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Why is people saying that Balfe kept some original music from Kraemer? I have listened to the whole score and I didn't found any quotes. Maybe in The Syndicate there is some kind of reference to Kraemer's theme but I don't really know.<br><br>And I have to say that I was expecting Balfe to shine on this one, but I ended up disappointed. There are some great action cues, and I like some things he does with the main theme like the use of choir, but the score as a whole feels like a reuse of many things I have already heard and ends up feeling repetitive and a bit boring. <br>And note that this is my opinion so don't jump into my neck saying this is the best score in the saga, because I think Rogue Nation is a really big step above this. I hope that at least it works in the context of the movie, which I suppose it does really well...Re-listening the score again...….Have to say, Lisbeth Scott's beautiful vocals are definitely one of the highlights. She's amazing. On par with Lisa Gerrard.<br><br>Speaking of, what the hell happened to MV/RC guys incorporating female vocalists in their scores? I've always loved that approach. But it seems that it kinda went away......replaced by more and more sound design! So except for this score (and Steve's Your Highness) is there a recent big MV/RC score that actually features female vocals? Maybe I'm missing some...…..I was wondering that is there a Hans Zimmer library you need to license from Remote Control.<br><br>I kinda saw a composer's Cubase setup and he labeled one of his folders, HZ STR, HZ BRS, and HZ Choir.<br><br>Does Zimmer have a brass and choir sample library you need to have a license for?Easy now Mr. Anonymous, no need to be so superior. <br>I looked up that tracklist, and couldn't find 'Tai Lung Escapes' specifficaly listed, hence asking. Closest there is 'Shogun Mongol Prison', but it's too short to be the whole scene. <br><br>But I'll try to get a hold of that complete version somehow, looks super interesting."It's the first action score by Balfe i didn't hate this year, thank god!"<br><br>This is an actual comment from the FRIGGING Hans Zimmer fan site. Balfe is so winning over everyone with his talent isn't he! <br><br>Of course, he has no fans - Krascynzki - are you posting here? Have you been told by a Balfe to make great comments about his weekend wankjob?<br><br>Seriously - Balfe is a total joke and we need to treat him as such - he laughs at anyone trying to 'listen' to him. He is on record saying no one listens to soundtracks which is why his work is so bad - you fanboys are thick to him. He is a professional driller - he fills a space and that is that.<br><br>Go listen to the latest Reality TV shit - you get the same talent and much more exciting music<br><br>
Well, I don't know why a track called The Syndicate might refer to the villains of the piece - the Syndicate. If you think this is a good villain theme you may want to look around for others including Kramer's Solomon Lane which is here referenced in Barfe passing out on a synth and pressing the opening notes of Kramer's complex themeIts just three short bursts of sound, really.Oh, yeah, I forgot to mention there's also a short track that plays when K walks through Las Vegas past the statues and beehives, but is not listed on the cuesheetIt should be noted that I think a few tracks like 'new model' are put together with the track that came before it on the CD.<br><br>Ossuary<br>Return to Sappers<br>Must Protect the Child<br>Bomb<br>Like a Real Girl<br>Luv in Apartment<br>Mesa Hijack<br><br>I think are the only real missing tracks, and some of them are pretty short anyway.You guys are dumb. the composers are listed on the complete version. break down Tai Lung Escapes by finding those curable off the complete version and see who wrote those cues. presto.
I keep listening to "The Syndicat", which is what I assume to be the theme for The Syndicate. Honestly one of the better villain themes i've heard in a whileFlight has a new Andrew Kawczynski credit...We're getting there!Yeah, you're probably right. <br><br>I guess I thought of it as a Powell cue mostly because between the two main composers, it matched more with his style than Hans', but yeah it's probably Jackman's stuff. <br><br>Either way, I love that track.Yeah<br><br>BTW, John Paesano is credited as additional musicI'm pretty sure that the majority of it is Henry Jackman (maybe with a bit of Hans). I don't get much of a Powell vibe off that particular cue at all.
This film and score are ten years old! The first seven minutes of Hans’ New Batman Theme (A Dark Knight) are still one of my favorite individual Zimmer themes. <br><br>And the movie itself is still one of my favorites, comic book or not.I'm curious, who do you think mostly wrote 'Tai Lung Escapes'? <br><br>I've always loved that track, and always felt that it was mostly a John Powell cue, although that very dark first part could easily be Hans' work. I could also see it being a Henry Jackman cue though... I don't know. :pStairs and Rooftops....WOOOW Easily one of the best film tracks of 2018. Simply Amazing!!!It's the first action score by Balfe i didn't hate this year, thank god!<br><br>It's not the best thing in years, but is a fun action score (Free Fall and Escape Through Paris, are good action tracks), plus, altough is 96 minutes, never get boredAnd the link for the CD<br><br>https:/ /www. amazon.com/gp/product/B07F3QP2HX/ref=as_li_qf_asin_il_tl?ie= UTF8&tag=filmusrep-20&creative=9325&linkCode=as2&creativeASI N=B07F3QP2HX&linkId=8fcd06899e5999dd491abf60fe6dcf6d
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Harry Gregson-WilliamsSteve JablonskyAlan MeyersonGregg Silk
ComposerAdditional MusicMusic Scoring MixerScore Recordist
The Replacement Killers
Label: Varese Sarabande
Length: 36'12
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4110 votes)
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  1. John's Theme (2:43)
  2. Stalked (3:58)
  3. The Temple (2:28)
  4. He Means Business (3:16)
  5. Kill Or Be Replaced (2:18)
  6. We Have Visitors? (2:11)
  7. John Reflects (2:04)
  8. Surreal Shoot-Out (3:57)
  9. John Straps His Man (3:47)
  10. Race Against Time (3:04)
  11. The Heavies Arrive (2:53)
  12. Final Confrontation (3:38)
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Bayhem reply Replies: 0 || 2017-06-30 10:21:41
One of my all-time favorite HGW scores. So freakin' atmospheric....so underrated. John Reflects, John's Theme and The Temple literally transport you to another world. Great for meditation. Too bad that not a lot of people (even here) seem to care or like that score as much as I do. I guess when it comes to 1998 it's all about one MV/RC score - "Armageddon". And the rest - like "The Replacement Killers" - are pretty much ignored. Oh, well...

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
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The Replacement Killers soundtrack - Harry Gregson-Williams 1998