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Haha!  Wear the mask. how fitting.yap. and all of the alternates :PI want that "Final Confrontation" cue so much!Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.
I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.
Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.
So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!
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Atli ÖrvarssonDavid FlemingMartin TillmanClaudio Olachea
ComposerAdditional MusicMusicianScore Technical Assistant
Evidence
Label: Varese Sarabande
Length: 37'25
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4324 votes)
  1. Evidence (4:16)
    Atli Örvarsson, David Fleming, Martin Tillman
  2. Check The Tape (4:08)
    Atli Örvarsson, David Fleming, Martin Tillman
  3. The Blowtorch (2:40)
    Atli Örvarsson, David Fleming, Martin Tillman
  4. Rewind (1:31)
    Atli Örvarsson, David Fleming, Martin Tillman
  5. I Am God (1:45)
    Atli Örvarsson, David Fleming, Martin Tillman
  6. Just A Game (2:40)
    Atli Örvarsson, David Fleming, Martin Tillman
  7. I've Been Waiting For You (2:09)
    Atli Örvarsson, David Fleming, Martin Tillman
  8. No More Video (4:13)
    Atli Örvarsson, David Fleming, Martin Tillman
  9. That's Not Our Driver (1:03)
    Atli Örvarsson, David Fleming, Martin Tillman
  10. Luck Of The Irish (6:09)
    Atli Örvarsson, David Fleming, Martin Tillman
  11. Finding Fleishman (0:48)
    Atli Örvarsson, David Fleming, Martin Tillman
  12. Case Closed (2:45)
    Atli Örvarsson, David Fleming, Martin Tillman
  13. Deleted Scenes (3:12)
    Atli Örvarsson, David Fleming, Martin Tillman
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Edmund Meinerts reply Replies: 1 || 2019-02-22 13:22:30
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :p


Mike2019-02-22 17:12:17
Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.

AtliFAN reply Replies: 3 || 2015-09-05 21:05:05
Complete Score:

01 - Evidence (04:14)
02 - The Calvarys Arrived (01:15)
03 - Everything On This Tape Matters (00:35)
04 - Who's That? (01:25)
05 - Finding Fleischman (00:44)
06 - That's Not Our Driver (00:24)
07 - Blowtorch 02:34)
08 - You're Gonna Wanna See It (02:35)
09 - I've Been Waiting for You (01:18)
10 - Positive (00:49)
11 - What Was That Abot? (01:41)
12 - No More Video (00:38)
13 - A Big Fucking Game (03:38)
14 - Luck of the Irish (04:59)
15 - We're Gonna Get Him (04:03)
16 - Case Closed (02:50)
17 - Deleted Scenes (03:02)
18 - End Credits (05:10)

Total Duration: (42:02)


Can you add this Hybrid?

And The Perfect Guy filmmusicreporter. com/2015/09/04/the-perfect-guy-soundtrack-details/


Hybrid Soldier2015-09-20 14:36:53
Hey dude now you can check, I updated Atli a lot, adding audio, pages & stuff...


Zod2015-09-20 23:46:51
and yet nothing from man of steel :(


Hybrid Soldier2015-09-20 23:51:04
Well I even asked Atli himself but he didn't want to say ! :)

But honestly, trust me, stuff like Bus Rescue or Faora Attacks definitely have some Atli ! :)

Hybrid Soldier reply Replies: 5 || 2013-07-08 19:55:55
This is a very cool electronic little score (like, 100% electronic), some kind of a mix between Tron Legacy & The Fourth Kind. :)


Aytekin2013-07-18 03:38:47
Wicked :p


Hybrid Soldier2013-07-28 14:58:02
Little "who did what" added ! :)


Waspie2013-08-01 19:39:21
From where you get information about who write each track, i known someone using ASCAP but is there any way to use it for free, or any alternative? Can someone share some more details about that.


Hybrid Soldier2013-08-01 19:43:00
I have many sources, not only ASCAP. That one is not there (yet) for instance ! ;)

And it is public...


Waspie2013-08-02 00:07:17
Can you share some more info where to look for details about composers/writers for individual tracks for ost and scores?

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Evidence soundtrack - Atli Örvarsson 2013