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I have no idea why, filmmusicreporter wrote about it...Seriously? Why they make this decision? They want to sound like Interstellar or what?LOL, Lorne is co-composing "Ad Astra" with Max Richter, that guy is everywhereI think we can call Ian Brown McCarthy the Anti-MacArthur....lol.... Where MacArthur set out to prove everything was by Zimmer, Ian proves everything is by Lorne. ;)<br><br>Kidding, mostly. Lorne's contributions, especially where he has "producer" credits like on this score, are undeniably underrepresented. I've always considered Lorne a co-composer here, just like on Inception, Sherlock Holmes, and Kung Fu Panda 2-3.Not to nitpick, but even "near co-composer" is downplaying Lorne's role IMO; I've had him listed as co-composer in my personal library for a solid year now.<br><br>On a relate note: man, Hans and Lorne make damn good music together.
What I want to know is if the album version of Nixon Defeated is the solo Hans alt or notFeels like there are more Balfe credits on this version than on the album (e.g. Status Suite, solo Hans on the album, Hans/LB here). In fact I'd go so far as to label him a near co-composer here, just like Inception and Sherlock Holmes.Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.
It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...
Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.com
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Atli ÖrvarssonMatthew MargesonClay DuncanSteven Kofsky
ComposerAdditional MusicAmbient Music DesignMusic Production Services
The Code (Complete Score)
Label: Unofficial Release
Length: 79'10
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3743 votes)
  1. Bath House Assassination (2:20)
  2. Subway Pursuit (2:15)
  3. Subway Heist (4:10)
  4. Fortune Teller (0:52)
  5. Ripley's Surprise Visit (1:19)
  6. Very Bad Karma (1:27)
  7. Ripley's Proposition (0:38)
  8. Ripley Interrupts (0:59)
  9. Research (1:56)
  10. The Code (1:13)
  11. Stalking (1:02)
  12. Love On The Dance Floor (0:44)
  13. Sexy Time (2:02)
  14. The Dry Cleaners (1:52)
  15. Surveying The Surveillance (0:51)
  16. The Riga Rose (2:22)
  17. The Elevator - Probing The Security (3:07)
  18. Gabriel Steals The Bracelet (1:40)
  19. Preparations (2:24)
  20. Chinese Food (2:47)
  21. A World You Can't Trust (1:16)
  22. Meeting Petrovich (4:15)
  23. Breaking In (5:39)
  24. Romanov Porno (0:38)
  25. Voice Activaton (2:16)
  26. The First Vault Door Opens (3:17)
  27. The Door Code (4:50)
  28. Gabriel Is A Cop (3:20)
  29. Gabriel's Escape (3:21)
  30. The Exchange (1:50)
  31. Weber Gets His Man (0:23)
  32. The Wooden Eggs (3:58)
  33. Swindled (4:08)
  34. Ripley's Goodbye (2:50)
  35. A World You Can't Trust (Alternate) (1:16)
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T-Mann036 reply Replies: 2 || 2014-12-13 18:58:41
Hey Soldier... I have a question for you. Do you have any plans on listing the composers responsible for each track?


Hybrid Soldier2014-12-13 19:09:00
No I don't have the cuesheet for this one but Matt did a lot...


T-Mann0362014-12-13 19:28:02
I understand. Thanks anyways! *salute*

Mikkel reply Replies: 2 || 2014-11-24 11:43:01
01 - 1M1 Bath House Assassination
02 - 1M2 Subway Pursuit
03 - 1M3 Subway Heist
04 - 1M5 Fortune Teller
05 - 1M6 Ripley's Surprise Visit
06 - 1M7 Very Bad Karma
07 - 1M9 Ripley's Proposition
08 - 1M11 Ripley's Interruptus
09 - 2M1 Research
10 - 2M2A The Code
11 - 2M2B Stalking
12 - 2M4 Love On The Dance Floor
13 - 2M6 Sexy Time
14 - 2M7 The Dry Cleaners
15 - 2M11 Surveying The Surveillance
16 - 2M12 The Riga Rosa
17 - 2M13-3M1A The Elevator - Probing The Security
18 - 3M1B Gabriel Steals The Bracelet
19 - 3M2 Preparations
20 - 3M3 Chinese Food
21 - 3M4 World You Can't Trust
22 - 3M5 Meeting Petrovich
23 - 4M1A Breaking In
24 - 4M1B Romanov Porno
25 - 4M3 Voice Activation
26 - 4M4-5 The First Vault Dorr Opens
27 - 4M6 The Door Code
28 - 5M1 Gabriel is a Cop
29 - 5M2 Gabriel's Escape
30 - 5M3 The Exchange
31 - 5M4 Weber Gets His Man
32 - 5M5 The Wooden Eggs
33 - 5M6 Swindled
34 - 6M1 Ripley's Goodbye
35 - 6M5 End Credits Suite


T-Mann0362014-11-28 07:12:08
100% complete!


Edmund Meinerts2014-11-28 10:47:52
Yes this...is the cue list that's right above you in the official page. Well done.

T-Mann036 reply Replies: 0 || 2014-11-24 03:43:11
This is truly one of the BEST recording sessions ever!

ongiz reply Replies: 0 || 2014-02-17 14:48:17
Can you please upload the Song Subway Heist Hybrid?

senat reply Replies: 0 || 2014-02-17 01:12:08
i love this score

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The Code (Complete Score) soundtrack - Atli Örvarsson 2009