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My one hope is that this doesn't mean Chris Nolan will be tying Zimmer's hands behind his back for future scores. If he wants to do that here, okay. I can get over one score. But I hope Nolan doesn't keep calling for this non-melodic approach.That was one of my favorites, wish it was on the OST.Yeah, was also looking for that track.Nolan's liner notes, which explains a lot on the score :<br><br>"British people are raised on the story of Dunkirk. The events of the evacuation are sacred ground, not to be ventured onto without great care. Daunting for a filmmaker. But the things that place Dunkirk so firmly at the heart of a nation's self-image are the very qualities that make it one of the greatest stories in human history. Irresistible to a filmmaker.<br><br>This film required a remarkable creative team, and Hans Zimmer, as well as having been a valued member in the past, knows how to assemble his own great team. From our first meeting, where I described to the percussionist, Satnam Ramgotra, the unusual rhythmic structure of the script and how it needed to be amplified by the music, through the finishing touches applied by Lorne Balfe during our last weeks of mixing, the importance of teamwork was paramount. The process nicely echoed the circumstances of the events we were trying to honour- a triumph of communal effort, not individual heroism.<br><br>When I called Hans one night with a one word suggestion- "Nimrod", I wasn't sure he'd accept experimenting with an existing theme for the climax of the film. To my surprise, he knew just who to call to achieve the deconstruction of Elgar's monumental theme, a theme as beloved to the English as Dunkirk itself, often played at ceremonial occasions and funerals. It's a theme which (I never admitted to Hans) I am incapable of hearing without feeling the surprising weight of my father's coffin on my shoulder. Hans brought in Benjamin Wallfisch, who, in collaboration with the great music editor Alex Gibson and myself, fashioned a modern reworking that grows out of the sights and sounds of the movie- tapping the original's resonances without feeling unearned. Hans's brass accents complete the piece's power to move without sentimentalizing.<br><br>Hans went on to incorporate Elgar's theme elsewhere in the score, a score that on this album has been divided into cues, but which in the film plays as one long piece with a unifying and complex rhythmic and tonal structure. The structure of the screenplay itself builds upon the shepherd tone concepts I first explored with composer David Julyan in the soundtrack for "The Prestige", but here Zimmer's team (in particular Andy Page and Andrew Kawczynski) and I added a whole new rhythmical structure. This can't be fully represented on the album, but in the film it is able to integrate sound effects and even story structure into the very fabric of the music in a new and unique manner.<br><br>The rigid structure, to which we adamntly stuck, at times proved frustrating for the musicians, but they persevered and produced extraordinary cues based on unusual solutions (such as a recording of my watch that Hans and his team adapted into many different rhythmic voices). The disciplined procedural approach stopped the music for "Dunkirk" from ever resorting to arbitrary cinematic emotionalism, something Hans and I always felt was vital, given the inherent emotional heft of the real life events. This has been a long and hard journey, but I am proud of the final results, and hope that you will share my appreciation for the talent of the artists who worked so hard for so long on this score.<br><br>CHRISTOPHER NOLANI don't think emotion and melodies = Oscar worthy. Dunkirk's score fits in with the movie far better than Chappie.
Saw the film again last night and there are a ton of great cues missing, especially from the first half of the film. It's a crime the cue when they carry the stretcher onto the ship wasn't included.The answer is: Christopher Nolan ;-)It doesn't crossfade as much as, say, The Dark Knight Rises or Inception, but there is  very rarely dead air. I haven't listened enough times to determine when it does and doesn't crossfade, but the tracks are, at least, very closely edited together.I Love Hans' stuff but this score didn't really do it for me. I don't see how people are repping this as Oscar worthy but trash something like CHAPPiEs score, something with actual emotion and melodies.This soundtrack will win an oscar . It's great to see Balfe back with Zimmer. Dream team
Does anyone know whether the cd version actually has the cues crossfading into each other? Since in the film the score plays almost as an entire cue, it would have made sense if they did that. It sounds like some cues in the digital version end kind of awkwardly, like 'Impulse' and 'Home'. These cues fade out while there still seems to be some instrumentation progression going on. Hence the crossfade thought...Oooh credits. I'm guessing from these it's going to be disqualified from entering Oscar nominations because<br>1. Use of a classical musical piece throughout<br>2. More than one guy is credited.<br><br>Anyway, that's how Hans always liked, crediting everyone.I have to agree on the soundtrack being mostly unlistenable...<br><br>This is nothing like Inception, or even Interstellar.<br><br>I seriously doubt there's going to be a big stink made about any track from this score the likes of "No Time For Caution" back in 14...<br><br>I tried...I tried real hard to find something to keep me interested in this score, but I personally couldn't find anything. Most of it is tension building noise. I'm sure it's great within the film, but outside the film? Not so much.<br><br>I guess Zimmer is on "retirement mode" now...He's slowing down and not wanting to produce the rockin stuff that he used to...I can't blame him, but still...This score sounds like a total experiment.Sorry bud...<br><br>Its not.Hi everyone, does anyone know the name of the music in the Dunkirk Trailer 1 at 01:30? It doesn't not seem to be in the score, I'm assuming it's not in the movie, I'm going to see it Sunday. If anyone knows the music or where to find it, please Comment, thanks!
Tina had a lot of work to do here!Each time I listen to "The Oil," I'm convinced it can't get any louder and larger, but it does. If you don't look at the track time, you're just constantly thinking it's about to end, and yet it somehow continues to up the ante until you almost can't handle anymore!I was on three concerts so far and just at the one at Frankfurt some band members came down from the stage after the concert. I didn'f got a autograph but I did photos with nile marr and nick glennie smith. But if you would ask some of the band members I am sure they will say "ok perhaps I can arrange it" would try it this way :)I really like it. It's a clever score that sounds like it had an awful lot of thought put into it.A fanmade.<br><br>Hybrid probably took the track from here because the guy behind the channel was stating that it was original without being. Leaving the link here would only give him more audience.
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Additional MusicAdditional Music - Musician
Ramin DjawadiBobby TahouriDominic LewisBryce Jacobs
ComposerAdditional MusicAdditional MusicAdditional Music
Red Dawn
Label: Sony Masterworks
Length: 51'19
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (3387 votes)
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  1. Red Dawn (2:48)
    Ramin Djawadi
  2. Wolverines (2:07)
    Ramin Djawadi
  3. Invasion (4:14)
    Ramin Djawadi, Bobby Tahouri
  4. Execution (2:58)
    Ramin Djawadi
  5. I'm Gonna Fight (3:07)
    Ramin Djawadi
  6. We Need Better Weapons (2:16)
    Ramin Djawadi, Bobby Tahouri
  7. What Do You Miss? (0:58)
    Ramin Djawadi
  8. Victory (1:00)
    Ramin Djawadi, Dominic Lewis
  9. Brothers (1:25)
    Ramin Djawadi
  10. Counter Insurgency (4:00)
    Ramin Djawadi, Bryce Jacobs
  11. A Terrible Haircut (1:36)
    Ramin Djawadi
  12. Even A Small Flea Can Drive A Big Dog Crazy (2:29)
    Ramin Djawadi
  13. Erica (1:36)
    Ramin Djawadi
  14. Surveying The Damage (1:08)
    Ramin Djawadi
  15. Preparing The Cabin (1:46)
    Ramin Djawadi
  16. Follow The Wires (8:23)
    Ramin Djawadi, Bobby Tahouri
  17. Daryl's Sacrifice (2:07)
    Ramin Djawadi, Dominic Lewis
  18. A Marine And His Rifle (2:46)
    Ramin Djawadi
  19. Jed's Death (2:06)
    Ramin Djawadi
  20. Finale (2:29)
    Ramin Djawadi
Create Topic

Macejko reply Replies: 3 || 2013-02-19 21:30:22
To Hybrid: Can you tell me if Ramin is up to something new, besides Game of Thrones - Season 3 and Pacific Rim?


Hybrid Soldier2013-04-24 14:02:11
No news yet !

I added the track credits to this score... :)


Jimmer2013-04-24 17:11:09
@Hybrid : Thanks for adding the credits for this score. Always appreciated. I'm a stickler for correct/accurate composers. Thanks again.


Hybrid Soldier2013-04-24 17:15:33
I can also give you a correct chronological order if you want !

Red Dawn
Invasion
Preparing The Cabin
Surveying The Damage
Execution
I'm Gonna Fight
We Need Better Weapons
Erica
Even A Small Flea Can Drive A Big Dog Crazy
What Do You Miss?
Counter Insurgency
Victory
A Terrible Haircut
Brothers
Follow The Wires
Jed's Death
Daryl's Sacrifice
Finale
Suite : A Marine & His Rifle (aka Mission Theme)
Suite : Wolverine

:)

Macejko reply Replies: 0 || 2012-12-02 18:26:43
Really superb score, I like it a lot. Wolverines' theme is stunningly powerfull.

Hybrid Soldier reply Replies: 0 || 2012-12-01 09:21:53
I got some news from the additional composers regarding their work here. They did not remember everything since they worked on it more than 2 years ago.

But Dom Lewis worked on Victory and Daryl's Sacrifice. Apparently that's all.

Bobby Tahouri worked on Invasion and "some others".

And Bryce Jacobs worked on Counter Insurgency and "others" too ! :)

We'll probably get all the details in months to come, but big thanks to these great guys, and Ramin of course, the mastermind here !!! :)

Hybrid Soldier reply Replies: 4 || 2012-11-20 10:06:03
Bought this yesterday, I've listened to it a couple of times so far.

Really love it. The main "Wolverines" theme is great. A Marine And His Rifle is a good rendition of it !

Love the track Red Dawn too ! :)


Macejko2012-11-20 11:07:11
Gosh, I want to listen to it so bad!


MrZimmerFan (Fan from Spain)2012-11-20 21:09:50
I listen few samples, i really like this score


Trent Easton Navarro2012-11-21 20:39:55
Listened to it on Spotify. It's enjoyable and harmless fun I guess, but it's nowhere near as great as Poledouris' score for the original.


MrZimmerFan (Fan from Spain)2012-11-24 11:39:22
I really like this score, the Themes are very entertaing, especially Wolverines and Red Dawn, and i love Invasion, that percussions, oh....

OKKU reply Replies: 6 || 2012-10-27 10:39:31
Ramin Djawadi similar music FACTORY


Macejko2012-10-27 14:17:33
Are you just putting random words together?


Areozz2012-10-27 19:02:54
I believe he is trying to say that Djawadi's style of composing is so similar for every movie he does that he is almost like a 'music factory'--outputting nearly identical compositions for each and every movie.

I am not agreeing or disagreeing with this claim; merely interpreting it.


Macejko2012-10-27 19:18:52
If so, I can see myself laughing really hard about this statement.


OKKU2012-10-28 18:49:06
I like short comment and I mean(sorry my english bad):

Super (12 January 2012) - Composer
Legacy (19 January 2012) - Composer
Root Cause (2 February 2012) - Composer
Wolf and Cub (9 February 2012) - Composer
Blue Code (16 February 2012) - Composer
Risk (23 February 2012) - Composer
Baby Blue (8 March 2012) - Composer
Identity Crisis (29 March 2012) - Composer
Flesh and Blood (5 April 2012) - Composer
Matsya Nyaya (26 April 2012) - Composer
Many Happy Returns (3 May 2012) - Composer
No Good Deed (10 May 2012) - Composer
Firewall (17 May 2012) - Composer
The Contingency (27 September 2012) - Composer
Bad Code (4 October 2012) - Composer
Masquerade (18 October 2012) - Composer
Triggerman (25 October 2012) - Composer


OKKU2012-10-28 18:51:47
and for 2012
The North Remembers (1 April 2012) - Composer
The Night Lands (8 April 2012) - Composer
What Is Dead May Never Die (15 April 2012) - Composer
Garden of Bones (22 April 2012) - Composer
The Ghost of Harrenhal (29 April 2012) - Composer
The Old Gods and the New (6 May 2012) - Composer
A Man Without Honor (13 May 2012) - Composer
The Prince of Winterfell (20 May 2012) - Composer
Blackwater (27 May 2012) - Composer
Valar Morghulis (3 June 2012) - Composer


OKKU2012-10-28 18:56:01
Look at:
ramindjawadi.com
Thanx

Vordmira reply Replies: 1 || 2012-10-27 22:10:10
Damnit, there is spoiler in the track list!


Evenstar2012-10-28 08:14:25
uuuuh... we never had spoilers in tracklists... uuuh...

dude, this happens a lot.

Macejko reply Replies: 0 || 2012-10-25 20:13:39
This autumn, no, this YEAR belongs to Ramin!

Hybrid Soldier reply Replies: 0 || 2012-10-25 20:00:33
Can't wait !! :)

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Red Dawn soundtrack - Ramin Djawadi 2012