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Well, Alan Silvestri first did Captain America, then The Avengers. So it's not always people involved with Batman.Why is it always Batman composers who end up scoring films for different superhero characters? First Danny Elfman, now Hans Zimmer!Aye, many great masterpieces! Don't forget the instrumental Lion King score and the bittersweet anthem for Crimson Tide!It's probably Terraforming.I'll always get chills when I listen to The Burning Heart from Hannibal. Such an under-appreciated cue in HZ's repertoire. Or To Every Captive Soul. I enjoy that love theme just a tad bit more than Marry Me. That in no way belittles Marry Me for me, it's one of HZ's best themes ever. Other ignored cues, I believe, are First Ideas from Frost/Nixon, The Banker's Waltz from Matchstick Men (and the whole score for that matter), and really the whole score to Two Deaths (granted, that one's hard to find).
official webgame may contains a new score clip.<br>metropolismayhem.manofsteel.com/For me it depends on the style of the score - they would bug me in more "lyrical" scores (like Da Vinci Code, PotC 3), but they are great when it comes to the sheer force. :)+1 <br>"Marry Me" (and every reprise/variation of the Love Theme from AwE) is a wonderful piece of music. :)<br><br>... and don't forget "Show Me Your Firetruck" or "Journey To The Line". ;)Thank God! If there's one thing that bugs me it's synth horns. I don't mind electronics if they can add to the orchestra, but I'd prefer them not to replace it.Thanks Hybrid! :) Yeah, lots of samples, but sadly there weren't any RCP-sampled french horns. Those are always epic... :-)
Depends on the mood... ;)I know!!! The way the music kind of swelled when Gordon said, "They know. It was the Batman." and you saw them uncover the statue. There were manly tears, I tell you!I agree. Even though the last minute and a half was a blatant copy of the music used in the previous movie (see "A Watchful Guardian"), I for once didn't care (I usually hate it when a whole cue is copied exactly). The entire ending scene gets my emotions going every time. Especially when I saw it in the theater.I thought all the end music (basically the entire track "Rise") was just PERFECT. One of the biggest goosebumps i've ever had in a theatre (on par with Beckett's death in PotC) :pHybrid Soldier, since you're virtually famous, what Zimmer work is your favorite? :P
And 9:11-14:12 in "Rocket Away" from the Rock! :DA favorite of mine that hardly anyone mentions is The Burning Bush from The Prince of Egypt. It really conveys the presence of God.I like the theme a lot, too, Ds, and it made perfect sense to use it when Batman showed up in the tunnel (my favorite part of the movie) and when he saved Blake from the thugs, but when Batman said, "This isn't a car", we had just heard it in the previous scene. And when Batman appears out of the exploding building at the end, it sounds really forced.You guys are right. These are all AMAZING themes. Moving and addictive!<br><br>I'd add "Hummel Gets The Rockets" from The Rock and "All Of Them" from King Arthur.Marry Me is my favorite Zimmer theme and cue as well. Although all of the suggestions below are also great pieces. I'll throw in the main theme from Crimson Tide as well as practically the proto power anthem. Such an influential score.
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Trevor Rabin
Composer
Deep Blue Sea
Label: Varese Sarabande
Length: 30:11
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (525 votes)
  1. Aftermath (2:47)
  2. Susan Softens (2:26)
  3. Journey (4:48)
  4. Main (3:07)
  5. Hunting in Packs (1:42)
  6. Experiment (4:28)
  7. Jim Returns (1:21)
  8. Shark Side (4:27)
  9. Anarchy (4:23)
  10. Doctor's Orders (0:33)
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Anonymous reply Replies: 8 || 2012-07-09 20:04:12
DEEP BLUE SEA COMPLETE SCORE:

1m1 Main Title (6:24)
1m2 Susan's Cause (1:03)
1m3 Aquatica (1:31)
1m4 Carter's Swim (1:30)
1m5 Gliding Monsters (0:40)
1m7 Some Other Way (1:43)
1m8 Doctor's Orders (1:06)
1m9 I Don't Make Waves (1:20)
2m13 Susan's Speech (1:27)
2m13b You Guys Hungry (2:20)
2m14 Hunting in Packs (1:44)
2m17 The Experiment (4:30)
3m18 Armageddon (6:01)
3m19 Jim's Return (1:22)
3m20 No Way Out (4:50)
3m23 Smart Sharks (2:42)
3m24 Preacher Pursued (1:10)
3m25 Trouble in the Kitchen (2:16)
3m27 Chief's Surprise (1:55)
4m28 Franklin's Tale (3:13)
4m30 I Hear You Knocking (5:43)
4m31 Exit Strategy (0:48)
4m32 Susan Softens (1:25)
4m33 Back to the Lab (1:30)
5m33a Jaws of Death (1:37)
5m34 Getting to Knaw You (4:33)
5m35 Susan and the Shark (3:57)
5m36 Journey Topside (5:26)
6m37 Kill Big Shark (6:25)
6m38 Aftermath (2:48)



Mr Tweedy2012-07-09 21:29:05
Hey this is my tracklist !!!


Anonymous2012-07-10 00:41:40
No it aint


Mr Tweedy2012-07-14 20:30:54
Yes it is.

I compiled all the tracknames found on ascap on put them in chronological order and it was exactly the same.


Anonymous2012-07-15 04:04:17
Then the cues are not your own then, are they? If you made up the titles, fine, but this is different.


Mr Tweedy2012-07-15 04:26:25
Well... "I Dont Make Waves" and "You Guys Hungry ?" weren't featured on ascap. I made up those titles. I wonder how you ended up with those as I don't think we have connection together.
And "6m37 Kill Big Shark" is named "We've Got to Kill Her" on ascap. Don't know which one is the true one.


Anonymous2012-07-15 04:44:47
Oh I see. Then I take back what I said, I do apologize.


Mrs. Tweedy2012-07-15 12:21:03
don't cry


Per2012-07-21 18:49:32
Not entirely complete, it's missing like 5-6 min. from where they are getting the experiment ready (before '2m17 The Experiment').

Some interesting things I've noticed now when I've taken a "look" at the film again, is that quite a lot of stuff is actually not used. Like most of 'Aftermath', and, as far as I could tell, both 'Susan Softens' (part 1 on OST track 2) and '2m13 Susan's Speech' is not in the film at all.

And perhaps the best part of the whole score (in my opinion), the action variation of the 'Aftermath'/main(?) theme (++) in '6m37 Kill Big Shark' seems to have been replaced with parts from '3m18 Armageddon' (09 - Anarchy on OST) in the film... don't know why. Maybe the original cue didn't work as they thought. Have no idea. But to me it's bit of a strange choice... (I have the region 2 DVD, so I don't know if it's different in the US version ?)

And some other stuff, like '1m2 Susan's Cause' is completely different in the film. And there's some other differences in the mix etc. as well, like some choir on the versions on this leaked version not in the film and so on...

Jess reply Replies: 0 || 2008-02-27 00:00:00
Deep blue sea rocks!

Arthen reply Replies: 0 || 2005-09-18 00:00:00
One of the most instantly recognizeable modern filmscores. Trevor has struck a very powerful and memorable theme to go by the years, and it is so memorable that if Aftermath was played 20 years later when i'm like 42 years old-- I'd still immediately sit up from whatever I'm doing, and drift back into the serenity of the score.

And I'd tell my children, you see? Back then visual effects in my time was sooo amazing!

And they'd say, "--what?? you call that amazing???"--


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