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Lorne is got additional music credit, not for co-composer, and still appear the image of the label for the soundtrack.But Lorne is still not credited as an official composer.  It is possible that Lorne shares credit with Max.In other news Lorne just finished compiling the OST for Gemini Man...When Richter was the composer there was an album planned at Deutsche Grammophon...<br><br>When Lorne jumped in to write a new score for the movie, apparently that release was cancelled... Now that film has like 50/50 MR LB, and nothing's planned at all.<br><br>So we'll see, but apart from posting some cues of his score online, like Lorne did before, I doubt there'll be an official release... And if Richter's release gets back on track, it would definitely have his score only.Hybrid, by "not happening" you mean Richter's part of the score or Balfe's? Or the whole thing is as messed up as Ghost in the Shell, regarding the score?
@Hybrid why?Will they’re ever be a release score on YouTube and other websites this is a piece of art beautiful score 18 years later it’s still have been published please answer my question if have this score Gmail it to me it’s elijahboy564@gmail.comProbably not happening...Huh. Weird how Harper and HGW worked on continuous chunks of the movie, like Hans assigned them reel by reel or something...any news about Ad Astra score release?
The words mediocre is not something you use when talking about this score. Kamen score is good but not on this level, and Ottman doesn't even come close. But that's just my opinionYi and Everest Duet, The Leshen Buddha...<br>Absolutely gorgeousAnybody else notice that the track "Spider Attack" actually cuts a fairly noticeable section out at the beginning? When you know who is attacked by the Deadlights, there's those low blasts like the "Deadlights" track from Chapter 1.<br><br>It shouldn't be a biggie though: it seems to be an easily-replicatable section.Is "Preparations - Citadel Left Turn (Alternate)" the extended version of Many Mothers on the OST? Noticed I'm missing a track and the times on both match up perfectly.Little credit update.
Happy Birthday MaestroI actually really liked it. Just listened to it on the train home from work. Really enjoyed Kait's theme and the action cues, as well as the dark tinge to the tracks. <br><br>Is it his best? Not at all. And the album has the misfortune of being released not too long after Ramin's phenomenal GoT score which doesn't help things. But as far as a regular score goes, I've heard a LOT worse.<br>Damn, this is wrong on so many levels> Posts the cuesheet and without additional credits<br>> Thats a paddlin'<br><br>Tom Holkenborg<br><br>INTRO JAKE<br>THE NEWSPAPER<br>GUNSLINGER DREAM<br>HOLY SHIT<br>SKIN PEOPLE COME FOR JAKE<br>PORTAL TO MID WORLD<br>MID WORLD DESERT<br>MOM AND DAD MEET WALTER<br>VISIT TO HOMELESS MAN<br><br><br>Tom Holkenborg, Antonio Di Iorio<br><br>WOODEN GUARD<br>MAN IN BLACK CHECKS IN<br>JAKE MEETS ROLAND<br>ROLAND THREATENS JAKE<br>COME AND GET ME<br>MAN IN BLACK IN NYC<br>TRESPASSER HAS SHINE TO KILL DEMON<br>CAMPFIRE PT 1,2<br>DEMON DAD<br>WALTER PUTS TRACKERS ON ROLAND<br>JAKE SHOWS ARRA HIS VISION<br>ROLAND JAKE ESCAPE THROUGH PORTAL<br>WALTER KILLS ARRA<br>MOM IS DEAD<br>GUN LESSON<br>DIXIE PIG SHOOTOUT PT 2<br>WALTER MANIPULATES JAKE<br>FINAL FIGHT<br>COME WITH ME<br><br><br>Tom Holkenborg, Aljoscha Christenhuß<br><br>DOCTOR ANALYZES DREAMS<br>HOMELESS MAN WARNS JAKE<br>JAKE ESCAPES FROM SKIN PEOPLE<br>TAHEEN IN THE FOREST<br>KIDS TRY TO BREAK THE BEAM<br>SOMETHING GOT OUT<br>ARRIVE AT MANNY VILLAGE<br>HE'S STILL A GUNSLINGER<br>TAHEEN DESTROY GENERATOR<br>VILLAGE ATTACK<br>TRACES OF PORTAL ACTIVITY<br>GUN STORE SHOOTOUT<br>DIXIE PIG SHOOTOUT PT 1GEMA Credits:<br><br>WOODEN GUARD	<br>MAN IN BLACK CHECKS IN	<br>JAKE MEETS ROLAND<br>ROLAND THREATENS JAKE<br>COME AND GET ME<br>MAN IN BLACK IN NYC	<br>TRESPASSER HAS SHINE TO KILL DEMON<br>CAMPFIRE PT. 1	<br>CAMPFIRE PT. 2	<br>DEMON DAD	<br>WALTER PUTS TRACKERS ON ROLAND	<br>JAKE SHOWS ARRA HIS VISION	l<br>ROLAND JAKE ESCAPE THROUGH PORTAL	<br>WALTER KILLS ARRA	<br>MOM IS DEAD	<br>GUN LESSON	<br>DIXIE PIG SHOOTOUT PT. 2<br>WALTER MANIPULATES JAKE	<br>FINAL FIGHT	<br>COME WITH ME<br>DOCTOR ANALYZES DREAMS<br>HOMELESS MAN WARNS JAKE<br>JAKE ESCAPES FROM SKIN PEOPLE	 <br>TAHEEN IN THE FOREST	<br>KIDS TRY TO BREAK THE BEAM	<br>SOMETHING GOT OUT	 <br>ARRIVE AT MANNI VILLAGE	<br>HE S STILL A GUNSLINGER	<br>TAHEEN DESTROY GENERATOR	<br>VILLAGE ATTACK	<br>TRACES OF PORTAL ACTIVITY	 <br>GUN STORE SHOOTOUT<br>DIXIE PIG SHOOTOUT PT. 1<br>INTRO JAKE	<br>THE NEWSPAPER	<br>GUNSLINGER DREAM	<br>HOLY SHIT	<br>SKIN PEOPLE COME FOR JAKE	<br>PORTAL TO MID WORLD	<br>MID WORLD DESERT	<br>MOM AND DAD MEET WALTER	 <br>VISIT TO HOMELESS MAN
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Henry JackmanHans ZimmerLorne BalfeJasha Klebe
ComposerAdditional MusicAdditional MusicAdditional Music
Captain Phillips (Complete Score)
Label: Promotional Release
Length: 78'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5022 votes)
  1. Muse Assembles His Crew (1:47)
    Henry Jackman
  2. Alabama Leaves Port (2:49)
    Henry Jackman
  3. First Attack (8:43)
    Henry Jackman
  4. Second Attack (8:50)
    Henry Jackman
  5. Standoff In The Bridge (5:13)
    Henry Jackman
  6. Touring The Ship (6:15)
    Henry Jackman
  7. Phillips Enters The Lifeboat (6:28)
    Henry Jackman
  8. USS Bainbridge (1:30)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  9. Ship Not Broke (1:16)
    Henry Jackman
  10. Order From The White House (2:08)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  11. Summon The Seals (0:47)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  12. Bainbridge Arrives (3:19)
    Henry Jackman
  13. Unleash The Ribs (4:42)
    Henry Jackman
  14. I Can't Give Up (1:10)
    Henry Jackman
  15. Skydiving Seals (0:32)
    Henry Jackman
  16. Phillips Jumps In The Water (7:24)
    Henry Jackman, Hans Zimmer
  17. Seals Take Command (Part 1 & Part 2) (2:36)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  18. T-Shirt Delivery (2:30)
    Henry Jackman
  19. Commence The Tow (5:58)
    Henry Jackman, Hans Zimmer
  20. Captain Phillips Finale (5:08)
    Henry Jackman, Hans Zimmer
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Mike reply Replies: 0 || 2019-02-15 05:55:12
Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?

T-Mann036 reply Replies: 4 || 2014-11-24 03:50:27
Henry and Hans' best complete film score.


Adam2014-11-24 05:52:58
Do they have another "complete film score" together that people are not aware of?


Edmund Meinerts2014-11-24 09:26:51
Henry IV?

(which is a much better score than this one)


Hybrid Soldier2014-11-24 09:36:11
Well doesn't count much since Hans didn't really write anything on that score... lol


Edmund Meinerts2014-11-24 10:16:07
Yeah I know...it was the only thing I could think of. Well, Jackman did work on stuff like Dark Knight and Pirates 3 (which if you're counting those, makes T-Mann036's comment very ridiculous indeed).

Felix reply Replies: 0 || 2014-10-22 22:31:58
Hey Hybrid what's with a Front Cover? :D

badbu reply Replies: 2 || 2014-07-08 14:57:26
i want it, i want it! :D


Edmund Meinerts2014-07-08 18:18:34
That kind of enthusiasm for a generic percussive mess of a score?


RealFfingMusic2014-07-09 13:43:46
He gets erections from "generic percussive mess"-ed scores. What can anyone do about it? (Rhetoric, btw.)

JamesT reply Replies: 0 || 2014-03-12 02:15:08
Interesting to see the cue sheet info. I love reading all these thoughts and comments. I'm going to start comparing these involved score compositions to a classic car car that been locked away in a garage from public view and comes rolling out "all shiny again" one day.......you never know what's been going on under the hood :)

Hybrid Soldier reply Replies: 13 || 2014-03-11 17:15:02
And here is what the cuesheet says...


Edmund Meinerts2014-03-11 17:30:08
This probably isn't even 100% accurate either...it doesn't include e.g. Jasha Klebe, Lorne Balfe, Matthew Margeson and others who are credited with additionals.


Hybrid Soldier2014-03-11 17:34:15
Of course it's not accurate... It is only interesting for Hans' involvement which is right, but it surely misses all the rest lol...


Lambegue2014-03-11 20:54:27
Yes, very interesting indeed ! Thanks a lot Hybrid


LBF2014-03-11 21:01:46
This all really confusing, Jackman said in an interview with Classic FM that Zimmer didn't write any music for the film.


Lambegue2014-03-11 21:09:48
They wanted to keep it "secret" for some time...Even on this site, the participation of Zimmer wasn't official before several weeks (I think) after the release. So maybe you just heard quite an old interview ?


Edmund Meinerts2014-03-11 21:10:02
I'm sure it's in his contract that he has to say that, LBF... :p


Hybrid Soldier2014-03-11 21:15:09
Interviews are made to tell lies, or why would any composer need them ? lol


Mike2014-03-11 21:29:35
So Zimmer did the Time ripoff? :D Interesting! Didn't you say it was Lorne though, Hybrid?


Hybrid Soldier2014-03-11 21:31:01
Oh I still think it's Lorne, but his name will never appear anyway...

I heard even Lorne dropped in the end and Hans finished alone... LOL


LBF2014-03-11 21:34:01
The interview was conducted just a few weeks ago around the BAFTAs, can't put the link on here, but easy to google it. Just seems a little weird as he flat out denies Zimmer being involved at all.


Hybrid Soldier2014-03-11 21:47:59
Simply because he never admitted publicly what a mess (and a true nightmare) this film & score was !

And when you get nominated for stuff, you shut the hell up...


In private, on the contrary... lol


Lambegue2014-03-11 21:54:29
Was it the director who asks Zimmer to come and write some stuff, or was it Jackman who asked for help ?


isildur2014-03-11 22:36:19
Scene when the BAFTA announced their nominations:

BAFTA : Captain Philiphs nominated for Original Score

Me and Everyone: Haw Haw! :D

Mike reply Replies: 14 || 2014-01-28 04:08:25
I just saw the film. I swear that those last 20 seconds before the credits, as it showed the ships and got all loud and Journey to the Line-esque, were directly from Time. I couldn't tell whether the OST track "Safe Now" cut the cue short or if the mix was slightly different within the film, but if I didn't see a complete and total resemblance to Time before (and Journey to the Line, too), I do now.

And I find it funny that Hybrid says the score was such a mess and the director was such a pain when the score really wasn't even that good. It was serviceable enough in context, but the only music I remember was a bunch of loud WAAAAAAAAAHs for suspense, a Bourne ripoff as the pirates first boarded the Alabama, and of course, the near-carbon copy of Time. It seems like if the director was gonna be such a pain, he wouldn't have settled for the score he got.


MacArthur2014-01-28 16:54:48
I thought the score was great.


Mike2014-01-28 17:47:27
I'll admit I was moved at the end there, but that was primarily because of Tom Hanks' awesome acting, not the music primarily.


Edmund Meinerts2014-01-28 20:51:00
What is so great about this score, MacArthur? Seriously. A bunch of limp action cues that are like Green Zone/Bourne with 10% the energy, and then a Time ripoff with about 10% the emotion. I fail to see what even a hardened Zimmer fanboy such as yourself could find to like in that score. It is, at BEST, serviceable, and nothing more.


MacArthur2014-01-28 21:34:12
Agreed Tom hanks was fantastic. and the score was actually entertaining for the film. the pulsing drum cues for the pirates. the theme for the navy. it was very good and moved the story well. that's all one can ask for. and it was (If you can get past Safe Now) a good action score.


NM2014-01-29 01:46:22
Generic city.

The score was the only bad thing about the film and actively distracted me at at least two points (one of which was the end). A lot of scenes were made to feel more like generic action scenes because of the music, and some of the ethnic sounds haven't been fresh since the 90's. A pity such a great film got a temp-track nightmare.


Mike2014-01-29 03:08:08
Well said, NM.


MacArthur2014-01-29 03:43:59
Ok. I still like the film & the music, to each his own I guess.


Mike2014-01-30 03:29:16
Didn't this film also use part of John Powell's United 93 score?


Russel2014-01-30 03:46:27
You like every film score it seems, MacArthur. Haha.


MacArthur2014-01-30 05:12:05
Not all Social Network sucks. Not a huge fan of the Lion King.


AG2014-01-30 09:30:33
Honestly I don't see what all the fuss is about this "Safe Now" track. I just watched the film and it worked beautifully in the scene and I was very moved. Isn't that what the score is meant to do - enhance what's on the screen? So shouldn't we be less concerned about its resemblance to other of Hans' tracks and focus on how it worked in the film? I don't know, just my opinion.


Edmund Meinerts2014-01-30 12:51:07
By that logic, AG, we wouldn't have to write film scores anymore...just create a huge library of cues labeled "action" "drama" "tragedy" "romance" or whatever and cut and paste them into every single movie. Sure, it would work on a basic level. But then the films wouldn't have an individual sound to them. And that's why "Safe Now" is such a weak cue. Because instead of supporting the visuals it makes me wonder where Captain Phillips' totem is and whether he's in a dream or not.


MacArthur2014-01-30 16:11:49
I don't have a problem with it at all. The logic there wasn't bad AG because there were different cues in the film which were good. just Safe now was the only thing that was really close to Time. I don't mind it, but apparently everyone else does.


Rob2014-02-25 00:09:08
I noticed too that the last shots were scored to music that nearly exactly mimicked Time from Inception. Then I saw Hans Zimmer in the "Thank You's" at the end of the credits. I wonder how that came about. Perhaps he asked Hans's permission? It took me out of the movie a bit, but it was the end and I suspect only film music buffs would notice.

Russel reply Replies: 8 || 2014-01-26 02:02:49
This one's great. :)

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badbu2014-01-26 10:55:58
oh, very nice! :)


Edmund Meinerts2014-01-26 12:43:34
Hm. This score was boring enough on the original release, can't see how a complete score will change things...


Mortifer V.2014-01-26 14:36:47
exactly what I was thinking, Edmund.


MacArthur2014-01-26 17:35:07
I like it.


MrZimmerFan2014-01-26 17:57:59
I have mixed feelings about this, i like certain tracks like Second Attack (i know, there is temp samples of Bourne action-strings, but is so adrenalitic), in the other side, isn't much


Scorefan2014-01-26 20:03:55
So, this version only has jackman cues or zimmer and balfe additional cues?


Hybrid Soldier2014-01-26 21:10:27
It's the finale score...

Obviously the Finale is arranged here by Lorne Balfe, actually...


Anonymous2014-01-28 18:23:12
What was that in response to, hybrid soldier?

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Captain Phillips (Complete Score) soundtrack - Henry Jackman 2013