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I'm convinced that Hans actually did Brothers in Arms. Must have stumbled in drunk one night.ach te te pee.  <george> "W" times three....<br>hans dash zimmer point  <calm><br><br>mp3/Transformers_2_Autobots_On_The_Move.mp3<br><br>with no spaces..   =)FYI the music that plays when Furiosa is stabbed during the final chase is in the piece "Immortan", about in the middle.<br><br>The piece starts off with the scene after the first chase when they lose the pregnant bride...Then it kicks into Furiosa's stab scene, then some other actiom  music I dont remember. <br><br>But in case you were looking for that bit to put right before Chapter Doof drops the bass, that's the track....Well of course he must have - Junkie is a protege of Hans Zimmer....Like all the other composers - Badelt, Jablosnky, Powell, etc. - When they first started their scores sounded similar to Hans' music in terms of orchestration and motifs used... <br><br>not to denigrade the man's work, but this doesn't surprise me and I'm fine with that...Junkie will develop his own sound eventually and explore new techniques, just as I'm sure Zimmer tutored him to do....Jesus I remember when both Powell and Jablonsky's scores sounded practicaly the same to Junkie's...And this was a decade ago.Don't mistake sound samples and music style.
Its always a surprise to see the fact that people / fans / critics / moviegoers / haters actually do not really (REALLY) listen to music. its either somewhat similar or its not and that is the end. the person behind the Hybrid Soldier name said not so long ago that there is zero Hans in this score, nothing...<br>well, its an interesting thing to say because the score that was released in europe and the version of the movie was maybe a special studio cut but I'm convinced that I heard many-many times the almost ancient Zimmer choir motif...<br>Hans started to use this signature motif somewhere around crimson tide and since then, everybody in remote control history, I mean everybody used it. also Hans is still today obsessed about it and nobody talks about this. its almost like the famous "danger motif" from Horner. but, yes its true that Hans is in re-invent mode every time, so sometimes its a female choir or sometimes male but fuck, dont bullshit around after 20 years of music.<br>other then that, yes its Junkie alone but in the end its not only his craft, he borrowed / used directly from HZ in this too.Now I saw what you meant! Indeed. Since when is Junkie THE film composer and Zimmer the co composer...I was Basically reiterating what you were saying.Right. Wonder if they still get to use RCP samples and things like that... they of course develop their own techniques but...Nope, been almost 15 years now... lol
That's too bad. Are HGW and Powell still RCP members btw?Hans & Ridley won't work together again.That is great news!  Hans wouldn't do another space film a year after interstellar lol so HGW is a great choice!HGW is scoring The Martian ! ;)IO hope Marc gets a second chance with THE MARTIAN. His style will fit the loneliness and isolation very well.
Does anyone know where I can purchase this? I cannot find it ANYWHERE.Does anyone know where I can purchase this? I cannot find it ANYWHERE.Justin, Hans chose not to do Kingdom of Heaven and not the other way around...What?fits the movie perfectly well. incredibly powerful... the only problem to this soundtrack and you could say that both the movie and the soundtrack have the same flaws no real story (action-like road movie), furiosa and max are the same character, they almost have the same background story.  no real need of a theme. They are interesting cues but nothing that truly deserves a melody. <br>the pursuit cue and the epic cue when furiosa and max are working as one-two punch. But that's pretty much about it.<br>as a whole, there are many ressemblance between this soundtrack and what zimmer has done since the joker theme. the ostinato motif, the big drum/percs ensemble, the sound design, the heavy guitars/electric strings, the bane theme as well.<br>it fits the movie very well. it's a good score. i enjoyed the movie even more. it was breath-taking. it's a great flick from Miller. I stayed out of any trailers for a year so it was really fascinating and surprising. The movie cost 150m$ and you can really say "here they really spend that money". Doing almost all the stunts for real at our epoch is challenging. hats off for miller. No cgi heavy movie. I expect a lot more from the second movie story-wise tho.<br>
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