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Sorry, that is the wrong link above (film version)<br><br>This is the track I'm talking about. Does anyone recognize this version.<br><br>https://youtu.be/etkri6OKLpEThere is an expanded score album with the track called "Sniper/Border Post". It is different from the piece used in the film. Does anyone know the true identity of that track. I like the synth sound and the male vocal singing/wailing/crying in this cue.<br><br>https://youtu.be/DbENmej_cH0But the scores comes out in 1th NovemberThe movie is out this Wednesday in some territories."In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is UNMEMORABLE"<br><br><br>Aaaaaaaaaaaaand your whole analysis falls flat right there ! :P
Thanks Edmund.<br><br>@PaulH I am not meaning to say that Balfe cannot compose good music. There are compositions that I like: the Picasso theme is creative and well-written. Just that I find his arrangements of others more compelling usually than his own material.<br><br>An example that is good of this is kung fu panda. His arrangements of themes are really fun and energetic. In the third one he writes the "father and son" theme, it's okay but it's harmonically basic and the melody is unmemorable. Contrast to Hans: the Po theme and Spirit theme are precise, fun, harmonically clever, and memorable. But his score cues sometimes feel lacking: his transitions are clunky, the bridge material is uncreative and basic. <br><br>It must be so much fun to work on those projects together. Coming up with idea and hearing what someone can turn it into, or getting to play with someone's idea without the pressure of starting from scratch.And also, be prepared for more Studio Time for the scoreTom said in his Twitter: 'Details very soon'<br><br>Altough, is only a week awayThe Nils Frahm track was released years agoNo one is mentioning "Says" from Nils Frahm. What a masterpiece of music. Love how it develops and getting so emotional even with that futuristic sound-effect. One of the highlights of this score, with those tracks Cerbei mentioned.
Balfe is a great arranger but an even better composer.Beyond Two Souls is still one of the best game soundtracks.<br><br>I must have watched another movie in regards to Balfe filling in the gaps - that makes no sense?The soundtrack released seems not to relate to what was actually used in the film.Balfe “gap” music is featured much more and works brilliantly<br>Last night I was talking to Lorne, and he told me that in principle there is intention to release the full score.I'd be very interested to hear the supposed Balfe complete score to picture where he apparently sought to elevate it, as someone here put it. The Richter is pitch-perfect and works massively well to picture and, not dissing Balfe at all, his stuff is literally 'additional music' to fill the gaps.Aplusle, that's really well put actually.
Don't feel bad. You've just summed up why Hans and Lorne make a good team. Lorne is by all accounts a fantastic arranger and can bring out the best in others' ideas but I sometimes find his own compositions are a bit basic or leave me cold. Hans on the other hand always nails the theme and the concept but his scoring to picture to me feels clunky and a bit amateurish, especially when the music is dense. <br><br>Both super talented in their own ways. :-)Is there anyway o get sheet music for Into the pie machine for orchestra?Just saw Maleficent 2. There is a lot more Newton Howard in the movoe than there is on album.<br>I actually can't really understand why they didn't include the reprise of The Christening (the dinner scene) & the finale in the movie.<br><br>Zanelli's score is wonderful and I love it very much. But would have loved this on albumI can't imagine how someone likes Balfe's part over Richters. As you said Thomas, Richters work sounds more like suites, and Balfes work is written more to picture. BUT, it sounds to me also like a typical RCP-work with Hans. While Hans gives the direction with his suites and melodies, Balfe and co are adapting those suites to the specific scenes and writing some "new" stuff to fill any gap if there is any need of it, so they become additional composers in the credits.<br><br>And here, we have the same. Richter shows the direction and some cues are real intense and beautiful. Balfes parts sounding like a gap-filler. I don't want to talk bad about Balfe, he's a composing machine, but still i can't find anything remarkable on those parts and so i can't understand how Richters work hasn't been used but instead the more colorless cues from Balfes part :/<br><br>Again, don't feel insulted guys, it's just my sensationBalfe’s part is the best I think.<br>It also seems written to picture instead of just long suites.<br>My understanding is the Balfe wrote half of the score but the album doesn’t seem to represent that for some reason.
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Ramin DjawadiBrandon CampbellStephen ColemanCatherine Wilson
ComposerAdditional MusicOrchestratorTechnical Score Advisor
Person Of Interest (TV Series - Season 1)
Label: Varese Sarabande
Length: 45'42
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3799 votes)
  1. Person Of Interest (0:53)
    J.J. Abrams, Ramin Djawadi
  2. Watching With Ten Thousand Eyes (3:10)
  3. Angel Of Death (2:15)
  4. Man In A Suit (1:58)
  5. Do People Change? (2:23)
  6. Have A Nice Day (0:45)
  7. Elias (2:37)
  8. Second Chance (2:52)
  9. Knock Knock (1:38)
  10. Root Of All Evil (3:26)
    Ramin Djawadi, Brandon Campbell
  11. Mr. Reese (2:46)
    Ramin Djawadi, Brandon Campbell
  12. Detective Carter (1:39)
  13. Save Everybody (2:21)
  14. Do You Have Your Vest On Officer? (1:17)
  15. Apologies (1:57)
  16. Concerned 3rd Party (3:02)
  17. Irrelevant List (1:38)
  18. Behind Enemy Lines (1:58)
  19. Aid Of An Old Friend (1:24)
  20. A Bored Rich Guy (2:22)
  21. Listening With A Million Ears (3:20)
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Anonymous reply Replies: 3 || 2016-06-17 21:51:40
At the risk of making myself sound like an idiot for probably not looking enough... where on the soundtrack (if it's even here) is the standard "suspense music" of this score that plays whenever Reese is doing investigations? It's ostinato-driven and not loud, but I've been having trouble finding it...Plays almost every episode as a main tune though

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Anonymous2016-06-18 11:37:01
Person of Interest - Season 2 OST
track - 04. New Number


Anonymous2016-06-18 16:23:54
From one Anon to another.... thank you! xD That's the one I was looking for.


Anonymous2016-06-19 14:48:21
heh no problem mate!

Macejko reply Replies: 0 || 2012-11-18 16:02:44
Actually, I have to admit this one was not quite my cup of tea. Too electronical for my taste, Ramin is best suited for big orchestra. "Listening With A Million Ears" is amazing though.

Hybrid Soldier reply Replies: 1 || 2012-10-20 00:03:45
Coming soon ! :)


amanda2012-11-18 06:34:24
Is there anyone able to break this soundtrack into any sort of chronological or episodic order? Personally I am astounded to see any score release for this, so am quite giddy about it. Those not watching it are missing out, in my opinion. It is quite good.

RuthlessGravity reply Replies: 6 || 2012-10-20 06:40:58
Am I the only one a bit dissapointed by the running time for each track? The longest track time is sadly 3:26.


Hybrid Soldier2012-10-20 08:52:36
Is just everyone going to this site always pissed ? :O

I mean, there's like always something to complain about !!


I didn't expect a release of it at all in the first place. So yeah, might be a little short, but let's hope it's the best parts of the show's music... :)


baba2012-10-20 09:17:49
sure hybrid, you can say it easily when you have your hands on those recording sessions.

wouldn't you be pissed too if you haven't had all the rs scores and the elitist would play with their infos in front of your nose that it exists but you're not ALLOWED to hear it? I'm sure you would be!


Bondo2012-10-20 12:37:31
You have to remember that it's a television show score... most cues are going to be short.


RuthlessGravity2012-10-20 22:54:26
I wouldn't say I'm pissed. Just merely and mildly disappointed. But I will keep an eye on it not matter what.


theeaglesfan0052012-11-06 15:21:33
well said, baba


Edmund Meinerts2012-11-06 15:49:03
Dear God, everyone here feels so entitled. Waah, waah, we don't have a four hour release of every single score that ever comes out.

Macejko reply Replies: 5 || 2012-10-20 00:23:15
I'm excited to hear this one, but the constant delay is making me sick. Come on, what happened with October 30th?


Hybrid Soldier2012-10-20 00:26:36
Yeah it happens... I'm curious about it since I didn't really have time to watch this series. I'll probably will, one way or another.

I'm more excited about Red Dawn. The OST will come soon as well ! :)


Macejko2012-10-20 00:33:00
Hybrid: Yes, I want to hear that one as well. You'll probably tell me - wasn't it completed way back in 2010?


Hybrid Soldier2012-10-20 00:35:17
It was, in late 2010 (!). Apparently from what I heard from the team who worked on it back then, there hasn't been reworks on it (not like, for instance, Season Of The Witch). But who knows, maybe there was and Ramin took care of it on his own...


Macejko2012-10-20 00:41:37
As far as I know, there is no reason for the score to be changed or altered, because the delay of the movie was caused only by post-productional changes of the Chinese - they transformed them to Koreans (or other way around, I'm not completely sure). So they had to change flags, written letters etc.


Hybrid Soldier2012-10-20 00:44:05
Yeah, but you never know what can happen in 2 years... Various screen testings, new people getting in the production process... Many things that can cause a score damages !

Anyway, it'll see the light of the day at last, that's the most important !! :)

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Person Of Interest (TV Series - Season 1) soundtrack - Ramin Djawadi 2011