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How can I answer that ?<br><br><br>"At the moment ?" is my only true answer for you lolOlive, if you think Brothers In Arms is nothing more than a RCP power anthem, then you're obviously missing something... To me it's one of the most brilliant action tracks of the last few years.Ola team ! <br>Maybe you do know Joe Kramer won't return to score Mission Impossible 6. And no one seems to know who will.<br>So here's my question : any chance to see someone from RC doing this ? <br><br>Thanks for reading me. Keep goin' your good job here, it's appreciated. :)<br>Wow. Pretty solid! It keeps the core track intact and, somehow, adds even more raw power into it. Thanks for sharing!
@MrZimmerFan<br><br><Is better because there is variety and orchestration><br><br>It is not because a score is orchestrated that it is automatically superior to one half orchestrated and half electronic. My problem with JL is that it's a small score for a composer with as many facets as Elfman. The music is uninspired and (taking one or another track) ends as it begins, nothing catches yours ears beyond of the romantic moments and of the new interpretations of the themes for the heroes.<br><br>@mpolonest<br><br><I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force the classic themes.><br><br>Elfman had two paths: Ignore everything and do things his way or respect what Zimmer did and maintain the sound of previous films. What did he do? He made an uninspiring hybrid of both.<br><br>@HybridSoldier<br><br><Leagues above, and yet I doubt Ben will be able to write something like "Brothers In Arms" from Mad Max.><br><br>Everyone in RCP knows how to do a power anthem these days.<br><br>@Mephariel<br><br><I would not have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence.><br><br>Obviously not. It could be in smaller jobs and present some potential for years to come.<br>I think I just sharted myself. Thanks!I'm surprised to have not seen more discussion of this score; I honestly think it represents some of the best music out of RCP in the past half-decade. Yeah, it still has the Journey to the Line / Time four-chord power anthem thing going on, but outside of those themes you have some really creative material that at times doesn't even feel stylistically RCP, and hell, even those structurally-simplistic themes are unusually well-orchestrated. And there's a real orchestra!Some of you may like this guy's cover of Brothers in Arms! Pretty epic, honestly. <br><br> com/watch?v=LCIY41hopq4This score has improved my mood on more than one occasion. Nancy Meyers needs to make another movie, so Hans can score it. lol.
Hello great team of Hans Zimmer,<br><br>I was recently listening to "The Might of Rome" (Gladiator soundtrack) and I am craving to listen the long version of the piece around 2:38 - 2:48 (something like an oriental flute). Does it exist as a standalone composition? Is it inspired from some third party artist, if yes, can you please tell my which one?<br><br>Thanks!@Olive<br><br>Wallfisch's career unquestionably benefited from his involvement with Zimmer. He wouldn't have gotten a chance to work on blockbuster films like Dunkirk, Blade Runner 2049 without Zimmer's influence. Wallfisch is a very talented composer, but let's be honest here, his music doesn't immediately strikes anyone as a big action guy. Having Zimmer's name pushing you helps.Hybrid, what do you admire more: Black Hawk Down or Tears of the Sun?"Elfman's score is like Whedon, horrendous & out of place."<br><br>Out of place, yes. Horrendous, no.Leagues above, and yet I doubt Ben will ever be able to write something like "Brothers In Arms" from Mad Max.<br><br>Comparing people is kinda useless...<br><br>The only who's right is Hans in the end, he knows when to use one and when to use the other... ;)
@Edmund<br>Iím in the same boat. When I watch a movie I normally donít pay attention to the music unless itís really distinctive. As a stand alone listening experience I usually want to get music that fits a mood and can hold my interest throughout. Take Silvestriís Avengers score for example. The big statements of the main theme and some of the action cues are excellent. Unfortunately itís surrounded by generic underscore that slows the album down imo. But then you have TASM2, which constantly has something going on no matter what. I feel like thatís something which does relate to the directors, not so much the talent level of the composers.<br><br>@olive<br>Ben Wallfisch is LEAGUES ahead of JXL as a composer, partly because heís had years of experience in film composing. Hopefully his recent successes give him more high profile projects.<br><br>As for Justice League, I actually love that score, but I think the main issue is Elfman completely ignoring what came before and trying to force in the classic themes. Had he done his own spin on Zimmerís material there would a better connection to the previous ones.Elfman's score is like Whedon, horrendous & out of place.@Olive: Is better because there is variety and orchestration, and i'm not a purist (i liked BvS, there is more complexity in it than in MoS), but Danny Elfman has more integrity in that score than in that two scores.He did!<br><br>The action material in "Do You Bleed?" is by XL! <br>Wallfisch has shown himself to be a superior composer to XL, let's face it. I do not even see why he's running after Zimmer since he's able to run a career himself.<br><br>@TheZimmerFan <br><br><But the score by Elfman is miles better than MoS and BvS (for those two, BvS is much interesting and better than MoS, which is only good)><br><br><br>The music is less simplistic and may please the purists, but, no, MoS and BvS are better by a small margin than JL by one factor: thematic material and characterization of the movie.  Elfman should have had more freedom to work on the themes he and Williams wrote.<br>

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Ramin DjawadiBrandon CampbellStephen ColemanCatherine Wilson
ComposerAdditional MusicOrchestratorTechnical Score Advisor
Person Of Interest (TV Series - Season 1)
Label: Varese Sarabande
Length: 45'42 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3165 votes)


  1. Person Of Interest (0:53)
    J.J. Abrams, Ramin Djawadi
  2. Watching With Ten Thousand Eyes (3:10)
  3. Angel Of Death (2:15)
  4. Man In A Suit (1:58)
  5. Do People Change? (2:23)
  6. Have A Nice Day (0:45)
  7. Elias (2:37)
  8. Second Chance (2:52)
  9. Knock Knock (1:38)
  10. Root Of All Evil (3:26)
    Ramin Djawadi, Brandon Campbell
  11. Mr. Reese (2:46)
    Ramin Djawadi, Brandon Campbell
  12. Detective Carter (1:39)
  13. Save Everybody (2:21)
  14. Do You Have Your Vest On Officer? (1:17)
  15. Apologies (1:57)
  16. Concerned 3rd Party (3:02)
  17. Irrelevant List (1:38)
  18. Behind Enemy Lines (1:58)
  19. Aid Of An Old Friend (1:24)
  20. A Bored Rich Guy (2:22)
  21. Listening With A Million Ears (3:20)
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Anonymous reply Replies: 3 || 2016-06-17 21:51:40
At the risk of making myself sound like an idiot for probably not looking enough... where on the soundtrack (if it's even here) is the standard "suspense music" of this score that plays whenever Reese is doing investigations? It's ostinato-driven and not loud, but I've been having trouble finding it...Plays almost every episode as a main tune though

Anonymous2016-06-18 11:37:01
Person of Interest - Season 2 OST
track - 04. New Number

Anonymous2016-06-18 16:23:54
From one Anon to another.... thank you! xD That's the one I was looking for.

Anonymous2016-06-19 14:48:21
heh no problem mate!

Macejko reply Replies: 0 || 2012-11-18 16:02:44
Actually, I have to admit this one was not quite my cup of tea. Too electronical for my taste, Ramin is best suited for big orchestra. "Listening With A Million Ears" is amazing though.

Hybrid Soldier reply Replies: 1 || 2012-10-20 00:03:45
Coming soon ! :)

amanda2012-11-18 06:34:24
Is there anyone able to break this soundtrack into any sort of chronological or episodic order? Personally I am astounded to see any score release for this, so am quite giddy about it. Those not watching it are missing out, in my opinion. It is quite good.

RuthlessGravity reply Replies: 6 || 2012-10-20 06:40:58
Am I the only one a bit dissapointed by the running time for each track? The longest track time is sadly 3:26.

Hybrid Soldier2012-10-20 08:52:36
Is just everyone going to this site always pissed ? :O

I mean, there's like always something to complain about !!

I didn't expect a release of it at all in the first place. So yeah, might be a little short, but let's hope it's the best parts of the show's music... :)

baba2012-10-20 09:17:49
sure hybrid, you can say it easily when you have your hands on those recording sessions.

wouldn't you be pissed too if you haven't had all the rs scores and the elitist would play with their infos in front of your nose that it exists but you're not ALLOWED to hear it? I'm sure you would be!

Bondo2012-10-20 12:37:31
You have to remember that it's a television show score... most cues are going to be short.

RuthlessGravity2012-10-20 22:54:26
I wouldn't say I'm pissed. Just merely and mildly disappointed. But I will keep an eye on it not matter what.

theeaglesfan0052012-11-06 15:21:33
well said, baba

Edmund Meinerts2012-11-06 15:49:03
Dear God, everyone here feels so entitled. Waah, waah, we don't have a four hour release of every single score that ever comes out.

Macejko reply Replies: 5 || 2012-10-20 00:23:15
I'm excited to hear this one, but the constant delay is making me sick. Come on, what happened with October 30th?

Hybrid Soldier2012-10-20 00:26:36
Yeah it happens... I'm curious about it since I didn't really have time to watch this series. I'll probably will, one way or another.

I'm more excited about Red Dawn. The OST will come soon as well ! :)

Macejko2012-10-20 00:33:00
Hybrid: Yes, I want to hear that one as well. You'll probably tell me - wasn't it completed way back in 2010?

Hybrid Soldier2012-10-20 00:35:17
It was, in late 2010 (!). Apparently from what I heard from the team who worked on it back then, there hasn't been reworks on it (not like, for instance, Season Of The Witch). But who knows, maybe there was and Ramin took care of it on his own...

Macejko2012-10-20 00:41:37
As far as I know, there is no reason for the score to be changed or altered, because the delay of the movie was caused only by post-productional changes of the Chinese - they transformed them to Koreans (or other way around, I'm not completely sure). So they had to change flags, written letters etc.

Hybrid Soldier2012-10-20 00:44:05
Yeah, but you never know what can happen in 2 years... Various screen testings, new people getting in the production process... Many things that can cause a score damages !

Anyway, it'll see the light of the day at last, that's the most important !! :)© 2001-2017 OST 
Person Of Interest (TV Series - Season 1) soundtrack - Ramin Djawadi 2011