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Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?That’s literally the best part of the score though. But it’s typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>I’ll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connolly’s First Meeting<br>Make A Case Against Him<br>McGuire’s Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>There’s Nothing More I’m Going To Know<br>Utmost Respect<br>We’re Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because You’re Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>I’m Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>What’s The Number, Jim?<br>Hit Man Price<br>Jimmy’s Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance You’ve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
@Anonymous: technically it's already Friday in some countries, and there's no sign of any album on the iTunes of these countries. And if that were the case, filmmusicreporter would have announced it already, anyway.@DS Possible, but you are right, it could be film release, but why he put hashtags by #soundtrack? I have to wait till filmusicreporter announced for Ad Astra, but if not happen by the soundtrack tomorrow, then, I have to wait till the confirm from the news.@Anonymous: Are you sure Lorne mentionned the soundtrack release, or just the film release? His posts I've seen just say "Ad Astra is released on the 20th"... Pretty sure he means the film.<br><br>@Ahmad: Totally agree with what you wrote. It's an overall dull score, with some nice ideas that go nowhere. A few bits are obviously Lorne (like the opening cue, beautiful but how original is it to use an organ for a space scene?). And a few bits are obviously Richter, who is really on autopilot here (Hostiles - Mary Queen Of Scots - Werk Ohne Autor are nice scores, but all constructed in the exact same way). And the majority of it is quite anonymous, just ambient sounds far in the background. Also it seems like what they did with the score, they did it with the screenplay as well, because that's a freaking mess that doesn't seem to know which kind of movie it wants to be, and ends up being quite flat on all sides. Quite disappointing. Awesome visuals, though, but it's already been seen in the likes of Sunshine, Gravity, Interstellar, The Martian... all vastly superior pieces of cinema.<br><br>Anybody haven't you seen two new tweets update recently by Lorne Balfe from his twitter it said Ad Astra soundtrack will released tomorrow.So Zimmer being listed as the main theme composer at the top of the page is inaccurate too? It definitely sounds more like Lorne than Hans.
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Trevor RabinPaul LinfordNick Glennie-Smith
ComposerAdditional MusicAdditional Orchestrator
Deep Blue Sea
Label: Varese Sarabande
Length: 30'11
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4656 votes)
  1. Aftermath (2:47)
  2. Susan Softens (2:26)
  3. Journey (4:48)
  4. Main (3:07)
  5. Hunting In Packs (1:42)
  6. Experiment (4:28)
  7. Jim Returns (1:21)
  8. Shark Side (4:27)
  9. Anarchy (4:23)
  10. Doctor's Orders (0:33)
Create Topic

Anonymous reply Replies: 9 || 2012-07-09 20:04:12
DEEP BLUE SEA COMPLETE SCORE:

1m1 Main Title (6:24)
1m2 Susan's Cause (1:03)
1m3 Aquatica (1:31)
1m4 Carter's Swim (1:30)
1m5 Gliding Monsters (0:40)
1m7 Some Other Way (1:43)
1m8 Doctor's Orders (1:06)
1m9 I Don't Make Waves (1:20)
2m13 Susan's Speech (1:27)
2m13b You Guys Hungry (2:20)
2m14 Hunting in Packs (1:44)
2m17 The Experiment (4:30)
3m18 Armageddon (6:01)
3m19 Jim's Return (1:22)
3m20 No Way Out (4:50)
3m23 Smart Sharks (2:42)
3m24 Preacher Pursued (1:10)
3m25 Trouble in the Kitchen (2:16)
3m27 Chief's Surprise (1:55)
4m28 Franklin's Tale (3:13)
4m30 I Hear You Knocking (5:43)
4m31 Exit Strategy (0:48)
4m32 Susan Softens (1:25)
4m33 Back to the Lab (1:30)
5m33a Jaws of Death (1:37)
5m34 Getting to Knaw You (4:33)
5m35 Susan and the Shark (3:57)
5m36 Journey Topside (5:26)
6m37 Kill Big Shark (6:25)
6m38 Aftermath (2:48)



Mr Tweedy2012-07-09 21:29:05
Hey this is my tracklist !!!


Anonymous2012-07-10 00:41:40
No it aint


Mr Tweedy2012-07-14 20:30:54
Yes it is.

I compiled all the tracknames found on ascap on put them in chronological order and it was exactly the same.


Anonymous2012-07-15 04:04:17
Then the cues are not your own then, are they? If you made up the titles, fine, but this is different.


Mr Tweedy2012-07-15 04:26:25
Well... "I Dont Make Waves" and "You Guys Hungry ?" weren't featured on ascap. I made up those titles. I wonder how you ended up with those as I don't think we have connection together.
And "6m37 Kill Big Shark" is named "We've Got to Kill Her" on ascap. Don't know which one is the true one.


Anonymous2012-07-15 04:44:47
Oh I see. Then I take back what I said, I do apologize.


Mrs. Tweedy2012-07-15 12:21:03
don't cry


Per2012-07-21 18:49:32
Not entirely complete, it's missing like 5-6 min. from where they are getting the experiment ready (before '2m17 The Experiment').

Some interesting things I've noticed now when I've taken a "look" at the film again, is that quite a lot of stuff is actually not used. Like most of 'Aftermath', and, as far as I could tell, both 'Susan Softens' (part 1 on OST track 2) and '2m13 Susan's Speech' is not in the film at all.

And perhaps the best part of the whole score (in my opinion), the action variation of the 'Aftermath'/main(?) theme (++) in '6m37 Kill Big Shark' seems to have been replaced with parts from '3m18 Armageddon' (09 - Anarchy on OST) in the film... don't know why. Maybe the original cue didn't work as they thought. Have no idea. But to me it's bit of a strange choice... (I have the region 2 DVD, so I don't know if it's different in the US version ?)

And some other stuff, like '1m2 Susan's Cause' is completely different in the film. And there's some other differences in the mix etc. as well, like some choir on the versions on this leaked version not in the film and so on...


Medigo2017-07-08 14:52:28
Its possible Kill Big Shark/Aftermath were remixed after the movie itself was re-edited to have Susan die during that segment

badbu reply Replies: 0 || 2014-08-02 11:11:27
an amazing score! :)

Jess reply Replies: 0 || 2008-02-27 00:00:00
Deep blue sea rocks!

Arthen reply Replies: 0 || 2005-09-18 00:00:00
One of the most instantly recognizeable modern filmscores. Trevor has struck a very powerful and memorable theme to go by the years, and it is so memorable that if Aftermath was played 20 years later when i'm like 42 years old-- I'd still immediately sit up from whatever I'm doing, and drift back into the serenity of the score.

And I'd tell my children, you see? Back then visual effects in my time was sooo amazing!

And they'd say, "--what?? you call that amazing???"--


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Deep Blue Sea soundtrack - Trevor Rabin 1999