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She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
Can't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...
Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3.
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Lorne BalfeAndrew KawczynskiDavid FlemingJasha Klebe
ComposerAdditional MusicAdditional MusicAdditional Music
Skylanders - Giants (VG)
Label: Activision (Digital Download Only)
Length: 31'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5789 votes)
  1. Giants (1:38)
  2. Junkyard Isles (2:38)
    Lorne Balfe, Jasha Klebe
  3. Rumbletown (2:40)
    Lorne Balfe, Jasha Klebe
  4. Cutthroat Carnival (2:33)
    Lorne Balfe, Andrew Kawczynski
  5. Glacier Gully (2:39)
    Lorne Balfe, Andrew Kawczynski
  6. Secret Vault Of Secrets (2:28)
    Lorne Balfe, David Fleming
  7. The Oracle (0:51)
  8. Wilikin Village (2:05)
    Lorne Balfe, Jasha Klebe
  9. Aerial Attack (2:30)
    Lorne Balfe, David Fleming (Hans Zimmer)
  10. Drill-X's Big Rig (2:45)
    Lorne Balfe, Andrew Kawczynski
  11. Molekin Mountain (1:31)
    Lorne Balfe, Andrew Kawczynski
  12. Arena Battle (0:41)
    Lorne Balfe, Andrew Kawczynski
  13. Autogyro Adventure (2:54)
    Lorne Balfe, David Fleming
  14. Slippery Tunnel (1:35)
    Lorne Balfe, Jasha Klebe
  15. Bringing Order To Kaos (2:31)
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Mike reply Replies: 3 || 2013-05-31 01:22:13
You can actually hear similarities to the MW2 snowmobile music at the very end of "Drill-X's Big Rig" (it sounds like the part when the snowmobile flies over the chasm). Yup, this is definitely a Lorne score. And a very, very good one, I should add.


Mike2013-05-31 04:14:57
Having heard the whole thing, my favorites are:

Giants
Junkyard Isles
Glacier Gully
Wilikin Village

Excellent work from Balfe, indeed. I wish him success in future endeavors.


Aragorn2013-05-31 20:33:33
Lorne would agree on Junkyard Isles, that was his favorite, too.


Mike2013-05-31 20:35:45
It reminds me of Powell's "Forbidden Friendship" from How to Train Your Dragon. It's just one of those pieces that can instantly make you feel happy.

Hybrid Soldier reply Replies: 4 || 2012-08-27 19:19:39
September will be Lorne Balfe !! :D


Hybrid Soldier2012-09-21 22:36:41
Absolutely awesome score, as expected ! :O :D


Ds2012-09-30 20:15:12
Woow!! Track 2 is catchy and beautiful. Nice job Lorne!!


Hybrid Soldier2012-10-28 20:56:58
Well Hans's main theme is used in Aerial Attack... :)


Anonymous2013-05-31 01:18:34
Why wasn't Hans given any sort of credit for the appearance of the theme in there? I mean I get that he didn't work on the score but it seems like he'd be acknowledged to some extent.

T-Mann036 reply Replies: 0 || 2012-10-28 19:29:13
I'm surprised that Hans haven't produced the soundtrack or composed the themes. Nevertheless, Lorne have done an excellent job on that soundtrack. I'll look forward to hear his and Jesper's music in Assassin's Creed III

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Skylanders - Giants (VG) soundtrack - Lorne Balfe 2012