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Just want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.It's a variation of the theme Anthem from the first Top Gun film by Harold Faltermeyer.whats the name of the song being played in this trailer?<br>is it available onlineThis is the perfect companion piece to the original. It is like the high level concert version that Zimmer never did with the original Lion King.
Is there any form of chronological order to the original with the deluxe tracks?Looks like your wish was granted ;)<br>It's out for me and "Ask The Sea" is exactly the cue I wanted :D It's so good! I actually tweeted at him asking if he'd consider including it in the release - he didn't react to my tweet then and now I wonder if he read it or he planned to include it all along. <br><br>I've only seen the movie once and I haven't listened to the score much so I need to revisit it soon.Thanks, that's great!!<br><br>Hooe those sessions will be here soon. Still a lot of music music. Would have liked it better if those remixes, were actually score tracksMera Montage is the big rock vocal cue used during the Sicily Battle & the Wine scene.<br><br>Home Invasion the opening soldiers barging in to capture Atlanna, as well as a part of the Black Manta / Orm negotiation scene.<br><br>Saving Pops is... the saving pops scene...<br><br>Ahab Wave is the tsunami scene + and when Aquaman arrives to the sub to fight Manta's gang.<br><br>Ask the Sea is when Aquaman refuses to help Manta's dad.<br><br>Olbigation is the soft piece in the plane when Aquaman & Mera talk.<br><br>Dunes is the comedic Dunes slide scene...
I just want the Sicily Battle music!Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesnít have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didnít feel anything throughout. Also doing a shot-for-shot remake probably wasnít the best approach. <br><br>Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, itís a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.ďAsk The SeaĒ <br>Oh please be the cue I want...Deluxe edition releases tomorrow<br>http :// filmmusicreporter .com /2019/07/18/aquaman-deluxe-edition-soundtrack-to-be-released /Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.<br><br>My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.<br><br>As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.
Recently in China, a movie was released called Looking Up, and the soundtrack was released with Steffen Thum's score and main theme/additional music by Lorne Balfe.I have to agree. It's a stellar score and I love it, but it was written 25 years ago, nevertheless.<br>Still, credit where credit's due, as you mentioned, the new 'Stampede' is a beast of a track, really added to the original, as well as the 'Battle' cue, awesome stuff for sure. <br>Haven't seen the movie yet, but I really hope it measures up, at least in the same way the score does.Most of it sounds like a high quality youtube remix to me, honestly. it's serviceable but unnecessary.Probably Zimmer, in 1994. It's part of the demoes he included on the Legacy set so I'd say it's a safe bet.panpipes or flute doesnt matter, i just wondering who composed this :D
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Hans ZimmerJohn PowellHenry JackmanJames McKee Smith
ComposerComposerAdditional MusicAdditional Music
Kung Fu Panda (Complete Score)
Label: Unofficial Release
Length: 85'16
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6127 votes)
  1. DWA Logo Chinese Inspired (0:35)
    Hans Zimmer, John Powell (Harry Gregson-Williams)
  2. Legend Of Dragon Warrior (Hero) - Get Up (4:42)
    Hans Zimmer, John Powell, James McKee Smith
  3. Shifu - Furious Five (0:36)
    Hans Zimmer, John Powell, Henry Jackman
  4. Oogway Summons Shifu (2:19)
    Hans Zimmer, John Powell
  5. Selling Noodles - Shifu Gong (1:09)
    Hans Zimmer, John Powell
  6. Po Stairs To Souvenir (1:45)
    Hans Zimmer, John Powell, Henry Jackman
  7. Let The Tournament Begin - Furious Five (2:16)
    Hans Zimmer, John Powell, Henry Jackman
  8. Dragon Warrior Is Among Us (2:03)
    Hans Zimmer, John Powell
  9. Po Is Chosen (0:44)
    Hans Zimmer, John Powell
  10. The Celebration (1:05)
    Hans Zimmer, John Powell
  11. Shogun Mongol Prison (3:00)
    Hans Zimmer, John Powell, James McKee Smith
  12. Reprise Festival (0:17)
    Hans Zimmer, John Powell
  13. Sacred Hall Of Warriors - Master Shifu (2:49)
    Hans Zimmer, John Powell, James McKee Smith
  14. Can't Wait To Get Started (0:42)
    Hans Zimmer, John Powell
  15. How's That?? (1:47)
    Hans Zimmer, John Powell
  16. First Night (1:20)
    Hans Zimmer, John Powell, Henry Jackman
  17. You Don't Belong (0:49)
    Hans Zimmer, John Powell, Henry Jackman
  18. Peach Tree Of Wisdom (1:53)
    Hans Zimmer, John Powell
  19. Splits (4:21)
    Hans Zimmer, John Powell, Henry Jackman
  20. Sparring Match (2:41)
    Hans Zimmer, John Powell, Henry Jackman
  21. Accu-Flashback (3:22)
    Hans Zimmer, John Powell
  22. You Must Believe - Oogway Ascends (1:32)
    Hans Zimmer, John Powell
  23. Po Imitates Shifu - Oogway Cannot (2:18)
    Hans Zimmer, John Powell
  24. Shifu Must Convince Po (2:17)
    Hans Zimmer, John Powell
  25. Furious Five Set Out (1:08)
    Hans Zimmer, John Powell, John Ashton Thomas
  26. There Are No Accidents - Training Begins (5:14)
    Hans Zimmer, John Powell
  27. The Last Dumpling (1:38)
    Hans Zimmer, John Powell
  28. The Bridge (3:23)
    Hans Zimmer, John Powell, James McKee Smith
  29. You Have Done Well - There Is No Secret Ingredient (7:49)
    Hans Zimmer, John Powell, James McKee Smith
  30. Shifu Battles Tai Lung - Shifu's End (4:47)
    Hans Zimmer, John Powell, James McKee Smith
  31. Enter The Panda - Battle For Scroll (2:31)
    Hans Zimmer, John Powell, Henry Jackman
  32. Secret Of The Scroll - Wushi Finger Hold (2:41)
    Hans Zimmer, John Powell
  33. Dragon Warrior Risen - Celebration - Shifu (3:22)
    Hans Zimmer, John Powell
  34. Kung Fu Fighting (1:58)
    Cee-Lo Green, Jack Black, Hans Zimmer, John Powell
  35. Po Tune (2:39)
    Hans Zimmer, John Powell
  36. Spiritual Tune (Oogway) (2:04)
    Hans Zimmer, John Powell, Henry Jackman
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Knight reply Replies: 1 || 2019-03-20 19:18:34
I noticed that on Kung Fu Fighting here, Try on KFP3, and Here Comes the Sun on Bee Movie complete that there are primary composer credits on them (HZ, JP here, HZ on Try, Rupert on Here Comes the Sun) but both the film and booklet info doesn't credit them. Did they do ghost arranging/producing on them?


Knight2019-03-20 19:22:58
Kung Fu Fighting (Celebration Time) on KFP3 also has a HZ credit despite again the booklet not crediting him for anything on it.

Mike reply Replies: 20 || 2016-07-11 16:33:33
So given your updated credits, Hybrid, I am left wondering: what exactly did Henry Jackman do to merit a credit on "Spiritual Tune"? Cause "Peach Tree of Wisdom" has no Jackman credit and is basically the same thing, and the same tune in KFP2 and 3 never has Jackman credit, either.


Hybrid Soldier2016-07-11 17:12:54
The 2 suites are HZ, Po & Oogway, those themes are his...

I think Jackman just arranged Oogway for the suite, working on Hans' demo, doing some orchestration.


anon2016-07-11 21:25:21
does Hans do demos for every cue?


Mike2016-07-11 22:18:02
^ Question seconded. I've always wondered that too. If I'm not mistaken, there's always some of Hans' music put to the scene before everyone else goes to work, but I'd love to know more.


Anonymous2016-07-11 22:41:04
"The 2 suites are HZ, Po & Oogway, those themes are his..."

Hybrid, I'm pretty sure the Po Tune is both of them with Powell doing the initial idea. Look at what Zimmer said in a Kung Fu Panda 2 interview:

"The Po tune... John started up with something, he had a tune and I had a bass line (and that became sort of a secondary tune). So John started up with something and then I took it and added the orchestration. But he didn't have a B section and I did. And then the 'Furious Five' tune is pretty much all John."


Hybrid Soldier2016-07-11 23:34:30
Depends on the projects but usually Hans's themes or suites are temped in the film.

I'll take a case, Nolan's films. They are not temped with "other" music much. On Inception or Interstellar, Hans' big suites are cut down by temp music editors and put in the whole movie, and then Hans & his team get to work on arranging, programming the score, and fill in the gaps. For Inception, Lorne had a big part in that process (Lorne writes so fast that he also ended up writing theme suites based on Hans ideas, he originally wrote tons of suites based on POTC 1 themes for POTC 2 lol).

For Interstellar all the notes are basically Hans, the guys just did some cutting/transitioning/programming.

Now to take the examples of a few cues (not suites), I'll take something like Messages from Home from Interestellar, this is not "suite-related", it's a cue Hans improvised on screen.

The main theme from Rush was also directly written by Hans to picture as a demo. The Moonlight Serenade from POTC 1 was written by Hans to picture, then Geoff orchestrated/arranged it. Same score, Commandeering the Interceptor, Jim Dooley was working on the cue but in the end Hans reworked it a lot himself. Blackbeard's Entrance from POTC 4 was written by Hans and orchestrated by Matthew Margeson.

So, all this to say what ? There's no rule, it depends on the project and how it goes. People might have more freedom on some projects where Hans has a little less interest or time, but he's always there and usually just brings them to what he wants them to do. The thing is he's not a super fast writer like Lorne can be... He can spend a full day or 2 in the studio on a cue with one of his guys (Hans doing night shift, and when he sleeps, the other guy continues the cue, and then Hans returns and rework it & so on) until they are happy with the result. So when you have a deadline to meet and some parts of scores to be rewritten 3 or 4 times, better have some back up ! :P

Anyway, better stop right now, I could discuss this all night...


Mike2016-07-11 23:40:02
Interesting! I always liked the "Our World" ambient cue from Interstellar, so I assume that, too, was an HZ on-screen improv cue?

Also, you say this: "For Inception, Lorne had a big part in that process (Lorne writes so fast that he also ended up writing theme suites based on Hans ideas, he originally wrote tons of suites based on POTC 1 themes for POTC 2 lol)."

From that, I take it the Robert Fischer and "Kick It" themes were indeed rough ideas from Hans that Lorne then fleshed out?


Hybrid Soldier2016-07-11 23:41:01
Anonymous, true, but careful with all Hans says, he will also tell you Junkie XL wrote Batman's theme ! ;) lol He will make everything to give the good role to the other guy and not him...

Hans co-writes a lot of themes, was the case on Batman Begins, or Megamind (& pretty much every Lorne score he shares a co-credit with lol).

Powell himself won't consider it much to be his (Furious Five, that's for sure, it's JP, can't be more Powell lol), Hans did the majority.


Mike2016-07-11 23:47:52
This is all very interesting. Thanks for the info. Really.

Since you brought it up, do you know what specific elements of the Batman theme are Junkie XL? We know the slamming percussion and the three note motif is Hans, but did Zimmer do the main "tune" of the theme as well?


Tuskan2016-07-12 07:41:41
Thanks for the info hybrid! Do you know what cues he mainly did in kfp2 since there's no suites?


Hybrid Soldier2016-07-12 08:26:37
The 2 big cues Father & Son / Baby Po and Po Finds The Truth.

And there is a suite in KFP 2, called Skadoosh Suite.


Tuskan2016-07-12 12:43:05
Interesting. Any idea what skadoosh suite is?


Hybrid Soldier2016-07-12 13:35:36
Absolutely not !


Tuskan2016-07-12 15:35:19
Are these KFP very collaborative scores like you mentioned Batman Begins, or more split up evenly?

Like for example, something like Zen Ball Master where you see 3 composers credited (lorne,jp,hz), is it the case that Hans does a bit then John does a bit, Lorne does a bit or is it just left to Lorne to do mostly by himself.

This insight into the process is really cool btw. Thanks again for sharing.


Mike2016-07-12 17:39:46
"Father and Son / Baby Po" - is that the first minute of Po Finds the Truth?


Hybrid Soldier2016-07-12 18:57:53
Nope, it's a 5 min cue which is missing...


Mike2016-07-12 23:31:34
Ah... what scene is it? :P


,,,2016-07-13 23:00:54
I swear the beginning of shen frees soothsayer sounds like a classic lamenting moody hans piece!


Mike2016-07-13 23:20:29
I agree... And remember, though, just because Hybrid lists two cues that Hans did most of, that doesn't mean he did nothing else.


Mike2016-07-13 23:20:29
I agree... And remember, though, just because Hybrid lists two cues that Hans did most of, that doesn't mean he did nothing else.


Michael Fields2018-08-25 06:29:01
Yeah, but what about the Kung Fu Fighting from the first movie? Does it really produced by Zimmer and Powell?

Edmund Meinerts reply Replies: 0 || 2017-03-05 19:44:32
With all the other Jackman credits on this score, I'm actually sort of surprised not to see his name on "Dragon Warrior is Among Us". There's a passage from about 0:40-1:15 that sounds quite clearly like his style (the snare drums, the little fanfares that sound like Puss in Boots/Wreck-it Ralph...). Is it possible he contributed to that track as well?

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buxuhuxi reply Replies: 0 || 2016-08-20 14:21:43
kill

Hybrid Soldier reply Replies: 10 || 2016-07-05 00:07:51
Some "definitive" cuesheet for that one...


Mike2016-07-05 00:17:11
Thanks. A little less Henry Jackman than before, I see. I'm not saying the following to criticize, cause the end result is what really matters, but is it just me or has Hans' involvement in this franchise become less and less with each installment? In this score, there's a fair amount of cues that Zimmer obviously did a lot of work on. The next score had a lot of Lorne Balfe in it, with Zimmer doing "Po Finds the Truth" and maybe a couple other parts, but his contributions aren't major. And then with the third film, the new themes were written by Imagine Dragons and by Lorne Balfe, and there are only one or 2 moments that sound remotely Zimmerish... Why doesn't he just say he's not really interested in continuing with the series?


Ds2016-07-05 19:10:03
I guess Hans had more of a "music coordinator" role on KFP3. And I guess even if Hans wanted to be credited that way, Dreamworks would prefer to stick to the "Music by Hans Zimmer" tagline, which sells much better :-)


Mike2016-07-06 16:59:56
Yeah, I guess the crediting on 3 was a purely monetary idea. If you look in the liner notes, the directors talk about the wonderful score that "Hans and Lorne" wrote for the movie, and the booklet also gives Lorne direct credit for the new Father / Son theme. But I guess the studio is more concerned about catching peoples' attention with the album cover, and maybe a "Music by Hans Zimmer & Lorne Balfe" wouldn't do that as nicely.


iii2016-07-07 16:41:54
Here's a wild theory: maybe Hans actually composes the scores he's hired to write.


Mike2016-07-07 23:30:48
Except when he doesn't. ;)

I guess we don't really know how much he did on Kung Fu Panda 3, but we do know what he didn't do, too.


Edmund Meinerts2016-07-09 19:07:12
Ah, so naive, iii. It's cute. Don't worry, we were all that way once. :)


iii2016-07-10 00:18:27
Are you saying he didn't compose these scores? Think about what you're implying.


Mike2016-07-10 15:31:12
iii, you must be unfamiliar with how Zimmer scores work when they have Lorne Balfe as a "producer." There are a few examples in his career of this, and "producer" for Lorne in such cases = co-composer.


Edmund Meinerts2016-07-10 16:24:19
We're not saying he didn't do anything...we're saying he certainly didn't do everything.


Mike2016-07-10 17:31:55
And I'm, perhaps, adding to it that "not everything" with KFP3 is a bit more so than usual... ;)

Mike reply Replies: 1 || 2014-11-20 16:33:04
I'm really looking forward to score #3. It'll be really impressive if that score can top Kung Fu Panda 2.


Zimson2014-11-20 20:07:15
Yeah, kinda wait for that one. If John Powell doesn't confirm soon, he'll never do.

Hybrid Soldier reply Replies: 11 || 2013-05-13 16:08:49
BTW I added that... :)


T-Mann0362013-05-13 16:28:19
Thanks for adding that, Soldier!


Hybrid Soldier2013-05-13 16:33:00
I should add Prince of Egypt too... I'm a little behind schedule... Shame... lol


...2013-05-13 16:39:35
Lol, maybe Sherlock Holmes as well!

and by the way, do you know anything about Holmes 2?


Hybrid Soldier2013-05-13 16:46:00
I won't add SH.


Mr. Fate2013-05-13 17:17:55
And before everyone starts complaining, Hybrid has already explained why he won't post a page for Sherlock Holmes.


...2013-05-13 17:21:59
I know


Preacher2013-05-13 17:41:38
Why no SH page? I must have missed that.


Aytekin2013-05-13 19:01:37
For god sake, sherlock holmes is just an isolated score not original sessions..


T-Mann0362013-05-13 19:02:53
Preacher, give it a rest will ya?


Preacher2013-05-13 19:28:55
Just asking a simple question, guys. No need for hostility.


Mike2013-12-17 04:30:22
Hey, I just saw this, and Hybrid, if you ever get around to doing Prince of Egypt, do know I'm probably not the only one who would appreciate it. ;)

Unless you have already and I've just been too stupid to look...lol

Zaralith reply Replies: 1 || 2013-08-04 10:35:34
I want this! Now!


Mike2013-08-04 20:37:59
That's great. ;)

Edmund Meinerts reply Replies: 5 || 2013-05-13 22:32:56
Thanks for this. I wish there was a little more clarity about Zimmer and Powell's roles, though, because there are definitely parts of this score that scream out either Powell (e.g. the opening) or Zimmer (Oogway's theme) to me (unlike KFP2, which screams Powell from A to Z), and yet apparently they both worked on every cue. That's probably because of the themes, though, so I guess it can't be helped...


Hybrid Soldier2013-05-13 22:35:33
You can't really tell them apart but when Henry wrote on a cue, you can consider it was HZ's responsibily, while the rest was JP... :)


Edmund Meinerts2013-05-13 22:38:51
Also quite surprised to see just how much Henry Jackman contributed...even in "Spiritual Tune" which is "Oogway Ascends" from the album...I had that one pegged for 100% Zimmer.


Edmund Meinerts2013-05-13 22:41:05
Thanks, that's a good tip. Explains the Oogway Ascends thing then. :)


Hybrid Soldier2013-05-13 22:44:53
Just like on KFP 2 when Lorne was in charge of the cue, it's was with Hans, while all the Mounsey / Lewis ones were JP... :)


Edmund Meinerts2013-05-13 23:03:02
Really? Because two of the Balfe ones are "More Cannons!" and "Zen Ball Master", and both of those sound mostly Powell to me (except the endings in both cases, which sound like Balfe and more specifically Megamind...). But maybe Balfe only did the endings of those and Powell (and Dom Lewis) handled the rest.

I guess it really isn't as simple as "he did this, and he did that", huh.

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Kung Fu Panda (Complete Score) soundtrack - Hans Zimmer - John Powell 2008