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Is it just me or does the “Catwoman” riff (not the main theme) in “Bar Shootout” and “Nothing Out There” sound very much like the main Scarface theme?<br><br>I’ve also noticed that Hans sometimes will write a main tune and a series of riffs for a character, but will mainly incorporate the smaller motifs in the film (Angelica’s music from OST, Megamind’s main tune, Catwoman, etc.) Definitely not a problem though, I like the variety.<br><br>Look at the evolution of Batman’s theme from Begins, where he had the 2-note motif and the actual theme, to here where it’s just the 2 notes and the chord theme. I wonder if that was Chris Nolan’s decision.John Powell answered in Facebook there is still 45 minutes of music outside from the CD.Yep, he knows how to do BIG and small moments. He's so versatile. I'm praying rian johnson uses him for his new trilogyThank you! Glad you enjoyed it.If there is one who can replace John Williams on Star Wars than is it John Powell!!<br><br>Great Job!!
It sounds great ! I think I will listen to the CD after the hamburg concert, to keep the surprise, because they will play some cues there ! <br><br>Are some french JP fans going to Hamburg next week ? It would be great to have a beer and talk about film music !Dear Mr. Zimmer (or those interested), <br><br>  Over the years I have always enjoyed some of the higher-intensity compositions you have produced and made a point of putting my money where my mouth is and actually buying the soundtracks - money well spent. I've used specific songs of your's to get through moments of fatigue at work and also to prepare (silly as it may sound) for sporting events, even working out or running. I found them better than any rock or even electronic-type energetic music, until such a point, naturally, that I'd listened to them too many times and the magic wore off. Some of your songs rise to a crescendo that sometimes are powerful but perhaps lost on those who are unfamiliar with the corresponding movie scene ("Flight" from Man of Steel, it rises gradually but the concept you capture is magnificent, "Time" from Inception as well comes to mind). Some are obviously and undeniably potent like "A Dog Chasing Cars" or, going way back to when I learned of your work, "The Battle" from Gladiator which reminded me of "Mars, the Bringer of War", -- or even the latest "Sea Wall".<br><br>  Admittedly this is odd but I can't help but wonder if despite all the solicitations you must receive it seemed to me I might as well send the following two-fold feedback: in the same way I was pleased to learn that Daft Punk was handling the soundtrack for the modern remake of TRON (and what a fine job they did) I was also heartened to find that you were handling the soundtrack for Blade Runner 2049. It seemed a good sign to me at the time and I knew I would buy a ticket at that point. That was a movie (BR2049) I was worried they would BOTCH much in the same way they completely did whatever it was they did with remake of Total Recall (in which they completely stripped it of its cerebral essence and made it a very long chase-scene). <br><br>  All of this is to express some appreciation and also plug an obscure pianist from Montreal who has been on the CBC and all that, who, when I spoke to him after a show and compared some of his energetic imaginative work (Nostos comes to mind, and damn he hit 99% of those complex piano notes) to your's he admitted it was a dream of his to work with you under any capacity. Of course I suspect nothing will come of this but either way I think it harmless to tip my hat your way as a long-time fan who has utilized your music for motivation many, many, many times and also note that on my esoteric playlists five or six came from you and one or two came from him (Nostos, Il, Hypoctite)<br><br> Lastly, it should be noted for the historians that one time Jean-Michel Blais saved us Canadians (if you do the collective math based on viewership) a great deal of time and intellectual agony. Chevy was running commercials during the NHL playoffs (last year, not the the latest Washington Capitals win) in which an irritating scenario of "real people" were supposed to judge cars/trucks that popped out from behind sliding doors or lifted from basements (aircraft-carrier-style), and the poor fools/actors/allegedly "real people" had to say something nice about it all. It was such garbage. How splendid, how refreshing, then, that they ran a good commercial with someone just winding corners and enjoying driving the damn car to the music, which I recognized as JMB's "Hypocrite". He saved the society a good 10k hours of perniciousness.<br><br>Whew! That's all from me. Love the music, keep it up. Please give JMB a shot I think you'll find his attitude/ethic/skills refreshing. Regardless of that at least it was worthwhile of me to express my appreciation for ten years of masterful original music on your part anyway.Separate question:<br><br>Is Toby Chu part of RCP? I think he had some connections at least right?Why wouldn't Hans go all-out for something that's going to be viewed on this scale? I mean, how hard is it to compose 45 seconds of compelling, original music when you've worked on innumerable 2+ hour films?Woah, Hans actually did good work on this; it's admittedly a bit anonymous-sounding, but the combination of percussion, strings, and choir works in a way that's reminiscent of Angels & Demons (oh, those were the days...).
John just precised this point, i was just too impatient ;)Hubris: Choral Works by John Powell is now available to stream worldwide on all digital platforms! &#128526;<br><br>Also available to download in 192k/24bit high-resolution from johnpowellmusic .com<br>CDs on https ://bit.ly/2lcQ5Ig :) and coming soon to Amazon and other retailers!<br><br>Thank you, everyone, who was a part of this record!<br>Enjoy &#127926;&#127930;Mega cool :) Wann wird dieser Remix released? :)This would be really nice that as the release is only available for download, we had the choice to download it in a better quality than the CD itself. We have no material piece in the  hands, at least we would like to have such a contentment. I do have no action in Qobuz, but that should be a mandatory place for a download only music, for music lovers who like pure instrumental music. ;)<br>I'll be waiting for it !This album is absolutley wonderful!. I loved every second of it. I adore choirs in film music and an album like this is a very welcome treat!<br><br>Great job, Mr. Powell<br>10/10
Absolutely delightful score. Loved it.Where can we buy this "complete score"?What a wonderful soundtrack, I can not stop listening either. When I get home after work, Interstellar is the best soundtrack to listen to in the quiet of dawn. It's to get in touch with the Cosmos. Congratulations Hans Zimmer.from like.....4 years ago?I’m surprised nobody is talking about the expanded score that has leaked...!
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Daft PunkJoseph TrapaneseToby ChuGavin Greenaway
ComposerCo-ComposerAdditional ArrangementsConductor
Tron Legacy (Complete Score)
Label: Unofficial Release
Length: 124'55
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (4943 votes)
CD1
  1. Legacy Open (1:38)
  2. Bedtime Story (1:33)
  3. News Report (1:54)
  4. Motochase (1:35)
  5. Encom Tower (Part 1) (3:53)
  6. Encom Tower (Part 2) (2:18)
  7. Sam Visits Arcade (0:54)
  8. Recognizer Capture (2:38)
  9. Sam Descends To Grid (1:22)
  10. Sirens (2:04)
  11. Disc Game Intro (1:33)
  12. First Round (1:41)
  13. Sam Fights (1:40)
  14. Rinzler VS Sam (2:18)
  15. Throne Room (1:37)
  16. Lightbikes Intro (0:28)
  17. CLU Crowd Intro (1:20)
  18. Lightbikes Battle (3:25)
  19. Quorra Saves Sam (2:43)
  20. Safehouse Reunion (3:11)
  21. CLU Waits (0:40)
  22. Flynn's Flashback (4:11)
  23. Sam Plans Escape (1:42)
  24. Quorra Decides (3:10)
  25. Sam Seeks Zuse (2:55)
  26. End Of Line (2:37)
  27. Final Scheme (2:19)
  28. CLU Breaks In (2:42)
  29. Party Crashers (1:44)
CD2
  1. Flynn Drops In (1:23)
  2. Solar Sailer Intro (1:28)
  3. Solar Sailer (2:42)
  4. CLU Arrives (0:37)
  5. Flynn's Promise (1:55)
  6. Tron Tracks Flynn (1:33)
  7. CLU Sees Zuse (1:48)
  8. Sunrise Prelude (2:52)
  9. Rectifier Arrival (1:47)
  10. Quorra Caught (1:35)
  11. CLU Prepares (1:22)
  12. Quorra Meets CLU (1:39)
  13. CLU Speech (2:14)
  14. Recovering The Disc (4:12)
  15. Lightjets (4:39)
  16. CLU & Tron Fall (1:45)
  17. Portal Arrival (2:01)
  18. Portal Climax (3:22)
  19. Flynn Lives (1:52)
  20. First Sunrise (1:27)
  21. Overture (3:18)
  22. End Credits (4:23)
  23. Legacy Theme (1:59)
  24. Final Scheme (Alternate) (2:07)
  25. Solar Sailer (Alternate) (2:42)
  26. CLU Arrives (Alternate) (0:37)
  27. Flynn Lives (Alternate) (1:53)
  28. End Credits (Short) (2:30)
  29. 2008 Comic Con Teaser - Clay Duncan (1:52)
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theeaglesfan005 reply Replies: 4 || 2014-01-29 00:54:27
What's with DP's helmets on the top right?

I know on the liner notes there is a thank you directed towards Zimmer.. But what's the connection between HZ & DP?


Areozz2014-01-29 01:10:48
Zimmer was the Music Consultant.


Spence2014-01-29 06:53:26
They just won the grammy for Best Album. Since they've worked with RCP, it would only make sense to promote them in that promotion icon spot :)


Zeus2014-01-29 16:43:06
While that does make sense, it was well over 3 years ago. If anything, their helmets were there during the release of the soundtrack and / or film. But who knows. Perhaps that is why, perhaps not.


RealFfingMusic2014-02-08 20:19:13
How many people exactly composed the tracks?

Warfighter reply Replies: 6 || 2013-04-14 02:19:32
What was RCP's involvement in "Oblivion"? It definitely has a strong Inception/ Dark Knight vibe
The credits state: Mixed at RCP.

Did Clay Duncan work on this?

It's really a great score and fits the movie perfectly.



Ds2013-04-14 16:25:16
I think it's the first great epic score of 2013!

I didn't know it was mixed at RCP, i checked the digital booklet and didn't find anything about that... But i did it quickly so maybe i'm wrong!


Hybrid Soldier2013-04-14 16:33:51
Unlike Tron RCP didn't work on that one in any way... Yeah the score was mixed there, like a LOT of scores these days, cause it's one of the best facilities for that in Hollywood... ;)


The score is great, but unlike Tron, sounds really nothing like RCPish... Sure one cue is a TDKR ripoff (temptrack, I guess), and yeah a few have Tron vibe, but that's all... Putting a synth pad in a score these days & using percussions make everyone call anything RCP...


JamesT2013-04-15 02:32:34
Very true, Hybrid.


Edmund Meinerts2013-04-28 15:56:01
Sounds nothing like RCP? Then what's with all the Batman Begins/Dark Knight ostinatos running all over the place? That opening track "Waking Up" is obviously influenced by Zimmer's Batman scores (with one Inception blast thrown in for good measure) and it's far from the only one. The similarities go way beyond just synth and percussion.


Ds2013-04-28 16:38:19
I agree with Edmund Meinerts, the composers were clearly influenced by Zimmer last works for the orchestral parts (especially TDKR). But what's best in Oblivion score is the synth stuff, which remains very fresh.


Mike2013-07-05 01:21:13
Hybrid, which cue is the TDKR ripoff? Judging by the album, I'd guess it's "Waking Up", but I don't know since I never saw the film or heard the complete score.

Daniela reply Replies: 0 || 2013-04-14 04:20:18
Hi I'm from Chile. I study graphic design at Diego Portales University I have to do a work about Hans Zimmer . I would know if you can help me please, answering some questions &#191;What do you think about him as composer? &#191;What is his best soundtrack and why? &#191; What is important about his life?(something anecdotic) .If you tell me all the things that you know I'd be really grateful.

Anonymous reply Replies: 4 || 2012-12-28 05:15:40
Final Scheme, CD 1, is not on the recently leaked sessions?


Stygian2012-12-30 04:05:20
I'm fairly sure it is. Look again.


Anonymous2012-12-30 21:35:47
Not on my set.


Mr. Charles2012-12-30 22:52:14
Well then son, you need to download it again. It's listed on here as track 27. On the sessions, it's cue 5m26s Final Scheme. It was released as the bonus track "Castor"


Mr. Charles2012-12-30 22:54:33
There's an "s" in front of the 26 because it's source music. I would have thought that it's just part of the score, but I guess not. It plays when Sam is in the End of Line club talking with Castor, or "Zues". All of the music playing during that part of the film (End of Line, Final Scheme, Party Crashers) is considered source music.

Felix reply Replies: 2 || 2012-12-27 22:41:17
WOW


Mike2012-12-27 22:42:59
Yeah...the guy who posted all the tracklists really wasn't faking I guess... O_O


Stygian2012-12-30 04:06:07
Who and where are they

theeaglesfan005 reply Replies: 5 || 2012-12-28 03:43:16
Hybrid, do you have the credits for each track? :)


Hybrid Soldier2012-12-28 10:20:26
Well you know it's nearly all tracks by Daft Punk & Joe Trapanese.

Flynn's Flashback is by Toby Chu.


Then you have some unknown help by some unknown big guys, but it's not really known... xD


theeaglesfan0052012-12-28 19:47:46
i know Hans Zimmer was involved... in the booklet that came with the soundtrack they give a huge thanks to him and some other people

I really can't wait for Trapanese's TU release on January 8th


Mr. Charles2012-12-28 23:04:59
I was getting at that. They thanked Hans Zimmer, Harry Gregson-Williams, Christophe Beck and a couple other composers. The entire score has Zimmer's touch all over it. But thanks for the partial credit for that one cue I suppose. There just has to be more, though


Hybrid Soldier2012-12-29 10:06:51
Clay Duncan was the first guy hired to score Tron Legacy (hence his trailer music back 4 years ago). His music actually had the roots of the final score.

Director wanted Daft, so they kicked him.

But in the end Mickey wasn't pleased with DP, so they asked for some back up by RCP and others. Not saying DP's score was rejected, not at all, but it was really guided & helped by RCP people, including... Clay Duncan, the fallen... LOL


Mr. Charles2012-12-29 18:08:17
Well I went to Joseph Trapanese's site and found some credits. Turns out he's worked on M83's latest album. They happen to be composing Tom Cruise's new movie "Oblivion", which is directed by Joseph Kosinski, who also directed Legacy. Anyway, here's the credits:

1.) Outlands (OST)
Quorra Saves Sam (Sessions)

2.) Fall (OST)
Flynn Drops In (Sessions)

3.) Sunrise Prelude (Bonus Track, same on Sessions)

4.) Rectifier (OST)
C.L.U. Speech (Sessions)

5.) C.L.U. (OST)
Lightjets (Sessions)

6.) Flynn Lives (Same as OST & Sessions)

7.) Solar Sailor (OST)
End Credits, pt. II (Sessions)

Ans Toby Chu arranged "Flynn's Flashback", which is "Adagio for TRON" on the OST

Someguy who wants the inception score reply Replies: 2 || 2012-12-27 23:10:50
Where is the Inception recording sessions? I Mean its great to have this complete scores but why inception its not even released, even the dark knight rises was released so why not inception


Mike2012-12-28 00:06:28
Sadly, m'friend, I don't think it will surface. All we've had were countless fake track lists.


Anonymous2012-12-28 00:12:46
Inception... And Sherlock Holmes (1 and 2)!!!

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Tron Legacy (Complete Score) soundtrack - Daft Punk 2010