NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and WhispersBooklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle Kersten
Booklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)
Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?No idea but he was on it for a bit, I think.
Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)Hello, <br><br>I'm looking for the translation of the song God Yu Tekkem Laef Blong Mi in English of French.<br><br>Could anyone help me ? <br><br>Thank you !
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Dominic LewisBeth CaucciMatthew MargesonSteven Kofsky
ComposerAdditional MusicAdditional ArrangementsMusic Production Services
Free Birds
Label: Relativity Music Group (Digital Download Only)
Length: 64'44 (Score: 58'15)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4161 votes)
  1. Up Around The Bend - Social Distortion (3:22)
  2. Starry Side Up (0:42)
    Dominic Lewis
  3. All The Trimmings (0:44)
    Dominic Lewis
  4. Turkatory (2:50)
    Dominic Lewis, Beth Caucci
  5. Poultry Pardon (2:18)
    Dominic Lewis
  6. El Solo Pavo (1:56)
    Dominic Lewis, Beth Caucci
  7. Turknapped (1:22)
    Dominic Lewis
  8. Shell Shocked (2:30)
    Dominic Lewis
  9. Secret Military Baster (1:56)
    Dominic Lewis
  10. Cranberry Saucer (4:16)
    Dominic Lewis
  11. Eggs-istential Crisis (0:30)
    Dominic Lewis
  12. Killing Two Birds With One Standish (0:52)
    Dominic Lewis
  13. Fly Or Get Stuffed (1:51)
    Dominic Lewis
  14. School Of Flock (2:38)
    Dominic Lewis
  15. Roast This! (1:00)
    Dominic Lewis
  16. Tryptophan Traps (0:31)
    Dominic Lewis, Beth Caucci
  17. Jive Turkey (1:07)
    Dominic Lewis
  18. Lazy Eye View (1:19)
    Dominic Lewis
  19. Birds Of A Feather (1:10)
    Dominic Lewis
  20. Great Egg-scape (2:23)
    Dominic Lewis
  21. Hold On To Your Giblets (4:56)
    Dominic Lewis, Beth Caucci
  22. The Right Stuffing (0:39)
    Dominic Lewis
  23. Fowl Play (5:23)
    Dominic Lewis
  24. Laid To Rest (3:01)
    Dominic Lewis
  25. Cold Turkey (3:54)
    Dominic Lewis, Beth Caucci
  26. The Great Turkey (1:20)
    Dominic Lewis, Beth Caucci
  27. Iratus Aves (3:48)
    Dominic Lewis
  28. Ocellata Turkeys (3:19)
    Dominic Lewis
  29. Back In Time - MattyB Raps (3:07)
Create Topic

Edmund Meinerts reply Replies: 9 || 2014-10-20 01:45:29
I wasn't sure where to post this, but I just noticed under Dom Lewis' composer page a cue from X-Men: Days of Future Past. That's really interesting, especially considering the ghostwriting rumors that have always surrounded John Ottman. I wonder how that happened?


Adam2014-10-20 04:21:44
You're right, Edmund! It seems to be the first half of "Do What You Were Made For". Thanks for pointing this out.


Hybrid Soldier2014-10-20 08:56:45
I found this at BMI, surprising indeed... He just helped out for a week on it, working on a couple of cues, which then got rearranged by Ottman...


Adam2014-10-20 16:23:16
Cool, hanks for that info Hybrid! Do you know if there's any other credits?


Hybrid Soldier2014-10-20 16:34:14
For Days of Future Past ?

From what I saw yeah looks like the additionals are getting royalties lol... But just go to BMI.com, the repertoire search section, search Ottman John V, and have fun...


Adam2014-10-20 18:39:14
Ya I found a bunch! Thanks! :D


polob2014-10-20 22:44:32
and how we can hear the tracks from BMI ?


Hybrid Soldier2014-10-20 23:43:35
You can't it's just cue sheets... not cues... lol


Adam2014-10-20 23:45:31
polob, you don't need to anyway! Every track on the OST is listed on BMI :)


polob2014-10-22 23:27:19
and how Hybrid can have the cue??

Edmund Meinerts reply Replies: 6 || 2014-05-15 15:57:24
Has anyone noticed how much the main theme of this sounds like the Jade theme from The Rock? Just listen to "Ocellata Turkeys" - it sounds exactly like "Jade" if orchestrated by John Powell.


Mike2014-05-15 16:18:16
Wow. You're right! That's really funny.


Mike2014-05-15 16:22:28
Things like this make me wonder why Hans Zimmer got accused of plagiarism with the Gladiator Waltz, while stuff like this, much more blatant, are able to slide by undetected. Maybe it's because Zimmer is more popular than Lewis, but it's weird either way (or another example is the Luke and Leia theme from National Treasure 2....lol).


Edmund Meinerts2014-05-15 16:39:09
Maybe it's because the Gladiator Waltz is a lengthy piece that's clearly written in the style of Holst, whereas this cue has a melodic similarity, but a very different "feel" to it.

I think the Gladiator/Holst thing is a little overblown, though. Sure, the similarity is there, but it's not exactly lawsuit-worthy...


Hybrid Soldier2014-05-15 17:11:56
Yeah just like Broken Arrow and that Edelman thing was no lawsuit-worthy either... But it nearly happened...

Anyway the Jade thing is real but you know, it's not like it's intentional, yeah the melody is the same but 2 composers can come up with the suite of notes, can't they ? :P


Edmund Meinerts2014-05-15 17:44:55
Did Edelman have issues when that theme popped up again in Pirates of the Caribbean? :p


Hybrid Soldier2014-05-15 18:57:31
If you ask me Edelman can go f... himself big time ! ;)

Edmund Meinerts reply Replies: 7 || 2014-01-25 13:54:29
Sorry to be such a nitpicker, but if Beth Caucci is only credited for "additional arrangements," what does that mean for the cues where she's credited? Did she do any actual composing?


Hybrid Soldier2014-01-25 16:23:34
The cues are Dom... She just added some things to it (string sections, percs, whatever)...


Edmund Meinerts2014-01-25 20:23:04
Ah, okay. So if I understand it correctly, the "architecture" of the cues is pure Dom, but some of the embellishments/orchestrations/whatever are put in by Beth. All right. I think I'll go with a 75%/25% split then (don't ask...my ratings system is ridiculous and it's the reason why I ask all these questions).

Fun score by the way! Helps make up for Powell's absence. Although the theme makes me think of The Rock ("Jade")...


Hybrid Soldier2014-01-25 21:01:09
Actually such a rating system does exist in cue sheet to determine royalties !

I've seen it very rarely but for instance some Wreck-It Ralph cues, which are Jackman 75% Lewis 25% or whatever...


Mike2014-01-26 16:25:38
Really? What other RCP scores have those? That could be interesting to know for folks like MacArthur... ;) No offense, MacArthur.


Hybrid Soldier2014-01-26 16:43:02
Iron Man, partly...


POTC 4, but that's of no use...


Mike2014-01-26 16:44:18
I'm sorry, but why's POTC4's of no use?


Hybrid Soldier2014-01-26 17:13:47
Because it's just HZ / Badelt / Neely / RyG ! ;)

Hybrid Soldier reply Replies: 6 || 2013-10-16 19:09:06
First Dom Lewis score, can't wait to hear that ! :)


Edmund Meinerts2013-10-16 20:06:08
If this score doesn't sound very, very much like John Powell and Henry Jackman I'll be quite surprised. :p


Hybrid Soldier2013-10-17 23:46:28
Samples at amazon.es :
amazon.es/gp/product/B00FWEV72O/ref=dm_sp_alb?ie=UTF8&qid=13 82045759&sr=8-9


Anonymous2013-10-18 06:26:28
Sounds amazing. Can't wait for this. :)


Hybrid Soldier2013-11-01 00:13:38
Actually, this score REALLY is love child of Powell & Jackman !

95% Orchestral only.


Very nice effort... :)


Frisbee2013-11-04 08:03:37
I concur Hybrid Soldier's statement. Fans of John Powell's works for Blue Sky Animated Studio's movies will certainly be pleased with this. (Personally, I am digging all the wordplay in track titles too!)


Russel2013-12-27 16:33:08
This got a CD Release, finally. I'm very glad to see that it got a release like that. It needed a proper release.

 HANS-ZIMMER.com© 2001-2018 OST 
Free Birds soundtrack - Dominic Lewis 2013