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Hybrid, it's been a while since somebody asked but in Dead Man's Chest there are 18 missing cues on a grand total of 15 minutes. In At World's End there are 2 missing cues of gramd total of 5 minutes.<br><br>My question is if you know if they are ever going to be released??<br>Thanks very muchSame here!!<br>Loved that score and prefer it to lego batman. The main theme is cool, and there's an "out-of-nowhere" throwback to the 90s in the cue "barfmitzvah", what can I ask more??Not bad! The "Love" cue has great orchestral moments. At least *** score after the first listen.Conrad Pope was here? That's surprising!Great score, love the action cues and the constant use of main theme in different variations throughout the whole score. Honestly I prefer this one over the Lego Batman soundtrack...
Moonlight also reminds me of parts of Chappie!Oh yeah it's great, Moonlight In Vermont even has Beckett's Death from POTC 3 !ThanksWow! I thought I recognized the name of the channel. Awesome dude. Thank you so much.Thank you.
Yeah, Dimitris, it was your channel. Thanks man! :)Where do you listen to this guys? In my channel? I have the album in my channel.And in the Track 4 isn't that a bit of Inception?Yo dude. Thanks for pointing this out. Listening to it now. Sounds excellent.Holy shit. So I just listened to this album on YouTube and it's FANTASTIC. So much 80s cheeseball fun. And the first track even has the riff in it that would go on to become the First Born theme and then, later on, way way way down the road, 160 BPM from Angels & Demons. It's really incredible how distinct Hans' voice is even as early as 1983. As much as I enjoy the vocals, I'd kill to get instrumental versions of some of these songs.
Sure, pal.<br><br>Blue female troops theme (heard in "Nameless Order")<br>Great Wall theme ("What a Wall")<br>William's theme ("The Great Wall")<br>Tao Tei (monsters) theme (first heard in "First Battle")<br>Tovar's guitar motif (briefly heard in "First Battle")<br><br>These are the most prominent/identifiable ones.Just a few of the cuesheet titles from ASCAP if anyone is interested, not sure if it's the whole thing (And not in order)<br><br>INFERNO MAIN TITLE THEME<br>ZOBRIST AND SIENNA LOVE PT 1<br>ZOBRIST AND SIENNA LOVE PT 2<br>DECIPHER<br>TED TALK<br>ISTANBUL PT 1-6<br>ARRIVE IN VENICE / ESCAPE CHURCH PT 1-6<br>THE CISTERN <br>VASARI PAINTING PT 1-4<br>BOCHARD / DECYPHER IMAGE PT 1-4<br>LANGDON CHECKS HIS EMAIL PT 1<br>LANGDON CHECKS HIS EMAIL PT 2<br>THE MASK IS MISSING PT 1-6<br>IN FLORENCE PT 1-3<br>ESCAPE TRAIN PT 1<br>ESCAPE TRAIN PT 2<br>TUBE OPENED / FARADAY PROJECTION PT 1-3<br>EMPLOYMENT OF A MAD MAN PT 1-3<br>ESCAPE TO ATTIC PT 1-3<br>MASK RECOVERED PT 1<br>MASK RECOVERED PT 2<br>DANTES MASK/INFERNO END TITLE THEME<br>INFERNO END TITLE THEME PT 2<br>Can anybody give me a list of the names of themes and motifs in the movie. I would appreciate it.Yeah, just saw it, and loving the score!It's the film score. There's also a 5min clip released this morning with more of the score too.
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Henry JackmanHans ZimmerLorne BalfeJasha Klebe
ComposerAdditional MusicAdditional MusicAdditional Music
Captain Phillips (Complete Score)
Label: Promotional Release
Length: 78'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3398 votes)
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  1. Muse Assembles His Crew (1:47)
    Henry Jackman
  2. Alabama Leaves Port (2:49)
    Henry Jackman
  3. First Attack (8:43)
    Henry Jackman
  4. Second Attack (8:50)
    Henry Jackman
  5. Standoff In The Bridge (5:13)
    Henry Jackman
  6. Touring The Ship (6:15)
    Henry Jackman
  7. Phillips Enters The Lifeboat (6:28)
    Henry Jackman
  8. USS Bainbridge (1:30)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  9. Ship Not Broke (1:16)
    Henry Jackman
  10. Order From The White House (2:08)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  11. Summon The Seals (0:47)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  12. Bainbridge Arrives (3:19)
    Henry Jackman
  13. Unleash The Ribs (4:42)
    Henry Jackman
  14. I Can't Give Up (1:10)
    Henry Jackman
  15. Skydiving Seals (0:32)
    Henry Jackman
  16. Phillips Jumps In The Water (7:24)
    Henry Jackman, Hans Zimmer
  17. Seals Take Command (Part 1 & Part 2) (2:36)
    Henry Jackman, Hans Zimmer, Jack Dolman, Al Clay
  18. T-Shirt Delivery (2:30)
    Henry Jackman
  19. Commence The Tow (5:58)
    Henry Jackman, Hans Zimmer
  20. Captain Phillips Finale (5:08)
    Henry Jackman, Hans Zimmer
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T-Mann036 reply Replies: 4 || 2014-11-24 03:50:27
Henry and Hans' best complete film score.


Adam2014-11-24 05:52:58
Do they have another "complete film score" together that people are not aware of?


Edmund Meinerts2014-11-24 09:26:51
Henry IV?

(which is a much better score than this one)


Hybrid Soldier2014-11-24 09:36:11
Well doesn't count much since Hans didn't really write anything on that score... lol


Edmund Meinerts2014-11-24 10:16:07
Yeah I know...it was the only thing I could think of. Well, Jackman did work on stuff like Dark Knight and Pirates 3 (which if you're counting those, makes T-Mann036's comment very ridiculous indeed).

Felix reply Replies: 0 || 2014-10-22 22:31:58
Hey Hybrid what's with a Front Cover? :D

badbu reply Replies: 2 || 2014-07-08 14:57:26
i want it, i want it! :D


Edmund Meinerts2014-07-08 18:18:34
That kind of enthusiasm for a generic percussive mess of a score?


RealFfingMusic2014-07-09 13:43:46
He gets erections from "generic percussive mess"-ed scores. What can anyone do about it? (Rhetoric, btw.)

JamesT reply Replies: 0 || 2014-03-12 02:15:08
Interesting to see the cue sheet info. I love reading all these thoughts and comments. I'm going to start comparing these involved score compositions to a classic car car that been locked away in a garage from public view and comes rolling out "all shiny again" one day.......you never know what's been going on under the hood :)

Hybrid Soldier reply Replies: 13 || 2014-03-11 17:15:02
And here is what the cuesheet says...


Edmund Meinerts2014-03-11 17:30:08
This probably isn't even 100% accurate either...it doesn't include e.g. Jasha Klebe, Lorne Balfe, Matthew Margeson and others who are credited with additionals.


Hybrid Soldier2014-03-11 17:34:15
Of course it's not accurate... It is only interesting for Hans' involvement which is right, but it surely misses all the rest lol...


Lambegue2014-03-11 20:54:27
Yes, very interesting indeed ! Thanks a lot Hybrid


LBF2014-03-11 21:01:46
This all really confusing, Jackman said in an interview with Classic FM that Zimmer didn't write any music for the film.


Lambegue2014-03-11 21:09:48
They wanted to keep it "secret" for some time...Even on this site, the participation of Zimmer wasn't official before several weeks (I think) after the release. So maybe you just heard quite an old interview ?


Edmund Meinerts2014-03-11 21:10:02
I'm sure it's in his contract that he has to say that, LBF... :p


Hybrid Soldier2014-03-11 21:15:09
Interviews are made to tell lies, or why would any composer need them ? lol


Mike2014-03-11 21:29:35
So Zimmer did the Time ripoff? :D Interesting! Didn't you say it was Lorne though, Hybrid?


Hybrid Soldier2014-03-11 21:31:01
Oh I still think it's Lorne, but his name will never appear anyway...

I heard even Lorne dropped in the end and Hans finished alone... LOL


LBF2014-03-11 21:34:01
The interview was conducted just a few weeks ago around the BAFTAs, can't put the link on here, but easy to google it. Just seems a little weird as he flat out denies Zimmer being involved at all.


Hybrid Soldier2014-03-11 21:47:59
Simply because he never admitted publicly what a mess (and a true nightmare) this film & score was !

And when you get nominated for stuff, you shut the hell up...


In private, on the contrary... lol


Lambegue2014-03-11 21:54:29
Was it the director who asks Zimmer to come and write some stuff, or was it Jackman who asked for help ?


isildur2014-03-11 22:36:19
Scene when the BAFTA announced their nominations:

BAFTA : Captain Philiphs nominated for Original Score

Me and Everyone: Haw Haw! :D

Mike reply Replies: 14 || 2014-01-28 04:08:25
I just saw the film. I swear that those last 20 seconds before the credits, as it showed the ships and got all loud and Journey to the Line-esque, were directly from Time. I couldn't tell whether the OST track "Safe Now" cut the cue short or if the mix was slightly different within the film, but if I didn't see a complete and total resemblance to Time before (and Journey to the Line, too), I do now.

And I find it funny that Hybrid says the score was such a mess and the director was such a pain when the score really wasn't even that good. It was serviceable enough in context, but the only music I remember was a bunch of loud WAAAAAAAAAHs for suspense, a Bourne ripoff as the pirates first boarded the Alabama, and of course, the near-carbon copy of Time. It seems like if the director was gonna be such a pain, he wouldn't have settled for the score he got.


MacArthur2014-01-28 16:54:48
I thought the score was great.


Mike2014-01-28 17:47:27
I'll admit I was moved at the end there, but that was primarily because of Tom Hanks' awesome acting, not the music primarily.


Edmund Meinerts2014-01-28 20:51:00
What is so great about this score, MacArthur? Seriously. A bunch of limp action cues that are like Green Zone/Bourne with 10% the energy, and then a Time ripoff with about 10% the emotion. I fail to see what even a hardened Zimmer fanboy such as yourself could find to like in that score. It is, at BEST, serviceable, and nothing more.


MacArthur2014-01-28 21:34:12
Agreed Tom hanks was fantastic. and the score was actually entertaining for the film. the pulsing drum cues for the pirates. the theme for the navy. it was very good and moved the story well. that's all one can ask for. and it was (If you can get past Safe Now) a good action score.


NM2014-01-29 01:46:22
Generic city.

The score was the only bad thing about the film and actively distracted me at at least two points (one of which was the end). A lot of scenes were made to feel more like generic action scenes because of the music, and some of the ethnic sounds haven't been fresh since the 90's. A pity such a great film got a temp-track nightmare.


Mike2014-01-29 03:08:08
Well said, NM.


MacArthur2014-01-29 03:43:59
Ok. I still like the film & the music, to each his own I guess.


Mike2014-01-30 03:29:16
Didn't this film also use part of John Powell's United 93 score?


Russel2014-01-30 03:46:27
You like every film score it seems, MacArthur. Haha.


MacArthur2014-01-30 05:12:05
Not all Social Network sucks. Not a huge fan of the Lion King.


AG2014-01-30 09:30:33
Honestly I don't see what all the fuss is about this "Safe Now" track. I just watched the film and it worked beautifully in the scene and I was very moved. Isn't that what the score is meant to do - enhance what's on the screen? So shouldn't we be less concerned about its resemblance to other of Hans' tracks and focus on how it worked in the film? I don't know, just my opinion.


Edmund Meinerts2014-01-30 12:51:07
By that logic, AG, we wouldn't have to write film scores anymore...just create a huge library of cues labeled "action" "drama" "tragedy" "romance" or whatever and cut and paste them into every single movie. Sure, it would work on a basic level. But then the films wouldn't have an individual sound to them. And that's why "Safe Now" is such a weak cue. Because instead of supporting the visuals it makes me wonder where Captain Phillips' totem is and whether he's in a dream or not.


MacArthur2014-01-30 16:11:49
I don't have a problem with it at all. The logic there wasn't bad AG because there were different cues in the film which were good. just Safe now was the only thing that was really close to Time. I don't mind it, but apparently everyone else does.


Rob2014-02-25 00:09:08
I noticed too that the last shots were scored to music that nearly exactly mimicked Time from Inception. Then I saw Hans Zimmer in the "Thank You's" at the end of the credits. I wonder how that came about. Perhaps he asked Hans's permission? It took me out of the movie a bit, but it was the end and I suspect only film music buffs would notice.

Russel reply Replies: 8 || 2014-01-26 02:02:49
This one's great. :)


badbu2014-01-26 10:55:58
oh, very nice! :)


Edmund Meinerts2014-01-26 12:43:34
Hm. This score was boring enough on the original release, can't see how a complete score will change things...


Mortifer V.2014-01-26 14:36:47
exactly what I was thinking, Edmund.


MacArthur2014-01-26 17:35:07
I like it.


MrZimmerFan2014-01-26 17:57:59
I have mixed feelings about this, i like certain tracks like Second Attack (i know, there is temp samples of Bourne action-strings, but is so adrenalitic), in the other side, isn't much


Scorefan2014-01-26 20:03:55
So, this version only has jackman cues or zimmer and balfe additional cues?


Hybrid Soldier2014-01-26 21:10:27
It's the finale score...

Obviously the Finale is arranged here by Lorne Balfe, actually...


Anonymous2014-01-28 18:23:12
What was that in response to, hybrid soldier?

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Captain Phillips (Complete Score) soundtrack - Henry Jackman 2013