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Some Sky Hunter extracts in here !<br><br>I hope the OST will actually come out, will let you know when I get any info !look what I found www . change.org/p/warner-bros-zack-snyder-s-director-s-and-tom-ho lkenborg-s-score-for-home-release-e90fef07-11c6-4a9a-9ae8-37 5c7717dafa@Gotham Rogue  That's what I think exactly. And when the complete score of BvS gets released/leaked we could have enough music for filling all the moments in the JL. <br>If they had kept MoS theme, I think people wouldn't be so angry at Elfman.The CD has been shipped finally!Ok HERE GOES...<br><br>THE FILM - a mixed bag that takes advantage of it's characters but fails as a compelling narrative and has a villain with so much backstory and potential from the comics and merely turns him into a typical TV villain of the week who amounts to very little.<br><br>THE SCORE - haha honestly if it weren't for Wonder Woman's first shot and the epic scene at 2:40 in "Final Battle" you would swear there was no score composed because Mr. Elfman's boring, generic and STRONG THEME lacking score is completely buried and forgettable.<br><br>Everyone on this site will agree that when Hans, Junkie and co. compose... THEY  let you know they are there and mean business.<br><br><br>I love Firefly, Serenity and Avengers 1 but FUCK JOSS WHEDON FOR REPLACING JUNXIE XL.
i swear people, whoever they are, and are rating soundtracks have not understood this music.<br><br>oh by the way hybrid, my man, you are wrong too! i am no movie dude, and i have enjoyed every single soundtrack without watching any of them movies! for me, it's the soundtrack that draw me to the movie...Olive i love your pseudonym : ) i wrote that comment in a rush, i was overwhelmed by the music!<br><br>listen to the latest soundtracks by the remote control people, slow each of them a tad bit, and let me know if you still don't understand : )this is my world!oh noes can't find that page!?Themes*
Hybrid, shortly after BvS was released I read that zimmer had written themes/motifs for the justice league characters (Flash, Aquaman and cyborg) and that junkie would use those in his justice league score. <br><br>Was that the case and is there a half completed score by junkie containing some unheard zimmer genes?I don't think everybody thinks it's bad you just have to look at the development of the franchise. In the first pirates we got very nice melodys and tunes that are still legendary and so they set the tune for all the other pirates movies. In the second one we got a much darker yet very good developed score that has again new themes for new characters but uses themes from the first one as well. Then the third movie came along and everybody can think about the film what he wants but the music... man the music from the third one is really the cherry on the top of the entire franchise cause here we got all themes in new majestic versions plus one of the most beautyful love themes ever. So now you would think "Ok, I guess by judging by the development, the next one will be at least as great as the last one" but instead of this case we just got old themes in flat versions and the music is not bad but it just has not this kind of drive like the others. For sure if this score would have been the first one, the crowd would have reacted differently but hey, the movie wasn't that good as well so I guess it all equals out :DBecause they mixed several passages of past scores into scenes completely disconnected from those for which the music was composed at first. There is a chase scene with the music for the maelstrom. The love theme for Will and Elisabeth comes up without either of them being in the movie or in scenes that nerver mention their names. The same with the theme for Beckett. And half of the commercial CD was remixes of DJsCan I ask why everybody is so negative about this score.<br>I actually really love it. New themes for Spaniard, Mermaids and Blackbeard are good.<br>Okay, Hans re-used stuff from the previous 3 but it's still a great score.<br><br>Why does everybody else think it's bad? Would somebody please explain this to meWell said. Itís not a terrible score by any means, but the lack of continuity is incredibly disappointing. There were so many times in the movie that practically screamed for Hansí themes. The only point I heard one was the Krypton theme for (maybe) 15 seconds and that was just an insert from a previous film. Iíd love to do a fan project once the movie is released and insert music from Man of Steel/BvS and see how it changes the feel of this film.
YFM, your work is awesome. Long time lurk-listener. Looking forward to this,Bah leave me alone, I still need a few years to overcome the fall of House DC... What a horrible movie that JL was, I can't get over it... lolIf you love these peoplegeneral zod : )After listening to this score a few times, I am starting to enjoy it. It's not fantastic, but it's not absolutely horrible, either. While I am very disappointed that Zimmer didn't score the film, and that Elfman didn't preserve the series' music continuity very well, I feel the score does hold up fairly well on its own. It introduces some nice motifs, and honestly, hearing the old Batman theme again is awesome, especially in tracks like "Then There Were Three" and "The Final Battle". Some may think it's out of place, but I feel it fits this iteration of the character. But then, Elfman gets lazy with some of the tracks. The opening of "The Amazon Mother Box" sounds like Elfman's theme for "Hulk", while the motif for the Justice League team is very reminiscent of the Avengers theme motif. <br><br>On the other hand, hearing the original Superman theme feels a bit odd - I love that theme, but the joyousness that Williams put into it doesn't fit this version of the character. Zimmer's amazing theme means so much in this series, and Elfman didn't reprise it once. Elfman did briefly reprise a trumpet rendition of Wonder Woman's theme, which was nice, but I personally expected to hear it a little more. And it made me even more confused as to why he didn't reprise other themes. <br><br>Personally I don't think Elfman was the best choice to score the film, but I don't think he did a horrible job. I would've loved to have heard Zimmer's score, considering the amazing work he's done for the series. Hopefully in the future, the themes he composed will be reprised more.
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Conductor
Hans ZimmerHarry Gregson-WilliamsJeff RonaRyeland Allison
ComposerAdditional MusicAdditional MusicScore Producer
The Fan (Expanded Score)
Label: Unofficial Release
Length: 75'54
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2388 votes)
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  1. Main Titles (2:01)
  2. Sean (0:59)
  3. Rayburn Injuried (1:04)
  4. Sacrifice (4:39)
  5. Back To The Game (1:34)
  6. Gil Falling Down (6:41)
  7. The Fan (1:46)
  8. Rayburn Is Back (1:33)
  9. Feeling Guilty (1:03)
  10. The Rescue (2:29)
  11. Fans Are Losers (0:49)
  12. Gil & Rayburn (5:34)
  13. Kidnapping (4:16)
  14. Demands (2:20)
  15. Escaping (2:07)
  16. Game Tension (5:29)
  17. Gil's End (8:21)
  18. Letting Go - Terence Trent D'Arby (5:34)
  19. The Fan Suite (10:19)
  20. Gil's Theme (1:17)
  21. Unused 2m04 (0:44)
  22. Unused 5m26 (2:00)
  23. Unused 7m21 (2:22)
  24. Unused 8m43 (1:08)
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mpolonest123 reply Replies: 2 || 2017-02-15 21:18:50
Finally got a chance to listen to this one all the way through (after seeing the film) and I can definitely see why HZ is proud of it. It's funny that he says "Inferno" is his most experimental/dark score because honestly, I think The Fan takes the cake.

You can hear a lot of obvious foreshadowing of some of Zimmer's later work; the piano/heartbeat effect from Hannibal, the electronics of Chappie, even some of the whispering for Electro. Also props to the beautiful incorporation of the main theme in "Letting Go"

My only gripe is that this doesn't belong with a better film, I feel like more people would discover and appreciate it alongside something like The Rock or Crimson Tide.


mpolonest1232017-02-15 21:21:40
Oh, and forgot to mention the EXTREMELY obvious inspiration for The Kraken in "Gil's End"!


Michael Poleschuck2017-02-16 03:49:19
Yeah, you're right! It's fantastic!

Hybrid Soldier reply Replies: 1 || 2015-02-03 13:44:21
So from what I found HGW wrote 5 cues of this score, Rona 3...

Gonna need some checking before I can tell which cues ! lol


NotSoAnonymous2015-02-03 16:47:07
I really love this score. It seems to always be forgotten about

T-Mann036 reply Replies: 0 || 2014-05-10 20:23:21
The Fan expanded score is ultimately one of the BEST soundtrack Hans have ever composed. 1996 was indeed the Year of Hans. "Broken Arrow", "The Rock"... and now, The Fan. Main Titles and Game Tension are just a few of my favorite tracks and Terrence Trent D'Arby (Sign Your Name, Wishing Well, etc.) have done a tremendous job performing "Letting Go" and it was, in my POV, emotional.

Hulk reply Replies: 14 || 2014-05-08 13:38:52
Great score! The main theme is so simple and efficient in the movie and outside!

I noticed a thing : Transformers "Skorponok" theme has a lot of similarities with some cues of this score. Example : Gil Falling Down : 1:00 - 2:00 Sacrť steve! :D


Edmund Meinerts2014-05-08 13:59:46
What's this? The Transformers score sounding like something older? The devil you say?!

I just "found" this myself; looking forward to giving it a listen once I've got my damn finals out of the way...


Hulk2014-05-08 14:12:41
I don't said the devil by the way! :D


Edmund Meinerts2014-05-08 14:26:08
I know, I know, it's just an expression. Jablonsky's scores are known for helping themselves to the occasional idea or theme from a previous score, so this doesn't really come as a surprise to me, is all. ;)


Hybrid Soldier2014-05-08 14:41:21
Before being blamed, Steve would need to have anything to do with Skorponok...


Edmund Meinerts2014-05-08 15:01:15
So is Skorponok really a solo Trevor Morris cue? Not Jablonsky/Morris, but just Morris?


Hybrid Soldier2014-05-08 15:08:56
Oh Morris did work on it, and probably was not alone... Anyway... I told The Fan is the father of many scores... :)


LP2014-05-08 18:42:56
I thought Harry did more work on this. And Jeff Rona did a few cues toward the end, involving rain/water (since he had worked on White Squall)


Hybrid Soldier2014-05-08 19:02:54
Harry didn't write on The Fan... He only conducted it...

Rona worked on a few cues like The Rescue or Fans Are Losers...


LP 2014-05-08 19:52:24
Thank you for the clarification.


Anonymous2014-05-08 20:46:05
FINALLY!!! Excellent stuff, just great. Game Tension is superb!!


rockhound2014-05-09 08:04:29
I also thought, that Harry Gregson-Williams was more involved in this score, because a couple of tracks have the Enemy Of The State sound. Harry also said in his Tony Scott tribute on facebook the following:

"I first met Tony way back on his rather grim movie 'The Fan'. You could say it was on that score that Hans Zimmer passed scoring duties of his movies over to me."

But maybe he meant that in a different way. Nonetheless it is a fantastic score by Hans.


Hybrid Soldier2014-05-09 09:08:45
Harry meant The Fan was Hans' last score for Tony and he handled after...


And yeah, the big EOTS rips are just temptrack...


Steve2014-05-10 01:02:54
ummm how were there EOTS temptracks in The Fan if EOTS hadn't come out yet??


Hybrid Soldier2014-05-10 09:14:42
I obviously meant the other way around...

Bryan Fury reply Replies: 1 || 2014-05-08 10:32:06
Leaked! i got this! :D


Hybrid Soldier2014-05-08 10:54:09
Yay ! Woohoo !

lol


Anyway since it's out I uploaded the big one... Ed, listen to it... :P

Anonymous reply Replies: 0 || 2014-05-06 05:33:37
Hybrid: It would be great if you could put up an additional track on the player - perhaps Game Tension or Gil's End :)

Mike reply Replies: 2 || 2013-09-12 17:14:28
"Main Titles" is fantastic.


JamesT2013-09-12 18:24:35
Has this leaked?


MacArthur2013-10-03 06:29:29
Is this out?

PM reply Replies: 0 || 2013-09-12 03:26:50
An underrated score, this one. Nice to see it finally get some kind of release!!

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The Fan (Expanded Score) soundtrack - Hans Zimmer 1996