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Stretcher Carry is avaibale on soundcloud. It' merely recreation but it's awesome almost like film version.How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lolOlive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>
Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4
This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.
Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>

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Hans ZimmerJohn PowellLorne BalfePaul Mounsey
ComposerComposerAdditional MusicAdditional Music
Kung Fu Panda 2 (Expanded Score)
Label: Unofficial Release
Length: 83'46 rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4864 votes)


  1. Ancient China - Story Of Peacock (2:44)
    Hans Zimmer, John Powell, Paul Mounsey
  2. Dumpling Warrior - Late For Training (1:25)
    Hans Zimmer, John Powell, Paul Mounsey
  3. Inner Peace (2:26)
    Hans Zimmer, John Powell
  4. Wolf Attack (1:20)
    Hans Zimmer, John Powell, Dominic Lewis
  5. Dragon Noodle Warrior (2:51)
    Hans Zimmer, John Powell, Lorne Balfe
  6. Gongmen City - Masters Spar - Shen Reclaims Palace (2:50)
    Hans Zimmer, John Powell, Lorne Balfe
  7. Save Kung Fu - Journey To Gongmen City (3:57)
    Hans Zimmer, John Powell, Lorne Balfe
  8. Po Dreams Of Parents (1:35)
    Hans Zimmer, John Powell, Paul Mounsey
  9. Daddy Issues - Shen's Palace (5:03)
    Hans Zimmer, John Powell, Lorne Balfe
  10. Stealth Mode - Entering The City (4:11)
    Hans Zimmer, John Powell, Lorne Balfe
  11. Gongmen Jail (2:51)
    Hans Zimmer, John Powell, Lorne Balfe
  12. Rickshaw Chase (2:36)
    Hans Zimmer, John Powell, Paul Mounsey
  13. Surrender Palace (2:16)
    Hans Zimmer, John Powell, Paul Mounsey
  14. Face To Face (4:09)
    Hans Zimmer, John Powell, Lorne Balfe
  15. More Cannons (3:39)
    Hans Zimmer, John Powell, Lorne Balfe
  16. The Hardcore Do Understand (0:56)
    Hans Zimmer, John Powell, Lorne Balfe
  17. Shen Frees Southsayer - Fireworks Factory (6:57)
    Hans Zimmer, John Powell, Dominic Lewis
  18. Po Finds The Truth (Part 1) (1:03)
    Hans Zimmer, John Powell
  19. Po Finds The Truth (Part 2) (0:43)
    Hans Zimmer, John Powell
  20. Po Finds The Truth (Part 3) (3:27)
    Hans Zimmer, John Powell
  21. Invasion Begins - Po Returns (2:27)
    Hans Zimmer, John Powell, Dominic Lewis
  22. Po Throws Hat (0:13)
    Hans Zimmer, John Powell
  23. Free The Five (3:39)
    Hans Zimmer, John Powell, Dominic Lewis
  24. The Future Is Here - Zen Ball Master (3:50)
    Hans Zimmer, John Powell, Lorne Balfe
  25. Po Defeats Shen - Reunion - My Son Is Alive (4:55)
    Hans Zimmer, John Powell, Lorne Balfe
  26. Dumpling Warrior Remix (3:31)
    Hans Zimmer, John Powell, Junkie XL
  27. Stealth Mode - Entering The City (Alternate) (4:04)
    Hans Zimmer, John Powell, Lorne Balfe
  28. More Cannons (Alternate Ending) (0:34)
    Hans Zimmer, John Powell, Lorne Balfe
  29. The Future Is Here - Zen Ball Master (Alternate) (3:51)
    Hans Zimmer, John Powell, Lorne Balfe
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Iamtommie reply Replies: 1 || 2017-10-23 00:14:39
Everybody is talking about Shen's Theme. I just can't figure out what his theme really is.
Could someone please note where in wich song and at what time his theme appears?

Thanks very much!

Edmund Meinerts2017-10-23 15:07:54
Just listen to "Invasion Begins", it's almost like a small suite of Shen's theme.

Pablo Reyes reply Replies: 1 || 2016-11-19 03:41:44
Since the very first time I heard the "Lost & Found" theme from HTTYD 2 I noticed it shared a few notes with Shen's theme, so I made this: /watch?v=HMQTiimsdPg
What do you guys think? I think Shen's theme might be Powell ;) but the again, you can never be sure about who composed what.

Mike2016-11-19 16:23:17
You're correct - Hybrid confirmed a while back that Powell did Shen's theme.

mittens reply Replies: 0 || 2015-03-12 15:48:57
Yup, this is only expanded score. Just saw the list of cues from sessions, more than half of them is missing.

NM reply Replies: 8 || 2015-02-27 19:26:35
"More Cannons" one of Balfe's best cues. Listened to it today and it was great! That is all.

Mike2015-02-27 20:19:51
This whole score has some great cues by Lorne Balfe. In Zimmer's own words, "Lorne Balfe was really a hero on that score." :P

Mike2015-02-27 20:37:28
(And by the looks of it, Balfe did more work here than Zimmer did... lol).

Edmund Meinerts2015-02-27 22:16:52
Yeah, you can kind of tell Balfe worked on that one when the Megamind rhythm kicks in 30 seconds before the end. The rest of the cue sounds more Powellish to me though.

Zimson2015-02-28 00:08:51
We already had this discussion but "More Cannons" is basically a variation on the track "Hero" from the first movie which, as we can all agree was mostly done by Powell. That explains the "Powellish" sound.

Mike2015-02-28 00:31:40
Besides, didn't Hybrid say Lorne "mimicked" Powell's sound for the end of My Son is Alive? It wouldn't be a stretch to assume he did so for other parts of the score, too.

NM2015-02-28 07:40:14
I dunno Edmund, all of "More Cannons" sounds like Balfe to me. It has the "Shen" rhythm running throughout the entire track as its foundation. And listen to the quick trumpet writing, it's the same sort you hear in Megamind, and even in "Zen Ball Master". The swirling woodwinds and strings sound very Powellish though, and the ascending scales at 1:51 sound like a Zimmer contribution.

@Mike - "My Son is Alive" sounds exactly like Lorne though.

Edmund Meinerts2015-02-28 12:18:27
Yes, because Powell never uses quick trumpet writing... :p

I can hear both composers' voices, but Powell's is simply a stronger his sound tends to dominate for me, even though it may well be an even collaboration. "My Son is Alive/My Fist Hungers for Justice" sounds more like "pure" Balfe to me, although ironically the theme owes a lot to How to Train Your Dragon!

The Zimmerish ascending scales are a holdover from the bridge cue from the first KFP, so I'm guessing it's an adaptation of a Zimmer idea by Powell/Balfe.

Geesh, what a clusterfuck all this is. I guess it's old-fashioned of me to say this, but why can't we just have ONE guy compose everything, no confusion, no fuss? :p

NM2015-03-02 22:30:27
Hah, well it doesn't bother me. I think it's cool when you get a couple of people going at it and high quality work results, which still has a coherent narrative. It's fun to try and pick out the different contributions.

The problem is when it becomes a "too many cooks" thing and you just end up with something disjointed. Thankfully, this score is far from.

"Yes, because Powell never uses quick trumpet writing... :p"

Haha, I can't quite describe the difference. Lorne's stuff is more... rhythm I guess? I mean Powell to me is more "Free the Five", which is more dynamic and exuberant I suppose. "More Cannons" has a harsh edge to it which evokes Balfe/Zimmer. Perhaps you're right and it genuinely was a real collaboration there with different ideas pitched in.

"The Zimmerish ascending scales are a holdover from the bridge cue from the first KFP"

Reminds me a lot of "Chess" actually.

Kardo_Fury reply Replies: 0 || 2014-10-26 06:38:13
Is there anyway you can dl this?

Anonymous reply Replies: 1 || 2014-02-04 03:59:37
Did Paul Mounsey do the entire first cue, or just part of it? Because the audio file only has the Story of Shen part, and that in turn was on Zimmer's page when the audio player was there....

Mike2014-02-04 15:24:55
Not sure, but it's really amazing how difficult it can be to tell each composer apart in here (besides Po Finds the Truth, most of which is obviously Zimmer). The rest sounds like Powell, but was supposedly Zimmer's contribution due to the Lorne Balfe credits...

Anonymous reply Replies: 3 || 2013-08-01 15:43:22
So is Paul Mounsey to John Powell what Lorne Balfe is to Hans Zimmer? lol

Mike2013-08-01 15:46:02
That might indeed be fair to say. Mounsey has been on quite a few Powell projects (The Lorax, How To Train Your Dragon, Happy Feet Two, Kung Fu Panda 2, Mars Needs Moms, and probably more) and we all know how often Lorne works alongside Zimmer. :)

Anon12013-08-01 15:49:07
Mounsey also worked on Horton Hears a Who, Rio, Green Zone, Knight and Day, Ice Age 3 and 4, Fair Game, and Bolt--so yes, I would say he is like the Lorne Balfe of John Powell's projects.

J.A.J.2013-08-02 02:48:18
Mounsey also wrote additional music for Epic, which probably explains why parts of Danny Elfman's score sound eerily similar to John Powell's work. It's likely that the folks at Blue Sky Studios wanted to hire Powell for the umpteenth time but couldn't because of his hiatus, so they hired Mounsey (along with Elfman) to write Powell-y music.

Ted reply Replies: 2 || 2013-05-21 02:50:09
Can anyone tell me why this list doesn't seem to include "1m10/11 Father Son & Baby Po?" Was it not recorded?

Mike2013-05-21 03:58:12
This is only the "expanded score", not the "complete score".

Ted2013-05-21 22:31:10
Just thought I'd ask since it's the only thing that seems to be missing. Thanks for your answer!

Hybrid Soldier reply Replies: 7 || 2013-05-17 13:25:45
Here you go... :)

Jimmer2013-05-17 15:59:18
Oh how I want this!!!

Edmund Meinerts2013-05-17 16:02:23
It's out there, Jimmer...

Jimmer2013-05-17 17:22:09
Edmund, thank you. I didn't know this had leaked yet.

Anonymous2013-05-18 21:01:10
Goodness, so many HZ scores leaked this week. In fact, its been a good year or so for HZ fans (as far as leaked scores haha). I wonder what happened all of a sudden. Definitely hoping for more in the next couple of months. Maybe Pearl Harbor or Hannibal will come soon. At least, thats what I hope haha.

Edmund Meinerts2013-05-18 23:45:15
It's been an absolutely amazing year for leaked complete scores in general! I have a huge backlog of them that I haven't even gotten around to listening to yet. Maybe some disgruntled RC employee quit and rage-uploaded all of them. :p

But...hasn't the complete Pearl Harbor been around for ages?

Anonymous2013-05-20 18:04:07
I don't think so. The only thing I've seen is a promo or expanded with a couple of new cues. The complete hasn't leaked, as far as I know.

Edmund Meinerts2013-05-20 18:51:50
Really? My version is about 102 minutes...maybe not 100% complete for a film as long as Pearl Harbor but hardly just a promo with a couple of additional cues. I've had it for long enough that I don't even remember where I got it.

Hybrid Soldier reply Replies: 4 || 2013-05-19 00:12:12
"Maybe some disgruntled RC employee quit and rage-uploaded all of them"

LOL I can assure you it's not what happened ! :)

Ds2013-05-19 00:36:28
So basically HZ leaked them himself in an act of generosity towards his beloved fans? :p

Edmund Meinerts2013-05-19 01:34:21
Oh, I know. But wouldn't it be a funny story if it was? XD

cheesy2013-05-19 05:48:31
More like Hans had the idea to leak it and then got five different Magic Box composers to upload each file individually.

Mr. Fate2013-05-19 20:26:14
What? Only two composers make up the group Magic Box Music: John Sponsler and Tom Gire.

Mike reply Replies: 3 || 2013-05-17 20:48:17
This is one of the few scores with Zimmer music where I'd say most of the notable stuff was released (the others being The Dark Knight in its 2-disc form, At World's End with all the suites from the Treasures Collection, The Last Samurai, Gladiator, and Crimson Tide).

Edmund Meinerts2013-05-17 22:16:38
Well, yeah, the complete score here is only about 15 minutes longer than the regular album. Powell animated scores (which this really is more than a Zimmer effort) tend to have pretty good releases that contain most if not all of the music, and always all of the really important stuff.

As for your other ones, I agree with all of them except At World's End. The Treasures Collection suites were definitely an absolute godsend, but that still didn't include Maelstrom Pt. 1 or Liftoff, which are both absolutely essential cues IMO.

Mike2013-05-17 22:26:55
Powell animated scores do tend to get good treatment. How to Train Your Dragon was an excellent album. And you're right, Maelstrom pt. 1 and Liftoff are great pieces, which is why I intentionally said the scores contain MOST of the notable stuff. ;)

Aragorn2013-05-17 22:33:14
Another great Powell release was Chicken Run!© 2001-2017 OST 
Kung Fu Panda 2 (Expanded Score) soundtrack - Hans Zimmer - John Powell 2011