NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Marc just reunited with Ridley on the amazing Raised By Wolves series.<br><br>Klaus is more worried about his other businesses rather than film scoring, I think...Will any tracks from Man of Steel be played on the Live2021 tour? It is a life ambition of mine to experience a live performance of it!I missed Jasha Klebe. I thought he did some really good stuff at Bleeding Fingers. I am looking forward to hearing more from Kara Talve. I think she is a really good talent.<br><br>What happened to Marc Streitenfeld? I was going to ask about Klaus Badelt, but I am pretty sure I am not going to get that story.<br>Tom's more recent work has received more love, but I personally love the Fury Road and Rise of an Empire type soundtrack more. I'm looking forward to this and I hope it's close to what Man of Steel and Dawn of Justice sounded like. Although, the snippet he shared doesn't really sound like it. We'll see.That´s why I asked myself, why dont they ever re-unite like before, so yea, they sometimes do
Interestingly, Aljoscha is collaborating a lot with 2WEI these days. The Junkie Team reassembles ! lolOh I see, very interesting! Many thanks for the answer :)Fired ?!
<br>
<br>Haha no.
<br>
<br>You gotta realize being an additional composer is not exactly an easy thing. Some jump ship after a few years or have other aspirations, try to work solo and so on.
<br>
<br>Vörlander worked for Junkie from 2010 to 2015, then started his own business of writing for commercials, trailers etc. (it's called 2WEI, in Germany) He even did keep working on some trailers for JXL's scores after that, or helped on FIFA 17. Junkie had Aljoscha Christenhuß who worked for him from 2015 to 2018. Then Antonio jointed in 2016, Sara Barone joined more recently last year.
<br>
<br>Thomas is doing his own thing too, he founded Chromium Music and is doing some solo projects now.
<br>
<br>Jasha, after working for Lorne & Hans, "transfered" to Bleeding Fingers but after a while left to focus on his own solo career too.
<br>
<br>Ultimately, everyone leaves, sooner or later... :)@Hybrid, I was always wondering, what happened to composers like Thomas Farnon, Jasha Klebe or Christian Vorlander - why are they not working with Lorne/Junkie anymore? Did they get fired or did they just move on? I find it weird, that Lorne/Rupert/Junkie/Etc would fire their additional composers after all those years of collaboration.The theme he was supposed to write but didn't ? :D lol<br><br>Well don't take word for word what he says. He's being general, the interview was for Forbes afterall.<br><br>Just take the extract we got, it had a quote from BvS that had nothing to do with either Superman or Wonder Woman... lol
*forgot to mentioned"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,”<br><br>I hope Tom just forget to mention about Batman's theme and will reuse it too, because if he don't, then what's the point of it?Junkie's score for GvK is probably going to be better than his score for Justice League if he is that interested in doing a score for a godzilla movie.And this<br><br>“On Godzilla vs. Kong, I said, ‘I think we need the biggest bass drum on the planet for this score. I know the guy who can build it, what do you think?’ They just said, ‘Let’s do it.’ So I said I want a bass drum that is at least eight feet in diameter,” he laughed. “The guy called me back, and he asked, ‘Is it okay if it’s only six?’ I said, ‘Could we do eight? Why can’t we do ten?’ The answer was, ‘Well, there’s simply no cow alive that has a skin big enough to cover for a ten-foot bass drum.’ So, we have to scale it down to eight.Also, a bit of GvK:<br><br>'A perfect example is the Godzilla vs. Kong movie that is coming out next year,” he enthused. “I’m such a Godzilla freak. I have all the Japanese versions of the movies. At a certain point, just for s**ts and giggles, I wrote something for Godzilla. About two years ago, I met the director because he showed interest in me as a composer. I asked him, ‘Do you know I’m the biggest Godzilla fan on the planet, and, years ago, I wrote some stuff.’ He was like, ‘You’re kidding me?’ So we started communicating, I tweaked what I did, played it for him, and he was totally in love.”
Tom's interview kinda exactly confirms what I said ! lol<br><br>"Besides the Man of Steel theme for Superman and the theme for Wonder Woman, which I have given a new spin, all the other themes for this movie are brand new,” he revealed. “Some of them I did the groundwork on four years ago, but as you grow as a composer, you look at what you did and maybe have a better way of doing it now or a better idea. It was inspiring. I would get an idea in my downtime and think, ‘Oh, let’s rework this thing. Let’s do that.’ Because I knew for a while that this was coming, I had the time and space to shape it into its best possible form."@Hybrid besides Tom style, do you like the more orchestral style with Di Lorio or the more electronic style with Vorlander?Interesting! It sounds like he’s almost starting from the ground up, which actually might end up sounding better than what we would’ve gotten had the original film been released in 2017. <br><br>I’m also interested in the theme suites/sketchbooks he wrote back then, and if they will still be used as a basis for the score. Either way the end result is gonna be cool I feel, hopefully we get a great score release from WaterTower!Well since the thing is completely going to be re-edited (series format, probably 4h movie after), lots of scenes added & altered (something even if Snyder had stayed in 2017, he couldn't have done freely), a lot of work to be done for sure.
<br>
<br>Writing new cues, maybe changing others completely. Rewriting with all the edits probably making scenes longer etc.
<br>
<br>You probably have the core of the score, the themes, the big ideas & cues done, but you have to readapt it almost completely ! And, as I said, in 3 years, maybe Tom can listen to something he wrote 3 years ago and go "ok, I got that completely wrong, let's try something else."@HybridSoldier<br>That’s completely true. Do you think we will ultimately get a hybrid of Tom’s original score mixed with whatever else he is writing currently? <br><br>He says in the preview that there is much more to write, which is interesting considering the original cut was supposedly “mostly done”...
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Daft PunkJoseph TrapaneseToby ChuGavin Greenaway
ComposerCo-ComposerAdditional ArrangementsConductor
Tron Legacy (Complete Score)
Label: Unofficial Release
Length: 124'55
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5964 votes)
CD1
  1. Legacy Open (1:38)
  2. Bedtime Story (1:33)
  3. News Report (1:54)
  4. Motochase (1:35)
  5. Encom Tower (Part 1) (3:53)
  6. Encom Tower (Part 2) (2:18)
  7. Sam Visits Arcade (0:54)
  8. Recognizer Capture (2:38)
  9. Sam Descends To Grid (1:22)
  10. Sirens (2:04)
  11. Disc Game Intro (1:33)
  12. First Round (1:41)
  13. Sam Fights (1:40)
  14. Rinzler VS Sam (2:18)
  15. Throne Room (1:37)
  16. Lightbikes Intro (0:28)
  17. CLU Crowd Intro (1:20)
  18. Lightbikes Battle (3:25)
  19. Quorra Saves Sam (2:43)
  20. Safehouse Reunion (3:11)
  21. CLU Waits (0:40)
  22. Flynn's Flashback (4:11)
  23. Sam Plans Escape (1:42)
  24. Quorra Decides (3:10)
  25. Sam Seeks Zuse (2:55)
  26. End Of Line (2:37)
  27. Final Scheme (2:19)
  28. CLU Breaks In (2:42)
  29. Party Crashers (1:44)
CD2
  1. Flynn Drops In (1:23)
  2. Solar Sailer Intro (1:28)
  3. Solar Sailer (2:42)
  4. CLU Arrives (0:37)
  5. Flynn's Promise (1:55)
  6. Tron Tracks Flynn (1:33)
  7. CLU Sees Zuse (1:48)
  8. Sunrise Prelude (2:52)
  9. Rectifier Arrival (1:47)
  10. Quorra Caught (1:35)
  11. CLU Prepares (1:22)
  12. Quorra Meets CLU (1:39)
  13. CLU Speech (2:14)
  14. Recovering The Disc (4:12)
  15. Lightjets (4:39)
  16. CLU & Tron Fall (1:45)
  17. Portal Arrival (2:01)
  18. Portal Climax (3:22)
  19. Flynn Lives (1:52)
  20. First Sunrise (1:27)
  21. Overture (3:18)
  22. End Credits (4:23)
  23. Legacy Theme (1:59)
  24. Final Scheme (Alternate) (2:07)
  25. Solar Sailer (Alternate) (2:42)
  26. CLU Arrives (Alternate) (0:37)
  27. Flynn Lives (Alternate) (1:53)
  28. End Credits (Short) (2:30)
  29. 2008 Comic Con Teaser - Clay Duncan (1:52)
Create Topic

Warfighter reply Replies: 7 || 2013-04-14 02:19:32
What was RCP's involvement in "Oblivion"? It definitely has a strong Inception/ Dark Knight vibe
The credits state: Mixed at RCP.

Did Clay Duncan work on this?

It's really a great score and fits the movie perfectly.



Ds2013-04-14 16:25:16
I think it's the first great epic score of 2013!

I didn't know it was mixed at RCP, i checked the digital booklet and didn't find anything about that... But i did it quickly so maybe i'm wrong!


Hybrid Soldier2013-04-14 16:33:51
Unlike Tron RCP didn't work on that one in any way... Yeah the score was mixed there, like a LOT of scores these days, cause it's one of the best facilities for that in Hollywood... ;)


The score is great, but unlike Tron, sounds really nothing like RCPish... Sure one cue is a TDKR ripoff (temptrack, I guess), and yeah a few have Tron vibe, but that's all... Putting a synth pad in a score these days & using percussions make everyone call anything RCP...


JamesT2013-04-15 02:32:34
Very true, Hybrid.


Edmund Meinerts2013-04-28 15:56:01
Sounds nothing like RCP? Then what's with all the Batman Begins/Dark Knight ostinatos running all over the place? That opening track "Waking Up" is obviously influenced by Zimmer's Batman scores (with one Inception blast thrown in for good measure) and it's far from the only one. The similarities go way beyond just synth and percussion.


Ds2013-04-28 16:38:19
I agree with Edmund Meinerts, the composers were clearly influenced by Zimmer last works for the orchestral parts (especially TDKR). But what's best in Oblivion score is the synth stuff, which remains very fresh.


Mike2013-07-05 01:21:13
Hybrid, which cue is the TDKR ripoff? Judging by the album, I'd guess it's "Waking Up", but I don't know since I never saw the film or heard the complete score.


Bayhem2019-03-31 10:11:36
The "Oblivion" score is indeed heavily influenced by the MV/RC sound. I saw the movie again recently and it's pretty obvious.

Joseph Kosinski is clearly an MV/RC fan and if you look at all of his movies so far......they all have MV/RC-influenced scores. Even "Only the Brave".

And for "Top Gun 2" Kosinski finally got the man himself - Hans. I guess it helps when you have Bruckheimer as producer :)

theeaglesfan005 reply Replies: 5 || 2014-01-29 00:54:27
What's with DP's helmets on the top right?

I know on the liner notes there is a thank you directed towards Zimmer.. But what's the connection between HZ & DP?

  Your name :   

Please enter number: 1131 


Areozz2014-01-29 01:10:48
Zimmer was the Music Consultant.


Spence2014-01-29 06:53:26
They just won the grammy for Best Album. Since they've worked with RCP, it would only make sense to promote them in that promotion icon spot :)


Zeus2014-01-29 16:43:06
While that does make sense, it was well over 3 years ago. If anything, their helmets were there during the release of the soundtrack and / or film. But who knows. Perhaps that is why, perhaps not.


RealFfingMusic2014-02-08 20:19:13
How many people exactly composed the tracks?


Eddie2018-11-24 17:04:11
Is it possible to purchase a copy of this album? I can't seem to find it.

Daniela reply Replies: 0 || 2013-04-14 04:20:18
Hi I'm from Chile. I study graphic design at Diego Portales University I have to do a work about Hans Zimmer . I would know if you can help me please, answering some questions &#191;What do you think about him as composer? &#191;What is his best soundtrack and why? &#191; What is important about his life?(something anecdotic) .If you tell me all the things that you know I'd be really grateful.

Anonymous reply Replies: 4 || 2012-12-28 05:15:40
Final Scheme, CD 1, is not on the recently leaked sessions?


Stygian2012-12-30 04:05:20
I'm fairly sure it is. Look again.


Anonymous2012-12-30 21:35:47
Not on my set.


Mr. Charles2012-12-30 22:52:14
Well then son, you need to download it again. It's listed on here as track 27. On the sessions, it's cue 5m26s Final Scheme. It was released as the bonus track "Castor"


Mr. Charles2012-12-30 22:54:33
There's an "s" in front of the 26 because it's source music. I would have thought that it's just part of the score, but I guess not. It plays when Sam is in the End of Line club talking with Castor, or "Zues". All of the music playing during that part of the film (End of Line, Final Scheme, Party Crashers) is considered source music.

Felix reply Replies: 2 || 2012-12-27 22:41:17
WOW


Mike2012-12-27 22:42:59
Yeah...the guy who posted all the tracklists really wasn't faking I guess... O_O


Stygian2012-12-30 04:06:07
Who and where are they

theeaglesfan005 reply Replies: 5 || 2012-12-28 03:43:16
Hybrid, do you have the credits for each track? :)


Hybrid Soldier2012-12-28 10:20:26
Well you know it's nearly all tracks by Daft Punk & Joe Trapanese.

Flynn's Flashback is by Toby Chu.


Then you have some unknown help by some unknown big guys, but it's not really known... xD


theeaglesfan0052012-12-28 19:47:46
i know Hans Zimmer was involved... in the booklet that came with the soundtrack they give a huge thanks to him and some other people

I really can't wait for Trapanese's TU release on January 8th


Mr. Charles2012-12-28 23:04:59
I was getting at that. They thanked Hans Zimmer, Harry Gregson-Williams, Christophe Beck and a couple other composers. The entire score has Zimmer's touch all over it. But thanks for the partial credit for that one cue I suppose. There just has to be more, though


Hybrid Soldier2012-12-29 10:06:51
Clay Duncan was the first guy hired to score Tron Legacy (hence his trailer music back 4 years ago). His music actually had the roots of the final score.

Director wanted Daft, so they kicked him.

But in the end Mickey wasn't pleased with DP, so they asked for some back up by RCP and others. Not saying DP's score was rejected, not at all, but it was really guided & helped by RCP people, including... Clay Duncan, the fallen... LOL


Mr. Charles2012-12-29 18:08:17
Well I went to Joseph Trapanese's site and found some credits. Turns out he's worked on M83's latest album. They happen to be composing Tom Cruise's new movie "Oblivion", which is directed by Joseph Kosinski, who also directed Legacy. Anyway, here's the credits:

1.) Outlands (OST)
Quorra Saves Sam (Sessions)

2.) Fall (OST)
Flynn Drops In (Sessions)

3.) Sunrise Prelude (Bonus Track, same on Sessions)

4.) Rectifier (OST)
C.L.U. Speech (Sessions)

5.) C.L.U. (OST)
Lightjets (Sessions)

6.) Flynn Lives (Same as OST & Sessions)

7.) Solar Sailor (OST)
End Credits, pt. II (Sessions)

Ans Toby Chu arranged "Flynn's Flashback", which is "Adagio for TRON" on the OST

Someguy who wants the inception score reply Replies: 2 || 2012-12-27 23:10:50
Where is the Inception recording sessions? I Mean its great to have this complete scores but why inception its not even released, even the dark knight rises was released so why not inception


Mike2012-12-28 00:06:28
Sadly, m'friend, I don't think it will surface. All we've had were countless fake track lists.


Anonymous2012-12-28 00:12:46
Inception... And Sherlock Holmes (1 and 2)!!!

 HANS-ZIMMER.com© 2001-2018 OST 
Tron Legacy (Complete Score) soundtrack - Daft Punk 2010