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Most of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Thanks MIKE, Any ideas of how can I Google it?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
Does anyone know where you can get a digital version of the Japanese versions 2 bonus tracks?Comparing it to YFM’s sfx edit this is what I’ve got;<br><br>“The Mole” seems to be an alternate of the opening sequence. The first minute or so is used, while the rest isn’t. “We Need Our Army Back/Regimental Brothers” are both made up of several cues from different points in the film. <br>“Home” is completely different in the film, which makes me think it may have been recorded specifically for the album. Similar situation with “Oil”. <br>“Supermarine” is definitely a suite. The rest is chronological.<br><br>Interesting thing to note, it seems like a lot of the tempo changes/ticking effects/bass overlays were removed from the album release, making almost every track sound different from the actual film versions. The music in context has a constant pulse going, especially in the way cues segue into each other and change tempo.It's not really possible to chronologically order the album because the album doesn't use the same tracks as the movie. Plus, the album is more or less chronological anyway, given the areas where they are the same.<br>With the complete cue sheet out now. Does anyone know what the chronological order of the album would be?Movie credits:<br><br>Music Composed and Mixed by:<br>TOM HOLKENBORG<br><br>Additional Music:<br>ANTONIO DI IORIO<br><br>Music Supervisor:<br>DAVE JORDAN<br><br>Music Editor:<br>PETER MYLES<br><br>Score Conducted by:<br>CONRAD POPE<br><br>Score Orchestrated by:<br>EDWARD TRYBEK, HENRI WILKINSON, JONATHAN BEARD, TOM HOLKENBORG<br>Score Copied by:<br>EDWARD TRYBEK, HENRI WILKINSON<br><br>Score Contracted by:<br>PETER ROTTER<br><br>Choir Contracted by:<br>JASPER RANDALL<br><br>Score Recorded by:<br>ALAN MEYERSON, BRAD HAEHNEL<br><br>Digital Recording by:<br>KEVIN GLOBERMAN<br><br>Technical Score Engineers:<br>ALEX RUGER, EMILY RICE,<br><br>Synth Programming by:<br>JACOPO TRIFONE, JONAS FRIEDMAN, MAX KARMAZYN<br><br>Score Recorded at:<br>NEWMAN RECORDING STAGE<br><br>Music Production Services by:<br>MICHIEL GROENEVELD<br><br>Score Mixed at:<br>COMPUTER HELL CABIN<br><br>Newman Stage Engineer:<br>MARC GEBAUER<br><br>Newman Recordist:<br>TIM LAUBER<br><br>Newman Stage Managers:<br>DAMON TEDESCO, PETER NELSON
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Steve JablonskyJacob SheaAndrew KawczynskiTom Gire
ComposerAdditional MusicAdditional MusicAdditional Music
Transformers - Dark Of The Moon (Expanded Score)
Label: Unofficial Release
Length: 157'55
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5569 votes)
  1. Logos (1:16)
  2. Main Title - Moon Mission (4:33)
  3. Lost Signal (2:12)
  4. Astronauts Return (1:25)
  5. Earthly Conflicts - Discovery Chernobyl (4:09)
  6. Optimus Arrives At Chernobyl (1:25)
  7. Laserbeak Chernobyl Attack (0:37)
  8. Accuretta Interview (3:01)
  9. I Need To Matter (0:35)
    Steve Jablonsky, Nathan Whitehead
  10. Director Of National Intelligence (Part 1) (0:45)
  11. Director Of National Intelligence (Part 2) (1:00)
    Steve Jablonsky, Nathan Whitehead
  12. The Ark (1:55)
    Steve Jablonsky, Jacob Shea
  13. Meet Dylan Gould (1:18)
  14. Car Collection (0:31)
    Steve Jablonsky, Jay Flood
  15. Finding Sentinel Prime (1:25)
  16. Megatron In Africa (2:04)
  17. Kill Human Collaborators (0:28)
    Steve Jablonsky, Nathan Whitehead
  18. Paying Your Dues (0:33) *
  19. I'm His Girlfriend (0:28)
  20. Meet Deep Wang (1:17)
  21. Staredown (0:20)
  22. Hemorrhoids (1:17)
    Steve Jablonsky, Pieter A. Schlosser
  23. Wang Out Window (1:01)
    Steve Jablonsky, Nathan Whitehead
  24. Clean Up Wang (0:46)
  25. Laserbeak Attacks Office (0:52)
    Steve Jablonsky, Nathan Whitehead
  26. That's My Car (1:30)
    Steve Jablonsky, Nathan Whitehead
  27. Sentinel Revived (2:47)
    Steve Jablonsky, Jacob Shea
  28. Bumblebee At Home (1:14)
    Steve Jablonsky, Pieter A. Schlosser
  29. Simmons Interview (0:54)
  30. Simmons Back In Action (0:29)
  31. Prime In Africa (0:52)
  32. Intel Confab (2:21)
  33. Are You Coming With Me? (1:22) *
  34. Tracking Russians (0:41)
  35. Russians Find Pillars (1:12)
  36. Freeway Chase (3:43)
  37. Back To NEST (0:50)
  38. Robot Standoff (0:59)
  39. Traitor Sentinel (3:18)
  40. Megatron In DC (4:23)
  41. Go Get Carly (0:37) *
  42. Assault At Dylan's (3:13)
    Steve Jablonsky, Todd Haberman
  43. Sentinel's Demands (0:42)
  44. Prepping Xanthium For Liftoff (1:54)
  45. Goodbyes (3:38)
  46. Shuttle Liftoff (1:55)
  47. Shuttle Explodes (0:58)
  48. Tracking Dylan (0:59)
  49. Sneak Into City (Part 1) (2:32) *
  50. Sneak Into City (Part 2) (0:54)
  51. Autobots Return (2:03)
  52. Saving Carly (3:29)
  53. Communicating With NEST (1:44)
  54. Planning Attack (1:05)
  55. Autobots Storm Chicago (2:05)
    Steve Jablonsky, Andrew Kawczynski
  56. Osprey Assault (1:56)
    Steve Jablonsky, Andrew Kawczynski
  57. Diving Into Chicago (1:10)
  58. Setting Up Rockets (0:43)
  59. Trapped In Building - Falling Down Side (2:05)
  60. Driller Attack (3:38)
    Steve Jablonsky, Tom Gire
  61. Starscream Loses His Head (1:24)
    Steve Jablonsky, Andrew Kawczynski
  62. Teams Surround Pillar (3:29)
    Steve Jablonsky, Andrew Kawczynski
  63. Kill The Prisoners (2:28)
  64. Parachuting In (0:39)
  65. Pillar Assault (Part 1) (0:44)
  66. Pillar Assault (Part 2) (1:54)
  67. Pillar Assault (Part 3) (0:50)
  68. Pillar Assault (Part 4) (1:07)
  69. Primes Fight (3:29)
  70. Megatron's Revenge (4:31)
  71. Victory (2:01)
  72. Iridescent - Linkin Park (4:00)
  73. Sentinel Suite (3:16)
  74. Battle Glorious Suite (5:55)
  75. Driller Suite (2:01)
  76. Death & Return Suite (4:43)
  77. Conspiracy Suite (3:49)
  78. Chicago Suite (7:44)
  79. Our Final Hope Suite (3:42)
  80. Communicating With NEST (Alternate) (1:44)
*Contains excerpts from Linkin Park's Iridescent
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Joseph Solano reply Replies: 0 || 2016-07-10 01:39:46
Does anybody know what thematic material "Sam Suite" has? It's not listed here.

RealFfingMusic reply Replies: 8 || 2014-02-08 20:28:12
At the beginning, between "Logos" and "Main Titles", there's a piece ROTF's "I Rise, You Fall". Also, the main titles of the film are at the end of "Astronauts Return". Right?


RealFfingMusic2014-02-08 21:03:41
There is a track that isn't listed here:-
After 48 - Dylan arrives with the Pillars / Seal Off the City


RealFfingMusic2014-02-11 15:53:21
Anybody here?


RealFfingMusic2014-02-11 16:55:39
Helloooo?


Mike2014-02-11 17:16:33
Sometimes people don't respond, buddy. As for me, I have no idea what the answer to your question is. xD


RealFfingMusic2014-02-12 04:52:38
That's just rude! I make two point-"score"ing discoveries and you guys just...


Areozz2014-02-12 15:06:37
You want a response?

Yeah. Yes, you're right! Unless you're here asking for confirmation on what you heard with your own ears. I can at least confirm your first observation.

And the track that isn't listed here probably isn't included because it's just the unused "Heed Our Warning" suite from RotF--which did get edited and remixed a bit for where it is supposed to appear on this score.


RealFfingMusic2014-02-13 05:49:36
Oh yeah!
Couldn't place it at first. :)


Another Jerk2014-02-16 18:44:27
There are three unused "Heed Our Warning"s.
Heed Our Warning (Alternate) - 4:05
Heed Our Warning (Version 2) - 4:27
Heed Our Warning (Version 3) - 4:27

T-Mann036 reply Replies: 8 || 2012-07-07 01:49:37
9.998 out of 10! This is truly one of the best film scores in the Transformers trilogy. Thank you for sharing that info, Hybrid!


ananymous2012-07-07 08:26:17
Very clever to call the sources. Please think about it, then write.


bob2012-07-07 14:26:11
Ungrateful as in, did not have it yesterday, but have it now, but want more waaahhhh. Want flac. Want suites. Now dammit now, wahhh.

I understand the frustration. But still. And this all reminds me of when the Avatar sessions got leaked elsewhere, in a low bit rate. Everybody was in love for all of 10 min before animosity set in on why it was not higher.

Ungtrateful.

:)


T-Mann0362012-07-07 14:53:43
Can't we all just get along? It's just A soundtrack.


Anonymous2012-07-07 19:47:15
Every1 was mad about Avatar cos scoremans a dick


Simza2012-07-08 20:48:28
Another Expanded Score Version ;-

TF3 1m0 Logos.mp3
TF3 1m1A Main Title-Moon Mission.mp3
TF3 1m1B Lost Signal.mp3
TF3 1m1C Astronauts Return.mp3
TF3 1m4 Chernobyl.mp3
TF3 1m5 Optimus Arrives at Chernobyl.mp3
TF3 1m5B Laserbeak Chernobyl Attack.mp3
TF3 2m11 Meet Dylan Gould.mp3
TF3 2m12 Car Collection.mp3
TF3 2m7 Accuretta Interview.mp3
TF3 2m7A I Need to Matter.mp3
TF3 2m8A Director Of National Intelligence Pt.1.mp3
TF3 2m8B Director Of Nat ional Intel l igence Pt .2.mp3
TF3 2m9 The Ark.mp3
TF3 3m13 Finding Sentinel Prime.mp3
TF3 3m14 Megatron in Africa.mp3
TF3 3m15 Kill Human Collaborators.mp3
TF3 3m18 Paying Your Dues.mp3
TF3 3m19 I'm His Girlfriend.mp3
TF3 3m21 Meet Deep Wang.mp3
TF3 3m21B Wang Stare Down.mp3
TF3 3m22 Hemorrhoids.mp3
TF3 3m23 Wang Out Window.mp3
TF3 3m24A Clean Up Wang.mp3
TF3 3m24B Laserbeak Attacks Office.mp3
TF3 3m25 That's My Car.mp3
TF3 4m28 Sentinel Revived.mp3
TF3 4m29 Bumblebee at Home.mp3
TF3 4m31 Simmons Interview.mp3
TF3 4m32 Simmons Back in Action.mp3
TF3 4m33 Prime's in Africa.mp3
TF3 4m34 Intel Confab.mp3
TF3 4m35 Are You Coming With Me.mp3
TF3 5m36 Tracking Russians.mp3
TF3 5m38b Russians Find Pillars.mp3
TF3 5m39 Freeway Chase.mp3
TF3 5m39b Ironhide to the Rescue.mp3
TF3 5m40 Robot Standoff.mp3
TF3 5m41 Traitor Sentinel.mp3
TF3 5m42 Megatron in DC.mp3
TF3 5m44 Go Get Carly.mp3
TF3 5m46 Assault at Dylan's.mp3
TF3 6m47 Sentinel's Demands.mp3
TF3 6m48 Prepping Xanthium For Liftoff.mp3
TF3 6m50A Goodbyes.mp3
TF3 6m50B Shuttle Liftoff.mp3
TF3 6m50C Shuttle Explodes.mp3
TF3 6m50D Tracking Dylan.mp3
TF3 7m51 Dylan Arrives W_Pillars_Seal Off City.mp3
TF3 7m53 Sneak into City.mp3
TF3 7m53B Decepticons Attack.mp3
TF3 7m54 Autobots Return.mp3
TF3 7m55 Saving Carly.mp3
TF3 8m56 Communicating With NEST.mp3
TF3 8m56ALT Communicating With NEST.mp3
TF3 8m57 Planning Attack.mp3
TF3 8m58 Autobots Storm Chicago.mp3
TF3 8m59 Osprey Assault.mp3
TF3 8m60 Pt 1 Driving Into Chicago.mp3
TF3 8m60b Pt 2 Driving Into Chicago.mp3
TF3 8m62 Trapped in Building-Falling Down Side.mp3
TF3 8m63 Driller Attack.mp3
TF3 8m64 Starscream Loses His Head.mp3
TF3 9m66 Teams Surrounding Pillar.mp3
TF3 9m67a Kill The Prisoners Pt .1.mp3
TF3 9m67b Kill The Prisoners Pt .2.mp3
TF3 9m68 Parachuting In.mp3
TF3 9m69A Pillar Assault Pt. 1.mp3
TF3 9m69B Pillar Assault Pt. 2.mp3
TF3 9m69C Pillar Assault Pt. 3.mp3
TF3 9m69D Pillar Assault Pt. 4.mp3
TF3 9m69E Pillar Assault Pt. 5.mp3
TF3 9m70 Prime's Fight.mp3
TF3 9m71 Megatron's Revenge.mp3
TF3 9m72 Victory.mp3


T-Mann0362012-07-10 01:31:46
Simza... I think it's the same thing-- minus the suite and an alternate.


T-Mann0362012-07-12 01:13:56
You know what, Simza... cancel that. I didn't realize that Pillar Assault Part 5 was in the expanded sessions.


RealFfingMusic2014-02-11 16:53:01
Uhh Simza, you're missing the suites and Linkin Park's "Iridescent (Film Mix)"

Hybrid Soldier reply Replies: 2 || 2013-10-01 12:54:35
A bunch of credits if you want :

SJ / Todd Haberman :
Assault At Dylan's

SJ / Andrew Kawczynski :
Autobots Storm Chicago
Starscream Loses His Head

SJ / Jacob Shea :
The Ark
Sentinel Revived

SJ / Nathan Whitehead :
I Need To Matter
Director Of National Intelligence Pt 2
Kill Human Collaborators
Wang Out Window
Laserbeak Attacks Office
That's My Car

SJ / Pieter Schlosser :
Hemorrhoids
Bumblebee At Home

SJ / Tom Gire :
Driller Attack


Edmund Meinerts2013-10-01 15:40:44
Awesome! Keep 'em coming, Hybrid. :D

Also, Tom Gire WITHOUT John Sponsler? Since when does that happen? And shouldn't Zack Hemsey get a credit? ;)


Hybrid Soldier2013-10-01 20:03:11
Sponsler was not in town, so Tom worked alone.


And it was a tough experience. Between that & POTC 4, no wonder you haven't seen them on film score in the past 2 years... :P

The Doctor reply Replies: 1 || 2012-12-21 00:19:46
You all want the complete scores. We get that. But after something marvelous like this is released, in FLAC NO LESS, and you all complain, then you truly do not deserve anything. Low quality music is still music to enjoy, but complaining about lossless? That's like killing the guy who's discovered the fountain of youth, and then destroying it. You're all idiots, and maybe if the next guy gets music he'll share with NO ONE, or the one who appreciates it the most. People don't post because they have to, they do it regardless of the rules so others can enjoy what they long sought after for. So shut up, all of you. Because now another of what could have been obtained next scores are not in our midst anytime soon, because of YOU UNGRATEFUL BITCHES. Stop listening to music, because if I was music composer, I wouldn't want you listening to my work. The lot of you, disgraceful. Completely and entirely. And no, I will not repost what scoreman deleted, it's safely on my hard drive, similar to the likes of others, safe from you people who think its better to complain then enjoy music. Pitiful, I hope the world DOES end tomorrow.


Mike2012-12-21 00:44:53
People are pretty selfish. Whatever happened to the whole idea of, "Be thankful for what you HAVE"?

Hybrid Soldier reply Replies: 4 || 2012-07-06 23:03:09
Here's your new playground !


Hybrid Soldier2012-07-06 23:12:24
I'm not him !

But the cover here is his ! ;)


He had no reason to do that, but he did, and some people have shown how ungrateful they are instead of just being happy ! :/


Hybrid Soldier2012-07-06 23:17:47
Yeah I created it cause I'm not blind... o_O

It's out, then why should I NOT add it here ? ;)


Anonymous2012-07-06 23:30:30
Maybe us well-to-do folks would not be so ungrateful if y'all didn't act like children, keeping these to yourselves and then stirring shit by saying 'this is old news to me'


Anonymous2012-07-07 00:10:22
People may be seen as 'ungrateful' cause they are getting second generation stuff. Its like someone having a rare DVD and copying it onto a video cassette and expecting us to be thrilled. Yet when we ask why we couldn't get a straight copy of the DVD - that the elite are still keeping and is available - we are branded as ungrateful. gee I wonder why!!

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Transformers - Dark Of The Moon (Expanded Score) soundtrack - Steve Jablonsky 2011