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Is it just me or does the “Catwoman” riff (not the main theme) in “Bar Shootout” and “Nothing Out There” sound very much like the main Scarface theme?<br><br>I’ve also noticed that Hans sometimes will write a main tune and a series of riffs for a character, but will mainly incorporate the smaller motifs in the film (Angelica’s music from OST, Megamind’s main tune, Catwoman, etc.) Definitely not a problem though, I like the variety.<br><br>Look at the evolution of Batman’s theme from Begins, where he had the 2-note motif and the actual theme, to here where it’s just the 2 notes and the chord theme. I wonder if that was Chris Nolan’s decision.John Powell answered in Facebook there is still 45 minutes of music outside from the CD.Yep, he knows how to do BIG and small moments. He's so versatile. I'm praying rian johnson uses him for his new trilogyThank you! Glad you enjoyed it.If there is one who can replace John Williams on Star Wars than is it John Powell!!<br><br>Great Job!!
It sounds great ! I think I will listen to the CD after the hamburg concert, to keep the surprise, because they will play some cues there ! <br><br>Are some french JP fans going to Hamburg next week ? It would be great to have a beer and talk about film music !Dear Mr. Zimmer (or those interested), <br><br>  Over the years I have always enjoyed some of the higher-intensity compositions you have produced and made a point of putting my money where my mouth is and actually buying the soundtracks - money well spent. I've used specific songs of your's to get through moments of fatigue at work and also to prepare (silly as it may sound) for sporting events, even working out or running. I found them better than any rock or even electronic-type energetic music, until such a point, naturally, that I'd listened to them too many times and the magic wore off. Some of your songs rise to a crescendo that sometimes are powerful but perhaps lost on those who are unfamiliar with the corresponding movie scene ("Flight" from Man of Steel, it rises gradually but the concept you capture is magnificent, "Time" from Inception as well comes to mind). Some are obviously and undeniably potent like "A Dog Chasing Cars" or, going way back to when I learned of your work, "The Battle" from Gladiator which reminded me of "Mars, the Bringer of War", -- or even the latest "Sea Wall".<br><br>  Admittedly this is odd but I can't help but wonder if despite all the solicitations you must receive it seemed to me I might as well send the following two-fold feedback: in the same way I was pleased to learn that Daft Punk was handling the soundtrack for the modern remake of TRON (and what a fine job they did) I was also heartened to find that you were handling the soundtrack for Blade Runner 2049. It seemed a good sign to me at the time and I knew I would buy a ticket at that point. That was a movie (BR2049) I was worried they would BOTCH much in the same way they completely did whatever it was they did with remake of Total Recall (in which they completely stripped it of its cerebral essence and made it a very long chase-scene). <br><br>  All of this is to express some appreciation and also plug an obscure pianist from Montreal who has been on the CBC and all that, who, when I spoke to him after a show and compared some of his energetic imaginative work (Nostos comes to mind, and damn he hit 99% of those complex piano notes) to your's he admitted it was a dream of his to work with you under any capacity. Of course I suspect nothing will come of this but either way I think it harmless to tip my hat your way as a long-time fan who has utilized your music for motivation many, many, many times and also note that on my esoteric playlists five or six came from you and one or two came from him (Nostos, Il, Hypoctite)<br><br> Lastly, it should be noted for the historians that one time Jean-Michel Blais saved us Canadians (if you do the collective math based on viewership) a great deal of time and intellectual agony. Chevy was running commercials during the NHL playoffs (last year, not the the latest Washington Capitals win) in which an irritating scenario of "real people" were supposed to judge cars/trucks that popped out from behind sliding doors or lifted from basements (aircraft-carrier-style), and the poor fools/actors/allegedly "real people" had to say something nice about it all. It was such garbage. How splendid, how refreshing, then, that they ran a good commercial with someone just winding corners and enjoying driving the damn car to the music, which I recognized as JMB's "Hypocrite". He saved the society a good 10k hours of perniciousness.<br><br>Whew! That's all from me. Love the music, keep it up. Please give JMB a shot I think you'll find his attitude/ethic/skills refreshing. Regardless of that at least it was worthwhile of me to express my appreciation for ten years of masterful original music on your part anyway.Separate question:<br><br>Is Toby Chu part of RCP? I think he had some connections at least right?Why wouldn't Hans go all-out for something that's going to be viewed on this scale? I mean, how hard is it to compose 45 seconds of compelling, original music when you've worked on innumerable 2+ hour films?Woah, Hans actually did good work on this; it's admittedly a bit anonymous-sounding, but the combination of percussion, strings, and choir works in a way that's reminiscent of Angels & Demons (oh, those were the days...).
John just precised this point, i was just too impatient ;)Hubris: Choral Works by John Powell is now available to stream worldwide on all digital platforms! &#128526;<br><br>Also available to download in 192k/24bit high-resolution from johnpowellmusic .com<br>CDs on https ://bit.ly/2lcQ5Ig :) and coming soon to Amazon and other retailers!<br><br>Thank you, everyone, who was a part of this record!<br>Enjoy &#127926;&#127930;Mega cool :) Wann wird dieser Remix released? :)This would be really nice that as the release is only available for download, we had the choice to download it in a better quality than the CD itself. We have no material piece in the  hands, at least we would like to have such a contentment. I do have no action in Qobuz, but that should be a mandatory place for a download only music, for music lovers who like pure instrumental music. ;)<br>I'll be waiting for it !This album is absolutley wonderful!. I loved every second of it. I adore choirs in film music and an album like this is a very welcome treat!<br><br>Great job, Mr. Powell<br>10/10
Absolutely delightful score. Loved it.Where can we buy this "complete score"?What a wonderful soundtrack, I can not stop listening either. When I get home after work, Interstellar is the best soundtrack to listen to in the quiet of dawn. It's to get in touch with the Cosmos. Congratulations Hans Zimmer.from like.....4 years ago?I’m surprised nobody is talking about the expanded score that has leaked...!
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Composer - Featured Vocalist - Musician : Prepared Piano, Dulcimer, Ram's Horn & PercussionAdditional Music - Featured Vocalist - Musician : PercussionMusician : Ethnic Percussion
Atli ÖrvarssonDavid FlemingSatnam RamgotraHilda (Thórhildur) Örvarsdóttir
ComposerAdditional MusicMusicianVocals
The Eagle (Complete Score)
Label: Unofficial Release
Length: 88'05
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2686 votes)
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  1. Opening (1:03)
    Atli Örvarsson
  2. Building The Fort (0:53)
    Atli Örvarsson
  3. Suspence At The Fort (0:56)
    Atli Örvarsson
  4. Wake Up The Soldiers (1:04)
    Atli Örvarsson
  5. Night Battle (1:50)
    Atli Örvarsson, Dave Fleming
  6. Barbarians Chop Heads (2:45)
    Atli Örvarsson
  7. Praying Daytime Battle (3:04)
    Atli Örvarsson
  8. Chariots Texture (1:26)
    Atli Örvarsson
  9. Marcus In Villa (Part 1) (0:25)
    Atli Örvarsson
  10. Marcus In Villa (Part 2) (1:03)
    Atli Örvarsson
  11. Injured (1:07)
    Atli Örvarsson
  12. Father Memory (0:44)
    Atli Örvarsson
  13. Esca Collosseum Fight (3:12)
    Atli Örvarsson
  14. Esca Knife (0:45)
    Atli Örvarsson, Dave Fleming
  15. Marcus Operation Flashback (1:37)
    Atli Örvarsson
  16. Dinner Party (1:42)
    Atli Örvarsson
  17. Decision (1:12)
    Atli Örvarsson
  18. Ride North (1:38)
    Atli Örvarsson
  19. Crossing Border (1:33)
    Atli Örvarsson
  20. Esca Tells Marcus (1:08)
    Atli Örvarsson
  21. Searching (2:17)
    Atli Örvarsson, Allan Macdonald
  22. Rogue Warrior (2:45)
    Atli Örvarsson, Dave Fleming
  23. More Searching (2:52)
    Atli Örvarsson, Dave Fleming, Eoghan Neff
  24. Guern The Hunter (1:38)
    Atli Örvarsson
  25. Guern (0:46)
    Atli Örvarsson
  26. The Killing Grounds (3:09)
    Atli Örvarsson
  27. Calling Seals (2:57)
    Atli Örvarsson, Dave Fleming, John Purser
  28. Seal Woman (1:25)
    Atli Örvarsson, Dave Fleming, Hilda Örvarsdottir
  29. On Your Knees (2:17)
    Atli Örvarsson
  30. Seal Ceremony (2:05)
    Atli Örvarsson
  31. Cave Fight (2:44)
    Atli Örvarsson
  32. Escape (1:42)
    Atli Örvarsson
  33. Flee The Seal Village (2:06)
    Atli Örvarsson
  34. Seal Gives Chase (1:23)
    Atli Örvarsson
  35. Seals Catching Up (2:28)
    Atli Örvarsson, Dave Fleming, Hilda Örvarsdottir
  36. Esca Freedom (1:43)
    Atli Örvarsson
  37. Marcus With Eagle (2:26)
    Atli Örvarsson
  38. Return Of The Ninth (2:17)
    Atli Örvarsson
  39. Seal Prince (1:35)
    Atli Örvarsson
  40. Final Battle (2:52)
    Atli Örvarsson
  41. Cremating Guern (4:09)
    Atli Örvarsson
  42. Marcus & Esca (0:32)
    Atli Örvarsson
  43. End Titles (3:00)
    Atli Örvarsson, Torc, Eoghan Neff, Flaithri Neff
  44. Drum Source (0:36)
    Atli Örvarsson
  45. Marcus Operation Flashback (Alternate) (1:27)
    Atli Örvarsson
  46. Calling Seals (Alternate) (1:53)
    Atli Örvarsson, Dave Fleming, Allan Macdonald
  47. Seals Catching Up (Alternate) (2:28)
    Atli Örvarsson, Dave Fleming, Hilda Örvarsdottir
  48. Return Of The Ninth (Alternate) (1:41)
    Atli Örvarsson
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Natasha reply Replies: 0 || 2015-05-12 22:18:08
Can I ask where you got this? I'd love to hear it all, was wondering if it's on sale anywhere?? :)

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The Eagle (Complete Score) soundtrack - Atli Örvarsson 2011