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When Will Complete Motion Picture ScoreA total revelation about Wallfisch "Horse Theme" (AKA K/Joe's theme) and its relation with original Tears in the Rain.<br><br>http ://www.mundobso.com/bso/blade-runner-2049Just listen to "Invasion Begins", it's almost like a small suite of Shen's theme.The only MV/RC composer I ever would want to see work on James Bond is John Powell. He's more than capable of doing the sort of cool, suave, jazzy sound that Bond needs. Beyond that...maybe if Zimmer was able to go way, way, *way* back to A League of Their Own mode, that could be neat, but otherwise MV/RC style is simply not a good fit for Bond.<br><br>The Goldeneye score SUCKS. The Thomas Newman ones are only OK. Bring David Arnold back. I have spoken.Saw the movie over the weekend.The music was the best thing about the movie.not the best but the score made it 1000 times better for sure
yeah!!! He was amazing!!! After Dunkrik the best movie in 2017 (for me)Skarsgard really nailed that scene, it was the scene which made it clear how different his Pennywise is from Tim Curry's.Does the blu-ray come with a CD or digital download? Or do you have to buy the album also.Time To Float is sooo strong :-) And a nice Scene btw :-)All i'd say its worth it in a complete score is We Have To Go film version, and maybe some snippets of Seglass and Merlin's Staff variations.<br><br>Other than that, we got more music in the soundtrack than in the film since most was cut off.
Everybody is talking about Shen's Theme. I just can't figure out what his theme really is.<br>Could someone please note where in wich song and at what time his theme appears?<br><br>Thanks very much!mpolonest123 - definitely sounds like it might be inspired by it. I heard the "glockenspiel roll" employed by Bellis used in the track "Deadlights" as well. If these things are intentional nods, then it's pretty cool that the score at least acknowledges the past.I don't know if anybody stayed behind long enough to find out given that the only thing waiting at the end of the credits is one last Pennywise laugh and "IT: Chapter 1". I'd assume "Georgie's Theme" played next.Seriously, I didn't catch very much at all that was left out of the soundtrack....I DID hear alot of repeated tracks in the movie, however...So I can't say what would be notably absent. Anybody got a good example?Look at the amazing "Score A Film Music Documentary" with Hans, John Powell, Heitor Pereira, Trevor Rabin and many others composers ! https://www.youtube.com/watch?v=9K6RwDM8VFE
Well... Waymann and LP are The only ones to refer to Djwadi...<br><br>And yet no one shouted:<br><br>"Amazing!" "Revolutionary!" "I can die tomorrow, my life is complete!"<br><br>Another dropmic from Hybrid !Dudes, the score is 2h10 long, I think it is yet a lot much complete than usual !Too much Lorne Balfe talk on this site. He'll never be as good as Steve, so let's talk about Steve!<br><br><br><br>Relaaaaax, I'm kidding. They're both awesome. The best, aside from Hans.<br><br>Let's discuss this thing though .....When, for the love of God, we will finally see an MV/RC composer working on a James Bond movie. Just imagine the Bond theme, BUT done by Steve Jablonsky! It will be beyond EPIC. I know the Bond producers are very strict when it comes to the scores, but after listening to the Skyfall score, I have a feeling that an MV/RC composer can really do great things with Bond. And by the way, unlike some other Bond fans I love Eric Serra's score for GoldenEye. It's freakin awesome!@Score God - I'm not entirely sure on how this process works, but since you obviously are, I'm glad you tried to clarify it. With that out of the way - I agree, there's no need to be harsh about it. You can't expect everyone to have a clue about how this works. <br><br>What I really want to see from the complete score is the film version of We Have to Go.
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Harry Gregson-WilliamsSteve JablonskyAlan MeyersonGregg Silk
ComposerAdditional MusicMusic Scoring MixerScore Recordist
The Replacement Killers
Label: Varese Sarabande
Length: 36'12
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3724 votes)
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  1. John's Theme (2:43)
  2. Stalked (3:58)
  3. The Temple (2:28)
  4. He Means Business (3:16)
  5. Kill Or Be Replaced (2:18)
  6. We Have Visitors? (2:11)
  7. John Reflects (2:04)
  8. Surreal Shoot-Out (3:57)
  9. John Straps His Man (3:47)
  10. Race Against Time (3:04)
  11. The Heavies Arrive (2:53)
  12. Final Confrontation (3:38)
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Bayhem reply Replies: 0 || 2017-06-30 10:21:41
One of my all-time favorite HGW scores. So freakin' atmospheric....so underrated. John Reflects, John's Theme and The Temple literally transport you to another world. Great for meditation. Too bad that not a lot of people (even here) seem to care or like that score as much as I do. I guess when it comes to 1998 it's all about one MV/RC score - "Armageddon". And the rest - like "The Replacement Killers" - are pretty much ignored. Oh, well...

Anonymous reply Replies: 0 || 2006-08-17 00:00:00
German HGWonline: www.harry-gregson-williams.de
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The Replacement Killers soundtrack - Harry Gregson-Williams 1998