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She definitely performed on the score, I don't know why she is uncredited...The poster shows Lorne Balfe as the composer.<br><br>But then it also did have Desplat!So no solo cello by Tina Guo? Is it digital then or is it no cello?CD or LP release?Why is Lorne Balfe not nominated for a Grammy for Ad Astra ?
To my understanding, James never worked for Hans or Remote Control. They’re simply friends and have collaborated on a few projects. Powell (and Gregson-Williams) used to work at Remote Control before moving on to his own studio/endeavors. <br><br>BUT, I am equally as excited for James to return to Disney Animation. Very excited for this and Jungle Cruise.I guess James Newton Howard doesn't count as a Remote Control composer anymore (and yet John Powell does? I don't get it), but anyway, he's scoring Disney Animation Studios' Raya and the Last Dragon. After his epic trilogy of Dinosaur, Atlantis, and Treasure Planet, I welcome his return to the studio!Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats true
Can't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bondMaybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...
Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photoHah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3.
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Nick Glennie-SmithBruce FowlerSuzette MoriartyLadd McIntosh
ComposerOrchestratorOrchestratorOrchestrator
The Lion King II - Simba's Pride
Label: Disney Records
Length: 62'29
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7548 votes)
  1. He Lives in You (3:08)
  2. We Are One - Cam Clarke (3:45)
  3. Upendi - Liz Callaway (2:54)
  4. One of Us (2:40)
  5. My Lullaby - Andy Dick (2:54)
  6. Love Will Find a Way - Liz Callaway (3:00)
  7. We Are One - Angélique Kidjo (4:10)
  8. She Believes in You (3:55)
  9. Song for the Children (2:31)
  10. I Want to See the Moon (4:20)
  11. Lion Sleeps Tonight (3:35)
  12. Love Will Find a Way (End Title) - Heather Headley (4:31)
  13. He Lives in You (TRF vers) only on the japanese version (4:36)
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Mark reply Replies: 1 || 2007-08-30 00:00:00
Shameful music compaired to Zimmer's score. If they ever make another Lion King movie please bring ZIMMER back!!!!


Hedon2019-06-10 11:35:46
Well, our wishes came true! Now they are making another Lion King movie and they have brought Zimmer back :D
In about one month we'll hear the new music.

Kenji reply Replies: 1 || 2019-06-10 09:48:16
It is well known the similarity between part of the score of this movie and Pirate's. I was wondering why they didn't release it separately or even inside this album. Is there any reason? Or they fact that they didn't release it was strategic? It is indeed helpful to re-use stuff when it is officially out there.




Mr Tweedy2019-06-10 10:38:47
The Lion King 2 is a Direct to Video movie, therefore it's considered a "lesser project", as well as its score.
Back in 1998, original scores were less trendy than today, song albums were often all we got, especially coming from Disney (another exemple: The Tigger Movie).

It's pretty sad, as TLK2 contains a good score by Nick Glennie-Smith, in between The Rock and Pirates, with a "Lion King" flavor.

ggctuk reply Replies: 5 || 2013-02-14 23:35:50
I've noticed something curious during my digging into the ASCAP archies: one cue, apparently simply titled "The Lion King" which is also assigned the name "Lion King II Cues", was done by Zimmer. It wouldn't refer to the only pre-existing track in the film ("He Lives In You") which according to my copy of Rhythm Of The Pride Lands, Zimmer had nothing to do. It'd be a stretch to say it would be the end hit of "Circle Of Life" which can be heard at the title card. So, I'm wondering if Zimmer DID compose something for the film, maybe something that ended up rejected.


Anonymous2016-06-15 03:26:30
just now seeing this but that sounds interesting. did they originally want zimmer involved? i mean nick glennie smith is the next best thing for this series but that would be interesting


Edmund Meinerts2016-06-15 10:44:21
Zimmer probably demands far too high a price tag for a direct-to-DVD Disney sequel to afford.


Mike 2016-06-15 17:04:28
Well, he did do some consulting with Daniel Pelfrey for Joseph: King of Dreams following Prince of Egypt and, according to Pelfrey's website, helped out with song production. Granted, that's not nearly the same as being onboard for the project. :P


Mike 2016-06-15 17:05:44
...and "Joseph" was Dreamworks, not Disney, which Zimmer has always been involved with anyway.


ggctuk2016-06-16 09:01:54
I'd completely forgotten about this being a thing. I agree with Edmund: Zimmer was probably too expensive for a direct-to-video sequel. I wouldn't have been surprised if he did consultation work with Nick Glennie-Smith.

ggctuk reply Replies: 0 || 2012-04-26 23:19:35
Sad that none of the score is on here, despite it not being a shade on Zimmer's score for the first, it did have some good moments that would have made nice suites. His site has a few low-fi tracks in mono, but that's not the same thing.

Maybe someday, if Intrada keeps delving into the Disney Vault, the scores to all the Lion King films will appear, if not complete, then at least expanded. Here's hoping.

Deakins reply Replies: 0 || 2008-07-16 00:00:00
Yes! The music of 'Lion King' is a pre-pirate composition. The theme is the same with a little variation and the old percus of MediaVentures.

Nick Glennie Smith is really one of the best composers of Remote Control sequels.

Kristy reply Replies: 0 || 2008-01-14 00:00:00
I couldn't stop thinking of Pirates and Johnny Depp when watching the action scenes of this movie.

joop reply Replies: 0 || 2007-11-07 00:00:00
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Suicune reply Replies: 0 || 2007-01-08 00:00:00
The soundtrack is great but I wonder why isn't a score track on the CD.

Kiara reply Replies: 0 || 2006-06-20 00:00:00
Love it Love it Love IT ^ ^

Stephan Suwon Johansen reply Replies: 0 || 2006-05-17 00:00:00
I LOVE THE SONGS!!!

=)

I hoped there would be another movie of lion king where kovu and kiara get's a boy or a girl, then there would be more good music too ^^

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The Lion King II - Simba's Pride soundtrack - Nick Glennie-Smith 1998