NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitI saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.
Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).
Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 StrongThere you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)
Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.Jesus Christ, what a mess! What is wrong with you Balfe fanboys? Edmund comes in trying to settle down the situation and add some nuance and you just curse him out? He even admits to liking Lorne, basically states how the top comment is far too harsh, defends Balfe, and all he does against him is call out Michael for borderline bullying someone else into worshiping Balfe.<br><br>After all of that, all you can possibly say in response to him is "go away you John Powell fanboy"? For saying one thing against a guy basically being a mindless fanboy. Which by the way is an unbelievably poor argument because I've seen Edmund criticize Powell scores before. Is Edmund not aloud to prefer Powell? He didn't even bring his music up once in this discussion! Oh no I can see the responses now...<br><br>"superultramegoo go listen to Transformers 5 for the 50th time.we dont need youre stupidumb comments here !!!!!!!!!!!!!! Balfe has won many awardso tyou cant say any thing bad about him you Jablonsky fnaboy.stop with these demoralizing comments.!A Star Wars score that John Williams himself worked on, however briefly. An interesting time to be a film music fan indeed. <br><br>Hybrid, do you know if Powell was already hired before the director switch on Solo?Happy birthday Mr BalfeI have the same concern, but at the same time I'm really really excited and curious to hear what Williams' sensibilities filtered through Powell's voice will sound like. Those are two of my absolute favorite composers (like, honestly, those two and Hans, top three). I just hope Powell can figure out a way to make it sound natural and organic and not forced/awkward. And maybe if Powell doesn't have to worry about coming up with a main theme it leaves him more time to fine-tune the balance between the two composers' voices (or else write cool secondary material). Giacchino only had four weeks on Rogue One and while he did a decent job, it wasn't as smooth an adaptation as I'd have hoped, especially coming from the composer of Medal of Honor. My expectations are higher for Solo.<br><br>I couldn't give two shits about the movie itself but I'm grateful it exists if only because it will give us this exciting, one-of-a-kind score situation. :)<br><br>Also, there's gonna be a Star Wars score with a page on hans-zimmer.com - who'd ever have thought?
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Additional Music - Choir Conductor
Hans ZimmerJim DooleyNick Glennie-SmithBlake Neely
ComposerAdditional MusicAdditional MusicAdditional Music
The Da Vinci Code (Complete Score)
Label: Unofficial Release
Length: 201'24
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4211 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. Main Title - Sauniere Dies (4:25)
  2. Enter Collet - The Discipline (3:43)
  3. The Louvre (2:30)
  4. Vitruvian Man (1:42)
  5. Urgent Message - The Lav In The Louvre (5:20)
  6. Leaving The Lav (1:16)
  7. Sophie Reflects (1:46)
  8. Anagram, On The Rocks (Part 1) (1:26)
  9. Anagram, On The Rocks (Part 2) (2:31)
  10. Smart Car Drive (1:38)
  11. Smart Car Chase (1:22)
  12. Saint-Sulpice (3:32)
  13. We Are Not Amused (1:24)
  14. The Junkie (1:30)
  15. History Lesson - Haxo 24 (2:58)
  16. But No Further, Job 38:11 (2:16)
  17. Ranting All The Way To The Bank (3:02)
  18. The Box (4:15)
  19. Cryptex (1:09)
  20. Miracle (1:17)
  21. Kerfuffle In The Truck (1:42)
  22. Everyone Is Pissed (2:10)
  23. Enter The Teabag (1:53)
  24. Silas Gets The Call (0:52)
  25. Teabing Explains (13:02)
  26. Keystone Revealed (1:43)
  27. Teabing Inspects Cryptex (2:11)
  28. Silas Attacks Langdon (3:01)
  29. Bumpy Ride (1:12)
  30. Sophie Confronts Silas (2:54)
  31. On A Grail Quest (3:26)
  32. Fache Is Opus Dei - Hawker Landing (2:46)
  33. Search The Plane! (1:14)
  34. Aringarosa Departs (2:13)
  35. Temple Church Attack (3:49)
  36. Silas Is Fired - Bus Ride (2:21)
  37. Remy's Death (5:19)
  38. Kyrie For The Magdalene (0:43)
  39. The Teacher's Plots Unfold (4:11)
  40. Newton's Tomb (5:08)
  41. Travelling To Rosslyn (4:15)
  42. The Blade & Chalice (10:36)
  43. Well Story & Goodbye (1:48)
  44. Oh, That Ancient Rosslyn (4:09)
  45. End Credits (7:11)
  46. Da Vinci Code Suite (28:26)
  47. Kyrie For The Magdalense Suite (3:55)
  48. Salvete Virgines (Maiden Song) (3:16)
  49. Urgent Message - The Lav In The Louvre (Alternate) (5:50)
  50. Teabing Explains (Alternate) (13:02)
  51. Temple Church Attack (Alternate) (3:39)
  52. Silas Is Fired - Bus Ride (Alternate) (2:19)
  53. Remy's Death (Alternate) (3:05)
Create Topic

Mehmetcan reply Replies: 0 || 2017-06-03 10:59:29
Which ones are Blake's composed Themes for the movie "The Da Vinci Code"?

Preacher reply Replies: 1 || 2013-03-05 04:12:40
Remy's Death is basically structured around the Batman Begins two-note theme, I just noticed recently. Very similar indeed.


Evan2015-10-16 14:06:55
Oh man, you're right! Sounds a lot like "I Need You At The Docks - Why Bats?" On the Batman Begins score. Kind of cool though. I love the Zimmer-isms that pop up through out his scores. Some people call it lazy but I actually enjoy it.

Hybrid Soldier reply Replies: 2 || 2013-02-07 21:38:17
Ok guys here we go I've been busy so no time to add it before.

For asking "who did what", that one is a tough one.

Main Title - Sauniere Dies credits HZ & Mel Wesson.

And then just words about Richard Harvey, being of course credited alone for Kyrie For The Magdalene, but also credited on the score with HZ for :

Vitruvian Man
Anagram, On The Rocks (Part 1)
Silas Is Fired - Bus Ride
Remy's Death

No words on the other guys.

Lorne has worked on Silas Attacks Langdon & Silas Is Fired - Bus Ride (alt) (his site). But Not Further, Job 38:11 sounds a lot like SOCOM, so I'd assume it's by Jim Dooley... :P


T-Mann0362013-02-07 22:13:38
I'm deeply impressed, Soldier.


...2014-08-25 23:52:07
I think Daniel Pinder worked on the end titles that appeared in the movie...

ricardo reply Replies: 0 || 2014-03-09 20:08:53
hola muy buena banda sonora

Mikel SiW (a fan from Spain) reply Replies: 0 || 2013-02-09 16:09:42
OMG

 HANS-ZIMMER.com© 2001-2017 OST 
The Da Vinci Code (Complete Score) soundtrack - Hans Zimmer 2006