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The samples sound great! Looking forward to hearing this!This score should've sounded more like Chappie...Alas, you are correct...<br><br>Since T3 all the scores have gone symphonic...Sure, there's percussion and some nifty SFX to go with the music, but as a whole it just doesn't fit and turns the movie into an action adventure. Beltrami and Elfman made good themes, but they just missed the point.<br><br>Terminator should very well sound synthetic.  <br><br>I figured with Remote Control behind the wheel this time, we'd get that. But in my opinion Balfe just went with Beltrami and Elfman and decided to turn this into a Jablonsky Transformers sounding score with more of your usual symphonic material. <br><br>Sure, it's using synths, but to be honest I would have preferred the synths Junkie used in Mad MAx over what was used here. Or hell, drag out Han Zimmer's harsh droning synths from the early 2000s...toss in some more anvil and marching band for the percussion and there you go. <br><br>I simply don't understand why this is so difficult. Or maybe it's too simple and that's why they keep missing the mark. <br><br>The Terminator Salvation video game score sounds closer to what I was hoping it would sound like than what we got.<br><br>Oh well...Nice themes though.FINALLY! :DListen carefully to the score. Its not hard to see who did the work.<br><br>Zimmer writes his simple, strong themes like the shen one and then Balfe gives them the ornate orchestrations and Powell-esque arrangements. Simple. Like I said here months ago on the batman page. Zimmer doesn't write this style of complicated cue himself. That's not his style. He doesn't do frilly and swirls and trumpets, he does austere and basic. Enter Balfe to spice it up.<br><br>Maybe that's why people are mixing up and thinking Powell did more than he did. Zimmer tunes + Balfe arrangement and you get a decent impression. Which was pretty much Megamind as well, a mini-Powell score in parts. Balfe is a very good arranger let's give him credit.
Really looking forward to this.@Hybrid<br><br>Oh? That's interesting. Was it like a "Pirates" situation where everything was rushed or a producer thing?Powell did "Po Finds the Truth," apparently. I do find it pretty funny that it seems like the two primary composers didn't have as big a role as some of the secondary ones...And yet, this score is still great!Any ideas which scenes Powell actually worked on, if any?There aren't much interviews because the projects didn't go that well during its production. And Powell actually didn't do much.
I agree, to me the score mostly sounds like Lorne Balfe. <br><br>But I dunno, as I've said before, I don't think it's a case that Zimmer or Powell write a sketch and then sit back and drink coffee while the others do the work. I imagine it's very collaborative. <br><br>Unfortunately there's very few interviews/info about this score compared to a lot of others, which is a pity, because it's one of the best RCP collaborations. It's a really tight, well put-together, consistent, enjoyable score, and it's a shame none of the composers involved want to talk about it!I agree. Zimmer isn't heard obviously in much of this score, as has been repeatedly hashed out, but neither is Powell, if you ask me! It does seem like the additional guys did most of the writing here, albeit copiously using old themes and cues and doing so, presumably, under Powell and Zimmer's direction. I honestly don't see Zimmer *really* doing much of KFP3, either, even though his name is the main credit so far.<br><br>Thoughts?it seems that Intrada will release AGENT CODY BANKS on 7/7 :) source are the hints in the Intrada or FSM forum.To me most of this score sounds like Balfe's, with a few Zimmer spices here and there. I get the feeling that Powell got the co-credit because of the significant amount of stuff that were carried over from the original.I suppose something went wrong on their last collaboration. Adrian's quote about the soundtrack album further encourages this idea.<br><br>Good riddance though. This is not Hans' area of specialty for me anyway.
To me it sounds like a Zimmer theme, but put through a Powell arrangement/orchestration most of the time.forgiveness from Spain. I expect a lot of this musicWhat's the problem?You just COULD NOT wait 5 minutes ? You had to post this ? lol25. Growing Up Richard Harvey Hans Zimmer 4:17    sorry<br><br>maybe best themes: Parachutes,Draw Me A Sheep,Trapped Stars,Farewell,Finding the Rose,Growing Up
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Steve MazzaroMartin TillmanHans ZimmerBob Badami
ComposerAdditional MusicMusic ProducerMusic Supervisor
Bullet To The Head
Label: Varese Sarabande
Length: 42'02
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (850 votes)
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  1. Here's The Story (5:03)
  2. Staying In The Game (2:41)
  3. Just Another Soldier (2:57)
  4. On The Road (1:46)
  5. Don't Touch My Gun (1:57)
  6. The Fox And The Hound (1:24)
  7. This Is My City (3:15)
  8. Ambushed (1:27)
  9. The Only Life He Had (1:57)
  10. Guns Don't Kill People (0:58)
  11. Change Of Plans (2:11)
  12. End Of The Line (6:41)
  13. Vikings (1:15)
  14. It's All Over (3:06)
  15. Bullet To The Head (5:24)
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MrZimmerFan (Fan from Spain) reply Replies: 1 || 2013-02-20 12:57:32
I listened, is worst score i ever listen


Trent Easton Navarro2013-04-30 18:14:00
I've been listening to this one quite a lot the last couple of days and gotta disagree with you. For me, this is easily one of the best scores of this year

Cody reply Replies: 1 || 2013-02-19 22:02:33
This Score Really Reminds Me Of Tyler Bates' Music For Killer Joe!!! I Love It!!!!! its totally worth listening to!!! Nice Work To Steve Mazzaro!!!


Edmund Meinerts2013-02-20 16:09:47
Now there's a guarantee of quality...being compared to Tyler Bates. *yay*

Hybrid Soldier reply Replies: 2 || 2013-01-28 23:24:49
First score for Steve Mazzaro ! :)


Evenstar2013-01-30 20:49:57
Sampes available on Amazon! Sounds interesting.


Evenstar2013-01-30 20:53:47
Well... interesting... more like pub music *g*

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Bullet To The Head soundtrack - Steve Mazzaro 2013