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Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)
But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...Yeah... McCreary's score is one of the best from last year so I'd rather have him again.I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTMNo way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...
Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?Marc left RCP in like... 2003 ? lol<br><br><br>And yes he is, check his page, he just doesn't have much going on anyway.But Marc is no longer with RCP I am assuming. His scores are not advertised here.If the Snyder Cut comes out, who's ready to hear Junkie XL score Godzilla vs. Kong?https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/
https://www.forbes.com/sites/simonthompson/2020/09/16/music- business-zack-snyder-justice-league-junkie-xl-tom-holkenborg -dcu-snyder-cut/Marc just reunited with Ridley on the amazing Raised By Wolves series.<br><br>Klaus is more worried about his other businesses rather than film scoring, I think...Will any tracks from Man of Steel be played on the Live2021 tour? It is a life ambition of mine to experience a live performance of it!I missed Jasha Klebe. I thought he did some really good stuff at Bleeding Fingers. I am looking forward to hearing more from Kara Talve. I think she is a really good talent.<br><br>What happened to Marc Streitenfeld? I was going to ask about Klaus Badelt, but I am pretty sure I am not going to get that story.<br>Tom's more recent work has received more love, but I personally love the Fury Road and Rise of an Empire type soundtrack more. I'm looking forward to this and I hope it's close to what Man of Steel and Dawn of Justice sounded like. Although, the snippet he shared doesn't really sound like it. We'll see.
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Henry JackmanHans ZimmerLorne BalfeJasha Klebe
ComposerAdditional MusicAdditional MusicAdditional Music
Captain Phillips (Complete Score)
Label: Promotional Release
Length: 78'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6032 votes)
  1. Muse Assembles His Crew (1:47)
    Henry Jackman
  2. Alabama Leaves Port (2:49)
    Henry Jackman
  3. First Attack (8:43)
    Henry Jackman
  4. Second Attack (8:50)
    Henry Jackman
  5. Standoff In The Bridge (5:13)
    Henry Jackman
  6. Touring The Ship (6:15)
    Henry Jackman
  7. Phillips Enters The Lifeboat (6:28)
    Henry Jackman
  8. USS Bainbridge (1:30)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  9. Ship Not Broke (1:16)
    Henry Jackman
  10. Order From The White House (2:08)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  11. Summon The Seals (0:47)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  12. Bainbridge Arrives (3:19)
    Henry Jackman
  13. Unleash The Ribs (4:42)
    Henry Jackman
  14. I Can't Give Up (1:10)
    Henry Jackman
  15. Skydiving Seals (0:32)
    Henry Jackman
  16. Phillips Jumps In The Water (7:24)
    Henry Jackman, Hans Zimmer
  17. Seals Take Command (Part 1 & Part 2) (2:36)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  18. T-Shirt Delivery (2:30)
    Henry Jackman
  19. Commence The Tow (5:58)
    Henry Jackman, Hans Zimmer
  20. Captain Phillips Finale (5:08)
    Henry Jackman, Hans Zimmer
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Mike reply Replies: 0 || 2019-02-15 05:55:12
Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?

T-Mann036 reply Replies: 4 || 2014-11-24 03:50:27
Henry and Hans' best complete film score.


Adam2014-11-24 05:52:58
Do they have another "complete film score" together that people are not aware of?


Edmund Meinerts2014-11-24 09:26:51
Henry IV?

(which is a much better score than this one)


Hybrid Soldier2014-11-24 09:36:11
Well doesn't count much since Hans didn't really write anything on that score... lol


Edmund Meinerts2014-11-24 10:16:07
Yeah I know...it was the only thing I could think of. Well, Jackman did work on stuff like Dark Knight and Pirates 3 (which if you're counting those, makes T-Mann036's comment very ridiculous indeed).

Felix reply Replies: 0 || 2014-10-22 22:31:58
Hey Hybrid what's with a Front Cover? :D

badbu reply Replies: 2 || 2014-07-08 14:57:26
i want it, i want it! :D


Edmund Meinerts2014-07-08 18:18:34
That kind of enthusiasm for a generic percussive mess of a score?


RealFfingMusic2014-07-09 13:43:46
He gets erections from "generic percussive mess"-ed scores. What can anyone do about it? (Rhetoric, btw.)

JamesT reply Replies: 0 || 2014-03-12 02:15:08
Interesting to see the cue sheet info. I love reading all these thoughts and comments. I'm going to start comparing these involved score compositions to a classic car car that been locked away in a garage from public view and comes rolling out "all shiny again" one day.......you never know what's been going on under the hood :)

Hybrid Soldier reply Replies: 13 || 2014-03-11 17:15:02
And here is what the cuesheet says...


Edmund Meinerts2014-03-11 17:30:08
This probably isn't even 100% accurate either...it doesn't include e.g. Jasha Klebe, Lorne Balfe, Matthew Margeson and others who are credited with additionals.


Hybrid Soldier2014-03-11 17:34:15
Of course it's not accurate... It is only interesting for Hans' involvement which is right, but it surely misses all the rest lol...


Lambegue2014-03-11 20:54:27
Yes, very interesting indeed ! Thanks a lot Hybrid


LBF2014-03-11 21:01:46
This all really confusing, Jackman said in an interview with Classic FM that Zimmer didn't write any music for the film.


Lambegue2014-03-11 21:09:48
They wanted to keep it "secret" for some time...Even on this site, the participation of Zimmer wasn't official before several weeks (I think) after the release. So maybe you just heard quite an old interview ?


Edmund Meinerts2014-03-11 21:10:02
I'm sure it's in his contract that he has to say that, LBF... :p


Hybrid Soldier2014-03-11 21:15:09
Interviews are made to tell lies, or why would any composer need them ? lol


Mike2014-03-11 21:29:35
So Zimmer did the Time ripoff? :D Interesting! Didn't you say it was Lorne though, Hybrid?


Hybrid Soldier2014-03-11 21:31:01
Oh I still think it's Lorne, but his name will never appear anyway...

I heard even Lorne dropped in the end and Hans finished alone... LOL


LBF2014-03-11 21:34:01
The interview was conducted just a few weeks ago around the BAFTAs, can't put the link on here, but easy to google it. Just seems a little weird as he flat out denies Zimmer being involved at all.


Hybrid Soldier2014-03-11 21:47:59
Simply because he never admitted publicly what a mess (and a true nightmare) this film & score was !

And when you get nominated for stuff, you shut the hell up...


In private, on the contrary... lol


Lambegue2014-03-11 21:54:29
Was it the director who asks Zimmer to come and write some stuff, or was it Jackman who asked for help ?


isildur2014-03-11 22:36:19
Scene when the BAFTA announced their nominations:

BAFTA : Captain Philiphs nominated for Original Score

Me and Everyone: Haw Haw! :D

Mike reply Replies: 14 || 2014-01-28 04:08:25
I just saw the film. I swear that those last 20 seconds before the credits, as it showed the ships and got all loud and Journey to the Line-esque, were directly from Time. I couldn't tell whether the OST track "Safe Now" cut the cue short or if the mix was slightly different within the film, but if I didn't see a complete and total resemblance to Time before (and Journey to the Line, too), I do now.

And I find it funny that Hybrid says the score was such a mess and the director was such a pain when the score really wasn't even that good. It was serviceable enough in context, but the only music I remember was a bunch of loud WAAAAAAAAAHs for suspense, a Bourne ripoff as the pirates first boarded the Alabama, and of course, the near-carbon copy of Time. It seems like if the director was gonna be such a pain, he wouldn't have settled for the score he got.


MacArthur2014-01-28 16:54:48
I thought the score was great.


Mike2014-01-28 17:47:27
I'll admit I was moved at the end there, but that was primarily because of Tom Hanks' awesome acting, not the music primarily.


Edmund Meinerts2014-01-28 20:51:00
What is so great about this score, MacArthur? Seriously. A bunch of limp action cues that are like Green Zone/Bourne with 10% the energy, and then a Time ripoff with about 10% the emotion. I fail to see what even a hardened Zimmer fanboy such as yourself could find to like in that score. It is, at BEST, serviceable, and nothing more.


MacArthur2014-01-28 21:34:12
Agreed Tom hanks was fantastic. and the score was actually entertaining for the film. the pulsing drum cues for the pirates. the theme for the navy. it was very good and moved the story well. that's all one can ask for. and it was (If you can get past Safe Now) a good action score.


NM2014-01-29 01:46:22
Generic city.

The score was the only bad thing about the film and actively distracted me at at least two points (one of which was the end). A lot of scenes were made to feel more like generic action scenes because of the music, and some of the ethnic sounds haven't been fresh since the 90's. A pity such a great film got a temp-track nightmare.


Mike2014-01-29 03:08:08
Well said, NM.


MacArthur2014-01-29 03:43:59
Ok. I still like the film & the music, to each his own I guess.


Mike2014-01-30 03:29:16
Didn't this film also use part of John Powell's United 93 score?


Russel2014-01-30 03:46:27
You like every film score it seems, MacArthur. Haha.


MacArthur2014-01-30 05:12:05
Not all Social Network sucks. Not a huge fan of the Lion King.


AG2014-01-30 09:30:33
Honestly I don't see what all the fuss is about this "Safe Now" track. I just watched the film and it worked beautifully in the scene and I was very moved. Isn't that what the score is meant to do - enhance what's on the screen? So shouldn't we be less concerned about its resemblance to other of Hans' tracks and focus on how it worked in the film? I don't know, just my opinion.


Edmund Meinerts2014-01-30 12:51:07
By that logic, AG, we wouldn't have to write film scores anymore...just create a huge library of cues labeled "action" "drama" "tragedy" "romance" or whatever and cut and paste them into every single movie. Sure, it would work on a basic level. But then the films wouldn't have an individual sound to them. And that's why "Safe Now" is such a weak cue. Because instead of supporting the visuals it makes me wonder where Captain Phillips' totem is and whether he's in a dream or not.


MacArthur2014-01-30 16:11:49
I don't have a problem with it at all. The logic there wasn't bad AG because there were different cues in the film which were good. just Safe now was the only thing that was really close to Time. I don't mind it, but apparently everyone else does.


Rob2014-02-25 00:09:08
I noticed too that the last shots were scored to music that nearly exactly mimicked Time from Inception. Then I saw Hans Zimmer in the "Thank You's" at the end of the credits. I wonder how that came about. Perhaps he asked Hans's permission? It took me out of the movie a bit, but it was the end and I suspect only film music buffs would notice.

Russel reply Replies: 8 || 2014-01-26 02:02:49
This one's great. :)


badbu2014-01-26 10:55:58
oh, very nice! :)


Edmund Meinerts2014-01-26 12:43:34
Hm. This score was boring enough on the original release, can't see how a complete score will change things...


Mortifer V.2014-01-26 14:36:47
exactly what I was thinking, Edmund.


MacArthur2014-01-26 17:35:07
I like it.


MrZimmerFan2014-01-26 17:57:59
I have mixed feelings about this, i like certain tracks like Second Attack (i know, there is temp samples of Bourne action-strings, but is so adrenalitic), in the other side, isn't much


Scorefan2014-01-26 20:03:55
So, this version only has jackman cues or zimmer and balfe additional cues?


Hybrid Soldier2014-01-26 21:10:27
It's the finale score...

Obviously the Finale is arranged here by Lorne Balfe, actually...


Anonymous2014-01-28 18:23:12
What was that in response to, hybrid soldier?

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Captain Phillips (Complete Score) soundtrack - Henry Jackman 2013