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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Ramin DjawadiBobby TahouriBryce JacobsBrandon Campbell
ComposerAdditional MusicAdditional MusicAdditional Music
Medal Of Honor - Warfighter (VG)
Label: E.A.R.S. (Digital Download Only)
Length: 65'32
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6602 votes)
  1. For Rabbit (2:50)
  2. Deploy (2:38)
  3. NOC Out (4:07)
    Mike Shinoda, Ramin Djawadi, Brandon Campbell
  4. Lena's Theme (3:25)
  5. Kit Up (3:28)
  6. Restless Natives (3:21)
  7. Blackbird On A Wire (3:20)
  8. Bridge The Gap (2:10)
  9. Saa'iq (4:32)
    Mike Shinoda, Ramin Djawadi
  10. The Raid (2:17)
  11. Force Multiplier (2:53)
  12. Old Friend, New Foe (3:03)
  13. Victory At Sea (3:05)
  14. Resolve (2:43)
    Ramin Djawadi, Brandon Campbell
  15. Green Light (4:35)
  16. H.A.H.O. (2:44)
  17. Medal Run (2:15)
  18. For Mother (3:05)
  19. Buzz In The Air (2:10)
  20. Lena's Dream (2:26)
  21. With Honors (4:26)
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Mike (OTM) reply Replies: 0 || 2018-01-25 18:17:25
This is a pretty great (and underrated?) score, really. It expands on the themes from the first game and makes them more cohesive; the instrumentation feels stronger all around; and tracks like "Lena's Theme," "For Rabbit," "Blackbird on a Wire," and "With Honors" are all genuinely moving without feeling overdramatic or manipulative. I'm as big a fan of the Michael Giacchino MOH scores as you'll find, but Ramin Djawadi certainly did the franchise justice with this one.

Anonymous reply Replies: 1 || 2014-05-15 01:01:10
the final track together with the final scene of the game really was somethin' else. :'(


Mike2014-05-15 01:02:52
I'm with you on that one.

Warfighter reply Replies: 1 || 2013-04-16 03:24:52
Extreme music publish a new album "Middle East Drama" featuring work from Ramin Djawadi. Medal of Honor & MoH: Warfighter style! If you like this one; check this out!


Macejko2013-04-16 09:26:03
It's not "Medal of Honor style", it IS Medal of Honor.

Mike reply Replies: 0 || 2013-02-05 08:27:35
For Rabbit, Lena's Theme, and Lena's Dream are beautiful. :')

tomPoland reply Replies: 2 || 2012-11-06 09:27:27
I really hoped I will hear Beltrami s-f score once again.
But maybe RD will do something more than RCP usual action-score score.


Macejko2012-11-06 10:52:31
Beltrami is dull, boring and uninteresting. Glad that Guillermo came to his senses.


Edmund Meinerts2012-12-06 15:32:06
@Macejko Always makes your argument seem more convincing when you use three words that all mean the same thing. And when it comes to orchestral innovation, Beltrami could sweep the floor with Djawadi any day of the week. ;)

:) reply Replies: 0 || 2012-11-09 16:22:05
Does anyone know why when you go to buy the digital copy from amazon.com by clicking on the link "best price $5.99" on this page it gives a shipping and handling charge? Thanks!

Pacific Rim reply Replies: 2 || 2012-10-22 22:54:09
Djawadi is recording Pacific Rim at Eastwood scoring stage this week!


Macejko2012-10-22 23:34:53
God, wish I could see it... Why is there no behind the scenes material of Ramin creating his masterpieces whatsoever? I've never seen anything.


Tim2012-11-05 20:46:55
Really? Wow, I thought Guillermo del Toro collaborates with his regular composer Marco Beltrami

Evenstar reply Replies: 2 || 2012-11-04 18:17:37
MoH Warfighter Credits from the end credits of the game:

Music by Ramin Djawadi
Additional Music by Mike Shinoda
Additional Arrangements: Brandon Campbell, Bryce Jacobs, Bobby Tahouri
Scoring Engineer: Steve Kaplan
Assistant Engineer: Milton Gutierrez
Conducted by Ramin Djawadi
Orchestrator: Stephen Coleman
Additional Orchestrations: Tony Blondal
Orchestra Contractor: Peter Rotter
Music Preparation: Brooker White
Technical Score Advisor: Catherine Wilson
Recorded at The Bridge, Glendale CA and Remote Control Productions, Santa Monica CA
Soloists: Charlie Bisharat, Chris Bleth, George Doering, Pedro Eustache, Satnam Ramgotra, Cameron Stone, Steve Erdody
Violins: Bruce Dukov (CM), Charlie Bisharat, Julie Gigante, Natalie Leggett, Phillip Levy, Serena McKinney, Sara Parkins, Radu Pieptea, Katia Popov, Lisa Sutton, Irina Voloshina
Celli: Steve Erdody, Giovanna Clayton, Erika Duke-Kirkpatrick, Trevor Handy, Dennis Karmazyn, Armen Ksajikian, Cameron Stone, Xiaodan Zheng

"Castle of Glass"
performed by Linkin Park


Evenstar2012-11-04 18:18:12
Yes, Ramin Djawadi actually conducted here! :)


Macejko2012-11-04 18:43:38
Wow, the list of Ramin's already amazing skills just expanded. Great job!

Mike reply Replies: 0 || 2012-10-25 20:14:11
This whole album is amazing.

OKKU reply Replies: 0 || 2012-10-25 20:08:52
Any good music,no!

Macejko reply Replies: 2 || 2012-09-27 20:44:59
Really good one. Ramin can't make a bad soundtrack.


Adriaan2012-09-28 00:41:00
Well put, let's hope for more MoH games in the future as well, it'll another game with good music!


fabien2012-10-08 14:34:05
Hell yes !

Fantastic use of the guitars again !
Epic score, wonderful themes !

Hybrid Soldier reply Replies: 7 || 2012-09-11 20:22:36
Coming soon ! :)


Adriaan2012-09-13 13:41:29
Another big like!
I can't wait!


Adriaan2012-09-18 01:03:28
Here are some samples for those who are interested:
amazon.co.uk/Medal-of-Honor-Warfighter/dp/B0098YYHJY/ref=sr_ 1_8?ie=UTF8&qid=1347922856&sr=8-8


Drunkenmunkey2012-09-21 04:43:10
Love it! Can't wait for the full release!


Hybrid Soldier2012-09-25 14:03:45
On this very page you have a little "See details..." you can click on...

Then, you just... click on ! Tadaaaaa


Jimmer2012-09-26 13:55:14
Thanks Hybrid. Totally overlooked that. Lol.


Al bundy2012-09-26 20:47:29
Imo it's better than previous MOH score. Well done Djawadi.


cody2012-09-27 16:54:05
Mike Shinoda & Ramin Djawadi did an awesome job on this score!!!!!

Jimmer reply Replies: 0 || 2012-09-25 14:00:43
When does this get released?

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Medal Of Honor - Warfighter (VG) soundtrack - Ramin Djawadi 2012