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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Henry JackmanMatthew MargesonDominic LewisTom Holkenborg (Junkie XL)
ComposerAdditional MusicAdditional MusicAdditional Music
G.I. Joe - Retaliation
Label: Varese Sarabande
Length: 55'46
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5463 votes)
  1. Prologue (2:00)
    Henry Jackman
  2. Arashikage (1:38)
    Henry Jackman, Dominic Lewis, Daniel Pinder
  3. Get Me The GI Joes (2:34)
    Henry Jackman, Matthew Margeson, Junkie XL
  4. Friendly Fire (1:42)
    Henry Jackman, Dominic Lewis
  5. Exile (3:34)
    Henry Jackman, Matthew Margeson
  6. Presidential Facade (2:38)
    Henry Jackman, Matthew Margeson
  7. Einsargen (2:44)
    Henry Jackman
  8. Making Things Go Boom (2:10)
    Henry Jackman, Matthew Margeson
  9. Storm Shadow (2:12)
    Henry Jackman
  10. Bad Dojo (5:05)
    Henry Jackman, Dominic Lewis
  11. Lady In Red (3:18)
    Henry Jackman, Dominic Lewis, Andrew Kawczynski
  12. Fighting Ugly (1:51)
    Henry Jackman, Matthew Margeson, Junkie XL
  13. Fort Sumter (2:37)
    Henry Jackman
  14. Scare Tactics (2:29)
    Henry Jackman, Matthew Margeson
  15. I Want It All (0:51)
    Henry Jackman, Matthew Margeson
  16. End Game (4:10)
    Henry Jackman, Matthew Margeson, Dominic Lewis
  17. Honor Restored (2:49)
    Henry Jackman, Dominic Lewis, Daniel Pinder
  18. Firefly (4:19)
    Henry Jackman
  19. Zartan (7:25)
    Henry Jackman
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Some Guy Again reply Replies: 0 || 2018-01-14 08:23:43
Alternative cover design for this version: https://ibb.co/iW7UcR

cody reply Replies: 0 || 2014-02-12 19:45:34
is it just me or is zartan's theme just too badass!!!

Hybrid Soldier reply Replies: 1 || 2013-09-04 22:35:04
Little "who did what" here ! :)


Edmund Meinerts2013-09-05 08:44:50
Muchas gracias. :)

Bryan reply Replies: 3 || 2013-06-06 10:50:34
the recording session will be leaked soon! :)


T-Mann0362013-07-15 18:49:29
*water drips*


thejok3rrules2013-07-15 22:38:55
Well, the demos are out there...


lol2013-07-17 17:05:27
Soon?...

Rock reply Replies: 0 || 2013-04-10 16:18:10
Honor Restored awesome track

tomPoland reply Replies: 0 || 2013-03-29 08:46:02
Officially conversion, but rumors was that they had to put more Tatum, so there should be changed and added scenes. Maybe Jackman had to score something more or change few cues.

Score is very nice.

tomPoland reply Replies: 1 || 2013-03-26 12:12:52
Did Jackman score something new during 2d->3d conversion? Or it is the score he recorded in 2012?


Anonymous2013-03-29 07:09:56
If it was just a conversion I doubt it'd call for new music.

Hybrid Soldier reply Replies: 3 || 2013-02-19 20:56:13
Announced by Var&#232;se !


Jimmer2013-02-20 13:12:49
Should be good. I've always been intrigued by Jackman's and Margeson's work.


MrZimmerFan (Fan from Spain)2013-02-20 17:17:27
I hope better than Abraham Lincoln


Master2013-03-25 01:52:58
Thanks Hybrid! :D

MrZimmerFan (Fan from Spain) reply Replies: 0 || 2013-03-19 20:05:38
Is in Itunes US, for $9.99, and sounds good

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G.I. Joe - Retaliation soundtrack - Henry Jackman 2013