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hybrid created a very good suite from this movie, also because he left out the more uninteresting action stuff. the whole score is not original, but the themes are great because they transport emotions and excitement. the quiter parts are also very nice. im sure the actionmusic is very functional in the movie, but as a stand alone listening experience it is not very convincing. too much electronics which make too much noise. when the themes kick in, it sounds good, but a better mix of orchestra and electronics would have helped. sadly you won't find a second "Burn around the moon" or "Goodbye/Landing" from Armageddon in this score.Yep. He will be in Nightwing's next solo movie<br>I think we all agree, Lorne Balfe is getting better and better, he's working at the speed of light and handles many different genres. Plus, he seems to be a very cool person. I'm really happy he got there, and I believe he'll be getting some major movies in the next few years (Terminator Genysis, Geostorm & Ghost in the Shell don't count, they were predicted failures undergoing a damage control process).<br><br>But anyway, I think his best solo score is still Home.Maybe there is a big surprise and Disc 2 is different from the actual release. If you look at the download files you see 01-01 to 01-24. I think Disc 2 must be named 02-01, 02-02...etc.Can I ask why there is no page made for The Nut Job 2 by Heitor Pereira?
I'm not upset, nor am I disinterested in Balfe's work. Don't get me wrong. I welcome any and all discussion! But there's a difference between "discussion" and "blind fanboy gushing", and I've seen way more of the latter here this year than the former.Have to agree because if you havenít an interest in Lorneís work then just donít goto his films topics ! Either way I like the suite here good old school MVIf you have an issue with Balfe simply donít click on Geostorm etc! Just ignore it . God knows why Edmund gets so upset !!!! You donít have to read the postsThis is already a much more interesting conversation than all the blind praise that was being spilled earlier. Thanks guys! :DEverybody is free to love whatever music they want, but I agree that the Balfe praise is a bit over the top. I mean I saw a comment that said that all of Balfe's scores from 2017 were the best of their genre which I think is over the top. I mean nothing against Balfe, he's a very good composer, but I just don't think he deserves all that praise about him being the best.
Anything, @LP. I myself have spent several hours of my life listening Balfe's work and, of course, commenting here.<br><br>It's okay to get on a page and say "this is the best score of all ages" or "this is the worst shit I've ever heard", as long as this behavior is restricted to a minority who has make the mistake of making this kind of comment because not listened to many jobs of the same composer or of other composers or who do not respect his efforts to carry out the work.<br><br>> Waymann - Ramin did good work on A Mountain Between us.  Completely atypical of his recent outputs, and showed more range.  It is rooted a bit in his work on Hans' rom-com scores (i.e. The Holiday) and sounds excellent overall.Just wondering, why would anyone have an issue with people who go into a Lorne Balfe soundtrack page to rave about the work of Lorne Balfe?I'm not saying that I don't like his music, because I really do, but I think there are also a lot of composers this year that have created amazing scores and they don't get the same talk. Let's mention Ramin Djawadi for The Mountain Between Us, Benjamin Wallfisch for A Cure For Wellness and It, and even outside of RCP like Giacchino with his fantastic War for the Planet of the Apes, Beltrami with The Snowman or the recent Ragnarok by Mothersbaugh (well, this does not belong in this page, so I understand why there is no talk about him).<br>And I repeat that I like Balfe, but not everything he does is perfect, and for example this, I don't consider it too original, because it reminds me to a lot of older scores. And for example, from Balfe I think one of the best was Churchill, and that didn't get much talk or praise neither.I do not think anyone here is hurting because another composer besides of the HZ - JP - HGW triad is being well received by the audience. Well, I agree that this behavior in any session regardless of who the composer is, is very uncomfortable. But we have to understand that each an of the RCP guys has its glory days. Balfe is conquering his. The problem is the proportions of compliments. Many people liked PoTc 5 (best RCP score of the year in my opinion, of course), for example, many also hated, the justifications were many, but the discussion was balanced. If you enter on the forum of  any score of any composer you find diverse but balanced opinions, what is missing in the forums about Balfe scores is this balance. Nothing against the growth of his popularity or the reception of his scores, only the judgments that seem a little too exaggerated. It's even a little weird.
Due to Edmund getting upset !!!! Iím scared to ask about if anyone knows about The Florida Project ????How pathietic that it bothers some ,that some of us are excited about another composers music. Get a life people. Balfe has become a great composer this year so give him a break . If you donít like it , you can find another forumI agree, I'm shocked no one is talking about how great Ramin Djawadi's score is for The Mountain Between Us. Much better than this new Lorne Balfe score, I'm mean really, this Geostorm score is just a constant reminder to other scores from RCP from the past. Nothing original here. Only the track May Day is memorable.I like it too but I don't understand why this thread is full of slobbering fanboys while nobody is talking about, say, Kingsman 2 which is just as good. I don't want to stop anyone talking about his music but did we really need every day this year for someone to go "oh my god I can't wait for Lorne to release another unreleased cue from Ghost in the Shell"? It doesn't contribute anything meaningful and makes this site look even more like a YouTube comments section than it already does.Your right Edmund ..... how dare we take about any other composer apart from Zimmer or John Powell!  Thankfully your point of view is in the minority. There is obviously a reason why he is one of the busiest composers . Geostorm isnít original BUT itís great music and I like it at least
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Dominic LewisBeth CaucciMatthew MargesonSteven Kofsky
ComposerAdditional MusicAdditional ArrangementsMusic Production Services
Free Birds
Label: Relativity Music Group (Digital Download Only)
Length: 64'44 (Score: 58'15)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3221 votes)
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  1. Up Around The Bend - Social Distortion (3:22)
  2. Starry Side Up (0:42)
    Dominic Lewis
  3. All The Trimmings (0:44)
    Dominic Lewis
  4. Turkatory (2:50)
    Dominic Lewis, Beth Caucci
  5. Poultry Pardon (2:18)
    Dominic Lewis
  6. El Solo Pavo (1:56)
    Dominic Lewis, Beth Caucci
  7. Turknapped (1:22)
    Dominic Lewis
  8. Shell Shocked (2:30)
    Dominic Lewis
  9. Secret Military Baster (1:56)
    Dominic Lewis
  10. Cranberry Saucer (4:16)
    Dominic Lewis
  11. Eggs-istential Crisis (0:30)
    Dominic Lewis
  12. Killing Two Birds With One Standish (0:52)
    Dominic Lewis
  13. Fly Or Get Stuffed (1:51)
    Dominic Lewis
  14. School Of Flock (2:38)
    Dominic Lewis
  15. Roast This! (1:00)
    Dominic Lewis
  16. Tryptophan Traps (0:31)
    Dominic Lewis, Beth Caucci
  17. Jive Turkey (1:07)
    Dominic Lewis
  18. Lazy Eye View (1:19)
    Dominic Lewis
  19. Birds Of A Feather (1:10)
    Dominic Lewis
  20. Great Egg-scape (2:23)
    Dominic Lewis
  21. Hold On To Your Giblets (4:56)
    Dominic Lewis, Beth Caucci
  22. The Right Stuffing (0:39)
    Dominic Lewis
  23. Fowl Play (5:23)
    Dominic Lewis
  24. Laid To Rest (3:01)
    Dominic Lewis
  25. Cold Turkey (3:54)
    Dominic Lewis, Beth Caucci
  26. The Great Turkey (1:20)
    Dominic Lewis, Beth Caucci
  27. Iratus Aves (3:48)
    Dominic Lewis
  28. Ocellata Turkeys (3:19)
    Dominic Lewis
  29. Back In Time - MattyB Raps (3:07)
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Edmund Meinerts reply Replies: 9 || 2014-10-20 01:45:29
I wasn't sure where to post this, but I just noticed under Dom Lewis' composer page a cue from X-Men: Days of Future Past. That's really interesting, especially considering the ghostwriting rumors that have always surrounded John Ottman. I wonder how that happened?


Adam2014-10-20 04:21:44
You're right, Edmund! It seems to be the first half of "Do What You Were Made For". Thanks for pointing this out.


Hybrid Soldier2014-10-20 08:56:45
I found this at BMI, surprising indeed... He just helped out for a week on it, working on a couple of cues, which then got rearranged by Ottman...


Adam2014-10-20 16:23:16
Cool, hanks for that info Hybrid! Do you know if there's any other credits?


Hybrid Soldier2014-10-20 16:34:14
For Days of Future Past ?

From what I saw yeah looks like the additionals are getting royalties lol... But just go to BMI.com, the repertoire search section, search Ottman John V, and have fun...


Adam2014-10-20 18:39:14
Ya I found a bunch! Thanks! :D


polob2014-10-20 22:44:32
and how we can hear the tracks from BMI ?


Hybrid Soldier2014-10-20 23:43:35
You can't it's just cue sheets... not cues... lol


Adam2014-10-20 23:45:31
polob, you don't need to anyway! Every track on the OST is listed on BMI :)


polob2014-10-22 23:27:19
and how Hybrid can have the cue??

Edmund Meinerts reply Replies: 6 || 2014-05-15 15:57:24
Has anyone noticed how much the main theme of this sounds like the Jade theme from The Rock? Just listen to "Ocellata Turkeys" - it sounds exactly like "Jade" if orchestrated by John Powell.


Mike2014-05-15 16:18:16
Wow. You're right! That's really funny.


Mike2014-05-15 16:22:28
Things like this make me wonder why Hans Zimmer got accused of plagiarism with the Gladiator Waltz, while stuff like this, much more blatant, are able to slide by undetected. Maybe it's because Zimmer is more popular than Lewis, but it's weird either way (or another example is the Luke and Leia theme from National Treasure 2....lol).


Edmund Meinerts2014-05-15 16:39:09
Maybe it's because the Gladiator Waltz is a lengthy piece that's clearly written in the style of Holst, whereas this cue has a melodic similarity, but a very different "feel" to it.

I think the Gladiator/Holst thing is a little overblown, though. Sure, the similarity is there, but it's not exactly lawsuit-worthy...


Hybrid Soldier2014-05-15 17:11:56
Yeah just like Broken Arrow and that Edelman thing was no lawsuit-worthy either... But it nearly happened...

Anyway the Jade thing is real but you know, it's not like it's intentional, yeah the melody is the same but 2 composers can come up with the suite of notes, can't they ? :P


Edmund Meinerts2014-05-15 17:44:55
Did Edelman have issues when that theme popped up again in Pirates of the Caribbean? :p


Hybrid Soldier2014-05-15 18:57:31
If you ask me Edelman can go f... himself big time ! ;)

Edmund Meinerts reply Replies: 7 || 2014-01-25 13:54:29
Sorry to be such a nitpicker, but if Beth Caucci is only credited for "additional arrangements," what does that mean for the cues where she's credited? Did she do any actual composing?


Hybrid Soldier2014-01-25 16:23:34
The cues are Dom... She just added some things to it (string sections, percs, whatever)...


Edmund Meinerts2014-01-25 20:23:04
Ah, okay. So if I understand it correctly, the "architecture" of the cues is pure Dom, but some of the embellishments/orchestrations/whatever are put in by Beth. All right. I think I'll go with a 75%/25% split then (don't ask...my ratings system is ridiculous and it's the reason why I ask all these questions).

Fun score by the way! Helps make up for Powell's absence. Although the theme makes me think of The Rock ("Jade")...


Hybrid Soldier2014-01-25 21:01:09
Actually such a rating system does exist in cue sheet to determine royalties !

I've seen it very rarely but for instance some Wreck-It Ralph cues, which are Jackman 75% Lewis 25% or whatever...


Mike2014-01-26 16:25:38
Really? What other RCP scores have those? That could be interesting to know for folks like MacArthur... ;) No offense, MacArthur.


Hybrid Soldier2014-01-26 16:43:02
Iron Man, partly...


POTC 4, but that's of no use...


Mike2014-01-26 16:44:18
I'm sorry, but why's POTC4's of no use?


Hybrid Soldier2014-01-26 17:13:47
Because it's just HZ / Badelt / Neely / RyG ! ;)

Hybrid Soldier reply Replies: 6 || 2013-10-16 19:09:06
First Dom Lewis score, can't wait to hear that ! :)


Edmund Meinerts2013-10-16 20:06:08
If this score doesn't sound very, very much like John Powell and Henry Jackman I'll be quite surprised. :p


Hybrid Soldier2013-10-17 23:46:28
Samples at amazon.es :
amazon.es/gp/product/B00FWEV72O/ref=dm_sp_alb?ie=UTF8&qid=13 82045759&sr=8-9


Anonymous2013-10-18 06:26:28
Sounds amazing. Can't wait for this. :)


Hybrid Soldier2013-11-01 00:13:38
Actually, this score REALLY is love child of Powell & Jackman !

95% Orchestral only.


Very nice effort... :)


Frisbee2013-11-04 08:03:37
I concur Hybrid Soldier's statement. Fans of John Powell's works for Blue Sky Animated Studio's movies will certainly be pleased with this. (Personally, I am digging all the wordplay in track titles too!)


Russel2013-12-27 16:33:08
This got a CD Release, finally. I'm very glad to see that it got a release like that. It needed a proper release.

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Free Birds soundtrack - Dominic Lewis 2013