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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Steve JablonskyMatthew MargesonJacob SheaNathan Whitehead
ComposerAdditional MusicAdditional MusicAdditional Arrangements
Gangster Squad
Label: Varese Sarabande
Length: 56'03
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5468 votes)
  1. His Name Is Mickey Cohen (2:28)
  2. Welcome To Los Angeles (3:13)
  3. He Can't Have You (1:40)
  4. War For The Soul Of LA (2:49)
  5. There Goes Our Ride (1:15)
  6. You Can't Shoot Me (3:52)
  7. Always Knew I'd Die In Burbank (2:29)
  8. You're Talking To God (0:51)
  9. The Bug (2:18)
  10. Hot Potato With A Grenade (3:19)
  11. You Know The Drill (1:07)
  12. I Was Just Hopin' To Take You To Bed (1:31)
  13. Kill 'Em All (1:59)
  14. Chinatown (4:29)
  15. Keeler (2:18)
  16. Connie Lives (1:54)
  17. Let's Finish It (2:26)
  18. Union Station (1:35)
  19. Light 'Em Up (7:28)
  20. The City Of Angels (4:04)
  21. Gangster Squad (2:58)
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Hybrid Soldier reply Replies: 6 || 2013-01-12 09:55:07
There's a lot of Desperate Housewives, Texas Chainsaw and... Antz in it !


Mr. Charles2013-01-13 00:02:45
I can also hear "Whitwicky" from Transformers. But I liked the score in the film, I made it my goal to pay attention to it


Johnson2013-01-13 04:24:50
Actually, if you pay close attention, Jablonsky also seems to be channeling Thomas Newman...Big Time...

This reminds me of Road to Perdition...


Evenstar2013-01-13 09:24:42
Still an amazing score.


Ds2013-01-13 12:39:31
What track is playing just after the shooting in the street, when Ryan Gosling walks in the direction of Mickey Cohen in slow motion?


Ds2013-01-13 15:10:21
(i found it, it's You Can't Shoot Me)


Edmund Meinerts2013-02-15 22:42:31
I was wondering how the heck a score like this could sound like Antz, but it's definitely there in "Welcome to Los Angeles" and "Hot Potato with a Grenade". Bum-badum-bum bum-badum-bum etc...cool! The Thomas Newman/Road to Perdition twist is a neat touch, though considering Jablonsky hasn't exactly been adverse to throwing bits of Newman into his scores here and there in the past, I guess I shouldn't be surprised. You can definitely trace the influences but I think it's cool that it goes beyond just being a stock modern thriller score. Not a patch on Steamboy, Your Highness or the original Transformers (which is the big Jablonsky triumvirate of awesomeness for me), but it goes a long way towards letting me forgive him for Battleship.

Mr. Fate reply Replies: 6 || 2013-01-14 04:19:43
So...let me get this straight. From what I'm reading here, it seems like this score is pretty awesome what with traces of these past scores being heard in it: Battleship, Sherlock Holmes, Desperate Housewives, Texas Chainsaw Massacre, Antz, Road to Perdition, Inception, Transformers and The Untouchables.

I don't think I've ever seen a single score compared to that many other scores. Is that good? Is it bad? I have no idea, but will this list grow longer?


f..k y..o2013-01-14 07:09:14
Shut Up!


Ray2013-01-14 08:45:04
Mr. Fate, I would necessarily say its bad, but it's definitely not Jablonsky's best work either. Though, I do have to say I thoroughly enjoyed it, and it absolutely has similarities to all the aforementioned scores.

Oh, and this so called "f..k y..o"... Really? I think you added an extra dot to the word you.


MrZimmerFan (Fan from Spain)2013-01-14 11:28:19
I don't think is a bad score, is a very entertaing score, reminiescenes? in every work of RC.


f..k y..o2013-01-14 16:03:18
my name! frank yam...o


ToddL2013-01-19 03:50:10
I really like the score -- going to see the movie this weekend. I hear a lot of older H-GW influences in the slow pieces. I listened to Replacement Killers, Light It Up and Liar earlier....wonderful. Just a mention....Not to take anything away from Jablonsky. He is one of my favs -- fantastic composer who can write an unforgettable theme.


ToddL2013-01-19 03:50:10
I really like the score -- going to see the movie this weekend. I hear a lot of older H-GW influences in the slow pieces. I listened to Replacement Killers, Light It Up and Liar earlier....wonderful. Just a mention....Not to take anything away from Jablonsky. He is one of my favs -- fantastic composer who can write an unforgettable theme.

T-Mann036 reply Replies: 2 || 2013-01-13 20:58:04
I've been listening to this soundtrack completely earlier today. I was completely speechless listening to Steve's composed work. Even for a gangster picture, it reminds me of a combination of the Transformers trilogy, Inception, with a touch of The Untouchables. Just like the Battleship complete film score and Transformers: Revenge of the Fallen complete score, the Gangster Squad film score is truly one Jablonsky's best scores ever made.

Overall: 4.5 out of 5


Edmund Meinerts2013-01-13 22:25:58
The fact that you picked Revenge of the Fallen and Battleship as Jablonsky's two best doesn't exactly give me hope for this. You really want to hear Steve at his best, go listen to Steamboy (!!!!!!) and Your Highness, or the original Transformers, or his additional music for Tears of the Sun and Pearl Harbor. Hell, even Dark of the Moon was better than Revenge of the Fallen (and before you ask, yes, I've heard them all as completes).


T-Mann0362013-01-13 22:42:29
I can't object your comment, Edmund.

abc reply Replies: 0 || 2013-01-12 09:43:16
Great Score!!! I love it

Ds reply Replies: 0 || 2013-01-09 17:26:51
I'm just back from the movie, it was very cool. Jablonsky's work was also very cool. Pretty dark, it has the funny side of Sherlock Holmes and the loudness of Battleship (but without its noisy electronics :) )

T-Mann036 reply Replies: 0 || 2013-01-09 04:53:38
5/5 Out in the new year we have the hard hitting score from Steve Jablonsky and for Varese Sarabande... Well done!
-Jeremy [Retro-Z]

Miles reply Replies: 6 || 2013-01-07 18:17:15
It sounds OK to me for the most part. Nice jazzy rhythm on "Welcome To Los Angeles," "War For The Soul," "Hot Potato with a Grenade," and "Gangster Squad" (which also has a very noirish oboe accompaniment). "He Can't Have You," "I Was Just Hopin' To Take You To Bed," and "Union Station" are nice breaks in the action for piano, and there's some nice string work (seems to be Jablonsky's strength). However, several tracks (notably "You Can't Shoot Me," "You're Talking To God," "Kill 'Em All," and "The City Of Angels") seem to have more of the "Zimmeresque" unsubtle contemporary style than seems appropriate. I'll have to wait for the full soundtrack before I pass judgment, but my impression is that it's a significant step up from the droning, dissonant mess that was Battleship, but a lighter touch would have been better in some spots.


Mr. Charles2013-01-07 21:05:50
Is this "droning, dissonant mess that was Battleship" the OST or sessions? I still haven't had a chance to listen to the sessions yet.

And does anyone know when this is out? Hopefully tomorrow in the US. cause that's usually when a film's score is released - the Tuesday before the film opens, which is Friday


Anonymous2013-01-07 21:21:45
Charles, the VS website will have all the details.


ToddL2013-01-07 22:00:59
On a different, yet somewhat related note, did anyone else read that Cutting Edge Group is going to purchase Varese Sarabande and increase soundtrack product by a good measure?


Mr. Charles2013-01-07 22:08:02
@Anonymous,

I was having a brain fart. I normally would have thought of that. Thanks.

@ToddL,

No, I didn't hear about that!! That's fantastic news!!


Macejko2013-01-07 22:25:53
This might be a good time to ask (and I'm sorry if this is a dumb question, and it probably is) - who is in charge of deciding whether a film score gets a release? Is it a movie studio, a record label, or a composer?


Ds2013-01-09 00:46:04
It's on iTunes US!

Frau Blucher reply Replies: 1 || 2013-01-06 02:50:37
Hybrid, I have 2 questions for you:

1.) When is this score being released, and when can we hear some god samples?

2.) Is the instrumental music heard in the beginning of the Pain & Gain trailer part of the score?

Thanks very much!


Mike2013-01-06 03:37:20
I can answer one thing. The release date is the 8th, so three more days (click "See Details").

jj reply Replies: 0 || 2013-01-05 10:52:17
Do yall no when clips are going to come out on YouTube?

Andy reply Replies: 6 || 2012-12-17 20:05:39
Sampler^^
colosseum.de/product_info.php/info/p2608_Gangster-Squad--Ste ve-Jablonsky-.html


MrZimmerFan (Fan from Spain)2012-12-17 21:01:13
Sounds very good


Evenstar2012-12-17 21:05:25
sounds cool


Yruama2012-12-17 21:13:26
It sounds good but a memorable theme is really missing as Jablonsky knows how to make them.

Extracts remind me moreover a lot Battleship crossed by moment with Desperate Housewives.



MrZimmerFan (Fan from Spain)2012-12-17 21:25:16
Battleship cross with Desperate Housewives? xD, for me sounds like Jerry Goldsmith crossed Hans Zimmer xD


Trent Easton Navarro2012-12-18 16:37:02
I'll wait till I've heard the whole score before I give my final judgement, but boy does this sound horribly bland and predictable. This could have come from any modern day thriller. This doesn't sound like a period set gangster film at all!


Gorast2012-12-21 00:09:58
War for the soul and welcome to los angeles seem to be the only really interesting tracks, everything else I could deal without. bleh. nothing to exciting

T-Mann036 reply Replies: 0 || 2012-12-19 03:51:28
I'm looking forward to Steve's most epic work in Gangster Squad.

Conrad Fischer reply Replies: 2 || 2012-12-07 11:00:33
Does anyone know if Jablonsky is doing the film ''Lone Survivor''

IMDb has had him listed as doing it for a few months but I saw an interview with Director Peter Berg where said he was ''In Talks'' with the instrumental rock band Explosions in the Sky to do the music for the film.

I know IMDb is not the most reliable source so I thought I would ask here as the people who run this site often have insider info.


Edmund Meinerts2012-12-07 11:31:39
I hope the bit about the rock band isn't true. I'd rather new Jablonsky scores sound more like Your Highness/Steamboy/Transformers 1 than Battleship, thanks... ;)


Trent Easton Navarro2012-12-07 14:38:45
@Edmund - Explosions in the Sky wrote a pretty good score for Peter Berg's Friday Night Lights. Not all rock bands deliver Trent Reznor style droning ;)

Hybrid Soldier reply Replies: 19 || 2012-11-20 20:18:57
This will be interesting... :)


MrZimmerFan (Fan from Spain)2012-11-20 21:09:08
The wait is goint to be longer... :(


Mr. Charles2012-11-20 23:07:10
YES!!!!! Oh man, I absolutely cannot wait for this!!

If it weren't for that jackhole lunatic who shot up the theatre in Aurora, this would have opened last month


Trent Easton Navarro2012-11-21 20:37:49
I'll approach this one with extreme caution. I think Carter Burwell was a much better choice to score a period set gangster drama and it's a real shame he got replaced.


Hybrid Soldier2012-11-22 09:18:59
So you don't know what Burwell would have done, and you don't know what Jab has come up with, but it SURELY was better with Burwell ?

I'm impressed !


Ds2012-11-22 11:09:25
Just look at director Ruben Fleischer's other movies, i can't imagine this man doing an old-school movie. I'm pretty sure he wanted a modern approach to it.


Kusi2012-11-22 14:55:41
calm down Hybrid! Personally I'm loving Burwell's THE JACKAL - one of his best :) Maybe it had to be a good choice, but I'm waiting for Steve's music and let me surprise.


MrZimmerFan (Fan from Spain)2012-11-22 16:05:43
Well, i'm not a big fan of Burwell, but he is a good composer, but Steve Jablonsky is gonna a blow up with this score


Trent Easton Navarro2012-11-22 17:43:26
@Hybrid

I'm a big fan of Carter Burwell and him scoring a period set crime flick really got me excited.

But Jablonsky is probably the only real talented composer of the current RC composers. So I'm curious what the result will be, but I'll always wonder what Burwell would have done


Mr. Charles2012-11-22 19:11:08
@Trent

Is Zimmer no longer working at RCP? Is he not talented? He may be the head of RCP, but it still counts. Also, John Powell and Harry Gregson-Williams aren't talented? (Not sure about HGW stick being here, but if he is then I count him as talented)


Ds2012-11-22 20:23:19
Lorne Balfe is also über great!


Trent Easton Navarro2012-11-23 15:41:45
@Mr Charles

Hans himself sure is talented. It just seems he just doesn't use his talents anymore these days (in my opinion that is). He seems to rely more and more on additional composers. Even for the 5 minute Simpsons short he used half a dozen additional composers!

As for Powell and HG-W. Yes, they are indeed also really talented (probably the two most talented composers to have come out of Zimmer's stable), but they are old school (from the days when Zimmer's studio was still called Media Ventures).


Hybrid Soldier2012-11-23 17:10:47
Yeah the 70 minutes of suites written for TDKR really show his big laziness !


ToddL2012-11-23 17:42:45
Looks like the release date is 1/8...


Joshua 2012-11-24 05:27:32
Go to the films official website and you'll hear some music from Jablonskys score.


Trent Easton Navarro2012-11-24 10:40:49
@Hybrid If those 70 minutes are uninspired and rehashes from the previous two installments, than yes.

And even you gotta admit that it's ridiculous that "The Longest Daycare" needed six or so composers.

I listened to Black Rain and White Fang the other day again, I really miss that Hans. Here's hoping that Hans shows up for the Man of Steel.


MrZimmerFan (Fan from Spain)2012-11-24 11:37:49
The Hans of Black Rain is so awesome :)


Hybrid Soldier2012-11-24 13:11:22
Where did you get that story about Simpsons ?

It's not even right, Jim Dooley scored it with HZ's themes.


Trent Easton Navarro2012-11-24 13:39:05
At the end credits. First it says "music by Hans Zimmer" and after that there is the infamous "additional music by" which listed at least four composers


Trent Easton Navarro2012-11-24 13:46:32
Seems like my memory is playing tricks on me. Watched it again on youtube and it indeed only lists Dooley as additional composer. Could have sworn when I saw it before Ice Age 4, there was a whole list of additional composers.

I stand corrected :)

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Gangster Squad soundtrack - Steve Jablonsky 2013