ann Mincieli at Oven Studios, New York, NY & Conway Recording Studios, Los Angeles, CA
Piano Performed by Alicia Keys Violin Performed by Ann Marie Simpson
"Here" Performed by Pharrell Williams Written by Pharrell Williams, Johnny Marr & Hans Zimmer Produced & Mixed by Stephen Lipson Assisted by Christian Wenger Recorded at Remote Control Productions Guitars Performed by Johnny Marr Synth Programming: Hans Zimmer Guitars, Keys, Drums & Synth Programming: Stephen Lipson String Arrangement: Steve Mazzaro
"Withing The Web (First Day Jam)" Performed by Czarina Russell, Hans Zimmer & The Magnificent Six Written by Czarina Russell, Johnny Marr, Hans Zimmer, Junkie XL, Pharrell Williams, Michael Einziger & Ann Marie Simpson Produced by Hans Zimmer, Stephen Lipson & Peter Asher Recorded by Stephen Lipson & Daniel Kresco Recording Assistant: John Witt Chapman Mixed by Daniel Kresco
"Electro Remix" Performed by Alvin Risk & Hans Zimmer Written by Alvin Risk, Hans Zimmer, Pharrell Williams & Junkie XL Produced by Alvin Risk & Hans Zimmer Remixed by Alvin Risk
Music Composed by Hans Zimmer & The Magnificent Six Feat. Pharrell Williams & Johnny Marr
The Magnificent Six: Michael Einziger Junkie XL Andrew Kawczynski Johnny Marr Steve Mazzaro Pharrell Williams
Arturo Sandoval Czarina Russell Andy Page Adam Peters Ann Marie Simpson
Soloists: Dominic Lewis, Tom Boyd, Stuart Clark, Randy Cooke, Steve Erdody, Walt Fowler, Satnam Ramgotra & Mario Reinsch
Additional Arrangements: Ann Marie Simpson Score Produced by Stephen Lipson & Hans Zimmer Soundtrack Producers: Hans Zimmer & Stephen Lipson Executive in Charge of Music for Sony Pictures: Lia Vollack Music Consultant: Randy Poster
Supervising Music Editor: Melissa Muik Score Wrangler: Bob Badami Music Production Services: Steven Kofsky Music Editor: Nevin Seus Assistant Music Editor: Catherine Wilson Technical Engineer: Chuck Choi, Stephanie McNally & Jacqueline Friedberg Orchestrators: Bruce Fowler, Walt Fowler, Suzette Moriarty, Rhea Fowler & Kevin Kaska Music Preparation: Booker T. While
Copyists & Librarians: Chris Anderson Bazzoli, Brandon Bailo, Marshall Bowen, Leslie Buttars, Dave Christensen, Dave Giuli, Jennifer Hammond, Lisa Janacua, Valarie King, Frank Macchia, Martin McClellan, Aaron Meyer, Melissa Orquiza, Sasiwan Seiter, Karen Smith & Dave Wells
Orchestra Contractor: Peter Rotter Score Recorded at Sony Scoring Stage, Culver City, CA
Band Recorded & Mixed by Stephen Lipson Orchestra Recorded by Alan Meyerson Additional Recordings by Daniel Kresco Score Mix Assistant: Christian Wenger Assistant Engineer on Additional Recordings: Seth Waldmann Pro Tools Operator: Kevin Globerman Score Mixed at Remote Control Productions, Santa Monica, CA
Studio Manager for Remote Control Productions: Shalini Singh Assistant to Hans Zimmer: Cynthia Park Conducted by Nick Glennie-Smith Concert Master: Belinda Broughton
Sony Pictures & Columbia Records would like to thank: Caroline Abs, Tim Ahlering, Kathy Baker, Josh Binder, Kimberly Boley, Will Botwin, Shelly Bunge, Candace Carlo, Valerie Caton, Wendy Christiansen, Kathy Cook, Roger Crameer, Top Dawg, John Fleckenstein, Esther Friedman, Paul Friedman, Michael Frisby, Jody Gerson, Scott Greer, Vickie Hall, Patrick Karnik, Jason Kawejsza, Don Kennedy, Joel Klaiman, Steve Kofsky, Paul Kremen, Ron Laffitte, David Lande, Meaghan Lyons, Debra MacCulloch, Catharine McNeely, Nicholas Naro, Amos Newman, Ashley Newton, Megan Oddsen, Peter Paterno, Nat Pastor, Raul Perez, Steve Plinio, April Pope, Tim Smith, Laurie Soriano, Rob Stringer, Anne Stulz, Sam Taylor, Mitch Tenzer, Caron Veazey & Mark Williams
Hans & the Band would like to thank: Marc Webb, Pietro Scalia, Avi Arad, Matt Tolmach, Amy Pascal, Michael Lynton, Lia "The Empress" Vollack, Raul Perez, Bonnie Abaunza, Jillian Abood, Daniel Ackary, Billy Banyai, Tiffany Bordenave, Will Botwin, Kelly Bush, BeBe Lerner, Rae Murillo & the ID team, Candace Carlo, Leland Cox, Riad Cutuk, Kathy Davis, Teri E. Dorman, Nick Douillard, James Doviak, Ari Emanuel, Luis Galdames, Jody Gerson, David Giammarco, Lee Gilmore, Peter Gorges, Hillary Hendler, Axel Hensen, Eddy Hernandez, Alex Kawczynski, Chaz Labrecque, Ron Laffitte, Cynthia Lu, Christina Mansky, Dustin Marler, Angie Marr, Paul Massey, Jean & Rod Mazzaro, Amos Newman, Albert Nolasco, Eric A. Norris, Mark Onks, Ryan Ouchida, Stephen Paine, Bradley Rainey, Johnny & Harry Russell & Rosie, Beatriz Sequeira, Skrillex, Hamilton Sterling, Dave Stewart, Chris Strong, Sam Taylor, Addison Teague, Top Dawg, Caron Veazey, James, Trish & Max Golfar, Catherine Sanderson, Zoe Zimmer & Vicki Zimmer, Jake Annabel, Max & Suzanne Zimmer & Happy, & everyone at Remote Control Productions
And a Special Thank You to Peter Asher
Release date : 04/22/2014
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I was wondering... Isn't there a way to make ''The Rest of My Life'' film version available as a bonus track? Like it happened with ''No Time for Caution''? People usually want the whole thing, but I think most of the fans would be happy to get at least this one track. Because it is way more beautiful than the album version. Just my thoughts. How did ''No Time for Caution'' happened anyway? Was it a petition or something?
The Interstellar page here on this site will tell you how that happened... ;) Hybrid Soldier got in touch with Zimmer and with Chris Craker (or whatever the album producer's name was), and that, presumably coupled with all the social media outcry AND the negative reviews people were giving the album on Amazon, prompted them to "do something" about it. Quite nice of them, really. It wasn't the film version, but the fact that they tried to make the fans happy and were willing to do that was cool.
As for "Rest of My Life"... What we have is what we get, I think. Unless the film version were an official "alternate" on the complete score (like the film version of "Flight" from Man of Steel), then we'll have to make the best of fan's efforts to isolate the music from the film. Unfortunately, most edits like that - No Time For Caution, Rest of My Life, Batman Chased - stay in the editing vaults of the studio and are never made "tangible" for everybody to have.
Thanks for the reply, Mike. Well, everything you say makes sense, I suppose.
Out of curiosity;
Would going back and adding extra, unreleased music to a digital album be costly? Think something like Apple Music. I know there isn't a high demand for "complete scores" outside of the score community but it would be pretty cool to see some of the albums expanded upon (looking at you TASM2/SH2).
Does anyone have any insight into licensing/re-use fees for digital releases?
I don't think it would be costy but Spidey is one of the worst selling album of HZ ever, so I stop you right away about any expension or any bonus thing... lol
Wow, I never knew that album tanked. That's a shame given the quality. Oh well, I guess it's just back to waiting for recording sessions lol
It'd be interesting is such information was available somewhere for general public. Really wondering what are the top ones, for instance. And the worst ones :-p
Ds, that would be very interesting indeed. I'm guessing Gladiator, The Lion King and Pirates have to be near the top, right? :)
Spidey got low sales? Really?!
Yes it did, surprisingly. HZ told me, I think he knows... lol
Not suprised. It sounded horrible. Too much vocals. Too much synth
probably samples put a lot of people off purchasing it
Huh... Even if you dislike the music, this one is way better as an album than A LOT of HZ scores I could think of that were badly presented.... especially from around 2010-2012....
Hybrid, do you know if Hans will be involved with the new spider man movie? It would be pretty sweet if they used his theme!
If they don't even keep themes across movies with the same version of the character, what makes you think they will on yet another unnecessary reboot?
Well HZ is a big name and it's not a bad thing to have his name on your movie. Also, he happens to be a great composer so no loss. If he wants to do it, the studio won't object.
Big name though Zimmer might be, it's more likely to be somebody already in with the MCU. I'd personaly like Danny Elfman to take the score and see how he would write a new Spider-Man theme.
I don't like the idea of Elfman for the same reason I don't like Zimmer on Bat vs Supes - one composer doing two versions of the same character is just weird to me.
I don't even like that they're rebooting Spidey...AGAIN...so I don't care too much who they get. But I think Powell would be a perfect choice. (Then again, when don't I?)
Hans didn't write the new batman theme but I get your point! I was one of the people who actually liked the new spider man. I think Andrew Garfield was really good and even though the second movie was a bit unfocused, it was still enjoyable. I really liked both the scores and really hoped to hear a sequel score by Hans.
They should just get Hans to do it! The theme really fits the character so well!
Marvel already managed to alienate pretty much every major composer working today, so I wouldn't be surprised if they went with some easily managable newcomer... or James Newton Howard, which is my personal bet. I think he could actually be a great fit for Spidey, if only he remembered his Disney roots. I don't want a return of Hans' theme. Strange as it may seem, I'm actually one of the few people who really, really dislikes his (well, "his") TASM2 score. And as for Powell... no way. It ain't happening, ever. He is by no means gonna take Marvel's bullshit, although I'd actually truly like to hear his take on Spider-Man. IMHO one of these people will be the next Spider-Man composer: James Newton Howard, Steve Jablonsky, Bear McCreary, or John Debney.
My bet is Jablonsky. He was actually attached to do TASM2 if I remember correctly. But, John Debney could be interesting.
Could be Henry Jackman as well since he's starting his run with Marvel.
Jackman is pretty versatile so I would be curious to see how he would tackle Spidey. Especially if he could pull out something like Kingsman.
Yeah, I know Powell WON'T do Spidey, but I think he'd be great at it. He has the humor, the style and the perfect ability to do upbeat heroic superhero-type music with a bit of a modern twist. I don't want something super classic orchestral like Williams' Superman for Spidey, neither do I want the modern self-serious Zimmer/JXL style - something in between is what he needs, and Powell would be fantastic for that!
Bear McCreary would be super cool as well. But we should all just wait and see who's directing the thing...
Jon Watts is directing the new film
The Pale King
I'd say it's pretty solidly anyone's game.
If Henry Jackman can compose something half as good as his themes for Kingsman and ESPECIALLY for Kick-Ass, I'd be all for it.
I could easily see them going for someone like Bear McCreary, Brian Tyler, or John Debney, since they've all contributed to the MCU before. Christophe Beck could also be added to that shortlist, I suppose.
My picks, personally, would be either for Carter Burwell (who was supposed to be involved with Thor: The Dark World, but dropped out due to creative differences), or Mark Mothersbaugh, who's basically my top choice.
I'd say Steve Jablonsky and ESPECIALLY Zimmer and / or Junkie are pretty unlikely, though, all things considered.
Debney did additional music for the Raimi films, so I wouldn't say no. I'd personally like Christopher Young back though: I loved his Spider-Man 3 music and I would love to see him come up with a new theme.
What ever happened to them? Nothing happened when The Interview released..
Eh, basically they said "Release the Interview, but ever do anything like that again and you'll be sorry."
I never heard or saw any proof of that..
A bit more expanded, they said that Sony had suffered enough and that they could release The Interview, so long as they didn't make Kim Jong Un's death 'too happy' and so long as they weren't tested again, because they would be ready for the fight.
A conflicting message was sent to Sony privately, telling them to remove all mentions of the movie.
It's pretty well-documented.
Word in the street is someone is selling TASM2 sessions for 500 pounds. So maybe someone is willing to sell it and someone who has the money can buy it.....we'll wait and see.....I'm aching to hear the sessions though.
Fake stuff are being sold, I'm told... lol
Of course there's fakes floating around. There's quite a few prolific fakers out there who like to pass off DVD rip-laden scores as the real thing.
My advice for anybody who's even contemplating buying something like this - aside from "don't do it" - is to ask for a sample from a cue you know couldn't possibly be cleanly ripped from the DVD.
I exchanged emails with a month with the guy who is selling TASM2 and SH2 for 500 euroes each, but when it came down to asking for sampels, he never got back to me..
I have two question,please answer them Music that play when electro died isnt in album? And where I can find that music?,its veryyy niceee answer pleaseeeee
Nope. It's not there.
You'll find it in the film, buried in the SFX and dialogue of the scene. It's not cleanly available. Maybe if the recording sessions ever leak out, you'll get it, but until then, no, it's not available.
Very sad. It was Horner, together with Goldsmith and Zimmer, that got me into film music in the mid 90's.
And you're an asshole. Seriously - could you be any more blunt and unfeeling about it?
Horner was killed in a plane crash - he was piloting the aircraft himself and was the only person on board. At least he was doing something he loved.
This is a horrifying, crippling loss for film music. If it had been Williams, Morricone...it would still have been tragic, of course, but it wouldn't have been a shock. Both of them have such long and fruitful careers behind them. Horner still had so much to give the film music world. His career was nowhere near done. He was just 61...he could have composed for at least another two decades.
It seems heartless to mourn the loss of his music, in lieu of mourning the loss of the man. But the music WAS the man. No other composer was able to wear his heart on his sleeves via his music with quite the same directness as Horner. His was a unique gift, and it will be sorely, sorely missed.
In many ways, the fiercely traditional Horner was the antithesis to what Hans Zimmer and Remote Control stand for in film music...nevertheless, I'm sure we can find common ground here in acknowledging what a loss this is.
I'm completely shocked! He was one of most important Hollywood composers of all time. I think I've listened to braveheart like a 100 times. thanks Edmund. That was really uplifting. We should put a picture of him on top of the website in memoriam.
This is so sad! We lost one of the best composers!And the only thing some people can think of is to call someone "asshole"...shame on you!
Only thing some people can think of? Did you not read the rest of my post?
I know horner wasn't part of rcp but it would be nice to honor him on the home page maybe? Would be nice. RIP James Horner. Your music will forever remain printed on mine and many many other people's minds as long as we live!
Edmund's first comment made me sing Avatar, stupidly hoping James Horner would come back in a 10-feet tall blue body.
Edmund, I agree with you totally. Horner's music was truly consistently beautiful and uniquely recognizable and most certainly as you said it was "the antithesis of what HZ and RCP stands for..." We'll just leave it at that so all the drones can read whatever they want into that comment. This is a huge loss for the film music world as Horner (IMHO) was one of the top 3 composers. My sincere condolences to his family.
Please complete score.
James Horner...A huge loss for the cinema (especially for James Cameron)! Titanic, Braveheart, Troy, Avatar, Legends of the Fall,...Anyway, a legend.
What does this have to do with Spider-Man, other than the being "shocked" references?
He scored the first TASM, good reason enough for you?
A great loss indeed, may he rest in peace.
@Hybrid, Horner's pic on top looks like he's part of the documentary.
To add on to Horner's relevance to the films discussed, it was really a shame that he wound up skipping out on ASM2 due to feeling that the sequel was turning out poorly. I found Zimmer's work to be surprisingly decent and far less broody and simple than what some people expected, but it was still a great wish of mine to have seen what Horner would have produced for the movie.
In the first film, he had established a sort of love/family theme that had a bit of a tragic overtone to it, and it would have undoubtedly been built off of and made all the more beautiful and heart numbing for a certain pivotal moment in this installment.
Additionally, the amount of room for heroic fanfares and grandiose pieces would have been much wider after moving past the first movie's more restrained and grounded atmosphere, so hearing more fun and action packed Spidey material would have been very welcomed as well.
Just watched the movie for the 4th time. Wow. Wish there was a 3rd in the making :/
Why would Marvel reboot AGAIN? Why not make a 3rd film?
It's not Marvel rebooting it... it's technically Sony
But now that Marvel Studios has some control there hopefully won't be any more reboots after Avengers
Actually, this time it IS Marvel rebooting it. It was Sony who rebooted it before. The reason a third film is not being made is because it seems the current style would not fit in with Marvel's films very well: Marvel wants creative control over the character and story and you can't get that with two previous films. Sony, of course, will still have final say, but I can't see them objecting to what Marvel might do.
This is not a bad thing. Sony haven't exactly grasped the opportunities of the license. Marvel can and most likely will if their version is a success (which it will be) - they could have Miles Morales, Venom, Spider-Girl, Scarlet Spider... all manner of things in a 'miniverse' that extends into the Avengers films. Sony have been struggling to do that since Spider-Man 3.
Hybrid, do you know if there is any cache that Zimmer might score te marvel spider man movie? I know it's a reboot so it is probably unlikely but it would be really cool if he just scored te spider man parts in civil war and then the stand alone movie with the magnificent six!
First I guess it'll depend on who's gonna direct... Have no idea, I wouldn't bet on that though...
I think it's likely to be Brian Tyler or Danny Elfman, personally, as Tyler's their go-to guy and Elfman ATM is providing additional music but has a history with Spidey.
I doubt Disney would hire Tyler again after the Avengers 2 case...
Yea... I think he'll return for thor 3 as he did the second one, but that'll be the last one he'll score for marvel...
What did he do wrong on Avengers 2? I wasn't around for the drama
I'm not sure specifically, but we know Marvel eventually got Danny Elfman to write (rewrite?) additional music for Avengers 2, and in one interview Tyler said something to the effect of, "The studio executives sometimes want my music to be just barely present in the background, but I always like things front and center." So it sounds like there's some creative differences, for sure.
Danny elfman mentioned in an interview that his job was to incorporate Silvestri's theme in some scenes. Maybe Tyler didn't want to use it all?
Oh, really? So they are using Silvestri's theme, then? That's exciting! Continuity FTW!
I really hope so! The last thing these Marvel films is less continuity. I'm just worried Brian Tyler was trying to force a new theme instead of following Silvestri.
And here's the quote from Elfman; "I was doing the same thing actually just last week because I’ve contributed music to the new Avengers movie. I took part of Alan Silvestri’s theme on the original [movie], which I really liked, and I pulled it into it new theme, which became kind of a hybrid. I really enjoyed that."
If I could have one so-far-unreleased cue, it would be Flying Montage. No idea why they left that off the OST.
I dont know either and i dont know why people here didnt complain about missing tracks like they did with interstellar. Im sure hybryd could ask zimmer to give some.
With all the complaints even after No Time For Caution came out, I don't think Hybrid wants to ask Zimmer for anything...lol. But I do recall Hybrid saying that Zimmer himself had mentioned putting out some "leftovers" from this score as downloadable tracks.
I wouldn't mind having the stems from the Electro Suite, personally.
If I could have at least two unreleased cues....It would be "The Flying Montage" and "I Can't Lose You Too".
Oh, and to resurrect the typical film version vs original cue issue, I'd also love the film version of The Rest of My Life...so much more moving than the album version IMO. Though I do understand that the album was already put together by the time they altered it.
I know everybody only talks about Electro's theme but I have to say that I love Harry's Suite. It's so underplayed but is incredibly powerful, especially the "Angels and Demons" bit at 5:20.
I agree with you. I love Harry's theme suite, it's really nice! The only thing that's wrong with it is the character it's been written for !! lol
Haha I agree, although I still don't think the film as a whole was that bad actually
Me too. And I'm sad that we may not see Andrew Garfield again in this role
There's no "may not". Marvel's already looking for a new character. And on top of that, it does seem unlikely they'll hire Hans Zimmer. They're more likely to hire Brian Tyler as he's their go-to composer right now.
I wonder if LaLaLand would be interested in releasing a more complete version of this score.
Did I say character? I meant actor. lol.
If there were any issues with the film, it most likely had to do with studio tampering. I am happy to see Spidey being integrated into the MCU, however.
And don't forget, Sinister Six hasn't been cancelled yet. If it does happen we might get a kickass stand alone. (And maybe even a score from Zimmer or co.)
LC 1m01 c6v3 0122 v1.00 SJL MIX 02-24 St Mix LC 1m01a c3v3 1125 v1.13 SJL MIX 02-24 St Mix LC 1m01a c5v5 0106 v3.09 SJL MIX 05-24 St Mix LC 1m01b c5v4 0104 v2.06 SJL MIX 14-24 St Mix LC 1m02 c5v5 0106 v23.01 SJL MIX 04-24 St Mix RPT 2 LC 1m03 c5v4 0104 v5.09 SJL MIX 10-24 St Mix WIDE v2 LC 1m04a c5v5 0106 v1.03 SJL MIX 02-24 St Mix LC 1m05 c6v4 0124 v7.01 SJL MIX 05-24 St Mix LC 1m08 c5v5 0106 v2.04 SJL MIX 02-24 St Mix LC 2m09 c5v3 0102 v1.16 SJL MIX 02-24 St Mix LC 2m10 c6v2pt 0122 v10.08 SJL MIX 09-24 St Mix LC 2m10 c7v2 0131 v10.09 SJL MIX 13-24 St Mix LC 2m10 c7v2 0131 v10.13 SJL Mix 15-24 St Mix LC 2m11 c5v3 0102 v2.02 SJL MIX 01-24 St Mix LC 2m12 c5v3 0102 v1.02 SJL MIX 04-24 St Mix LC 2m12 c7v2 0131 v1.03 AK SJL MIX 01-24 St Mix LC 2m12 c7v2 0131 v1.03 SJL MIX 02-24 St Mix LC 2m16 c5v3 0102 v1.07 SJL MIX 03-24 St Mix LC 2m18 c5v3 0102 v1.03 SJL MIX 02-24 St Mix LC 2m18 c5v3 0102 v5.00 SJL MIX 01-24 St Mix LC 2m19 c5v3 0102 v1.13 SJL MIX 03-16 Pno NEW PNO LC 2m20 c5v3 0102 v1.06 SJL MIX 09-24 St Mix LC 2m20 c7v4 0131 v1.08 AK INS SJL MIX 02-24 St Mix LC 2m22 c5v3 1220 v2.00 SJL MIX 01-24 St Mix LC 3m23 c3v3 1125 v22 SJL MIX 02-24 St Mix LC 3m24 c5v5 0110 v1.04 SJL MIX 02-24 St Mix LC 3m26 c5v4 0103 v1.06 SJL MIX 03-24 St Mix LC 3m28 c5v4 0103 v1.02 SJL MIX 02-24 St Mix LC 3m30 c5v3 1220 v1.08 SJL MIX 03-24 St Mix LC 4m31a c5v3 0103 v3.11 SJL MIX 09-24 St Mix LC 4m31b c5v3 0103 v1.06 SJL MIX 07-24 St Mix LC 4m31b c6v3 0123 v2.03 SJL MIX 01-24 St Mix LC 4m32 c5v3 0103 v2.03 SJL MIX 03-24 St Mix LC 4m32 c7v2 0201 v4.00 SJL MIX 02-24 St Mix LC 4m37 c5v3 0103 v2.04 SJL MIX 04-24 St Mix LC 4m39 c5v3 0103 v5.05 SJL MIX 03-24 St Mix LC 4m40 c5v3 0103 v1.03 SJL MIX 03-24 St Mix LC 4m41 c5v3 0103 v1.09 SJL MIX 02-24 St Mix LC 5m41c c5v4 0105 v1.03 SJL MIX 02-24 St Mix LC 5m42 c6v2 0116 v2.03 SJL MIX 03-24 St Mix LC 5m42a c7v3 0203 v3.00 SJL MIX 02-24 St Mix LC 5m44 c3v6 1126 v6.01 SJL MIX 01-24 St Mix LC 5m44 c5v4 0105 v9.00 SJL MIX 01-24 St Mix LC 5m45 c6 0113 v2.14 SJL MIX 02-24 St Mix LC 5m45a c6v2 0116 v4.00 SJL MIX 02-24 St Mix LC 6m46 c5v4 0106 v3.04 SJL MIX 03-24 St Mix LC 6m46 c7v3 0203 v4.07 SJL MIX 01-24 St Mix LC 6m46 c7v3 0203 v4.07 Alt SJL MIX 02-24 St Mix LC 6m47 c5v4 0106 v2.01 SJL MIX 01-24 St Mix LC 6m47a c6v3 0123 v2.01 SJL MIX 04-24 St Mix LC 6m48 c5v4 0106 v2.03 SJL MIX 02-24 St Mix LC 6m50 c6 0113 v1.01 SJL MIX 01-24 St Mix LC 6m51 c6v3 0123 v2.16 SJL MIX 02-24 St Mix LC 6m51 c7v3 0203 v3.03 SJL MIX 01-24 St Mix LC 6m52 c7 0203 v6.03 SJL MIX 10-24 St Mix LC 6m53_54 c5v4 0106 v1.12 SJL MIX 05-24 St Mix LC 7m55 c7v2 0201 v2.06 SJL MIX 03-24 St Mix LC 7m56 c6 0117 v1.03 SJL MIX 02-24 St Mix LC 7m57 c7v2 0204 v2.06 SJL MIX 02-24 St Mix LC 7m58a c7v2 0204 v1.04 SJL MIX 03-24 St Mix LC 7m59 c6v4 0125 v4.05 SJL MIX 03-24 St Mix LC 7m60 c6 0117 v1.00 SJL MIX 01-24 St Mix LC 7m60 c6 0117 v1.00 ALT SJL MIX 01-24 St Mix LC 7m61 c6v4 0125 v4.05 SJL MIX 02-24 St Mix LC 7m61 c6v4 0125 v5.00 SJL MIX 01-24 St Mix LC 7m61 c6v4 0125 v6.02 SJL MIX 01-24 St Mix LC 8m62 c7v4 0201 v1.05 SJL MIX 02-24 St Mix LC 8m63 c7v4 0201 v5.07 SJL MIX 03-24 St Mix
Well posting this won't get you far, it's resulting from the Sony hacking... Those files haven't leaked anyway, and probably won't anytime soon...
what the hell does the LC mean?
It's the film codename...
Dude share,share,share.... i want complete score
He's got nothing... lol
Given the extent, I would say it is a fairly safe bet these hackers DID obtain sessions files (they have listed .zip files that would correspond in size to the music in compressed format). However, they have NOT publicly shared them. I doubt they are even aware of their worth. And with Sony having caved in to their demands, I doubt we'll see anything posted from them, unless Sony crosses the line they have set up.
They do have the files, no need to be a genius to understand that...
And the "worth", well, for 99% of the human population these things are worthless, especially for hackers like that who only care about email passwords or social security numbers. If this Sony case blows completely they might end up throwing the files to the trashbin...
It is rather interesting to note that none of these files have a HZ acronym next to them. Oh, and LC stands for London Calling, which, as Hybrid Soldier put it, was the code name of the film.
Well it means nothing the files have SJL, who is Steven Lipson, the music mixer...
you should realize that the 32 gb file of everything obtained in the hack is available to the public and is shared on several torrent sites
im sure you can find the session files yourselves
Trust me, it's not...
They "put out" only a little of what they got...
I thought LC stood for "Little Cock", in reference to Andrew Garfield
You just earned a role in the next Adam Sandler film. Congratzzz !
last time you told us to trust you, it was when you said "Imperfect Lock" would have the docking cue lol..
Sir Leigh Teabing said it best from Da Vinci Code: "The French cannot be trusted"!
I can stand up for Hybrid and say no sessions are in any of the SPE leaks, at all. There are 9 total so far.
It's interesting how Hybrid is reacting here very nervous ^^ again a session which he have and is getting maybe leaked? Oh nooo... ;)
No no I'm not nervous I want this thing out actually. ;) I'm just pissed at people posting tracklists for no purpose, without explaining why or what. Throw this to people's face without context...
ok, buddy, it just looked like that and i started actually having then a good feeling that this things comes out soon x)
Well who knows...
I actually tried to make this cue list match with the cuesheet, though without the music itself it's difficult to be entirely sure lol...
LC 1m01 c6v3_0122 v1.00 THE LOGOS LC 1m01a c3v3_1125 v1.13 THE OPENING LC 1m01a c5v5_0106 v3.09 THE OPENING ALT LC 1m01b c5v4_0104 v2.06 PARENTS ON PLANE LC 1m02 c5v5_0106 v23.01 SPIDEY LOGO / FLYING LC 1m03 c5v4_0104 v5.09 TRUCK CHASE LC 1m04a c5v5_0106 v1.03 PETER HALLUCINATES PT 1 LC 1m05 c6v4_0124 v7.01 GRADUATION LC 1m08 c5v5_0106 v2.04 PETER HALLUCINATES PT 2 LC 2m09 c5v3_0102 v1.16 I CAN’T LOSE YOU TOO LC 2m10 c6v2pt_0122 v10.08 FLYING MONTAGE LC 2m10 c7v2_0131 v10.09 FLYING MONTAGE ALT LC 2m10 c7v2_0131 v10.13 FLYING MONTAGE ALT 2 LC 2m20 c5v3_0102 v1.06 HARRY COMES HOME LC 2m20 c7v4_0131 v1.08 AK INS HARRY COMES HOME ALT LC 2m22 c5v3_1220 v2.00 MAX ELECTROCUTED LC 3m23 c3v3_1125 v22 PETER VISITS HARRY LC 3m24 c5v5_0110 v1.04 OSCORP SURVEILLANCE LC 3m26 c5v4_0103 v1.06 ELECTRO IS BORN LC 3m28 c5v4_0103 v1.02 ELECTRO WANDERS LC 3m30 c5v3_1220 v1.08 OXFORD LC 4m31a c5v3_0103 v3.11 TIMES SQUARE PT 1 LC 4m31b c5v3_0103 v1.06 TIMES SQUARE PT 2 LC 4m31b c6v3_0123 v2.03 TIMES SQUARE PT 2 ALT LC 4m37 c5v3_0103 v2.04 HARRY FINDS SECRET FILES LC 4m39 c5v3_0103 v5.05 HARRY WANTS SPIDEY’S BLOOD LC 4m40 c5v3_0103 v1.03 PETER DISTRACTS OSCORP SECURITY LC 4m41 c5v3_0103 v1.09 HARRY MEETS GWEN LC 5m41c c5v4_0105 v1.03 DR KAFKA EXPERIMENTS LC 5m42a c7v3_0203 v3.00 I CAN’T GIVE YOU MY BLOOD LC 5m45a c6v2_0116 v4.00 PETER FINDS CLUE LC 6m46 c5v4_0106 v3.04 SPECIAL PROJECTS LC 6m46 c7v3_0203 v4.07 SPECIAL PROJECTS ALT LC 6m46 c7v3_0203 v4.07 Alt SPECIAL PROJECTS ALT 2 LC 6m47 c5v4_0106 v2.01 ROOSEVELT STATION LC 6m47a c6v3_0123 v2.01 ELECTRO RELEASED LC 6m48 c5v4_0106 v2.03 GWEN’S VOICEMAIL LC 6m50 c6_0113 v1.01 HARRY & ELECTRO RETURN LC 6m51 c6v3_0123 v2.16 HARRY TRANSFORMATION LC 6m51 c7v3_0203 v3.03 HARRY TRANSFORMATION ALT LC 6m52 c7_0203 v6.03 I LOVE YOU LC 6m53_54 c5v4_0106 POWER STATION LC 7m55 c7v2_0201 v2.06 ELECTRO SHOWDOWN PT 1 LC 7m55 c6_0117 v2.05 ELECTRO SHOWDOWN PT 1 ALT LC 7m56 c6_0117 v1.03 ITSY BISTY SPIDER THEME (ELEC) LC 7m57 c7v2_0204 v2.06 ELECTRO SHOWDOWN PT 2 LC 7m58a c7v2_0204 v1.04 PLANES / POWER RESTORED LC 7m60 c6_0117 v1.00 GOBLIN SHOWDOWN LC 7m60 c6_0117 v1.00 ALT GOBLIN SHOWDOWN ALT LC 8m63 c7v4_0201 v5.07 RHINO RETURNS
Hybrid isn't the only person with this stuff if he even has it
It will be posted eventyw
Where's "The Rest of My Life"?!
If you're paying attention I didn't put the whole thing, just those I'm "pretty sure" of ! :)
Regarding the complete cue list, is there a possible leak sometime soon? I would LOVE to have the recording sessions :)
People stop thinking cuesheet availability on publishing websites & music leaks have anything in common, you'll do yourself a big favor...
Didn't Hybrid say he got those titles by doing BMI and ASCAP searches? BMI and ASCAP are just lists with many, many cue titles from many many films on them, and more of course. Absolutely no relation to any leaking whatsoever.
I really hope it leaks soon though !! I love this score !! It'd be a great Christmas gift ;)
Interesting that James Horner has come out and described the film as "dreadful" being the reason he didn't do it. It is, of course, a hideous film with almost no redeeming features, but it's rare to see a composer speak with such a candour.
At least Hans and his team had fun with it I suppose.
But it's not a surprise, he did the same thing with Yared's Troy. But i read in another interview Horner was not happy to score TASM1, he did it just to know how bad or good it would be, but for the second he rejected to write the score again. Even, i remember Horner was not the first choice to score TASM1.
I read the same as Scorefan. I didn't know Marc Webb even asked Horner to do the 2nd movie. I think it is rather weird. Since when is Hans Zimmer a "second choice" after another composer rejected your movie??
And NM I personally think TASM2 is by far superior to most of the crap Marvel Studios (I mean Disney-Marvel) has produced, like the first Captain America or both awful Thor movies. At least it had some cool visual style and an awesome soundtrack (something Disney-Marvel movies never had).
'Since when is Hans Zimmer a "second choice" after another composer rejected your movie??'
According to Hybrid, Hans was the FIRST choice on TASM1 but said no due to The Dark Knight Rises... ;) So this is just getting what Webb wanted to begin with.
Oh, whoops...That just happened. Didn't see the "I didn't know Marc Webb even asked Horner to do the 2nd movie". So Zimmer was indeed a "second choice", even if he was the first choice originally.
The only Superhero film I've seen recently that was worse than "Spiderman 2" was ironically "Man of Steel"! Both suffer the same problems - empty characters, dumb story, shit unwatachable videogame fight sequences. They're just LCD crud, and they're not even fun with it.
Well NM then I just guess we have opposite tastes regarding superheros. Man of Steel was one of my fav movies of last year, and probably my fav superhero movie along with The Dark Knight. A bit dark, powerful and majestic, just what I like.
@Ds, my thoughts exactly. The biggest faults with MOS, IMO, is that it seemed like entire scenes and sequences had gone missing from the entire film, resulting in the hole-y story...
@NM, not to be nitpicky, but "Spiderman 2" was made in 2004, and it was magnificent. (Got to be careful with reboots and remakes.)
TASM2 is a horrendous, dreadful piece of sh*t and easily the worst movie of this year and probably even the last one. I haven't seen anything this bad since Battleship and I'm pretty sure Hans did it just for the money. I sincerely can't imagine him finding any redeeming qualities in that abomination of a movie, especially since he scored Interstellar the same year. After all, it shows. Interstellar score is a magical and piece of music, whereas TASM2... yeah. I think part of the reason of using the chanting in the Electro's theme was to somewhat clarify his motivation, because the character was written so horribly (as every single one in that movie). Seriously, Hans is a intelligent, thinking person, we all know that. There is simply no way he would NOT despise that movie for what it is. No freakin' way. (And MoS was awesome, which is exactly why Hans did it with just a little help. Wheareas TASM2... wait, I already made my point.)
*Interstellar is a magical and UNIQUE piece of music, I meant to say :)
I liked Spidey 2 more than Man of Steel. At least it had a sense of fun. It's not a good movie but I'm not sure why people talk about it like it's Batman and Robin or something.
I personally see the movie as being potentially good but ruined by corporate interference, much like the first one. I'd be very surprised if Webb doesn't walk out completely (he's already not directing TASM3 if it happens).
The best thing that can happen is for the rights to revert to Marvel.
Edmund, "at least it had a sense of fun"... I've heard people complaining a lot about Man Of Steel being too serious and not fun, but frankly since when is this a criterion? Is 12 Years A Slave also a bad movie, since it's not fun at all?
My objection to MoS wasn't about "fun", personally. It was a serious movie, for better or for worse. We can only expect the composer to score the movie he has in front of him. I do wish the score had had a somewhat greater sense of heroism, though...Ever notice how during the fight scenes, it was pretty much all Zod/evil Kryptonian music? Why couldn't they have imbued the fight scenes with some full statements of Superman's theme (and not just the pleasant-but-repetitive motif from the beginning of "Flight")? Sure, maybe that was the music's way of saying the Kryptonians are really the ones in charge against an unexperienced Superman, but a lot of it was too "one-sided" in my opinion.
Or, as awesome as the "Escape From Ship" cue was, why couldn't they have a big and grandiose statement of Superman's theme (like "What Are You Going...") for when Superman shoots down into the atmosphere to save Lois?
The main problem with Man Of Steel isn't the lack of fun, though it is a joyless film. It's the fact it's incoherent.
ggctuk, are you serious? The best thing for this franchise is to stay with Sony. Marvel has produced so many films lately, some of them are good, some are so-so, but they are so generic it's ridculous. You don't feel anything about them, it's cool action and that's where it ends. The TASM series may have its problems, and there's a good bunch of them, but the human interactions in these movies are exceptionnally real, thanks to Marc Webb, whom you feel directed the movie. The acting is top-notch too. If either Webb or Sony ever drops the project for Marvel to take over, I feel the third one will be your usual cheezy Marvel film.
I wasn't talking about the score, Mike - I know Zimmer had to score what was put in front of him, and I know the relentless gloomy dreariness of the score is down to the relentless gloomy dreariness of the film. But it was the latter I was criticizing. It works for Batman because that character is already very dark - and those films still manage to be fun in a way despite all that. The same approach fell flat for Superman, IMO.
12 Years a Slave is a WILDLY different film with WILDLY different ambitions, Ds. You really can't compare the two. But given the choice between the two, I'd rewatch Django Unchained a hundred times before I watched 12YAS again...because it's fun. ;)
They're already hawking a new trilogy anyway. Those leaked memos reveal that Sony is bitterly disappointed with the way the films have turned out and is ready to field Marvel a deal that will see Marvel produce the films and Sony distribute them.
Marvel isn't likely to drop what is working fine.
Man Of Steel is dark ?
Is it ?
I don't find anything "dark" in it...
I don't think Man of Steel is particularly "dark" it's just a joyless, boring film to watch. It comes across like it's taking itself seriously, and that's not a problem at all - but, if you do that, you have to deliver the goods. It didn't deliver. The dialogue, editing, direction (though surprisingly good acting to be fair)... it was nearly all remarkably terrible, from start to finish. It's got all the worst bits of Nolan films (stupid militaristic characters, clunky dialogue, confusing editing et al.) with all the worst bits of Synder (incoherent action, emphasis on 'cool' moments rather than story). It's still one of the worst films I've seen in the last few years, and I actually regret parting with my hard-earned money for it when I could've gone to see "Before Midnight" and supported good cinema.
I don't know if I'd apply the same criticism to the music though. I listened to the score before I saw the film, and while there is gloom, and there is action bashing, I could actually imagine the ideas in there - of looking in, a sort of alien kind of sound, the hope etc. The soundtrack album is actually far more interesting and balanced than the film! To give the film some bit of credit, I think they probably did have some ideas to start with. So perhaps the film is a failure of execution, rather than of imagination. But, boy the final product is a mess, half an unwatchable videogame cutscene, half a bunch of confusing messy exposition. Dreadful.
Personally I liked the direction, editing, "emphasis on cool moments", music, story, in fact this movie gave me everything I'm looking for when I'm watching a superhero movie. I think you just didn't like the movie at all, but your points are opinion, not facts.
And saying it's the worst movie you've ever seen... I hate when people call such big movies "the worst movie all-time". Come on, hundreds of people (some of them are among the best in the industry) are working very hard on these movies, don't tell me everyone of them delivered shit. You should watch more Belgian or French movies where there's absolutely NOTHING good, and then speak about "the worst movie of all-time".
i liked both, Man Of Steel And TASM2. Man of Steel is a complete change from Christopher Reeve´s Movies and from Bryan Singer version. Snyder version continue the line that Nolan made with the batman trilogy, more realistic and a serious tone. For TASM2, i had not seen TASM1. It´s a light version from Raimi´s version. Raimi´s version had a serious tone while Webb´s version is more...light.
"but your points are opinion, not facts."
So are yours, and everyone else's. This retort always bugs me a little. I don't really see why I should have to preface everything with "in my opinion"... it's *clearly* my opinion.
"And saying it's the worst movie you've ever seen..."
If you can point to where I said that, that'd be good.
" Come on, hundreds of people (some of them are among the best in the industry) are working very hard on these movies, don't tell me everyone of them delivered shit. "
I think the movie's shit. I don't think people intentionally set out to make bad movies, sometimes movies just end up being bad. It's not a sleight on them personally. I never set out to write bad music, but I'm aware I've written plenty of shit.
I forgot to mention; I have the same sort of relationship with this score that I do with, for example, the score to "Attack of the clones". I can enjoy the music on its own terms, and picture a far more interesting film in my head, than the one that was actually produced. Listen to "Across the Stars" and you can hear the longing and sorrow; you turn on the film and it's some people standing in a corridor for 3 hours.
For me, MOS is one of those cases where the music completely out-did the film.
Ready for the full cue sheet ? (not in chrono order)
SPIDEY LOGO / FLYING Hans Zimmer
GRADUATION Hans Zimmer, Steve Mazzaro
ELECTRO SHOWDOWN PT 1 INTRO Hans Zimmer, Pharrell Williams, Junkie XL, Andrew Kawczynski
ELECTRO SHOWDOWN PT 1 Hans Zimmer, Pharrell Williams, Johnny Marr, Junkie XL, Andrew Kawczynski, Steve Mazzaro
ELECTRO SHOWDOWN PT 2 / ELECTRO'S DEATH Hans Zimmer, Pharrell Williams, Johnny Marr, Junkie XL, Andrew Kawczynski
PETER DISTRACTS OSCORP SECURITY Hans Zimmer, Steve Mazzaro
PETER'S ROOM Hans Zimmer, Steve Mazzaro
ELECTRO RELEASED Hans Zimmer, Pharrell Williams, Johnny Marr, Junkie XL, Andrew Kawczynski, Steve Mazzaro
PETER VISITS HARRY Hans Zimmer, Johnny Marr, Adam Peters
I CAN'T LOSE YOU TOO Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Steve Mazzaro
I LOVE YOU Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Steve Mazzaro
GWEN Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Steve Mazzaro
I CAN'T GIVE YOU MY BLOOD Hans Zimmer, Steve Mazzaro
GOBLIN SHOWDOWN Hans Zimmer, Steve Mazzaro
HARRY TRANSFORMATION Hans Zimmer, Steve Mazzaro
LOBBY INSERT Hans Zimmer, Steve Mazzaro
OXFORD Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Steve Mazzaro
HARRY WANTS SPIDEY'S BLOOD Hans Zimmer, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
PETER FINDS CLUE Hans Zimmer, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
PLANES / POWER GRID RESTORED Hans Zimmer, Johnny Marr, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
SPIDEY SENSE Hans Zimmer, Pharrell Williams, Junkie XL, Andrew Kawczynski
MAX ELECTROCUTED Hans Zimmer, Pharrell Williams, Johnny Marr, Junkie XL, Andrew Kawczynski, Andy Page
ROOSEVELT STATION Hans Zimmer, Johnny Marr, Dave Stewart, Andrew Kawczynski
PETER REMEMBERS Hans Zimmer, Andrew Kawczynski
TRUCK CHASE Hans Zimmer, Pharrell Williams, Johnny Marr, Czarina Russell, Steve Mazzaro
PETER HALLUCINATES PT 1 Hans Zimmer, Steve Mazzaro
PETER HALLUCINATES PT 2 Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Steve Mazzaro
EXTERIOR OSBORN Hans Zimmer, Steve Mazzaro, Andy Page
POWER STATION Hans Zimmer, Pharrell Williams, Johnny Marr, Steve Mazzaro
PARENTS ON PLANE Hans Zimmer, Johnny Marr, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
HARRY MEETS GWEN Hans Zimmer, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
FLYING MONTAGE Hans Zimmer, Johnny Marr
HARRY FINDS SECRET FILES Hans Zimmer, Johnny Marr, Mike Einziger, Ann Marie Simpson, Steve Mazzaro, Andy Page
SPECIAL PROJECTS Hans Zimmer, Johnny Marr, Mike Einziger, Ann Marie Simpson, Steve Mazzaro, Andy Page
ELECTROCUTING SPIDEY PT 1 Hans Zimmer, Junkie XL, Andrew Kawczynski
ELECTROCUTING SPIDEY PT 2 Hans Zimmer, Junkie XL, Andrew Kawczynski
OSCORP SURVEILLANCE / CONSPIRACY Hans Zimmer, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
FAREWELL Hans Zimmer, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
RHINO RETURNS Hans Zimmer, Steve Mazzaro
HARRY COMES HOME Hans Zimmer, Ann Marie Simpson, Steve Mazzaro
GWEN'S VOICEMAIL Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Steve Mazzaro
THE END CREDIT SUITE Hans Zimmer, Pharrell Williams, Junkie XL, Mike Einziger, Ann Marie Simpson, Steve Mazzaro
THE LOGOS Hans Zimmer, Johnny Marr, Steve Mazzaro, Andy Page
THE OPENING Hans Zimmer, Mike Einziger, Ann Marie Simpson, Steve Mazzaro, Andy Page
DR KAFKA EXPERIMENTS Hans Zimmer, Pharrell Williams, Junkie XL, Andrew Kawczynski, Steve Mazzaro
ELECTRO IS BORN Hans Zimmer, Pharrell Williams, Junkie XL, Andrew Kawczynski
ELECTRO WANDERS Hans Zimmer, Junkie XL, Andrew Kawczynski
FUNERAL Hans Zimmer, Pharrell Williams, Johnny Marr, Mike Einziger, Andrew Kawczynski
HARRY & ELECTRO RETURN TO OSCORP Hans Zimmer, Johnny Marr, Junkie XL, Andrew Kawczynski, Steve Mazzaro
ITSY BITSY SPIDER THEME (ARRANGEMENT) Hans Zimmer, Junkie XL, Andrew Kawczynski
MAX Hans Zimmer, Pharrell Williams, Ann Marie Simpson, Andrew Kawczynski
MAX GOES TO WORK Hans Zimmer, Pharrell Williams, Mike Einziger, Ann Marie Simpson, Andrew Kawczynski, Steve Mazzaro, Andy Page
TIMES SQUARE PT 1 Hans Zimmer, Pharrell Williams, Johnny Marr, Junkie XL, Andrew Kawczynski, Steve Mazzaro
TIMES SQUARE PT 2 Hans Zimmer, Pharrell Williams, Johnny Marr, Junkie XL, Steve Mazzaro
Not in order, I see....is this the order they were written in, maybe?
No it's random, don't search logic where there's not... lol
Not here to ask for a simple request, but from the look at the random list... I'm deeply impressed.
Thanks Hybrid. (How long does it take you to make such a precise list ?)
Not so long, patience & curiosity... :)
But I master ASCAP & BMI digging for what... 6/7 years ? I'm pretty fast at finding what I want ! :D
Gonna try to put that cue sheet in correct order with the film... :)
Does anybody have a definitive list of what each piece on the OST should be titled, from this list?
Wow! This is impressive. Did these titles not come with slates? Presumably the first cue is "The Logos" and then "The Opening" followed by "Parents On Plane" and then "Spidey Logo/Flying". But in the film there is only one cue for the logos and the opening... not two separate cues. Thanks for posting, anyway! Great to have for reference!
It's not really possible to say whether the opening is one or two cues in the film because they're probably able to layer them over each other so they sound like one cue (see "Rise" from TDKR being three cues, "Sacrifice", "He Was the Batman", "Fernet Branca"—three cues, but judging from the album and film, they sound like one). ;)
Actually I did put the thing in correct order... Though I'm not sure for certain cues, like Gwen / Oxford / Farewell...
THE LOGOS HZ JM SM APAGE THE OPENING HZ AMS ME SM APAGE PARENTS ON PLANE HZ JM ME AMS SM SPIDEY LOGO / FLYING HZ TRUCK CHASE HZ PW JM CR SM PETER HALLUCINATES PT 1 HZ SM GRADUATION HZ SM PETER HALLUCINATES PT 2 HZ PW JM ME SM I CAN’T LOSE YOU TOO HZ PW JM ME SM FLYING MONTAGE HZ JM PETER’S ROOM HZ SM PETER REMEMBERS HZ AK MAX HZ PW AMS AK MAX GOES TO WORK HZ PW ME AMS SM AK APAGE HARRY COMES HOME HZ AMS SM MAX ELECTROCUTED HZ PW JM JXL AK APAGE PETER VISITS HARRY HZ JM APETERS OSCORP SURVEILLANCE/CONSPIRACY HZ ME AMS SM ELECTRO IS BORN HZ PW JXL AK ELECTRO WANDERS HZ JXL AK OXFORD HZ PW JM ME SM SPIDEY SENSE HZ PW JXL AK TIMES SQUARE PT 1 HZ PW JM JXL SM AK TIMES SQUARE PT 2 HZ PW JM JXL SM GWEN HZ PW JM ME SM HARRY FINDS SECRET FILES HZ JM ME AMS SM APAGE HARRY WANTS SPIDEY’S BLOOD HZ ME AMS SM PETER DISTRACT OSCORP SECURITY HZ SM HARRY MEETS GWEN HZ ME AMS SM DR KAFKA EXPERIMENTS HZ PW JXL SM AK YOU’RE MY BOY HZ SM ME AMS I CAN’T GIVE YOU MY BLOOD HZ SM LOBBY INSERT HZ SM FAREWELL HZ ME AMS SM PETER FINDS CLUE HZ ME AMS SM SPECIAL PROJECTS HZ JM ME AMS SM APAGE ROOSEVELT STATION HZ JM DS AK ELECTRO RELEASED HZ PW JM JXL AK SM GWEN’S VOICEMAIL HZ PW JM ME SM HARRY & ELEC RETURN TO OSCORP HZ JM JXL SM AK HARRY TRANSFORMATION HZ SM I LOVE YOU HZ PW JM ME SM POWER STATION HZ PW JM SM ELECTRO SHOWDOWN PT 1 INTRO HZ PW JXL AK ELECTRO SHOWDOWN PT 1 HZ PW JM JXL AK SM ELECTROCUTING SPIDEY PT 1 HZ JXL AK ELECTROCUTING SPIDEY PT 2 HZ JXL AK ITSY BITSY SPIDER THEME HZ JXL AK ELEC SHOWDOWN PT2/ELEC DEATH HZ PW JM JXL AK PLANES / POWER GRID RESTORED HZ JM ME AMS SM GOBLIN SHOWDOWN HZ SM FUNERAL HZ PW JM ME AK EXTERIOR OSBORN HZ SM APAGE RHINO RETURNS HZ SM THE END CREDIT SUITE HZ PW JXL ME AMS SM
If anyone has any suggestion, I'm all ears ! lol
Do we have cue lengths?
I wish all the final Electro confrontation stuff was on OST. It had several full statements of the Spidey theme and was just really good.
As for cue times, not by the looks of it.
For as brief as it was, "PETER DISTRACTS OSCORP SECURITY" was a really nice cue also.
I have one suggestion, Hybrid Soldier... can I salute you?
Actually, I have a question:there is a video where we can see the electro theme being written and composed, and it's credited to Hans Zimmer, Pharrell Williams, Johnny Marr and Mike Einzinger. But the cue sheet says something different, why is that?? And I thought "You're that spider-guy" would be credited to more guys lol (johnny marr and mike einzinger for the guitars, junkie xl for the percs...anyway)
Actually, come to think of it, I was wondering the same thing: can the Electro Suite not be credited to those guys, as the video with Marc Webb says?
What's the cue when the news is going and people are commending/complaining about spider-man? Really upbeat with lots of guitar, really catchy (not on OST). It ends with Peter looking at Gwen from the roof of a building.
What exactly is the deal with "There He Is"? I don't seem to recall it playing anywhere in full in the movie. The closest thing to it was the opening scene, but even that was notably different from it.
I agree, it's rather strange. I wish the film version of the opening was on the OST. I absolutely love it.
Cool stuff! Wasn't expecting this! So it looks like Zimmer wrote all the basic themes (Spider-Man, Electro, Harry, romance theme).
I gotta say, I'm kind of disappointed and surprised to see that short cues like "I'm Moving to England", "I Chose You" and "Let Her Go" are credited to basically The Magnificent Six. Zimmer couldn't handle them on his own? Or were they part of something bigger, like suites?
also looks like Steve Mazzaro had a big-ish role here.
Adam, it looks like Pharrell, Steve Mazzaro, and Johnny Marr all had a hand in the love theme, since their names are on all the cues containing it. So that accounts for four names already.
Yeah you'd wonder why 15 guys are credited on 15 sec cues, right ??? lol
Well yeah the theme & stuff are done together so... It gets tricky...
I mean "Let Her Go" is 33 seconds and is credited to 5 guys, geez....
Does anyone have lyrics for the "Within the Web" track?
@Adam It's not that he "couldn't handle it alone", it's that he wanted to write stuff like a band. Just as he did in Black Hawk Down. I'm hoping to hear future projects like this. :)
Mike you requested the lyrics for Within the Web... Here they are :
WITHIN THE WEB
Skies inside of me Lie outside of you Time I’ll never see Make me part of you Worlds bridges apart Calm evading me Truths we’ll never say Harm may set me free
A revelation and again I can see A gravitation to my one true duty Appreciation for this world around me A pure vocation that is my destiny
Oh you should Raise your eyes How real it seems Within this web Of time and dreams We’ll be wise To what it means Within this web Of time and dreams
Died inside of me Rise outside of you Wants I’ll never see I am part of you Bridge the worlds apart Calm invading me Truths were never said Storm to set me free
A little revelation and again I can see A little gravitation to my one true duty An appreciation for this world around me A beautiful vocation that is my destiny
Oh you should Raise your eyes How real it seems Within this web Of time and dreams We’ll be wise To what it means Within this web Of time and dreams
So, What do you say? Now, What can you be? Life it’s up to you How? You set it free So, What do you say? Now, What can you be? Life, it’s up to you How? Go set it free
A little revelation and again I can see A little gravitation to my one true duty An appreciation for this world around me A beautiful vocation that is my destiny
CHORUS 3 (Twice):
Oh you should Raise your eyes How real it seems Within this web Of time and dreams We’ll be wise To what it means Within this web Of time and dreams
It's FYC season again and a few have already come out (including the new Transformers). You guys reckon we'll get an FYC of this too?
Err... I don't think anyone will bother to try to catch any award for that film... lol
haha :D *lol*
I'm inclined to agree with Hybrid here...lol
As much as I would love the FYC/Expanded/Complete/Sessions/Whatever you want to call it of this I think Zimmer's Interstellar score should get the Oscar and he or whoever will probably push for that one
Yet I am one of those who believe TASM2 is a lot better than Interstellar...
As a soundtrack, indeed. I admit there was a place for misunderstanding...
As a soundtrack, indeed. I admit there was a place for misunderstanding...
out of curiosity was horner ever supposed to return or was he happy to be out as soon as the first film was done?
HZ was first considered on TASM 1 but refused because of TDKR...
Horner only did it cause he was begged by Webb... He didn't like it at all and was indeed happy to never return... lol
The thing I find interesting is that even though Webb wanted Zimmer from the beginning and said, for the second movie, that he wanted a "contemporary" score, he still said he enjoyed hearing a "traditional" score from James Horner.
Also, I bet we have Webb to thank for the themes from both movIes, because he said he specifically wanted the trumpet fanfare from TASM1, and then we got a similar theme for #2...
There are about 50 seconds of good unreleased material from My Enemy: a full statement of the Spidey theme (which might be a tracked in cue) and then an interesting mix of Spidey and Electro music, before cutting back to the stuff as we know it.
i liked the version of the main theme after the (possible spoiler?) defeat of electro. it was a full statement of it, on strings. and the full final fight cue with electro was great too. i hope HZ and his team put out downloadable extra tracks to further flesh this OST out. it's pretty nice but it's missing some good stuff. :)